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Lot 145
Horst KERSTAN (1941 - 2005). 2 Balustervasen 1968. 11 cm und 19 cm hoch. Je signiert und datiert. Steingut / Keramik. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Horst KERSTAN (1941 - 2005). 2 baluster vases 1968. 11 cm and 19 cm high. Each signed and dated. Ceramic. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 146
Horst KERSTAN (1941 - 2005). 3 Fußschalen. Bis 18 cm Durchmesser. Zwei signiert und datiert 1969. Sonst Monogramm im Stein. Steingut / Kermaik. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Horst KERSTAN (1941 - 2005). 3 foot bowls. Up to 18 cm in diameter. Two signed and dated 1969. Otherwise monogram in the stone. Ceramic. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 147
Horst KERSTAN (1941 - 2005). 3 Vasen alle signiert und datiert. Bis 23 cm hoch. Steingut / Kermaik. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Horst KERSTAN (1941 - 2005). 3 vases all signed and dated. Up to 23 cm high. Ceramic. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 148
Horst KERSTAN (1941 - 2005). 3 Vasen. Bis 37,5 cm hoch. Alle signiert und datiert. Steingut / Keramik. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Horst KERSTAN (1941 - 2005). 3 vases. Up to 37.5 cm high. All signed and dated. Ceramic. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 149
Horst KERSTAN (1941 - 2005). 3 Objekte Steingut / Keramik glasiert. Bis 18,5 cm hoch. Teils signiert und datiert, teils Monogramm im Stein. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Horst KERSTAN (1941 - 2005). 3 objects stoneware / ceramic glazed. Up to 18.5 cm high. Partly signed and dated, partly monogram in the stone. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 150
Jean COCTEAU (1889 - 1963). Gesicht. 1958 26 cm Durchmesser. Signiert und datiert 1958. Verso bezeichnet "Edition originale de Jean Cocteau Atelier Madeline Jolly 4/10". Kermaik. Bei einem Zuschlag über 400,- € zuzüglich Folgerecht von 4%. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Jean COCTEAU (1889 - 1963). Gesicht. 1958 26 cm diameter. Signed and dated 1958. Inscribed "Edition originale de Jean Cocteau Atelier Madeline Jolly 4/10" on the reverse. Ceramic. With a surcharge of more than € 400 plus resale right of 4%. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 151
Max ROESLER (act. c. 1930), Pferde Skulptur aus Keramik von ROESLER Darmstadt. 28,5 cm x 26 cm x 14 cm. Steingut weiß glasiert. Unterseite mit Stempel und Nummer ''0705". Zustand siehe Fotos. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Max ROESLER (act. c. 1930), ceramic sculpture of horses by ROESLER Darmstadt. 28,5 cm x 26 cm x 14 cm. White glazed earthenware. Lower side with stamp and number ''0705". Condition see photos. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 1158
THREE CLASSICAL CERAMIC MEHRGARH VESSELS Indus Valley, Pakistan, Mehrgarh, Bronze Age (2.900-2.600 BC). The lot consist of a bichrome terracotta storage jar with deep shoulder, everted rim and frieze of dark-brown and red painted geometric shapes to the body as well as two carinated beakers different in size , with thin straight walls on a small foot. Both with broad open mouth, simple geometric and linear decoration pained in dark-brown and with internal red rim. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with traces of age and use, some chips and abrasions to the lip, some color fading. Dimensions: Diameter: 6 cm – 14 cm, Height 4.5 – 12 cm
Lot 1159
