A RADO DIASTAR WATCH, black ceramic and gold tone watch with a rectangular face, gold Arabic numerals at the four, eight and twelve o'clock position, gold baton markers at the remaining positions, date window above the three o'clock position, gold coloured hands, approximate case width 27mm, fitted with a butterfly clasp, model number 160.0282.3 10009576, also including box, warranty, gurantee card, wallet and additional links, (condition report: general light wear, not currently running)
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ALEXANDER BLAZQUEZ (MEXICAN 20TH CENTURY)Pair of Owls,circa 1960s-1970sbrass and ceramicheight of larger owl: 17 cm (6 3/4 in.), smaller: 13 cm (5 1/8 in.)each signed and inscribed MEX to undersideCONDITIONThe pair is in overall very good original condition. Beyond tarnishing to the brass, no significant issues apparent to the naked eye.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
One owner from new2010 Porsche 911 Type 997 Sport Classic CoupéRegistration no. Not RegisteredChassis no. WP0ZZZ99ZAS794193•One of only 250 made•Built to Swiss market specification•402bhp engine•Six-speed manual transmission•Showing 182 km at time of cataloguing Footnotes:Representing a major step forward, the Type 996 version of Porsche's perennially popular 911, introduced in 1997, really did justify its maker's claims to be 'all new'. With the 996's introduction, Porsche finally adopted water cooling for the flat-six engine, which remained behind the rear wheels of a car that shared no panels with its immediate predecessor and was longer, wider, and higher than before. Not surprisingly, given the Type 996's wholesale re-engineering, the successor Type 997 - introduced in 2004 - represented evolution rather than revolution, the most significant changes being to the interior and exterior styling. The latter marked a welcome return to the 911's traditional oval headlights, and the interior too was more classic 911 than that of the outgoing 996. In developing the Type 997, Porsche had started with the more challenging cabriolet, reasoning that if the open car could be made sufficiently stiff, the coupé would easily achieve the required rigidity. The base 3.6-litre engine remained essentially the same as the Type 996's, while the more expensive 'S' models came with a more powerful 3.8-litre unit. The Turbo, though, kept the '3.6', which now featured Variable Turbine Geometry (VTG) turbo-chargers for better throttle response. As is the case with many modern auto 'boxes, Porsche's Tiptronic got the 911 off the line quicker than the manual version. Unlike in its earliest days, when only a tiny handful of models was on offer, the 911 in more recent decades has spawned a host of special, limited-edition variants catering for every taste, many of them offering increased performance over the base model. One such member of the Type 997 family is the Sport Classic, based on the Carrera S, which was introduced at the 2009 Frankfurt Auto Show. Production was limited to 250 units, all of which were sold in under 48 hours. Using the wider Carrera 4 body, but without four-wheel drive, the Sport Classic was inspired by the legendary Porsche 911 Carrera RS of 1973, adopting its illustrious ancestor's trademark fixed position ducktail spoiler. Normally aspirated, the Sport Classic's engine produced 402bhp courtesy of a newly developed variable resonance intake manifold with six switchable valves, while a six-speed manual gearbox was the only transmission on offer. Other notable features included a 'double bubble' roof; 1970s-style chequered-finish door trim; Espresso (dark brown) braided leather upholstery; ceramic composite brakes; lowered suspension; Fuchs 19' alloy wheels; and special Sport Classic Grey exterior colour. Built to Swiss specification, this rare and collectible Sport Classic was sold new to the current owner on 31st March 2010. To say that the standard specification was generous would be a gross understatement (it runs to almost 70 items) with only three optional 'extras': Sport shifter, preparation for mobile phone, and factory collection! Specification highlights include the following:Tyre pressure monitoringSide skirtsDoors in aluminiumWindscreen with grey top tintB-Xenon headlightsTaillights with clear glass lookPorsche Communication Management (PCM) including GPS navigation moduleSix-disc CD/DVD auto changerAutomatically dimming mirrorsBose surround sound systemCruise controlHeated front seatsAdaptive sports seats with driver memoryRepresenting a wonderful opportunity to acquire a little used example of the rare and exclusive, limited-edition Porsche 911 Sport Classic, the car is offered with copies of the aforementioned purchase invoice and specification sheets. The Porsche has been on static display since acquisition and may require recommissioning prior to road use. Please also note the Lot will attract 20% import VAT if it is to remain in the UK.Lot to be sold without reserve.This lot is subject to the following lot symbols: Ω NΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
