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Click here to subscribea 9ct white gold mounted Chinese green hardstone bracelet and earrings (af) weight together 15.7gms, with a apir of earrings mounted in silver, further genn hardstone and ceramic beads etc Condition Report:Both earrings have been broken in half and fixed by a mount that hold the two bits together.
Y REGENCY ROSEWOOD OPEN ARMCHAIR EARLY 19TH CENTURY the continuous curved back and seat flanked by part-padded arms with scrolled hand terminals, on arched X form legs with later ceramic castorsDimensions:60cm wide, 91cm high, 54cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y EARLY VICTORIAN ROSEWOOD DUET STOOL MID 19TH CENTURY the padded serpentine seat in a moulded frame raised on flower carved cabriole legs ending in ceramic castors; covered in blue and cream rose and lattice upholsteryDimensions:114cm wide, 46cm high 51cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
EARLY VICTORIAN MAHOGANY SOFA MID 19TH CENTURY the padded back with a serpentine top rail above a long padded seat flanked by outscrolled arms with leaf carved facings, above a moulded seat rail and raised on turned tapering legs with ceramic castors, covered in russet and gold check upholsteryDimensions:210cm wide, 89cm high, 55cm deep
PAIR OF VICTORIAN CARVED OAK AND LEATHER LIBARY ARMCHAIRS 19TH CENTURY the sloping button upholstered backs above deep seats and padded open arms, carved throughout with foliate quatrefoils and strapwork, raised on reeded tapered legs terminating in brass caps and ceramic castors, upholstered in green leatherDimensions:65cm wide, 96cm high, 80cm deep
VICTORIAN AMBOYNA, MAHOGANY, EBONISED, AND JASPERWARE MOUNTED WORK TABLE MID 19TH CENTURY the hinged rounded rectangular top with an ebonised and bone cartouche, opening to a fitted interior with a mirror insert and two sliding trays over a void, a sliding work box below, all outlined with brass beading, a pair of turned and fluted ebonised supports highlighted in gilt and mounted with jasperware roundels of classical scenes, on trestle bases with ceramic casters and united by a turned stretcherDimensions:66cm wide, 74cm high, 43cm deep
STEIFF - a group of Steiff teddy bears, including the 2002 Steiff Club Cinnamon teddy bear, with certification in associated box, Steiff Original Teddy Bar 12, ref. 030123, Steiff Classic Teddy Bar 25 1909, ref. 000423, and a ceramic Steiff teddy bear 2002, ref. A1575, no. 1116 out of 2002 (4)
A MAHOGANY TABLE SPECIMEN CABINET, c.1900, of square form with brass loop carrying handle, the glazed door enclosing twenty five small velvet lined drawers each with numbered turned ebonised handles and applied ceramic named plaques and containing microscopic slides, on moulded base, 12 3/4" wide x 13 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: Very good
AN ARTS AND CRAFTS STYLE BRASS COAL BOX, c.1900, of square tapering form with loop carrying handles and studded strap angles, the fascia and hinged lid with a central boss with ceramic cabochon, possibly Ruskin, within a scroll surround, with tin liner, 12 1/4" x 19" (Est. plus 24% premium inc. VAT)Condition Report: Very good
ZWEI SILBEDOSEN MIT EINGEARBEITETEN PORZELLANFRAGMENTEN Deutsch, 20. Jh. Silber, beschwert, Porzellan, Stoff. H. 10,2 cm. Auf der Bodenunterseite punziert mit Halbmond, Krone, Herstellersignet, 'STERLING 925 WEIGHTED', Auflage '175/500' und '258/500'. Auf der Bodenunterseite bezeichnet: 'Exclusive design for Helena Rubinstein by Anong'. Im Deckel Inschrift: 'CERTIFICATE The porcelain-segment inserted in the lid of this jar is the fragment, recovered in Thailand, of a chinese ceramic from the Ming-period (A.D. 1368-1644), which has been proved by experts as genuine and dating from the 16th to mid 17th century. Helena Rubinstein'. Min. Oberflächenkratzer.
A VICTORIAN MAHOGANY FRAMED CHESTERFIELD SOFAPossibly by Waring and Gillow, on turned supports, 190cm wide; 68cm highCondition report: Good overall condition Structurally solid. Re-upholstered at some point. Chips and scuffs to the bun legs at the front and block legs at the back. Front right with replacement castor, the other ceramic. Dirt and dust. General inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.
