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Lot 1
*An embroidered antique textile fragment, possibly coptic in origin, cotton on linen, 45cm long; A 17th century style, Persian painted and illustrated book leaf, depicting a young prince with attendants,with black ink script 290x11cm; An oriental clay figure (af);part of a painted icon panel (af), leaves from an islamic manuscript; further misc ceramic and metal items, also a double gourd shape black glazed pottery table lamp, 20th century, benares brass water bowl, a modern onyx mantle clock, an album of facsimile postcards, (a lot)
Lot 1
A Victorian inlaid burr walnut kidney shaped music cabinet whatnot the shaped foliate panel inlaid top with foliate cast and pierced brass gallery over baluster turned uprights and conforming undertier with enclosed glazed front section with panel inlaid sides and back beneath on squat inverted baluster turned supports with ceramic castors 107cm high 73cm wide 42cm deep.
Lot 1
A Victorian mahogany kneehole writing table with faux leather inset moulded edge top over three frieze drawers and arched recess flanked by two further drawers with turned wood handles to front opposing conforming panel finished rear on four turned tapered supports with ceramic castors 76cm high 137cm wide 81cm deep.
Lot 1
A Victorian inlaid burr walnut gilt metal mounted centre table the shaped oval moulded edge top with quarter veneered centre within foliate inlaid ebonised and crossbanded borders over shaped gilt metal edged frieze and slender cabriole supports with foliate cast gilt metal mounted knees and sabots on ceramic castors 72cm high 142cm wide 106cm deep.
Lot 1
A Victorian ebonized and marquetry inlaid pedestal desk by Edwards & Roberts the leather inset top above three frieze drawers the central one stamped “Edwards & Roberts” three drawers to each pedestal all fitted brass open handles the brass locks stamped “VR (crowned) Patent” the concave moulded pilasters with gilt brass female caryatid mounts on plinth bases with ceramic castors 29.75in (75.5cm) h 48in (122cm) w 27.75in (70.5cm) d.
Lot 1
A Hukin and Heath oak and electroplate-mounted biscuit barrel and cover, the design attributed to Christopher Dresser, of ovoid form, the body inlaid with fan patera and boxwood lines, the removable lid enclosing a ceramic liner, the whole raised on three strut feet, swing handle (2) 17cm high
Lot 1
A pair of 19th century Scottish Oregon pine lodge tables, each with square parquetry tops with glass preserves, above four buttressed columns and spacer, inset to each side with a ceramic tile, raised above four double outswept supports with applied roundels and linked by stretchers (2) 62cm wide, 76cm high
Lot 1
Joan Mir—, 1893-1983 GALET OVALE inscribed M on the verso ceramic on stone 21.2 by 8.5 by 1.4cm.; 8.375 by 3.375 by .5in. Executed in 1956 this work is unique. Literature Jose Pierre & Jose Corredor-Matheos, Mir— & Artigas, Ceramiques, Paris, 1974 p. 212 no. 131 illustrated Mir— first met Spanish ceramicist, Josep Llorens Artigas, in Barcelona in 1912. Their collaboration began in 1944 when they produced a series of tiles. However, these initial experimentations were unsatisfactory to both parties. Mir— and Artigas wanted to avoid the works being merely a transferral of Mir—'s paintings onto a ceramic base.. Instead, they aimed to produce works which responded directly to the ceramic medium.. In pursuit of this aim, Mir— took to decorating broken and abandoned fire clay with enamel.. Between 1954 and 1960 Mir— produced his greatest ceramics output, aided not only by Antigas himself, but also by his son Joan.. Mir— would produce sculptures from found objects and natural materials which would be tranlated into clay by Artigas.. Many of the works required a highly refined firing and glazing process which produced numerous 'accidents' and unexpected results.. For Mir—, these 'accidents' were an integral part of the creative process and added to the work rather than detracting from its perfect state.
Lot 1
Staff, Frank, The Valentine & Its Origins, London, Lutterworth Press, 1969, 8vo (280mm x 210mm.), half title, frontispiece, illustrations, many colour, and full-page, dedication inscription from the author on the half title, turquoise cloth, spine and front cloth lettered in gilt, pictorial dust-jacket With a number of other works including A. Kenneth Snowman Carl Faberge Goldsmith to the Imperial Court of Russia (New York, 1983), Rene Grousset Chinese Art & Culture (London, 1962), Hong Kong Rport for the Year 1964 (Hong King, 1965), Percy Dearmer & Joseph Pennell (illustrator) Highways and Byways in Normandy (London, 1904), Gabriel Faure The Italian Lakes... (London & Boston, 1925), G. K. Chesterton St Francis of Assisi (London, 1939), Mary Eirwen Jones The Romance of Lace (London, n.d.), Irene Holdsworth A Taste for Travel (London, n.d.), the Victoria and Albert Museum published Catalogue of an Exhibition of The Ceramic Art of China (London, 1971), Martin Hurlimann Rome (London, 1961), Anthony du Boulay s Chinese Porcelain (London, 1963), Geoffrey Hindley The Royal Families of Europe (London, 1979), and the Paul Atterbury edited Popular Antiques (London, 1977)
Lot 1
A rare and fine Regency gilded bronze ink stand, the shaped rectangular base enriched with scrolling flora and foliage with two central ceramic ink pots and two sand pots, the bronze cover in the form of a large recumbent greyhound richly gilded on blackened bronze rectangular stand, height 5.5ins length 10ins
Lot 1
A VICTORIAN WALNUT COMBINED GAMES AND WORK TABLE with a decorative burr walnut veneer to the top and Tunbridgeware inlay decorated with an image of a castle, the top opening to reveal a draughts, chess and cribbage board to the interior, above a single lined drawer, woolbox beneath, the twin turned supports united by a stretcher, scrolling legs with carved decoration to the knees and terminating in ceramic castors, 23" wide x 29" high.
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163691 item(s)/page