One owner from new2014 Ferrari F12 BerlinettaRegistration no. Not RegisteredChassis no. ZFF74UHT0F204879Offered without reserve•Built in 2014 and purchased in 2017•Left-hand drive•Well optionedFootnotes:Introduced to the motoring public at the 2012 Geneva Motor Show, the Ferrari F12 replaced the 599 family of front-engined Gran Turismos. '... the company has thrown everything at it to ensure it's vastly quicker than its seminal predecessor, but also that it's more enjoyable at low speeds' declared evo magazine, continuing: 'It claims to be both GT and supercar, mixing front-engined packaging and civility with exotic, F1-inspired dynamic ability.' Ferrari's gorgeous new Berlinetta was soon garnering critical accolades, being voted 'Supercar of the Year 2012' by Top Gear magazine, and in 2014 receiving the coveted 'Premio Compasso d'Oro ADI', one of the world's oldest and most prestigious design awards. It is an oft-stated cliché that 'the heart of every Ferrari is its engine', and the F12's 6.3-litre, 65-degree, normally aspirated V12 is acknowledged as one of the finest ever, winning the 'Best Performance' and 'Best Engine above 4.0 litres' categories in the 2013 'International Engine of the Year Awards'. With 730bhp on tap, this class-leading power unit - one of the most powerful every installed in a Ferrari road car – delivers stupendous performance, propelling the F12 to 100km/h (62mph) in 3.1 seconds on its way to a top speed of 211mph. Around Ferrari's Fiorano test track, the F12 proved to be 3.5 seconds quicker that the preceding 599 GTB and 2.0 seconds quicker than the mid-engined Enzo; even the hardcore 599 GTO was slower. And all that from a comfortable and civilised Gran Turismo.But these days even a supercar has to make the odd concession in the interests of fuel economy, and with this in mind the F12 incorporated Ferrari's HELE stop/start system that reduces consumption when idling. Paddle shifters mounted on the steering wheel – an innovation pioneered by Ferrari in Formula 1 - had long been a feature of the Maranello marque's road cars, and the F12's controlled a seven-speed dual-clutch semi-automatic transmission. Stability, traction control, suspension, and other settings were also controlled from the F12's steering wheel, while improved carbon-ceramic brakes helped keep things in check. The engine/transmission package was mounted in an aluminium spaceframe chassis - developed by Ferrari's close neighbours and long-time collaborators, Carrozzeria Scaglietti – that represented significant gains in rigidity and weight reduction when compared with the preceding 599 GTB. As one would expect of a modern-day Ferrari supercar, the F12 came with the latest in driver aids as standard: ABS, SCM-E magnetorheological suspension, electronic limited-slip differential, ESP Premium stability control, and F1-Trac traction control. Styled by the Ferrari Styling Centre and Carrozzeria Pininfarina, the F12's voluptuous body restated the traditional 'long bonnet, small cabin, short tail' look in a manner suggesting muscular horsepower while retaining all the elegance associated with the Italian coachbuilder's work for Maranello. A significant aerodynamic development was the 'Aero Bridge': an under-body air channel running from front to rear that increased down force while exerting less drag than an external wing. 'Active Brake Cooling' ducts had been adopted for the same reason; opening only when the brakes required cooling while remaining closed at other times to reduce aerodynamic drag. The result was a remarkably low drag coefficient of only 0.299. Based on that of the Ferrari FF, the 'Frau leather' interior featured aluminium, Alutex, and carbon fibre trim. The F12's optional accessories were extensive, though pricey. Finished in Bianco Avus with Rosso Ferrari leather interior, this superb example was built it 2014 and sold via the local Ferrari agent to the current vendor – we understand as a new car – on 20th June 2017. Specification highlights include:Alcantara headliningRed brake callipers Cruise control Leather parcel shelfColoured upper dashboardHeat insulating windscreenWhite rev counterFire extinguisher'Scuderia Ferrari' shields Interior/exterior electro-chromic mirrorsParking camera Full electric seats Coloured steering wheel in Rosso Ferrari20' dark painted forged wheelsTyre pressure measurementSpare wheel kit 20'Representing a wonderful opportunity to own one of Ferrari's all-time great, front-engined supercars, this stunning F12 comes with copies of the sales invoice and specification sheets. The F12 has been on static display since acquisition and will require recommissioning prior to road use. Please also note the Lot will attract 20% import VAT if it is to remain in the UK.Lot to be sold without reserve.This lot is subject to the following lot symbols: Ω NΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
