C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A large example of an Indus Valley civilisation jar, comprising a hemispherical body and a small ring base. The upper portion of the buff coloured jar is separated into a wide decorative band which is delineated from the rim and the lower portion of the vessel by black and red lines. The band itself features a series of polychrome fish separated by circular motifs, possibly indicating bubbles. Each fish has a red tail and a crosshatched body. The lower half of the jar is undecorated. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Fish are a recurring motif in the Indus Valley and may symbolise a water god, or may be a reflection of the importance of fish as a dietary element in the Indus Valley. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition.Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s. Size: H:80mm / W:200mm ; 616g
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600-400 BC. Northeast China. Cast bronze openwork fitting depicting a grazing ram with long, curved horns. he sheep or ram is the eighth of the twelve animals in a zodiac cycle and is regarded as an auspicious animal which is peace-loving, kind, helpful, and trusting, but of a nature resistant to change. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. The Ordos culture thrived during the Bronze and early Iron Ages in what is now Inner Mongolia and is known for its nomadic culture and rich traditions of decorative metalwork, as is embodied in this piece. Excellent condition. Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent. Size: H:32.6mm / W:43.5mm ; 32.67g
C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an polychrome Indus Valley civilisation jar, comprising globular body and a small, slightly flared rim. The ochre coloured vessel is decorated with black motifs of two humped bulls, with long, curving horns, shown in profile. The bulls are separated vegetal motifs and framed by a series of geometric designs. The outermost limits of the vessel’s decorative scheme are delineated by black and red stripes and the bottom most portion of the jar is painted black. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Superb condition. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s. Size: H:190mm / W:260mm ; 1559g
901 - 1000 AD or later. Medieval Islamic terracotta plate or bowl in a light brown fabric with a glazed interior. The interior glaze of the plate depicts a green-robed rider on a stylised chestnut horse, against a pale green background. Medieval Islamic ceramics developed as a distinctive tradition of decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles, often involving glazed and/or incised decoration developed and spread across the Islamic world and beyond; Islamic ceramics also had an important influence on pottery production in Italy and in the Byzantine empire. Excellent condition. Provenance: From the important collection of a London doctor A.R; passed by descent to his son; formerly acquired the 1990s on the UK art market. Size: H:120mm / W:300mm ; 1100g
901 - 1000 AD or later. Medieval Islamic terracotta plate or bowl in a light brown fabric with a cream glazed interior. Brown/black and red geometric decoration ornaments appear in the interior of the bowl, including around the rim and the bottom of the bowl. Medieval Islamic ceramics developed as a distinctive tradition of decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles, often involving glazed and/or incised decoration developed and spread across the Islamic world and beyond; Islamic ceramics also had an important influence on pottery production in Italy and in the Byzantine empire. Excellent condition. Provenance: From the important collection of a London doctor A.R; passed by descent to his son; formerly acquired the 1990s on the UK art market. Size: H:110.5mm / W:290.5mm ; 1200g
900 - 1000 AD or later. Medieval Islamic terracotta plate or bowl in a light brown fabric with a cream glazed interior. Brown/black and red geometric decoration ornaments appear around the rim on the interior of the bowl. Medieval Islamic ceramics developed as a distinctive tradition of decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles, often involving glazed and/or incised decoration developed and spread across the Islamic world and beyond; Islamic ceramics also had an important influence on pottery production in Italy and in the Byzantine empire. Excellent condition. Provenance: From the important collection of a London doctor A.R; passed by descent to his son; formerly acquired the 1990s on the UK art market. Size: H:120mm / W:320.5mm ; 1400g
C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, with lightly flaring walls and a ring foot. This ochre coloured vessel is decorated with a series of black, stylised gazelles standing over a simple floral or solar motif. Each gazelles is separated from the next by a continuous geometric design. n. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Gazelles are a recurring motif in the Indus Valley and may reflect the importance of such animals to survival in this region. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Superb condition. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s. Size: H:90mm / W:210mm ; 693g
