1 large medium 19th century "Pate Sur Pate" pinecone button. This is an gorgeous example from the Minton's factory in England in the late 19th or early 20th centuries. Pate sur Pate is a technique that is rare on buttons meaning Paste on Paste. It is a technique whereby the artists would apply multiple layers of slip (liquid clay) to an unfired, unglazed base. There are examples that have been called this technique but recently the classification committee of the NBS has decided to declassify these example as Pate Sur Pate, however we will tell you that our ceramic experts would disagree with that determination as the French examples we are talking about certainly appear to be of the same technique. You can see one of those examples in this auction of the ladies head. Whatever the determination is this example is considered such and even any of the others that the NBS say are not are still wonderful and hard examples of beautiful porcelain work from the late 19th century. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.
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1 Large 18th century BACKMARKED gold and copper button. This is a very RARE copper button from the 18th century. The ornate design is done in gilded gold and the smooth part is copper. The design is done in repousse. Notice in the images the button is backmarked with not just one mark, but two. Backmarks on 18th century coppers is quite rare to find even in other materials except for ceramic and even then many were not marked wither until later in the 19th century. IF you collect 18th century or coppers don't pass this one up. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.
13 Small/Medium 20th century Japanese assorted ceramic buttons. Nice selection including Arita, Kutani and Satsuma. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.
17 S/M/L 19th-20th century assorted material examples. This card of snakes includes realistics and other shapes. Materials include ceramic, bone, copper, a scarce Japanese Satsuma, silver, glass, brass, a cool beaded example, and more. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.
A selection of garden plant pots and statuary, to include a weathered concrete owl planter, terracotta plant pots, a blue glazed ceramic planter, and a weathered concrete plant holder in the form of two children seated on a bridge.Location: GIf there is no condition report shown, please request
ATTRIBUTED TO GEORGE C. GOLDIE (1828-1887), PROBABLY FOR COX & SON, LONDON PAIR OF GOTHIC REVIVAL CANDLESTICKS, CIRCA 1864 brass, with painted decoration, incised to the base BALLYMOTE CATHOLIC CHURCH (2) 51.5cm high Ballymote Catholic Church in County Sligo was designed by George Goldie of the London firm Hadfield and Goldie and dedicated in September 1864. Goldie also designed ecclesiastical metalware for Cox & Son in London. From an early date, much of the Cox & Son's success derived from its catalogues for what Thomas Cox called an Ecclesiastical Warehouse; the earliest known catalogue dates from 1866. As well as from Goldie Cox & Son commissioned furniture, metalwork, stained glass and ceramic designs from a number of leading designers including Bruce Talbert, John Moyr Smith and E. W. Godwin.
JOSEF LORENZL (1892-1950) FOR GOLDSCHEIDER, VIENNA SPANISH GUITARIST, CIRCA 1925 painted and glazed ceramic, stamped maker's marks, impressed W./ 5548/ 38/ 15, 33cm high; together with an ADOLF ROHRING FOR ROSENTHAL ART DECO FIGURE OF A DANCER, painted and glazed porcelain, signed ROHRING, printed marks, 49cm high (2)
JESSIE MARION KING (1875-1949) GROUP OF CERAMICS, CIRCA 1940 painted and glazed ceramic, signed JMK with Greengate and rabbit marks to the base, comprising; a CUP, 5.5cm high; a SAUCER, 15cm diameter; a PAIR OF SIDE PLATES, 15cm diameter, a BOWL, 15.5cm diameter; and a SOUP BOWL, 13cm diameter (6) Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor
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