THREE DELICATE NAL CERAMIC WARE Indus Valley, Pakistan, Nal culture (around 3100-2700 BCE). The lot consist of three carinated ceramic beakers with thin straight walls, open mouths and small centric feet. Painted with very elegant and carefully made geometric friezes of rhombus, squares and linear motifs to the body. Two of them with bichrome (dark-brown and red, light-brown and red), one of them with dark-brown monochrome decoration. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with traces of age and use, some chips to the lip, some color fading. Small repair to one vessel. Dimensions: opening diameter 8-9 cm, foot diameter 3-4 cm, Height 5.5-6.5 cm
Lot 1160
FOUR ANTIQUE CERAMIC OIL LAMPS FROM INDUS VALLEY Indus Valley, Pakistan, Nidowari and Mehrgarh culture (c. 2500 BC). This lot consist of four ceramic lamps in graduated sizes: one small for four, one small for three and one larger lamp for three wicks, all three with corners pinched to form spouts and resembling oinoche shapes. Decorated with geometric shapes painted in black on a pale-yellow and reddish slip. The fourth lamp is a round pale-yellow lamp with 3 holes for hanging and simple decoration of parallel vertical lines on a upper rim. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip, some color fading and some small scratches and chips. Dimensions: foot diameter 2.5 cm – 5 cm, opening diameter 7.5 cm – 6cm, Height 3 cm – 8.5 cm
Lot 1161
THREE CERAMIC MEHRGARH AND HARAPPAN DRINKING CUPS Indus Valley, Pakistan, Neolithic period (c. 5500 BC – 4500 BC). Three cups in a different size, formed on pottery wheel, two of them of prolongated conical shape with handmade foot and simple black linear decoration on a reddish-grey slip. These are associated with Pre-Harappan Mahrgarh culture while the last one, is a classical Harappan cup on a broad and steady stand with simple black geometric decoration painted on a red slip. One of the Mehrgarh cup cannot stand alone as the tiny foot is a bit damaged. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip, some color fading. One foot with larger chip. Dimensions: foot diameter 2 cm – 5 cm, opening diameter 8.3-10.8 cm, Height 8.5 cm - 13 cm
Lot 1162
THREE NAL WARE CERAMIC POTS Indus Valley, Pakistan, Nal culture (around 3100-2700 BCE). Three biconical ceramic pots in graduated sizes with bosses applique (centric circles) and linear decoration painted in dark-brown to the body. The internal rim of the medium and large size pots painted in red and dark-brown respectively. The pots were wheel-made which is characteristic only for a fine wares. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip, some color fading and small repairs. Dimensions: opening diameter 4.5-7.5 cm, foot diameter 4.2-5.7 cm, Height 5.5-6.5 cm
Lot 1163
THREE KULLI CULTURE CERAMIC VESSELS Indus Valley, Pakistan, probably Kulli culture (ca.2400-1900 BCE). The lot consist of two terracotta storage jars in graduated sizes with deep shoulder, everted rim as well as a large carinated ceramic beaker with broad open mouth and small centric foot, all with monochrome geometric decoration painted in dark-brown colour. The bigger storage jar with remains of post-firing red pigment. Kulli culture was a prehistoric culture in southern Balochistan in Pakistan. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip, some color fading. Dimensions: foot diameter 5 cm -10.5 cm, opening diameter 5.6 -11 cm, Height 6.5 cm-8.5 cm
Lot 1164
TWO NAL WARE CERAMIC VESSELS WITH FISH Indus Valley, Pakistan, Nal culture (around 3100-2700 BCE). This lot consists of a biconical ceramic pot with monochrome frieze depiction of five fish and filling pattern of parallel vertical lines in light-brown paint and another carinated ceramic beaker with broad open mouth and small centric foot, painted in dark-brown with depiction of two fish, lines around the rims and triangles. Both vessels were wheel-made which is characteristic only for a fine ware. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip, some color fading and small repairs. Dimensions: opening diameter 9.8-12.8 cm, foot diameter 3.4-7.5 cm, Height 6 -10.2cm
Lot 1165