C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, comprising a slightly flaring body and a ring foot. The ochre coloured vessel is decorated with black motifs two humped bulls, with long, curving horns, shown in profile, separated two vegetal motifs and framed by a series of geometric designs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s;Size: H:80.5mm / W:190.5mm ; 431g
C. 3rd millennium BC. Ancient Central Asia, Indus Valley. A fine example of an Indus Valley civilisation bowl, comprising a slightly flaring body and a ring foot. The ochre coloured vessel is decorated with black motifs two humped bulls, with long, curving horns, shown in profile, separated two vegetal motifs and framed by a series of black bands and geometric designs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s; Size: H:100mm / W:140.5mm ; 374g
Ca. 1368-1644 AD. Chinese Ming Dynasty Ceramic Figure. A beautifully crafted ochre-coloured glazed terracotta ceramic figure of a ram. The ram’s wool is detailed by a series of elliptical impressions meant to imitate the curls in natural wool, whilst the horns are gently spiralled and painted black. The facial features including the eyes, nostrils and mouth are carefully, if shallowly molded. The cloven hooves are similarly detailed and coloured with black pigment. The sheep or ram is the eighth of the twelve animals in a zodiac cycle and is regarded as an auspicious animal which is peace-loving, kind, helpful, and trusting, but of a nature resistant to change. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Excellent condition. Size: H:140.5mm / W:120mm ; 366g, Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s
Ca. 1368-1644 AD. Chinese Ming Dynasty Ceramic Figure. A beautifully crafted ochre-coloured glazed terracotta ceramic figure of a horse. The horse is depicted standing with its neck stretching gently forward, and wears a halter or headcollar which is painted black. The horse’s mane and tail and two hooves are painted black. The facial details including the eyes, nostrils, and mouth which is slightly agape are carefully modelled. The horse is the seventh of the twelve animals in a zodiac cycle and represents strength, energy and an outgoing nature. Indeed, some peoples including Mongolians and Manchurians, revere and worship the horse and its power. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Excellent condition. Size: H:130.4mm / W:140mm ; 294g, Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s
Ca. 1368-1644 AD. Chinese Ming Dynasty Ceramic Figures. Two beautifully crafted ochre-coloured glazed terracotta dogs. The dogs are depicted sitting on their haunches, with their tails curled over their backs, heads heald high with their mouths slightly open as if smiling. The dogs’ tails are painted black and lightly textured to imitate long hair. The dogs ears are likewise painted black. The facial details including the eyes, nostrils, and mouths are carefully modelled. The dog is the eleventh of the twelve animals in a zodiac cycle and represents loyalty, kindness and courage. Dogs also served as protectors of the household and livestock and would have been a valuable companion in the afterlife. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Excellent condition. Size: H:120mm / W:110mm ; 339g, Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s
Ca. 1368-1644 AD. Chinese Ming Dynasty Ceramic Figure. A beautifully crafted green glazed terracotta pig. The pig is depicted standing, with its tail curled over its hip. The facial details including the eyes, nostrils, and mouths are carefully modelled. The pig the twelfth of the twelve animals in a zodiac cycle and represents diligence, compassion, and realism. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Excellent condition. Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s, Size: H:270mm / W:240mm.
Ca. 1368-1644 AD. Chinese Ming Dynasty Ceramic Figure. A beautifully crafted ochre-coloured glazed terracotta dog. The dog is depicted sitting on its haunches, with its tail curled over its backs, head held high with mouth slightly open as if smiling. The dog’s tail is painted black and lightly textured to imitate long hair. The dog’s ears are likewise painted black. The facial details including the eyes, nostrils, and mouths are carefully modelled. The dog is the eleventh of the twelve animals in a zodiac cycle and represents loyalty, kindness and courage. Dogs also served as protectors of the household and livestock and would have been a valuable companion in the afterlife. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Excellent condition. Provenance: Property of a London Gallery, previously with Mr. M.P. Dannish collector; acquired in the 1990s, Size: H:100mm / W:130mm ; 362g
Ca. 1000 AD. Beautiful Medieval Persian terracotta jug in a cream fabric with brown painted geometric decoration. The flat-bottomed jug has a globular body, scalloped shoulder, flaring neck and high L-shaped handle. Medieval Islamic ceramics developed as a distinctive tradition of decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles, often involving glazed and/or incised decoration developed and spread across the Islamic world and beyond; Islamic ceramics also had an important influence on pottery production in Italy and in the Byzantine empire. Excellent condition. Size: H:160mm / W:130mm ; 491g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets.
