There are 163696 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA good mother of pearl slant top needle packet and thimble box, with ceramic thimble, the box with canted edges in abalone shell, the lid with white metal tablet, the interior with two divisions and thimble stand complete with a 19th Century porcelain thimble painted with flowers between gilt borders, unmarked, case 5.2cms.
A Victorian aesthetic period walnut inlaid octagonal table, with moulded edge turned supports turned stretchers and outswept feet terminating in white ceramic castors. Height 64 cm, width 50 cm. CONDITION REPORT: The table is structurally sound. The top is flat with no warping. There are some veneer and inlay repairs between the tram line borders. The top looks to have been fairly recently polished. The moulded edge and frieze are in good condition all round with only minor veneer nibbles. There are no repairs to any of the legs. The polish is dry and beginning to perish. The castors are original and all present.
A Chinese side table, with ceramic top stamped to one end, the base fitted with two drawers and all raised on tapered legs of square section terminating in spade feet. Height 82 cm, width 97 cm, depth 44.5 cm (see illustration). CONDITION REPORT: The table is structurally sound with no loose joints. The top is flat and not warped. It is a uniform colour. The top has numerous old ring marks and stains as one would expect. The crossbanded edge is in good condition all round but has some repairs. The frieze is in good order all round with only minor edge nibbles. The interior of the table top is in generally good condition. The legs are all in good order. We can see only very minor traces of old woodworm in the soft wood carcass underneath. This appears long gone and in our opinion is not problematic.The table is structurally sound with no loose joints. The top is flat and not warped. It is a uniform colour. The top has numerous old ring marks and stains as one would expect. The crossbanded edge is in good condition all round but has some repairs. The frieze is in good order all round with only minor edge nibbles. The interior of the table top is in generally good condition. The legs are all in good order. We can see only very minor traces of old woodworm in the soft wood carcass underneath. This appears long gone and in our opinion is not problematic.
A London-decorated Chinese armorial plate c.1755-60, probably painted in the atelier of James Giles with the crest of a seated and chained dog above a butterfly and other insects around loose flower sprays and scattered sprigs, 23cm. Illustrated: Stockspring Antiques, The Stephen Hanscombe Porcelain Collection, pl.63. Exhibited: Stockspring Antiques, Early James Giles, No. 110; and James Giles, 2005, no. 75. Also, English Ceramic Circle, Armorials Exhibition, 2008. Paper labels for the Watney Collection and the Stephen Hanscombe Collection.
An English porcelain blue and white trio probably by Enoch Wood c.1785, comprising a coffee cup, teabowl and saucer, each piece printed with the Man on the Bridge pattern within a wide formal Chinese border, marked with a crowned lion rampant, 12.8cm. (3) Cf. Geoffrey Godden, English Blue and White Porcelain, pl.483 for a similar saucer and coffee can. Pieces bearing this mark had been traditionally ascribed to New Hall, however, this theory was overturned after 2006. See Roger Pomfret, Northern Ceramic Society Journal, New Hall Hard Paste Blue Printed Wares of the 18th Century pp.24-27.
A very rare William Reid (Liverpool) blue and white trencher salt c.1756-61, the waisted oval form gadrooned to the rim and foot, painted with a pagoda landscape to two sides, the interior with a flying insect within a simple loop border, a little chipping, 9.4cm across. Illustrated: Maurice Hillis, Liverpool Porcelain, p.73, pl.3.149. Exhibited: Northern Ceramic Society, Liverpool, 1993. Phillips, Liverpool Exhibition, 1997. Paper label for the Davies Collection.
Eight delftware tiles c.1740-50, Wincanton or possibly Friesland, half of each tile covered diagonally in a sponged blue glaze, some damages, 13cm. (8) Cf. Transactions of the English Ceramic Circle, Vol. 19, Part 2, 2006, p. 234 for a brief discussion of these tiles as part of Hamish Cole's article on Wincanton Revisited.
A collection of costume jewellery, including marcasite crescent brooch, Coalport clip on earrings with ceramic purple flowers in box, selection of clip on earrings and brooches with faux pearls and paste stones, large faux pearl necklace with three rows in a box, some large base metal bracelets with paste stones, a selection of large beaded necklaces and statement necklaces Condition Report: Items display signs of wear, some stones are missing and some items may be broken in places.