A cased picnic set for four persons, retailed by Harrods, circa 1905,black leather-cloth case with leather handles, brass catches and brown leather trim, the lid opening to wooden compartmentalised interior fitted with Thermos vacuum flask, wicker-covered glass drinks bottle, one large and two smaller enamel-based food containers, two small glass bottles, four ceramic tea-cups, three glass tumblers in wicker cases, two ceramic butter or preserves jars by LM of Paris, and other condiments jars, with rectangular enamel plates, saucers, and cutlery housed behind leather straps and clips in the lid also bearing Ivorine plaque to corner marked 'Harrods Ltd Basket, Brush, & Turnery Dept. London. S.W.1', the case measuring 70 x 44 x 19cm overall. This lot is subject to the following lot symbols: †◊†VAT at the prevailing rate on Hammer Price and Buyer's Premium.â—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
A cased picnic set for four persons by G W Scott & Sons, circa 1909,black leather-cloth case, with nickelled handles, lock and catches, the lid opening to wicker framework interior fitted with wicker-handled copper kettle with burner and stand, oil flask, wicker-covered glass drinks bottle, a smaller glass milk bottle, a 'Coracle' brand ceramic-based food container, two smaller food tins, a set of four Bisto bone china tea-cups with accompanying saucers, a set of four glass tumblers in wicker cases, ceramic butter jar and two condiments jars, with rectangular enamel plates and cutlery housed behind leather straps in the lid, with key, the case measuring 59.5 x 34 x 18cm overall. This lot is subject to the following lot symbols: †◊†VAT at the prevailing rate on Hammer Price and Buyer's Premium.â—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Arturo Ciacelli (1883 - 1966)'natura morta', Pastell auf Papier, 30,5 cm x 47,5 cm Passepartoutinnenmaß, signiert, verso betitelt, 3 nummeriert, unter Passepartout montiert, minimaler punktueller Farbverlust, Passepartout beschädigtDer 1883 in Rom geborene Künstler Arturo Ciacelli widmete sich in seiner langen und äußerst produktiven Karriere vorwiegend dem abstrahierenden Stil. Ciacelli besuchte die freien Kurse der Accademi de belle arti in Rom, wo er 1909 die schwedische Künstlerin Elsa Ström traf und im gleichen Jahr heiratete. 1911 reiste Ciacelli nach Paris, wo er mit den kubistischen Künstlern im Umfeld von Robert Delaunay regen Kontakt pflegte. Hier begegnete er auch zum ersten Mal den "italienischen Futuristen", deren Reihen er sich später anschloss.Nach seiner Rückkehr erhielt er seine erste Einzelausstellung in der Universität Lund. Hundertzwei Werke wurden ausgestellt, davon 22 wie dieses in Pastell, aber auch Ölgemälde, Zeichnungen, Radierungen und Keramiken. Die Ausstellung wurde in mehreren Galerien präsentiert und war äußerst erfolgreich, da alle Werke verkauft wurden. Ciacelli blieb bis in die 1930er Jahre in Schweden, wo er in seiner Rolle als Künstler und Galerist den künstlerischen Austausch zwischen Italien, Frankreich und den nordischen Ländern förderte. 1938 kehrte er in sein Heimatland zurück und blieb auch dort mit seinen meist flächig-geometrischen Kompositionen ein führender Vertreter des Futurismus. Arturo Ciacelli (1883 - 1966)'natura morta', chalk pastel on paper, mat inner dimensions 30.5 cm x 47.5 cm, signed, titled on the reverse, numbered 3, firmly mounted under the mat, minor localised losses of pigment, mat defectiveArturo Ciacelli was born in Rome in 1883. In his long and productive career, he mainly painted in an abstract style. Ciacelli attended the free courses at the Accademi de belle arti in Rome, where in 1909 he met the Swedish artist Elsa Ström and married her in the same year. In 1911, he travelled tot Paris, where he became acquainted with the Cubist artists in the circle of Robert Delaunay. It was here that he also first came into contact with the Italian Futurist group, which he later joined.He had his first solo exhibition at the University of Lund. 102 of his works were exhibited, including 22 in pastels, like the present work, as well as oil paintings, drawings, etchings and ceramic pieces. The exhibition was later presented in several galleries and was exceedingly successful, with all of the works being sold. Ciacelli resided in Sweden until 1930. In his role as artist and gallerist, he facilitated artistic exchange between Italy, France, and the Nordic countries. He returned to Italy for good in 1938 and there his planar, geometric compositions made him one of the leading proponents of Futurism.