TWO EARLY MEHRGARH SMALL CERAMIC VESSELS Indus Valley, Pakistan, Mehrgarh, Neolithic period (c. 5500 BC – 4500 BC). This lot consists of two pinkish ceramic vessels made on pottery wheel. One is a small jug with an everted spout, low belly, short centric foot as well as six drops of pinkish pigment. The second one is a drinking cup with a harmonious bulbous shape, extended foot and slightly everted lip as well as very simple decoration with a wide light-brown band running around the body. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Good condition with some traces of age and use, with some fritting to the lip and some small chips and discolorations. Dimensions: foot diameter 3.2 cm – 4 cm, opening diameter 3.4 cm – 5.9 cm, Height 6.8 cm – 8 cm
Lot 1167
THREE MEHRGARH CERAMIC VESSELS Indus Valley, Pakistan, Mehrgarh and Nindowari culture (c. 2500 BC). This lot consist of the biconical pinkish pot with linear decoration painted in black as well as internal red rim from the Nindowari culture, one storage jar with deep shoulder, everted rim and geometric decoration of horizontal and vertical lines creating panels and some remains of red paint between, as well as a small grey bowl with darker floral-like and geometrical decoration inside and outside of the body. The jar and the bowl can be associated with the Mehrgarh culture. Nindowari culture is dated to the chalcolithic period and has many similarities to the earliest Kulli settlements. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Fine condition with some traces of age and use, with some fritting to the lip, some small chips and color fading. The grey bowl has been broken and repaired, two longer cracks visible. Dimensions: foot diameter 4- 9.5 cm, opening diameter 6.8 - 11.5 cm, Height 5.5 - 8.5 cm
Lot 1168
MIXED LOT OF SIX SMALL MEHRGARH CERAMIC VESSELS Indus Valley, Pakistan, Mehrgarh culture (c.3000 - 2500 BC). This lot consist of one pinkish small drinking cup with beautiful monochrome depiction of two fish, one miniature jug with low belly, everted rim and simple linear decoration to the upper part, one miniature storage jar with deep shoulder, everted rim and simple linear decoration, one miniature biconical pot with raised neck and geometrical pattern, one small biconical pot with very short neck and floral-like decoration as well as one larger mug with charming depiction of abird amidst flora. Provenance: Private collection of a German artist and collector living in Southeast Asia. Condition: Fine condition with some traces of age and use, with some fritting to the lip, some small chips and color fading. The mug with bird broken and repaired, cracks visible. Dimensions: foot diameter 2.8 - 4.9 cm, opening diameter 3.7 - 9 cm, Height 4.5 - 6.5 cm
Lot 1172
A SMALL CERAMIC VASE IN THE FORM OF AN OWL Khmer Empire, late Angkor Period 12th -13th century. The stylized owl shaped vase with bulging eyes and a globular body is decorated with carved grooves to the neck and body to resemble wing feathers. Condition: Good condition, with abrasions as well as few small chips. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dimensions: Height 8.5 cm
Lot 1173
A CERAMIC VASE IN THE FORM OF ELEPHANT Cambodia, 18th -19th century. The vase in Angkor style is covered with a dark brown glaze and decorated with relief applications to depict an elephant. Condition: Good condition, with expected abrasions and wear. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dimensions: Height 12.5 cm
Lot 506
