C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured vessel with a curving shoulder, and carinated body. The exterior features painted decoration in black, red and green depicting a sitting lion on one side and a zebu bull with characteristic hump and curving horns on the other. They are separated by stylised geometric vegetation and framed by a simple upper and lower linear border. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition.Size: L:83mm / W:143mm ; 385g Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
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C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured vessel with a short, straight neck, flattened shoulder and cylindrical body. The shoulder displays a repeating painted motif of three black fish, while the body features painted decoration in black, red and green depicting a walking lion on one side and a zebu bull with characteristic hump and curving horns on the other. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:84mm / W:170mm ; 715g Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured vessel with a short, straight neck, carinated body and flattened base. The exterior features painted designs in black, red and green depicting a sitting lion, a grazing antelope and a bird pecking the earth. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition.Size: L:110mm / W:145mm ; 490g Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
C. 3rd millennium BC. Indus Valley Civilisation. A group of six vessels in a variety of terracotta and cream-coloured fabrics. (Front:) piriform jar with high foot; (Back, from left to right): globular jar with high foot and constricted neck; piriform jar featuring flaring neck, high foot and black painted lion motif; hemispherical bowl with high foot and black painted serpent design; conical bowl with repeating antelope motif; truncated conical bowl with flaring rim. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these ceramic vessels belong, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Good condition. Size: L:set of 6: 30mm(smallest), 92mm(largest)mm / W:45mm(smallest), 100(largest)mm ; 555g Provenance: From an old British collection formed in the 1990s.
c. 1271-1368 AD. Yuan Dynasty. Celadon bowl with ring foot, wide hemispherical bowl, and a simple rim, rounded rim which is ornamented with a continuous undulating line of decoration on the exterior. The fabric, visible on the underside, is a reddish orange and the vessel is extensively covered in a light greenish-grey glaze. Celadon ware is a type of ceramics with a soft greenish-grey glaze, achieved through the addition of an iron-rich liquefied clay slip to the ceramic before firing. When fired, the iron oxidises to create a lustrous green coating. Although celadon ware was first invented hundreds of years earlier, it thrived under the Yuan Dynasty, who ruled much of China between the 13th and 14th centuries. Good condition.Size: L:75mm / W:135mm ; 305g Provenance: From an old British collection formed in the 1990s; previously acquired in Holland.
Ca. 1368-1644 AD. Ming Dynasty. Blue and white porcelain bowl with ring foot and hemispherical bowl. On the interior, a small flower occupies the centre, while several circular bands run around the entirety of the bowl. The rim is picked out in a reddish-orange. The exterior features alternating vegetal motifs and stylised buildings. The Ming dynasty ruled most of China between AD 1368 and 1644. They were the last Chinese Imperial dynasty of Han Chinese ethnicity and the period of their rule is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. Their rule coincided with massive production of ceramics, both for domestic consumption and for export; the ceramic traditions developed under the Ming would have a major impact on subsequent development of ceramics in Europe. Excellent condition. Size: L:90mm / W:180mm ; 465g Provenance: From an old British collection formed in the 1990s; previously acquired in Belgium.
Ca. 206 BC–220 AD Chinese Han Dynasty. Ceramic figure showing a tiger hunting a boar. This elaborate ceramic figure shows a tiger pouncing onto a boar. The tiger's fore claws are extended and puncturing the boar's sides holding the animal stable whilst the tiger delivers a paralsying bite along the boar's spine. The boar, stands on all fours, faces forward with its mouth open, squealing in pain. Both the tiger and boar are creme coloured with red accents at the ears, nostrils and lips. Both the Tiger and pig are represented in the Chinese Zodiac, with tigers symbolising power and high status in Chinese culture, whilst pigs represent overall good fortune. Perhaps this statue represents the relationship between high status and good fortune. amongst the elite Good Condition. This item comes fully authenticated with a TL test from Ralf Kotalla laboratory, Germany. Size: L:215mm / W:450mm ; 5.6kg. Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.
C. AD 618 and 907. Tang Dynasty. A large ceramic figurine of a Bactrian camel, also known as a Mongolian camel. The beast features a sandy pelt, while its characteristic mane, beard and the hair of its upper leg are picked out in a coral-red. Atop its back is a saddle-pad with carefully delineated attachment straps. The Bactrian camel is an exceptionally hardy beast of burden, easily able to cope in the harsh deserts of Central Asia which border China. The domestication of these creatures allowed the development of the ancient Silk Road, which transported people, ideas and luxury goods between China and the West, by crossing the massive and inhospitable terrain which divided them. This beautiful figurine probably reflects medieval Chinese respect for a beast without which such trade would not have been possible. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. Excellent condition. Comes fully authenticated with a TL test from Ralf Kotalla laboratory, Germany.Size: L:455mm / W:215mm ; 5.9kg. Provenance: From an old British collection, acquired on the UK art market in the 1980s.
