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Lot 245
A 19th Century scent bottle formed as a ceramic conch shell with brown painted decoration and a brass screw top fitting, length 7.5cm, together with a small ivory cased tape measure, a bone cotton reel, a white metal filigree chair, a pair of miniature scissors and a small red leather needle case. (6)
Lot 1137
FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Titel: Mohn rot/mauve (Krug). Datierung: 2012. Technik: Keramik, glasiert auf Maße: 22 x 15cm. 15 WVZ. Fußmann (Keramik II), Nr. 498. Erläuterungen zum Katalog Klaus Fussmann Deutschland Figurative Malerei Nachkriegskunst Objekte 2010er Blumen Keramik Keramik Natur FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Title: Mohn rot/mauve (Krug). Date: 2012. Technique: Ceramic, glazed on Measurement: 22 x 15cm. 15 Cat. rais. Fußmann (Keramik II), no. 498. Explanations to the Catalogue Klaus Fussmann Germany Figurative Painting Post-War Art Sculptures 2010s Flowers Ceramic Ceramics Nature
Lot 1333
VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Ungarn - 1997 Paris Titel: Objekt-Vase. Datierung: Ca. 1978. Technik: Porzellan, farbig gefasst. 44 x Ø 16,5cm. Bezeichnung: Signiert am unteren Rand: Vasarely. Hier zudem Editionsmarke und Nummerierung: Rosenthal studio-line Limitierte Kunstreihen, 200/93. Rosenthal, limitierte kunstreihen (Hrsg.). Exemplar: 93/200. Dem Objekt liegt ein Zertifikat bei. Erläuterungen zum Katalog Victor Vasarely Frankreich Op Art Nachkriegskunst Objekte 1970er Formen Keramik Porzellan Farb VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Hungary - 1997 Paris Title: Objekt-Vase. Date: Ca. 1978. Technique: Porcelain, polychromed. 44 x Ø 16,5cm. Notation: Signed in the lower margin: Vasarely. Here additionally with the edition mark and numbering: Rosenthal studio-line Limitierte Kunstreihen, 200/93. Rosenthal, limitierte kunstreihen (publisher). Number: 93/200. Enclosed with the object is a certificate. Explanations to the Catalogue Victor Vasarely OP Art Post-War Art Sculptures 1970s Shapes Ceramic Porcelain
Lot 1251
PENCK, AR PENCK, AR 1939 Dresden - 2017 Zürich Titel: Ohne Titel. Technik: Porzellan, farbig gefasst auf Ø 20Signiertar penckZustand: - Auf einer Seite stellenweise Risse. Die Keramikarbeit trägt den Aufkleber der Keramikwerkstatt Droysen, Berlin. Erläuterungen zum Katalog AR Penck Deutschland Neoexpressionismus Figurative Malerei Neue Wilde Nachkriegskunst Objekte Abstrakt Objekt Porzellan-Objekt Farbe PENCK, AR PENCK, AR 1939 Dresden - 2017 Zurich Title: Untitled. Techinque: Porcelain, polychromed on Ø 20Signedar penckCondition: - On one sides partly cracks. This ceramic work is equipped with the label of the ceramic workshop Droysen, Berlin. Explanations to the Catalogue AR Penck Germany Neo-Expressionism Figurative Painting Neue Wilde Post-War Art Sculptures Abstract Object Porcelain object Colour
Lot 1021
DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Rosenthal "Suomi". Datierung: 1976. 5-teilig. Jeweils Porzellan vergoldet und bemalt. Mit Stempelsignatur und -nummerierung sowie mit der Marke Rosenthal studio-line Germany versehen. Teekanne: Höhe ca. 16cm; Ex. 398/500. Kaffeekanne: Höhe ca. 21cm; Ex. 52/500. Henkelschale mit Deckel: Höhe ca. 22cm; Ex. 138/500. Zwei Schalen: Höhe jeweils 17cm; Ex. 324/500 und Ex. 331/500. Rosenthal, limitierte Kunstreihen (Hrsg.). Entwurf und Gestaltung: Timo Sarpaneva und Salvador Dalí. Zu jedem Objekt liegt ein Zertifikat vor. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Objekte 1970er Abstrakt Keramik Porzellan DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Rosenthal "Suomi". Date: 1976. 5-part. Each porcelain gold plated and painted. With the signature and numbering stamp as well as with the mark Rosenthal studio-line Germany. Teapot: Height ca. 16cm; Number 398/500. Coffepot: Height ca. 21cm; Number 52/500. Handle bowl with lid: Height ca. 22cm; Number 138/500. Two bowls: Height each 17cm; Number 324/500 and Number 331/500. Rosenthal, limitierte Kunstreihen (publisher). Design and layout: Timo Sarpaneva and Salvador Dalí. Enclosed with ach object is a certificate. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Sculptures 1970s Abstract Ceramic Porcelain
Lot 1343
WIINBLAD, BJÖRN WIINBLAD, BJÖRN 1918 Kopenhagen - 2006 Lyngby Titel: Porzellanservice. 22-teilig. Jedes Stück: farbig gefasst und glasiert; Kanne und alle Teller zudem handbemalt. Auf der Unterseite die Marke: Rosenthal studio-line GERMANY. Kanne und Teller hier zu dem jeweils bezeichnet: HANDGEMALT. Dazu Stempelsignatur: Björn Wiinbald. Rosenthal, studio-linie (Hrsg.). Erläuterungen zum Katalog Björn Wiinblad Dänemark Figurative Kunst Nachkriegskunst Objekte Figur / Figuren Keramik Porzellan Pflanzen WIINBLAD, BJÖRN WIINBLAD, BJÖRN 1918 Copenhagen - 2006 Lyngby Titel: Porcelain Service. 22-parts. Each piece: polychromed and glazed; Teapot and all plates additionally hand-painted. On the bottom side the mark: Rosenthal studio-line GERMANY. Teapot and plates here each inscribed: HANDGEMALT. Additionally stamp signature: Björn Wiinbald. Rosenthal, studio-linie (publisher). Explanations to the Catalogue Björn Wiinblad Denmark Figurative Art Post-War Art Sculptures Figure / Figures Ceramic Porcelain Plants
