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A late Victorian black slate mantel clock of architectural form, the ceramic chapter ring set with Arabic numerals and stamped Salsbury & Son Guildford to centre, height 30cm, and an Art Deco onyx timepiece (both af) (2). CONDITION REPORT: Condition issues to both, surface wear, some chips etc, the onyx example loose to the base, neither running and no guarantees of working order.
An interesting early to mid-20th century book containing hand done floral designs for ceramic table wares, predominantly teacups, either pencil drawn or printed and many with hand done colouring, with hand written annotations and pattern numbers throughout, author and ceramic factory unidentified, in purple boards with gilt tooled title 'Old G Book Valuable Handle With Great Care'. CONDITION REPORT: Boards worn with some surface wear and loss, distress, etc. Internal pages heavily worn, many held together with sellotape, all foxed and/or discoloured, particularly to page edges, some loss and heavy wear to page edges, some obvious water or similar damage, internal creasing, tears and fraying to edges and corners, etc.
SARGADLEOS AFTER JOAN MIRÓ; ceramic study, 'Homaxe a Juan Miró', painted marks and initials RP to underside, height 18cm, and a Kaiser vase with raised decoration (2). CONDITION REPORT: Both have some light surface wear otherwise appears good with no further signs of faults, damage or restorations.
EUGÈNE VICTOR COLLINOT (1824-1889) PAIR OF GILT METAL-MOUNTED CERAMIC CACHEPOTS, CIRCA 1880 each in the Japanese taste, the moulded yellow ground painted with flowers and with four painted relief panels of birds in a landscape, elaborate pierced and cast mounts to the rim and base, each bears maker's marks in underglaze blue under the mounts, E.C./ 11938 (2) 35cm high, 41cm diameter Note: Eugène Collinot was interested in both Middle and Far Eastern design and architecture, and with Adalbert de Beaumont he published, as one of a series, Ornements du Japon (1883), a handbook for students containing Japanese motifs similar to those on these fine cachepots. He was singled out in the British and French reports on the 1867 Paris Exhibition, the French reporter commenting that 'for the reproduction of Oriental faience M. Collinot is second to none'.

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