C. AD 618-907. Tang Dynasty. A large ceramic figurine of a Bactrian camel, also known as a Mongolian camel, with a rider. The beast features a sandy pelt, while its characteristic mane, beard and the air of its upper leg are picked out in a coral-red. It stands in a contrapposto pose, with its right leg foreleg forward, as if walking, and its head is thrown back as if bellowing. Atop its back is a saddle-pad with carefully delineated details, including a lantern on the left-hand side. The rider is a depicted as a plump, older man with a raised fist, who wears a knee-high boots, tight trousers and open-chested vest; he sports a neat beard and moustache, carefully picked out in black. The Bactrian camel is an exceptionally hardy beast of burden, easily able to cope in the harsh deserts of Central Asia which border China. The domestication of these creatures allowed the development of the ancient Silk Road, which transported people, ideas and luxury goods between China and the West, by crossing the massive and inhospitable terrain which divided them. This beautiful figurine probably reflects medieval Chinese respect for a beast without which such trade would not have been possible. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. Excellent condition. A similar item, albeit with a younger rider, recently sold at Christie’s for HKD 6,100,000, see https://www.christies.com/lotfinder/lot/a-finely-painted-pottery-figure-of-a-6113490-details.aspx?from=searchresults&intObjectID=6113490 Size: L:610mm / W:440mm ; 9.4kg. Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.
C. AD 618 and 907. Tang Dynasty. A set of two ceramic female polo players. These two ceramics show two women in the midst of a polo match., both with in arm bent over their horse's neck as though holding the reins. The woman dressed in green has her mallet arm extended as though to strike the ball, whilst the woman dressed in blue has her mallet arm at a 90 degree angle, a pose often adopted during play to allow the rider to rest the mallet against the shoulder keeping their animal's legs clear. Both women ride with their black hair in an updo, full makeup with pale faces and cheeks heavily rouged though the differing colour tunics indicate that they are from opposing teams. Both horses, one grey and one chestnut have their legs extended in a pose indicatine that they are moving at a gallop. Their equipment is carefully modeled and painted. Their nostrils and ears are also accented in red. Polo was extemely popular during the Tang Dyasty, and many of the emperors of the period were avid fans who not only played themselves, but also encouraged officials, soldiers, civilians, and even ladies of status, such as the court ladies, to play. Excellent Condition. These items come comes fully authenticated with a TL test from Ralf Kotalla laboratory, Germany. A similar item was sold by Christies recently for £47,500: See https://www.christies.com/lotfinder/lot/two-red-pottery-figures-of-female-polo-6140035-details.aspx?from=searchresults&intObjectID=6140035.Size: L:set of two: 370mm(smallest),390mm(largest)mm / W:460mm, 460mmmm ; 10.4kg. Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
C. 3rd millennium BC. Indus Valley Civilisation. Large cream-coloured painted vessel with an out-turned rim, bulbous body and a flat base. The exterior of the pot is painted with scenes depicting a tree on one side and a zebu bull with characteristic hump and curving horns on the other. They are surrounded by a geometric background comprising repeating suns, clouds and vegetal motifs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:280mm / W:350mm ; 5.6kg. Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
C. 3rd millennium BC. Indus Valley Civilisation. Terracotta-coloured painted vessel with a biconical body and flat base. The exterior of the pot is painted with scenes depicting a tree on one side and a tiger on the other. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:110mm / W:155mm ; 610g. Provenance: From an old London collection formed in the 1990s.
C. 3rd millennium BC. Indus Valley Civilisation. Terracotta-coloured painted vessel with a hemispherical body, pronounced foot and flat base. The exterior of the pot is painted in two registers, the upper of which depicts a serpent, while the lower register shows a repeating vegetal motif. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:65mm / W:140mm ; 340g. Provenance: From an old British collection formed in the 1990s.
C. 3rd millennium BC. Indus Valley Civilisation. Terracotta-coloured painted vessel with a conical body and flattened ring base. The exterior of the pot is painted with scenes depicting a tree on one side and a stylised leopard or panther on the other. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:88mm / W:135mm ; 160g. Provenance: From an old British collection, acquired on the UK art market in the 1980s.