Ca. 1000 AD. Beautiful Medieval Persian terracotta jug in a mid reddish-brown fabric with cream painted geometric decoration. The flat-bottomed jug has a globular body, flaring neck and ear-shaped handle. Medieval Islamic ceramics developed as a distinctive tradition of decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles, often involving glazed and/or incised decoration developed and spread across the Islamic world and beyond; Islamic ceramics also had an important influence on pottery production in Italy and in the Byzantine empire. Excellent condition. Size: H:160mm / W:210mm. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets.
2008 Bentley Continental GT SpeedRegistration no. KL08 SGOChassis no. SCBCE63W94C022751Odometer Reading: 35,000MoT Expiry: 01/08/2021 *No expense spared in upkeep*Recent tyres and brakes*Cat N: replacement engine following water ingestion damage Supplied by Jack Barclay this Continental GT Speed is finished in triple black (machine polished and ceramic coated) with piano wood fascias and has covered 35,000 miles, with no expense spared along the way. Servicing has been carried out by main dealers and independent workshops: a dyno test has recorded 668bhp and it is reported to be driving astonishingly well around town or on the open road. This example, which has recently had new batteries fitted, comes with unused spare wheel and tools, wired-in CTek battery charger and both keys. This 35,000 miles Continental Speed GT comes with comprehensive service history and benefits from recent tyres, brakes and batteries. Footnotes:Vendor Score Total: 97/100Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments. Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 23/25Body Work: 5Chrome/Plastics/Trim: 4Glass: 5Paint: 5Wheels/Tyres: 4INTERIOR TOTAL: 20/20Dashboard/Door cards/Carpets: 5Headlining: 5Seats: 5Trim: 5ENGINE TOTAL: 19/20Mechanical components: 5Running: 5Starting: 5Under Bonnet: 4 RUNNING GEAR TOTAL: 20/20Axles: 5Brakes: 5Gearbox/Clutch: 5Suspension: 5ELECTRICAL TOTAL: 10/10Ancillary components: 5Main components: 5Car History File: 5For further information on this lot please visit Bonhams.com
Mixed Lot of Collectables including 1930's Bristle & Cascafil Ladies Travel Vanity Set, Burslem Ceramic Peak Cap, Schoolgirl Autograph Book 1945, Illustrated Alphabet Letters, Vintage Gardening and Women's Magazines, approx 18 Big Match football programmes, Lexicon Card Game and other playing cards and trade/ cigarette Cards, 1964 Ladies Festival Menu, 2 Framed Photographs
Private Collection of Julian Glover - an original 21st century handmade ceramic plate gifted to Mr Glover. The plate featuring a central motif in yellow, with a mottled turquoise surround. Signed to reverse by the artist Adrian Pienczke. The rear has been autographed by Mr Glover ' Gift at New York Wintercon, Dec 2017 '. The plate measures approx; 26cm long.
Edwardian mahogany Sheraton style armchair with ebony and boxwood stringing, raised on square tapered supports and brass and ceramic castors, upholstered in G.P and J Baker 'Octavia' fabric, with integral cushion, W64cm, H96cm, D60cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Regency mahogany supper table, the moulded top with drop leaves over drawer to one end, raised on turned pedestal and four splayed reeded supports with brass cup and ceramic castors, 102cm x 57cm, H73cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
David Sharp for Rye pottery glazed money box in the form of a squirrel, Dicker ware black lustre three handled tyg,heavy glass paperweight, Pilkington opalescent glass bowl, two pairs of glass knife rests, glass trinket tray in the form of a slipper, pair of small glass candlesticks, cloisonne trinket tray, ceramic teapot and a 'Totara fence post bottle 1911 N.Z.' Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Devon ware 'silverine' teapot, sugar basin and jug, Viners of Sheffield silver plated jug and tea and coffee pots, crumb tray and brush, ceramic biscuit barrel with plated mounts by J. Ridge & Co Sheffield, Woods Ware 'Iris' tea wares, plated sugar tongs, other metalware, glass and ceramics Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
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163691 item(s)/page