Lidded white enamel bucket, stone glazed urn with two handles, lidded satsuma jar decorated with pink and yellow floral pattern on blue ground, another smaller blue and white satsuma jar, ceramic ewer and basin decorated with landscape on blue and white ground, blue and white Copeland Spode Italian dinner plate, Cauldon fruit bowl with floral decoration (8)
A mixed lot to include Victorian green glass vase with painted ceramic plaque 36.5cms h, tall metal and marble table lamp 58cms h, a black and amber Jacinto Chirogue Chulucanas vase with signed base 33.5cms h, a wooden bowl and a ceramic bowl.Condition ReportGreen glass vase with chip to base, others in fair condition.
A quantity of silver plate to include a biscuit barrel marked H & L, an Elkington & Co candle holder with snuffer, two handle serving cradle with french ceramic inner, bon bon dish with handle, a heavy plate marked J Lyons & Co Ltd and a decorative salver.Condition ReportPlate and salver with tarnish, others in good condition.
A mixed lot to include a Limoges white ceramic figure, 2 x Goss crest ware pots, 2 x Staffordshire figurines, 1 x white ceramic figurine, a wooden handle metal muffin fork, 3 part fire companion set, 2 x cobblers shoe anvils/forms, a small picture frame with embroidered cottage scene and pair of brass candle sticks etc.Condition ReportStaffordshire figurine chip to top and glaze crackling. Other items appear to be in good condition and no noticeable issues.
A Chinese black lacquer tea caddy with intricate colourful mother of pearl inlay of birds, fans and floral designs. Inside is a pair of ceramic square caddies with bird and landscape scene with cover and lids. Measures 23ms l x 14.5cms w x 14cms h and caddies 7cms l x 7.5 w x 12cms h.Condition ReportLacquer coming away in areas of lid otherwise good condition.
A large quantity of household ceramics, glass and modern oriental wares including: Japanese Sasaki crystal and porcelain, Ikebana planters and related items, Kosta glass, Ball Ceramic Design Studio, various Japanese basket wares, lacquer, cased calligraphy set, Kabuki dolls, an oriental hardwood carving depicting a stag and three birds, and a Thai celadon large bowl on lacquered stand etc. (seven boxes)
19th century/ early 20th century eastern table bell, with three graduating brass bells, having lion armorial crest on shaped soft wood stand with floral carving19th century/ early 20th century eastern table bell, with three graduating brass bells, having lion armorial crest on shaped soft wood stand with floral carving, together with a brass and mahogany dinner gong and a ceramic solitaire board with marbles.
GLENGOYNE AGED 17 YEARS DECANTERSingle Malt Scotch Whisky70cl, 43% volume, black ceramic decanter in box.Condition report: Seal in tact, but only partially covering both bottle and cork.Fill level feels no less than 3/4 full.Box in good condition with no significant damage or wear.No evidence of leakage/seepage.
GOOD EARLY VICTORIAN WALNUT WRITING TABLE IN THE MANNER OF GILLOWS, inset writing surface above arrangement of five drawers, foliate carved under-arch on tapering, reeded legs, ceramic casters, 74h x 121w x 55cms Provenance: deceased estate Neath/Port Talbot collection Comments: carved section loose but present
TWO VICTORIAN WALNUT TABLES, comprising a Burr-walnut two tier etagere with rail-back and baluster turned uprights and legs, 65h x 61w x 40cms, and a small oval marquetry table raised on four elaborate turned columns joined by turned stretcher on leaf carved scrolled legs, 70h x 91w x 57cms, both on ceramic casters (2) Provenance: deceased estate Neath/Port Talbot collection

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