AN ORDOS GILT BRONZE ‘CROUCHING BEAR’ HORSE TACK ORNAMENT, WARRING STATES China, Inner Mongolia, Ordos, 4th-3rd century BC. Of circular shape, cast in the form of a crouching bear with distinctive ears and finely incised claws. Condition: Extensive wear, losses on the back, minor dents. Fine dark patina with small areas of malachite green patina as well as encrustations on the interior. Provenance: Grays Antique Center, London. Dr. Koos de Jong, acquired from the above in 2007. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Published: Dr. Koos de Jong, Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond, Amsterdam - Hong Kong 2013, ill. 1.10 (left), p. 23. Weight: 17.8 g Dimensions: Diameter 3 cm Auction result comparison: Compare with a closely related scroll weight sold by Christie’s Los Angeles in Myth and Reality: Animals in Chinese Art on 7 May 1999, lot 31, for USD $23,000 incl. buyer’s premium. 鄂爾多斯銅鎏金熊形馬具，戰國 中國，内蒙古，鄂爾多斯，公元前四至三世紀。圓形，鑄成蹲伏熊的形狀，有獨特的耳朵和爪。 品相：廣汎磨損，背部有缺損，輕微凹痕。深色包漿，局部有銅綠，内部有結殼。 來源：Grays Antique Center, London. Drs. Koos de Jong收藏，2007年購於上述收藏。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 出版：Dr. Koos de Jong著書《Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond》, 阿姆斯特丹 - 香港，2013年，圖1.10左側，頁23。 重量：17.8 克 尺寸：直徑 3 厘米
Lot 510
A GILT BRONZE AND WHITE JADE ‘DRAGON’ BELT PLAQUE, TANG DYNASTY China, 618-907. The rectangular white jade belt plaque is encased in a gilt bronze shell, the closed side with a dragon in high relief on an incised dotted ground and the other side decorated in openwork with scrolling vines and flowers, the open areas revealing the cased white jade. The opaque stone of a greyish white color with russet inclusions. The use of such precious materials as jade and gilt bronze indicates this plaque was crafted for a person of high status.Four small piercings, two on each end, for attachment. Condition: Good, original condition, remarkable considering the age of this plaque! Some wear, miniscule nicks and scratches, minor dents and tiny losses. The gilt bronze with dark and copper red patina as well as few spots of verdigris. Provenance: Grays Antique Center, London. Dr. Koos de Jong, acquired from the above in 1999 (invoice not available). Dr. de Jong is a Dutch art his - torian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 36.3 g Dimensions: Size 3.6 x 5 cm Literature comparison: Orientations, Vol. 33, no. 7, p. 19. 銅鎏金白玉龍袋扣，唐代 中國，618-907。方形白玉牌被包裹在鎏金銅框中，銅牌一面高高地浮雕著一條龍，另一面在白玉用鏤空的纏枝花卉紋裝飾，露出了白玉。 品相：原始良好品相，考慮到玉牌的年齡，這很了不起！一些磨損，微小的划痕，輕微的凹痕和微小的損失。 鎏金銅帶有深色和銅紅色包漿，以及少量的銅綠斑點。 來源：倫敦Grays 古玩中心。Drs. Koos de Jong 1999年購於上述收藏。 Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：36.3 克 尺寸：3.6 x 5 厘米
Lot 511
A BRONZE 'LION AND GRAPEVINE' CIRCULAR MIRROR, TANG DYNASTY China, 618-907. The mirror is cast in the center with a crouching beast-form loop surrounded by six smaller ‘lions’ amid fruiting grapevines, and in the outer field with birds in flight amidst further grapevine below a narrow border of florets. Condition: Good condition with minor wear, some small losses, a minor crack to the rim, and a fine dark patina with areas of copper red and malachite green. Provenance: Douglas J. K. Wright Ltd., London (label to back). Since 1945, Douglas J.K. Wright has been a renowned and well-respected auction specialist and London dealer in Chinese and Japanese works of art. He ran the Japanese department of Spink & Son before opening his own art gallery, Douglas J.K. Wright Oriental Art. Anthony du Boulay (label to back), acquired from the above. Anthony du Boulay served at Christie’s from 1949 to 1980, for many years as the Director of the Ceramics Department and for 13 years as the President of Christie’s, Geneva. From 1981, he served as Honorary Adviser on Ceramics to the National Trust, United Kingdom, on council of the Oriental Ceramic Society and as the Chairman of the French Porcelain Society. Weight: 1,124 g Dimensions: Diameter 13.4 cm Literature comparison: Compare with a similar mirror in the Avery Brundage Collection at the Asian Art Museum San Francisco (no. B60B600); see Also Hoyt, C., The Charles B. Hoyt Collection Memorial Exhibition, 1952, nos. 493 & 494. Auction result comparison: Compare with a closely related mirror sold by Christie’s New York in Fine Chinese Ceramics and Works of Art on 19-20 September 2013, lot 1481, for USD $12,500. 