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Lot 444
Ceramic horse and rider Chinese, Tang Dynasty, 618-906 AD the horse advancing with one foreleg raised, painted bridle and harness detailing, rider in knee-length riding coat and cap, arms held before the chest and fists clenched, with a thermoluminescence test certificate no.C119a77 issued by Oxford Authentication Ltd, 53.5cm
Lot 11
An Arts and Crafts brass framed over-mantel mirror with ceramic insets c.1905 The wood frame covered with brass riveted panels, the top inset with 3 red-glazed ceramic bosses, probably Ruskin, the sides and bottom embossed with stylised foliage, against a textured ground, the mirror glass is bevelled75.5 cm high x 126 cm wideCeramic bosses with some crazing & fine scratches.Brass - bottom corners with small splits, on the underside of the bottom edge of frame some rivets have been lost. Some old marks, general wear and tarnishing. Mirror glass probably replaced and there is new hard board backing to the glass. Paper backing removed so bear wood exposed on the reverse.
Lot 13
William Moorcroft (1872-1945), an Forget-Me-Not pattern ceramic vasec.1909, signed in green W Moorcroft Des, printed Macintyre Florian markFinely tube-lined with shaped panels of stylised flowers against a white ground21.5 cm high (restored)Heavy Restoration to the rim and the foot. Some old marks, natural wear and crazing to the glaze
Lot 15
William Moorcroft (1872-1945), a twin-handled ceramic vase c.1916, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised flowers on leafy stems, coloured and glazed 21 cm highTwo chips to the neck rim and some tiny glaze flakes on the edge of the foot rim. Some old marks, light natural wear and some crazing to the glaze
Lot 162
John Maltby (1936-), a large sculptural group c.1995, impressed seal to base and signed and titled underneath 'Family Group with Hedge' A stoneware sculptural group depicting two stylised figures with a baby, matt glazed in greys and blacks on a rectangular ceramic base 30.5cm high (ARR)Please refer to department for condition report
Lot 19
William Moorcroft (1872-1945), a Peacock Feather pattern twin-handled ceramic vase retailed by Liberty & Co c.1900, signed in green W Moorcroft Des, printed Made for Liberty & Co, indistinct Rd. No. Finely tube-lined with stylised motifs, flowers and leaves, coloured and glazed 19.5 cm highSome stains on the foot. Some old marks, light natural wear and some crazing to the glaze.
Lot 208
Tjok Dessauvage (Belgian 1946-), ceramic sculpture 2003, signed and dated to each item Two ceramic forms on an ebonised sheet metal plinth, one glazed orange with a central well and geometric patterns to the top, the other form unglazed matt black clay 18cm high x 40cm long x 30cm wide (ARR)Provenance: Cultural Connections, Great Missenden, BucksPlease refer to department for condition report
Lot 270
Ceramic wall hanging, probably Southern European c.1970, each section with painted lizard motif to reverse A large ceramic wall hanging constructed of ten circular and curved sections tied together with leather ties glazed in orange with mottled green and turquoise coming through 83cm long maximum x 48cm widePlease refer to department for condition report
Lot 40
Zsolnay, a good Eosin glazed ceramic vase with twin elephant-head handles and stylised fish decoration c.1905, raised Zsolnay circular spire mark, impressed 6353 M Possibly designed by Nagy Mihály (1864-1943), the shaped vase decorated with stylised leaping fish amidst waves, applied with elephant head handles, their trunks extending down the sides, decorated in red and cream and a lustrous Eosin glaze 36.5 cm high Literature: Eva Csenkey, ‘Zsolnay Szecessziós Kerámiák’, Helikon, Budapest, 1992, p.123, image 151 (a jardinière of horizontal form modelled at either end with elephant heads by Nagy Mihály is illustrated)Some scratches on the sides , some areas of dirt and some small elements of glaze shrinkage on the decoration and base edge. A few abrasions to the elephant trunks - more on the green/gold one. Some fine marks to the clay beneath the glaze and some streaking to the colours in places. Some abrasions to the neck rim that have removed the top surface of the glaze in small areas. The elephant heads have fired differently one is more green gold the other more green bronze. Inside there is a firing flaw to the hole where the elephant handle was attached - for firing. The base rim on underside has wear. There is crazing to the glaze. Overall this vase is in good condition and presents well. Please ask department for photographs.
Lot 41
Zsolnay, an Art Nouveau Eosin glazed ceramic vase raised on three open work feet c.1905, raised Zsolnay circular spire mark, impressed number difficult to read possibly 6892 M Of globular form, the neck rim folded over in three sections and pulled down to partly form the open work feet, decorated with applied with stylised horse chestnut fruits in their knobbly shells, covered with a lustrous Eosin glaze 12.5 cm highSome fine surface abrasions to the glaze around the the feet, with some fine crazing to the glaze and some dirt. A few tiny scratches in the bottom of the vase. Some tiny open bubbles/pitting in the glaze in the bottom of the vase but this was in the firing. Wear to the underside of the feet.
Lot 148
A small collection of British and European ceramics many hand painted by individual ceramic artists, to include Royal Winton, Crown Devon and Radfords, monograms and signatures appear to include an interlaced 'LS', interlaced 'LA', several marked 'J.Mc.A' and 'M.D', the pieces predominantly with floral decoration, and including salt and pepper pots, sandwich dishes, twin handled plate, jugs etc. (quantity)
Lot 387
20th Century oil on canvas, ceramic model of a Cavalier King Charles spaniel and lamp and flower planter, signed and dated (lower right) 'H. Bouma, 61', 60cm x 48.5cm, together with a watercolour on paper, depicting the interior of a room, signed and dated in pencil 'Mar--se, 1905', 34cm x 23cm, both framed (2)
Lot 92
Three Chinese Tang style earthenware figures of kneeling female attendants, each with a slightly altered pose, one with high raised bun the others with buns on either sides of their heads, height 17.5cm, together with a Chinese ceramic pillow supported by reclining children, five towering pavilions, a hexagonal stoneware dish and contemporary metal mounted box with inset porcelain panel (10)
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163691 item(s)/page