C. 3rd millennium BC. Indus Valley Civilisation. Terracotta-coloured painted vessel with a straight rim, rounded shoulder, conical body and flat base. A short pouring spout project perpendicular from the shoulder of the vessel. The exterior of the pot is painted with scenes depicted two fish framed by a geometric upper and lower register in green and red tones. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:77mm / W:145mm ; 230g. Provenance: Private London collection, formed since the 1980s on the UK and European art market.
C. 3rd millennium BC. Indus Valley Civilisation. A group of four terracotta pots, two of which are on custom-made stands. (From left to right): undecorated globular jar with flaring neck; globular jar with stylised fish motif; hemispherical bowl with net design; undecorated, globular jar with elongated neck. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these ceramic vessels belong, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:set of4: 48mm(smallest),70mm(largest)mm / W:47mm(smallest), 98mm(largest)mm ; 435g. Provenance: From an old British collection, acquired on the UK art market in the 1990s.
C. 3rd millennium BC. Indus Valley Civilisation. A group of four pots in a cream-coloured vessels, two of which are on custom-made stands. (From left to right): globular jar with constricted neck and flaring rim; deep hemispherical bowl with black painted ibex motif; a small piriform jar with abstract black geometric motifs; a piriform jar with pronounced foot and out-turned neck featuring a black painted fowl motif. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these ceramic vessels belong, was in the 3rd millennium BC. Cf. N. Satyawadi, 1994. Proto-Historic Pottery of the Indus Valley Civilisation: Study of Painted Motifs, New Delhi. Excellent condition. Size: L:set of 4: 52mm(smallest),70mm(highest)mm / W:47mm(smallest), 82mm(widest)mm ; 315g. Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured pottery bull figure with painted black details. The bull features the curved horns characteristic of Indian cattle, strong, expressive facial features and short, squat legs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull is a recurring motif in Indus Valley art, appearing in figurines like this one but also on ceramic vessels. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Excellent condition. Size: L:85mm / W:133mm ; 335g. Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured pottery bull figures with painted black details. The bulls, one slightly larger than the other, features the long, curved horns and humped shoulders characteristic of Indian cattle, elongated bodies and short, squat legs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull is a recurring motif in Indus Valley art, appearing in figurines like these but also on ceramic vessels. The animals may represent the leaders of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Excellent condition. Size: L:set of2: 56mm(smallest),70mmmm / W:84mm,88mmmm ; 165g. Provenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1990s.
C. 3rd millennium BC. A lovely reddish-brown coloured handmade fertility idol of characteristically abstract form with wide hips, carefully delineated legs, curved arms, voluptuous breasts situated beneath an incised pectoral collar arranged around her broad shoulders. The highly stylized face presents with impressed circular eyes, a narrow nose, slender lips, and tall forehead topped with a neatly arranged coiffure. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. These fertility figures are common in the Indus Valley, and likely represent offerings to a deity in exchange for fertility and a healthy pregnancy. Excellent condition; on a custom-made stand. Size: L:130mm / W:45mm ; 55g. Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1980s.