Mixed group of silver and costume jewellery, including a Joop Schilt Holland ceramic and silver painted brooch, two brooches signed Simba, one with reg number 130/59, three rings, an enamel filigree cockerel brooch, four further brooches, a single marcasite earring, a button, a pendant, a ladies fob watch, a coral set filigree bracelet, a filigree bead necklace, bracelet and single earring and a filigree bracelet set with six hand painted images, all stamped or tested as 0.800 or sterling silver, together with costume jewellery items including bead necklaces and broochesCondition Report: Silver gross weight approximately 225 grams
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Four polychrome fishes. Datierung: 1947. Technik: Weißes Steingut, partiell farbig gefasst und glasiertDarstellungsmaß: 30,5 x 37,5 x 5cm. Bezeichnung: Bezeichnet und nummeriert. Exemplar: 21/200. Die Platte gehört zu den frühesten Keramiken des Künstlers.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, WVZ.-Nr. 31, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1940er Tiere Keramik Steingut Fische PICASSO, PABLO1881 Malaga - 1973 MouginsTitle: Four polychrome fishes. Date: 1947. Technique: White earthenware, partially polychromed and glazedDepiction Size: 30,5 x 37,5 x 5cm. Notation: Inscribed and numbered. Number: 21/200. The plate is one of the earliest ceramics by the artist.Provenance:- Private collection North Rhine-WestphaliaLiterature:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, cat. rais. no. 31, ill. Explanations to the Catalogue
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: White ground fish. Datierung: 1952. Technik: Weißes Steingut, partiell farbig gefasst und glasiert. Maße: 34,5 x 42 x 5cm. Bezeichnung: Nummeriert auf der Unterseite: I114 28/200. Hier zudem die Stempel: MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Exemplar: 28/200. Literatur:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, WVZ.-Nr. 168, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Tier Objekt Keramik PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: White ground fish. Date: 1952. Technique: White earthenware, partially polychromed and glazed. Measurement: 34,5 x 42 x 5cm. Notation: Numbered underneath: I114 28/200. Here additionally the stamps: MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO. Number: 28/200. Literature:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, cat. rais. no. 168, ill. Explanations to the Catalogue
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Flute player. Datierung: 1951. Technik: Weißes Steingut, partiell farbig gefasst und glasiert. Maße: Ø 24,5 x 3,5cm. Bezeichnung: Stempel auf der Unterseite: MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Aus einer Auflage von 40 Exemplaren, die in mehreren Farbvarianten entstanden. Provenienz:- Sammlung Hermann Wünsche, Bonn- Privatsammlung Nordrhein-Westfalen Literatur:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, WVZ.-Nr. 127, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Figur / Figuren Objekt Keramik PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Flute player. Date: 1951. Technique: White earthenware, partially polychromed and glazed. Measurement: Ø 24,5 x 3,5cm. Notation: Stamp underneath: MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO. From an edition of 40 copies, which were created in several colour variations. Provenance:- Collection Hermann Wünsche, Bonn- Private collection North Rhine-Westphalia Literature:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, cat. rais. no. 127, ill. Explanations to the Catalogue
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Young wood-owl. Datierung: 1952. Technik: Weißes Steingut partiell farbig gefasst und glasiert. Maße: 24,5 x Ø 10,5cm. Bezeichnung: Bezeichnet auf der Unterseite: EDITION PICASSO MADOURA. Hier zudem die Stempel: EDITION PICASSO und MADOURA PLEIN FEU. Aus einer Auflage von 500 Exemplaren.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, WVZ.-Nr. 135, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Vögel Keramik Steingut Eulen PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Young wood-owl. Date: 1952. Technique: White earthenware, partially polychromed and glazed. Measurement: 24,5 x Ø 10,5cm. Notation: Inscribed underneath: EDITION PICASSO MADOURA. Here additionally the stamps: EDITION PICASSO and MADOURA PLEIN FEU. From an edition of 500 copies.Provenance:- Private collection North Rhine-WestphaliaLiterature:- Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, cat. rais. no. 135, ill. Explanations to the Catalogue
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Face. Datierung: 1955. Technik: Weißes Steingut, farbig gefasst und innen glasiert. Maße: 30 x 9,5 x 11cm. Gießerstempel: Stempel auf der Unterseite: EDITION PICASSO und MADOURA PLEIN FEU.Aus einer Auflage von 500 Exemplaren.Literatur:- Ramié, Alain: Picasso - Catalogue of the Edited Ceramic Works 1947-1971, Lyon, 1988,WVZ.-Nr. 288, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Gesicht Objekt Keramik PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Face. Date: 1955. Technique: White earthenware, polychromed and glazed on the inside. Measurement: 30 x 9,5 x 11cm. Foundry Mark: Stamp underneath: EDITION PICASSO and MADOURA PLEIN FEU.From an edition of 500 copies.Literature:- Ramié, Alain: Picasso - Catalogue of the Edited Ceramic Works 1947-1971, Lyon, 1988,cat. rais. no. 288, ill. Explanations to the Catalogue
PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Goat's head in profile. Datierung: 1950. Technik: Weißes Steingut, partiell farbig gefasst und glasiert. Maße: Ø 25,5 x 3cm. Bezeichnung: Stempel auf der Unterseite: MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Sockel/Rahmen: Mit Aufhängung. Aus einer Auflage von 50 Exemplaren. Provenienz: - Privatsammlung Bayern Literatur: - Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, WVZ.-Nr. 106, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Tier Keramik Porzellan PICASSO, PABLO1881 Malaga - 1973 MouginsTitel: Goat's head in profile. Date: 1950. Technique: White earthenware, partially polychromed and glazed. Measurement: Ø 25,5 x 3cm. Notation: Stamp underneath: MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO. Frame/Pedestal: With mounting. From an edition of 50 copies. Provenance: - Private collection Bavaria Literature: - Ramié, Alain: Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Lyon 1988, cat. rais. no. 106, ill. Explanations to the Catalogue
Loading...
