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Rolex. A stainless steel automatic calendar bracelet watch with dual time zoneModel: GMT-Master II 'Batman'Reference: 116710BLNRDate: Purchased 24th June 2015Movement: 31-jewel Cal.3186 automatic, Microstella balance, freesprung Parachrom balance spring, adjusted to 5 positions and temperature, No.9AV3937Dial: Black, luminous filled dot hour markers, baton quarters, outer minute divisions, magnified date aperture at 3, polished Mercedes hands with luminous inserts, centre seconds, further arrow tipped dual time handCase: Brushed and polished tonneau form, screw down back, inner case back stamped 2350, fixed bezel with black and blue 'Batman' 24 hour Cerachrom insert, shouldered crown, No.89V744A0Strap/Bracelet: Brushed and polished Oyster linkBuckle/Clasp: Signed folding clasp, stamped H4TSigned: Case, dial & movement Size: 40mm Accompaniments: Rolex box, outer card, International Guarantee, instruction manual, spare link, swing tagFootnotes:The Rolex Cerachrom bezel on the 116710 BLNR is a complicated piece of engineering in itself. Rather than sandwiching two different coloured pieces of ceramic next to each other, Rolex patented a process whereby a wholly blue bezel is created which is still permeable to the black colouring when it is added.The black and blue combination has fondly been nicknamed the Batman.For further information on this lot please visit Bonhams.com
A selection of ceramic, EPNS and glass cruet sets, a Copeland Late Spode character jug, a Staffordshire toby pot, a Fieldings Devonware flower stem vase, Rein Zinn pewter wine cups, a brass incense burner, Villeroy and Boch fairy plates, a Japanese floral and gilt decorated part tea service, blue and white transfer printed ware etc Condition Report: Not available for this lot
MIQUEL NAVARRO (Mislata, Valencia, 1946)."3-8", 2004.Sculpture in polychrome aluminum, copy 3/8.Unique piece, signed and dated on the base.Exhibitions:- Miquel Navarro. Dolmen. Archaeology of pleasure and sadness, Fernández-Braso. 2021.- Fernández - Braso at ARCOmadrid 2016, Fernández-Braso. 2016.Measurements: 135 x 56 x 34 cm.This piece, made of iron, stands out for its rotundity, given by the material and its treatment. The organic and machinic elements interpenetrate in this sculpture full of edges but also of zoomorphic suggestions.He studied at the School of Fine Arts of San Carlos (Valencia). He began as a painter in 1964, making drawings and paintings on paper. In 1968 he made reliefs in rubber and plastic, and in 1972 he definitively opted for sculpture. However, his beginnings in the field of painting left their mark on his production, especially in wall reliefs. His work moved towards installations and assemblages, in the form of sculptural landscapes, although in the seventies he alternated assemblages with more traditional, autonomous sculptures. In 1980 he exhibited for the first time in New York. In this decade he experimented with new artistic manifestations, creating the scenographies for the plays "Vente a Sinapia", by Fernando Savater, and "Absalón", by Calderón de la Barca, both at the Teatro Nacional de Madrid. In 1984 a 23-meter fountain was inaugurated in a public square in Valencia, commemorating the bringing of drinking water from the Júcar River to the city, but he never gave up stagings, one of which "LA Ciudad" was exhibited in Grasz (Austria), Madrid and London. The influence of Russian constructivism and the work of Julio Gonzalez are also perceptible in his works of the last decade. His "Cities", which he has been developing since 1972, are complex installations, made with multiple pieces of ceramic materials and mainly clay -material full of cultural connotations and easy malleability. Refractory, zinc, lead, wood, plaster or marble are also extensively used by Navarro. As Garrido Moreno pointed out, the use of iron was especially important for the evolution of his work, allowing him to channel the architectural conception of his cities into simple geometric forms, losing part of their anecdotal character and becoming more schematic and essential. In these cities he usually emphasizes a vertical element that, over time, has become independent until it has become an isolated piece. In his career we can highlight the National Prize of Plastic Arts, obtained in 1986, the Alfons Roig Prize (Diputación de Valencia, 1987), the CEOE Prize for the Arts (1990) or the National Prize of the Association of Art Critics (AECA) ARCO'95.
GIOVANNI SCHIANO, (Naples, 1976)"Drab days and coloured minds 6".Ceramic totem.Fire glazed ceramic sculpture.149 pieces.Hand signed.Measurements: 50 x 12 cm.Giovanni Schiano is a well-known haute couture photographer as well as painter, sculptor and designer. Trained in the world of graphic design and photography, he has developed a set of artistic and technical skills inspired by the rich tradition of Italian art and design.So much so, that Schiano's sculpture and design are particularly inspired by Ettore Sottsass, founder of the Memphis Group design movement active in the 1980s, and known for his colorful and vibrant design with a good dose of whimsy. The geometry that is part of Bridget Riley's Optical Art, but also the boldness of MimmoRotella and Mario Schifano, without ever leaving aside the decadent and melancholic imprint of JanezBernik, are some figures that have served as inspiration for the creation of new artistic pieces by the artist Schiano.His three-dimensional creations incorporate vigorous color, lines and geometric shapes that come together to create compositions that both confuse and delight the eye. In terms of material, many of his sculptures are made with contemporary elements such as Plexiglas, but he also works with older ones such as ceramics and wood.Schiano's fabulous work has been exhibited in galleries in major cities around the world, Art Sawa in Dubai, Osi Modern in London, Liu Chang Gallery in China and galleries in New York, Paris, Los Angeles and Miami, Brussels, Berlin and even Tokyo. Without leaving behind his work as a photographer and passionate about the world of fashion, Schiano collaborates with famous magazines such as Vogue, Glamour, Jam Magazine or ID.
A late Victorian oak aneroid wheel barometer with ceramic dial and mercury thermometer, the case with carved decoration, height 86cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian oak cased wheel barometer with mercury thermometer and ceramic dials, the case with carved decoration, height 84cm, together with two slate mantel clocks, heights 21.5cm and 30.5cm, with pendulums.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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163696 item(s)/page