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Lot 241
Two Hummel figures comprising a young girl with bird and a young boy carrying boots and holding a straw bonnet, three late 19th century Continental ceramic figures comprising a boy holding a puppet, a young girl with bonnet seated on a bench, holding a dog, and a Sitzendorf ceramic perfume bottle in the form of a young hunter in period costume, with rifle and putting a game bird in basket, height 8.5cm and an early 20th century Wedgwood 'Nanette' design octagonal plate (6).
Lot 1104
Barry Sutton, Free Spirit, 2008,patinated solid cast bronze,signed, dated, and numbered in the cast 3/25,length 59cm, depth 15cm, height 34cm.Footnote: Barry Sutton studied sculpture at Leicester in the 1970s and went on to become head of model making and taxidermy at London's Natural History Museum. His modelling and interest in anatomy have naturally led him to produce bronze and ceramic sculptures for commercial sale, as well as work in animatronic modelling for television and film productions. His artistic merits have gained acclaim in galleries throughout Britain, such as winning 1st prize for Sculpture at the David Shepherd Wildlife Artist of the Year Show at the Mall Galleries, London.
Lot 151
EMANUELE LUZZATI (Genoa, 1921-2007)."La bella e il gallo".Painted and glazed ceramic.Signed on the base.Size: 24 x 23 x 8 cm.Painter, ceramist, draughtsman, animator and set designer, Emanuele Luzzati trained at the School of Fine Arts in Lausanne (Switzerland), a city to which he had to emigrate due to his Jewish origin and the fascist racial laws that the fascist regime and the Italian Social Republic had launched in Italy between 1938 and 1945. Eclectic in character, Luzzati is the interpreter of a skilful and cultured figurative culture, capable of masterly use of all kinds of materials: from terracotta to enamel, from woollen weaving for tapestries to engraving on different supports, including collages of paper and fabrics composed to construct sketches of scenes, costumes and naval scenes. The richness of his fantastic world, the immediacy and expressiveness of his highly personal style have made him one of the most admired artists. From the late 1950s onwards he made more than a dozen animated shorts. As a set designer he worked for the London Festival Ballet, the Chicago Opera House and the Vienna Staatsoper. He also collaborated as an illustrator of works by Italo Calvino and the Brothers Grimm, and was nominated for an Oscar in 1966 and 1974 for the animated shorts "La gazza ladra" and "Pulcinella".
Lot 112
Three 19th century bear themed ceramic pot lids, comprising, a James Atkinsons Bear Grease of 24 Old Bond Street, London lid and pot 5.5cm diameter, a shooting bears lid 8cm in diameter and a lid with two bears in natural surroundings 9cm in diameter, formally of the Manners Collection, all AF (4)
Lot 113
Three 19th century Exhibition themed ceramic pot lids, Two with the Great Exhibition, one with the Great Exhibition written round the edges and with a pot 13cm diameter, the other with an acorn border 12cm diameter, together with a lid and pot for the Philadelphia Exhibition if 1876 11cm diameter, AF (5)
Lot 52
A collection of assorted ceramics and glass, including a Poole Pottery Bird, 19.5cm high, a stoneware studio pottery vase 22cm high, a Murano Glass bowl, a Cow parade cow(AF), a glass cow in its retail box by Rob Scotton, two Bernardaud ceramic illuminating candle covers (one broken) in their retail box and others (qty)
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163696 item(s)/page