Circa 8th century B.C. Black burnished ceramic urn with conical lower body, two flared loop handles, bell-shaped upper body and flat everted rim; band of incised chevrons to the equator, horizontal linear bands and ropework key patterns; one handle restored. See Morandi, L., Early Iron Age Finds from the Villanovan cemetery of Colle Baroncio: remarks on early Vetulonia and its connections, in Mediterranean Archaeology, 2013. 2 kg, 25 cm high (9 7/8 in.). Ex private Orange Country collection.with Ancient Resources Auctions, Auction 34, 14 September 2014, lot 246.Accompanied by a detailed collector's catalogue pages including description and photograph. Such urns were often deposited with the cremated remains inside, one handle broken off (perhaps part of the funerary rites) and in some case a bronze crested helmet placed over the top of the urn.
Mid 6th-mid 4th millennium B.C. Spherical hollow clay mass with the remains of impressions to the exterior and ceramic tokens inside; surface cracked. 169 grams, 61 mm (2 3/8 in.). Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992.Thence by descent to family members.Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.The collection is exceptional for the variety of types, including some very rare and well preserved examples.Accompanied by a copy of a illustrated typed catalogue page. This bulla envelope likely belonged to the Sumerian or Uruk culture. It is believed that there are less than 250 complete and fragmentary examples of this type of bulla envelope worldwide. This is one of only a handful of examples ever offered at auction. The bulla first emerged in Mesopotamia around 8000 B.C. The clay envelopes contain a number of pre-baked accounting tokens, which were used in commercial and stock-taking transactions. Placing the tokens inside the bulla greatly enhanced the honesty of the transaction, as the bulla would have to be broken or crushed to reveal its contents.
A set of five ceramic graduated Beswick wall mounted ducks, numbered 596/0 to 596/4, the largest 30cm in length, all with printed marks to the underside, crazing to all (5)Crazing to all, no. 2 and no. 3 with stickers to the backs, no. 4 with a small area of paintloss to the side of the wing.
A collection of ceramic graduated Beswick wall mounted ducks, comprising one 596/1, 26cm in length, four 596/2 and one 596/3, all with crazing and with printed marks to the undersides (6)Crazing to all, one no.2 and no.3 with some minor scratches to the neck. No. 3 with a hairline crack to the back, and with some bubbling to the paint on the wing.Generally with some further minor wear.
A collection of Far Eastern works of art, comprising two carved wooden netsuke's one of a nude women in a suggestive pose 5.5cm high and a child, 5cm high both with character marks to the undersides, two Jadeite pendants with scrolling metalwork, one with a dragon to the centre, both 6.5cm a Chinese white metal cigarette case with gilt interior 8.5cm x 8cm with two character marks to the inside and a small hand mirror with jadeite style handle metal mounts with a blue and white ceramic back 15cm in length (qty)
A mixed collection of works of art, comprising a damaged Mary Parr ceramic piggy bank, 17cm in length, a white metal Llama mounted on an ebonised base, 14.5cm high, a collection of cigarette cards in a cigarette tin, a collection of novelty spoons, three silver example, three egg cups (two ceramic), sewing accessories, etc AF (qty)
A small Victorian novelty porcelain and silver topped scent bottle, in the form of an egg, the underside of the body stamped R.N. 20778, the silver top monogrammed and with a chain, hallmarked Sampson Mordan & Co., London 1886, 4.5cm in length, some crazing to the bodyThe ceramic body with crazing, some marks to the underside. The silver cap with marks and wear.
A collection of four lamps, comprising a green ceramic example of a child, AF 49.5cm high, a damaged Chinese example, and a pair of metal lamps, both 57cm high AF, all will require re-wiring (4)The metals lamp columns appear in good condition, the shades are dented and slightly misshapena nd loose. They are untested and require re-wiring.
Three Chinese ceramic vases, converted to lamps, all with different patterns and sizes, in damaged condition, the largest, 49cm AF, all require re-wiring (3)The tallest with areas of discolouration, the medium size and smallest lamps both with crackled glazes, losses of decoration, minor wear and marks, all untested and require re-wiring.
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