Original vintage travel poster for Cyprus - Real Value for Money Wherever We Went - Great design features a photograph of a couple shopping in a market for ceramic pots. Excellent condition, minor creasing. Country of issue: Cyprus, designer: Unknown, size (cm): 76x50.5, year of printing: 1970s
Original vintage advertising poster for Limassol Wine Festival that took place from 15-26 September 1971 - Great illustration features a masked man holding a ceramic wine container with one hand and drinking from a cup with the other. Printed by D. Couvas & Sons LTD. Nicosa Cyprus. Very good condition, minor creasing. Country of issue: Cyprus, designer: G. Simonis, size (cm): 53.5x42, year of printing: 1971
A PAIR OF CHINESE SANCAI-GLAZED CERAMIC 'DUCK' EWERSin Tang dynasty style, formed as a male and female duck, each with flower-applied handle terminating in circular filling funnel, atop circular bases; height of male: 33 cm (13 in.), female: 32 cm (12 5/8 in.) CONDITIONThe pair is in overall good condition. Overall surface dust and grime. Very fine and stable craquelure to the glaze. Inspection under UV light shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
20th century large Burmantofts Faience architectural tile plaque, The Maide at The Inn, designed by William Neatby, of rectangular form depicting a female figure holding a tray, with cat seated at her feet, titled lower left corner, within mahogany frame with easel style support verso, plaque 48.5cm x 29cm Born in 1860 in Barnsley, Yorkshire, William James Neatby worked at Burmantofts Pottery designing ceramic tiles for six years. He then went on to work at Doulton & Co, and in 1902 designed the tiles for the interior of Harrods Meat Hall. - Condition Report
Pair early 19th century buttoned back waisted occasional chairs on turned walnut supports terminating in brass mounted ceramic castors, upholstered in vintage floral Sanderson 'Beaulieu' with complementary aubergine velvet backs (sprung seats completely renewed), total height - 83cm, seat height - 45cm - Condition Report
Spillman & Co. London - large Victorian mahogany extending dining table with three additional leaves, on turned and reeded supports with ceramic castors, ivorine label to underneath 'Spillman & Co. St. Martins Lane, London', diameter - 137cm (closed), L302cm (with all leaves) - Condition Report
Assorted ceramic items from the 1930's - 1950's including a Clarice Cliff Bizzare 'Ravel' pattern conserve pot, 8cm high, a Midwinter 'Salad Ware' salt and pepper pot, designed by Jasper Conran, and other items CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Five ceramic items comprised of a Crown Ducal jug, a Thomas Forester and Sons Phoenix Ware 'Sunglo' pattern jardinere, a Grimwades Rubian Art Pottery 'Primula' teapot and stand, a cabbage tureen and ladle, and a hand decorated 1930's jug CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Alistair Knights (20th/21st Century British) + Two pottery bowls; a moulded ceramic bowl entitled 'Bowl in the form of a lost landscape 2', signed and dated 2011, 34.5cm diameter, originally purchased from the Vanessa Fowler Open Studios in 2011 and a coiled and pinched bowl, 41cm diameter, originally purchased from the Studio 14 Open Studios in 2010 www.alistairknightsceramics.com This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Ann Hyde-Harrison (20th/21st Century British)+ Ceramic lustre bowl, initialled to base, 13cm diameter, originally purchased from Lloyd's Art Group in 2014 www.lloydsartgroup.co.uk/all-artists/hyde-harrison-ann/ and Anna Bryce Jones (20th/21st Century British)+ Ceramic smoke fired bowl, 14cm diameter, originally purchased from the Rock a Nore Gallery in 2015 This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Stephen Dixon (b.1957)+ A ceramic plate entitled 'Salvation', originally purchased from the V&A (the artist was the museum's ceramicist in residence 2009-10), 44.5cm diameter, impressed mark to base www.stephendixon.studio This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Tony Bennett (20th/21st Century British)+ A large cast ceramic sculpture entitled 'Yellow Cowboy', 51cm high, purchased privately in 2012. www.ryepottery.co.uk/about/the-rye-design-team This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Tony Bennett (20th/21st Century British)+ A large extruded ceramic sculpture entitled 'Dog', 50cm high, purchased privately in 2016. www.ryepottery.co.uk/about/the-rye-design-team This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Chinese porcelain panel depicting a figure in garden with pagoda and river in the back ground in fretwork wooden frame. 28cm high, 22cm wide The ceramic plaque is in good condition however, there appears to be a hairline crack top left hand side and another lower right hand side. It requires a gentle clean. No chips no enamel loss. The frame is damaged with missing pieces. See additional images
20th century Chinese ceramic plaque, figures bearing gifts for a mythical creature emerging from water. Hardwood framed. 29cm high, 55cm long The ceramic plaque is in excellent condition. Needs a light clean, no cracks, chips, no enamel loss etc. The hardwood frame has signs of wear and tear, scuffs scratches
A large Royal Copenhagen ceramic stick stand, decorated with fallow deer and flowering iris, No 7325. 58cm high The stickstand is in good condition, the factory mark is inside, not on the base. This might be a factory second, there appears to be a fire mark around the collar of the vase. Also there is filler? to areas around the base, see additional images. I am sure it is not damaged or restored. The stickstand still rings when tapped. The exterior is good with one or two scuffs and scratches.
A gents Omega Speedmaster chronograph wrist watch. A round black dial marked with logo Omega Speedmaster automatic with three subsidiary dials. Tachymeter black ceramic bezel surrounded on steel head. Original stainless steel omega bracelet with original box The watch is in good condition, the time piece is in good working order, dial and hands all excellent. Dial cover has some light abrasions. Watch bezel in very good condtion, watch case and strap are very good, some minor surface abrasions
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163696 item(s)/page