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King George VI & Queen Elizabeth Coronation 1937 a Wedgwood mug designed by Eric Ravilious, printed in black and red over an emerald green band with fireworks and Royal crest, the reverse dated 1937, printed factory mark, 10.2cm. high Provenance Andrew Harriss Literature Andrew Casey 20th Century Ceramic Designers, ACC Books, page 214 figure 239 for the original artwork for this mug illustrated.
A Robj Paris set of knife rests and salts designed by Edouard Marcel Sandoz, twelve ceramic knife rests each modelled as a stylised duck, glazed white with gilt highlights, two duck salts with metal spoons, in fitted silk lined display case, stamped marks to base, 10cm long (rests) Provenance Design, Woolley and Wallis Auctioneer's, 16th October 2019 lot 1402. Private collection.
'Big Poppy' a Moorcroft Pottery vase designed by William Moorcroft, shouldered, cylindrical form, tubeline decorated with flowers in purple, red and green on a blue ground, impressed marks, painted blue signature, paper label, 20.5cm. high Provenance The Professor Abbey Collection. Ceramic Design from 1860, Bonhams 16th March 2011 lot 318. Private collection.
'The Bull' a large Hammersmith Bridge stoneware figure by Harold Stabler, dated 1914, modelled as two young children riding on the back of a bull, on waisted octagonal base, glazed in colours impressed Hammersmith Bridge mark and incised inscription, paper collection and exhibition label, 33cm. high, 32.5cm. wide Provenance The Albert E Wade Collection, Sotheby's 8th November 2002, lot 191. The Redstone Collection. Exhibited London Ceramic Circle, 2014. Literature British Art & Design 1900-1960, Victoria & Albert Museum, page 68 & 69 for a comparable example illustrated. An example, made in lead, was exhibited at the Arts and Crafts Exhibition Society at the Royal Academy in 1916. Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 40 for a comparable Poole Pottery example illustrated. This model was exhibited at the Arts and Crafts Society exhibitions in 1916 and 1924.
A fine Carter Stabler & Adams Poole Pottery twin-handled vase designed by Truda Carter and painted by Ann Hatchard, shape 437, pattern BD, shouldered cylindrical form with cylindrical neck and applied handles, painted with columns of geometric foliage in colours on a white ground, impressed factory mark, incised 437, painted artist cipher and pattern BD, 26.5cm. high Provenance The Albert Wade Collection, Sotheby's, 8th November 2002 lot 207. The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 61 this actual vase illustrated. Robert Prescott-Walker, Collecting Poole Pottery, Francis Joseph, page 63 this actual vase illustrated. Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 103 figure 99 for a comparable example illustrated. .
A Poole Pottery vase painted by Ruth Pavely, pattern KN designed by Truda Carter, shouldered form, painted with geometric foliage panels in colours on an Alpine matt white ground, impressed factory mark, painted artist cipher and KN, 20cm. high Provenance The Martin Brothers, Charles Vyse and Ceramic Design 1860-1945, Bonham's Auctioneer's 1st March 2006, lot 51 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 60 for a comparable example illustrated.
A fine Carter Stabler & Adams Poole Pottery vase designed by Truda Carter and painted by Mary Brown, shape no.916, pattern DK, shouldered, flaring form with collar rim, painted with Egyptianesque fan flowers on geometric foliage with black pillars, in colours impressed factory marks, incised 916 and painted marks, 36cm. high Provenance Christie's South Kensington, 25th August 2000 lot 268 The Redstone Collection. Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 102 figure 97 for a comparable example painted with purple flowerheads, and figure 98 for the original pattern design painted in this colourway.
Her Majesty Queen Elizabeth Coronation June 2nd 1953 a large Poole Pottery commemorative wall charger designed by Alfred Read and painted by Ruth Pavely, made at Poole Pottery in 1953, numbered 14 of 25, painted with Royal Crest to the well, inside geometric border and inscription to rim, painted inscription, impressed 626, 39cm. diam. Provenance The Redstone Collection. Literature Andrew Casey, 20th Century Ceramic Designers in Britain. ACC books, page 239 figure 280 for a comparable example illustrated. Jennifer Hawkins, The Poole Potteries, Barrie & Jenkins, page 152 for a comparable charger illustrated.

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163691 item(s)/page