狻猊葡萄紋銅鏡，唐代 中國，618-907。海兽葡萄镜为伏兽钮，可見瑞兽。镜背有雀鸟相间环绕，葡萄及叶蔓铺地的图案。而纹饰中的瑞兽为西域引进的狮子。 品相：品相良好，輕微磨損，一些小缺失，邊緣處有一道輕微開裂，細膩深色包漿，成銅紅以及孔雀石綠。 來源：倫敦Douglas J. K. Wright Ltd. (背面標簽)。自1945年Douglas J.K. Wright已成爲倫敦中國日本工藝品方面最右面的拍賣專家。 在他建立自己的藝廊之前，他領導著Spink & Son 拍賣行日本藝術部。Anthony du Boulay (背面標簽)，購於上述藝廊。Anthony du Boulay 于1949-1980年間為佳士得工作，曾多年為陶瓷部主任，后又曾任13年日内瓦佳士得主席。1981年起他曾任英國陶瓷信托名譽顧問、東方陶瓷協會理事以及法國陶瓷協會主席。 重量：1,124 克 尺寸：直徑 13.4 厘米 拍賣結果比較：一件相似銅鏡2013年9月19至20日于紐約佳士得《中國陶瓷與工藝品》拍號1481，成交價USD $12,500。
Lot 605
A SMALL RUSSET-SPLASHED ‘HARE’S FUR’ BOWL, SONG DYNASTY China, 960-1279. The bowl is covered with a thick and lustrous blackish-brown glaze suffused with russet ‘hare’s fur’ streaks and accented with russet splashes, stopping neatly above the lower body and exposing the body of greyish-brown color with one thick glaze drop ending at the short foot ring. Condition: Excellent condition with some old wear and minor firing flaws. Provenance: E. W. Hendriks Oriental Art, Amsterdam. Dr. Koos de Jong, acquired from the above in 1996 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch. Weight: 103. 8 g Dimensions: Diameter 8 cm The bowl has rounded sides rising to a slightly incurved rim and is supported on a short ring foot. The superior quality of this remarkable bowl consists of the fascinating shades of the colors black, red, brown and green on the inside and the, entirely coincidental, symmetrical fan-shaped streamlining of the stripes on the outside. The bold russet splashes accenting the blackish-brown glaze on this piece are often referred to as zhegu ban, or ‘partridge-feather mottles’. ‘Hare’s fur’ tea bowls, much beloved by tea connoisseurs, were first made at the Jian kilns in Fujian in southern China. Following the Jin conquest of the north in 1127, such bowls became virtually unattainable as trade between northern and southern China diminished. Trying to tap into the lucrative market for these specialized dark-glazed wares, the Cizhou potters began to produce wares exhibiting their own version of this highly desirable glaze. Literature comparison: Priestley & Ferraro, London 2008, p. 4. R. Mowry, Hare’s Fur, Tortoiseshell, and Partridge Feathers. Chinese brown- and blackglaze ceramics, 400-1400, Harvard University Art Museums, Cambridge (MA) 1996, no. 38 a-b, p. 143. Fire & Earth, Chinesische Frühkeramik, Museum für Ostasiatische Kunst, Köln 2008, no. 166, p. 207. 小褐色釉兔毫盞，宋代 中國，960-1279。小盞覆厚重黑色釉层，透出均匀细密的丝状筋脉条纹，圈足露出灰褐色胎體，一層厚厚的釉滴聚集在圈足上方。 品相：品相極好，一些老磨損，輕微燒製瑕疵。 來源：阿姆斯特丹E. W. Hendriks Oriental Art收藏。Drs. Koos de Jong 1996年購於上述收藏 (無發票)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：103. 8 克 尺寸：直徑8 厘米
Lot 606
A SMALL 'OIL SPOT' BLACK-GLAZED CONICAL BOWL, SONG DYNASTY China, 960-1279. The deep conical sides rising from a short straight foot to a slightly everted rim, covered inside and out with a lustrous black glaze suffused with iridescent bluish silver and russet ‘oil spots’ of varying sizes, the glaze stopping above the foot, the unglazed section revealing the buff ware. Condition: Excellent condition with minor wear and firing flaws. Provenance: Collection of Michel Paciello, Venice. Dr. Koos de Jong, acquired from the above in 1999. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 110.4 g Dimensions: Diameter 10.5 cm The present piece boasts a highly lustrous glaze with iridescent ‘oil spot’ markings that shift from silvery-metallic tones to russet-brown when light shines through them. Bowls of this form and covered in this ‘oil spot’ glaze are quite unusual and extremely rare. The only other known, yet slightly earlier example (to this author) is in the Roy Hu collection in Taipei. Conical bowls were intended primarily for the drinking of tea. The choice of tea during the Song and Jin periods was a white tea that was whisked to produce a white froth on top. Black-glazed bowls such as the present example became increasingly popular as they showed off the frothy white tea to great advantage. Literature comparison: Rose Kerr, Song Ceramics, Victoria and Albert Museum, London 2004, no. 109, p. 108. The Multiplicity of Simplicity, University Museum & Art Gallery of the University of Hong Kong, 2012, no. 103, p. 255. Song Ceramics, Tobu Museum of Art, Tokyo 1999, no. 81, p. 119. 小黑釉油滴斑盞，宋代 中國，960-1279。深圓錐形，短足，向上擴延，邊緣稍稍傾斜，內側和外側覆蓋著一層發亮的黑色釉，上面覆蓋著虹彩的藍銀色和不同大小的紅褐色“油斑”，釉面停在腳上，無釉部分露出内胎。 品相：品相極好，輕微磨損與燒製缺陷 來源：威内斯Michel Paciello收藏。Dr. Koos de Jong 1999年購於上述收藏（發票已遺失）。Drs. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：110.4 克 尺寸：直徑10.5 厘米
Lot 607
A YAOZHOU CELADON CARVED ‘PEONY’ SHALLOW BOWL, NOTHERN SONG DYNASTY China, 960-1127. The interior deftly and deeply carved with two large peony blossoms among foliage, all with delicately combed details below a line border, the exterior carved with a band of simplified petals that ends below the rim and above the neat foot ring, covered inside and out and on the base with a deep olive-green glaze. Condition: Good condition with minor wear and firing flaws. One hairline across the rim, approx. 3.5 cm in length. Provenance: The Tree Friends Studio Ltd, Chicago. Dr. Koos de Jong, acquired from the above in 2000 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era and published an extensive study of saddle rugs in Dragon & Horse. Saddle Rugs and Other Horse Tack from China and Beyond. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was director of the European Ceramic Work Center in Den Bosch. Weight: 320.0 g Dimensions: Diameter 19.4 cm This beautiful bowl represents the peak of celadon production at the Yaozhou kilns. Both the elegance of its potting and the artistry of its decoration mark it as one of the finest Yaozhou wares. The outlines of the peony design on the interior of the bowl has been deeply cut with a slanting blade. This ensures that the edge of each element of the decoration has a considerable depth of clear green glaze next to it, shading to shallower glaze further from the motif. The effect is to give the overall design a bold, dichromatic, appearance. In contrast, the texture of both petals and leaves has been depicted using an especially fine combing device, to produce very delicately incised parallel lines. Literature comparison: Yutaka Mino, Ice and Green Clouds, Indianapolis Museum of Art, Indianapolis 1987, no. 61, p. 158. Rose Kerr, Song Ceramics, Victoria and Albert Museum, London 2004, no. 57 right, p. 60. G. Hasebe, Sekai toji zenshu 12 Song, Tokyo, 1977, p. 204, no. 196. McCord, Song Ceramics, 2003, p. 52, fig. 7. Auction result comparison: Compare with a very similar and only slightly larger bowl sold by Christie’s New York in Fine Chinese Ceramics and Works of Art on 30 March 2005, lot 273, for USD $38,400. 耀州窯青釉印牡丹紋碗，北宋 中國，960-1127。碗內葉間巧妙暗印兩朵大牡丹花，細節精緻，碗外壁簡化帶狀紋路，青釉覆蓋至足部，足底露胎。 品相：品相良好，輕微磨損與燒製瑕疵。邊沿一道髮絲綫裂縫，長約3.5 厘米。 來源：芝加哥The Tree Friends Studio Ltd古玩。Drs. Koos de Jong 2000年購於上述古玩店 (無發票)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：320.0 克 尺寸：直徑19.4 厘米 拍賣結果比較：一件極其相似的碗可見2005年3月30日紐約佳士得《中國陶瓷與工藝品》，拍號273，成交價USD $38,400。
Lot 611
A PAINTED CIZHOU ‘SLEEPING LADY’ PILLOW, JIN DYNASTY China, 1115-1234. Modeled in the form of a sleeping girl, covered with a white slip, her realistically rendered dress painted pale orange with the details in white slip and painted black under a transparent glaze, the base left unglazed revealing the buff ware. Condition: Good condition with some old wear, few hairlines on one side, small chips and losses. Provenance: D. Blitz, Amsterdam (label to base). Dr. Koos de Jong, acquired from the above at TEFAF Maastricht in 2011 (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch. Weight: 1,980 g Dimensions: Length 36.2 cm Literature comparison: Kaikodo Journal, New York, 1997, no. 79. Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong 1994, no. 162, p. 361. Chinese Ceramic Pillows. The Mr. & Mrs. Yeung Wing Tak Gift, Museum of the Western Han Tomb of the Nanyue King, Guangzhou 1993, no. 126. Auction result comparison: Compare with a closely related though slightly larger pillow sold by Christie’s Hong Kong in The Pavilion Sale - Chinese Ceramics and Works of Art Including the Quek Kiok Lee Collection on 9 October 2019, lot 221, for HKD $225,000. 磁州窯彩繪美人枕，金代 中國，1115-1234。以一個橫臥美人為原型，逼真地描繪了衣服等細節。底部未上釉，露出了淺黃色的胎體。 品相：品相良好，一些老磨損，一面有輕微髮絲綫裂縫、小開片與缺失。 來源：阿姆斯特丹D. Blitz (底座標簽)。 Drs. Koos de Jong 2011年購於TEFAF Maastricht (發票已遺失)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。 重量：1,980 克 尺寸：長 36.2 厘米 拍賣結果比較：意見相似但大一些的美人枕于2019年10月9日香港佳士得《中國陶瓷與工藝品》拍場拍號221，成交價HKD $225,000。
Lot 613
A CELADON CERAMIC BOWL China, Song dynasty or later. Glazed in a celadon hue, with carved floral decoration on the inside and grooves on the outside. Condition: Good optical appearance, with expected abrasions and few minor chips. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Weight: 380 g Dimensions: Height 7.3 cm, diameter 13 cm
Lot 614
A CELADON-GLAZED CERAMIC BOWL China, Song dynasty or later. The earthy bowl with engraved designs on the exterior, all beneath a light celadon glaze. The base unglazed. Condition: With small chips to rims and expected traces of use and wear. Provenance: German private collection. Weight: 440 g Dimensions: Diameter 12.4 cm
Lot 660
A LARGE BLACK CERAMIC 'BRONZE IMITATION' ARCHAISTIC VASE, HU, WITH DONOR SEALS China, 18th century or earlier. With three donor seals, including “Chen Wenjiao yin” and “Jingbo”. Sturdily potted in imitation of a patinated bronze hu vase in the style of the Song to Ming dynasties. Condition: Old wear and casting flaws, the upper rim with some chips, the foot rim with minor losses, the vase with several old cracks. Provenance: German private collection. Weight: 4,386 g Dimensions: Height 48.3 cm The vase with two curved handles issuing from dragon heads, the sides with circular reserves showing cherry blossoms and lotus with lingzhi, the upper rim with a leiwen band, florets and pendant lappets, the splayed foot with diaper patterns. Literature comparison: For other vases made to imitate archaic bronze vessels compare: Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London 1994, no. 953 for a Qianlong vase; Kangxi Yongzheng Qianlong, Hong Kong 1989, p. 394, no. 75 for a green-glazed and gilt example in the Palace Museum, Beijing; Qian Zhenzong, Qingdai ciqi shangjian, Hong Kong 1994, no. 152 for a fanghu with a blue-green ‘patina’ and gilt relief decoration, and no. 153 for a brownglazed hu; John Ayers, Chinese Ceramics in the Baur Collection, vol. 2, pl. 252 for a gilt gu vase and pl. 253 for a Jiaqing-marked jar imitating inlaid bronze. 仿青銅黑瓷雙耳壺，藏家印 中國，十八世紀或更早。三枚藏家印，包括 “陳文教印”和“靜伯”。堅定模仿宋代至明代風格的青銅壺瓶。 品相：老磨損，製作缺陷，上部邊沿有一些磕損，足部邊緣有些微缺損，花瓶有一些老開裂。 來源：德國私人收藏 重量：4,386 克 尺寸：高48.3 厘米
Lot 763
A CARVED SOAPSTONE ‘YIXING IMITATION’ TABLE SCREEN, LATE QING TO REPUBLIC China, late Qing dynasty (1644-1912) to Republic period (1912-1949). Carved from green soapstone and painted to imitate Yixing ceramic. Finely carved with a man on horseback with attendants riding past a pavilion with onlookers inside. The reverse with calligraphy and the mounting of the screen with floral decoration and phoenixes in archaic style. Condition: Good condition with associated surface wear and some surface scratches. Provenance: Private collection. Weight: 2658 g. Dimensions: Height 27.6 cm.
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