Lot 2255
Seltene grosse Prunkvase Michael Powolny (Judenburg 1871-1954 Wien), Entwurf um 1916 H. 128 cm Ausführung der Firma Wienerberger Keramik. Ziegelroter Scherben, bläulich-weiß halb-transparent glasiert, blau staffiert. Min. best., leicht berieben. Provenienz: Laut Angaben des Vorbesitzers ehemals im Besitz des Wiener Modeschöpfers Fred Adlmülller (Nürnberg 1909 - 1989 Wien). A RARE MONUMENTAL MICHAEL POWOLNY (1871-1954) CERAMIC TROMPE-D'OEIL VASE, desiged c. 1916 by Wienerberger Keramik manufactory. Red clay, glazed in blue and white with blue pattern. Minor chips.
Lot 40
Fausto Melotti (Italian, 1901-1986)Quattro coppette (Four little bowls) each signed with seven dots (on the base)glazed ceramica)circa 1960Diameter: 14.5 cm.5 11/16 in.Height: 6 cm.2 3/8 in.b)circa 1965Diameter: 14.1 cm.5 9/16 in.Height: 6.2 cm.2 7/16 in.c)circa 1955Diameter: 13.3 cm.5 1/4 in.Height: 5.4 cm.2 1/8 in.d)circa 1960Diameter: 13 cm.5 1/8 in.Height: 6.5 cm.2 9/16 in.Footnotes:This work is registered in the Fondazione Fausto Melotti, Milan, under no. CT 728, CT 729, CT 730 and CT 731.ProvenanceAngelo Ambrosini Collection, MilanThence by descent to the present ownerBorn in Rovereto in 1901, Fausto Melotti's work is not easily defined. Working as a sculptor, painter, poet, and ceramicist Melotti moved freely between abstraction and figuration and his work is linked to Futurism, Surrealism and Arte Povera amongst others. Having grown up in a musical family, he went on to study mathematics and physics at the University of Pisa and engineering, art and architecture at the University of Milan. Music remained an integral part of his life and its influence, along with his scientific expertise can be found throughout his practice. At 27 Melotti enrolled in the Accademia di Belle Arti di Brera in Milan where, in the Plastica della figura class of the prominent symbolist sculptor Adolfo Wildt, he met Lucio Fontana who would become a lifelong friend. Whilst both Fontana and Melotti went on to produce a considerable ceramic oeuvre, Melotti was long best known for his lithe metal sculptures and Teatrini (Mini Theaters or Puppet Theaters). Ceramics would only really become a main focus of his practice towards the end of the Second World War, after his studio was destroyed in the bombardments of Milan, initiating a period in which the artist would focus exclusively on the production of ceramic and terracotta works. His experimental and hugely prolific foray into the ductile and intriguing material resulted in bas reliefs, abstract vases, lustrous bowls and plates, ashtrays, small ceramic sculptures, and whimsical teatrinos and he frequently mixed ceramics with steel or iron. Highlighting the beautiful iridescent glazes so characteristic of Melotti's ceramics, the present collection of works wonderfully showcase his mastery of the medium and his acceptance that he would never be fully in control of the finished product. To work in ceramics, means to hand over part of the artistic process to the kiln and the fire and according to the artist, that was why many traditional sculptors shied away from the medium. The glazes in countless shades of blue and soft pinks are interlaced with metallic accents that enhance the elegant design and feel of their vessels and gives each pot a delicate, gem like quality. As stated by Melotti, 'For an artist, ceramic is a material like bronze or marble. Ceramic may even be a more fascinating material because of the mystery in which it is born from. [...] The adventure of the piece of ceramic that enters the oven amorphous and emerges in full party dress is the source of an exciting joy, an indefinite limit between sense and beauty. It's like a holiday trip into a world that is more fairy-like [féerique] than magical, a world where expressions like joy in work find value and meaning. (The artist in: Antonella Commellato, 'Lotta. Materia prepotente Cervello luminoso', in Antonella Commellato and Marta Melotti, Fausto Melotti. L'opera in ceramica, Milan 2003, p. 27)Melotti was an integral part of the artistic and intellectual fabric of post-war Italy. A contemporary of Alexander Calder, parallels can also be drawn between the sculptures of Alberto Giacometti and throughout his life he stood in regular artistic exchange with some of the most revered artists of the age, such as Lucio Fontana and Gio Ponti. Today, his work is held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Rome, and the Gori Collection in Pistoia, among many others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
Fausto Melotti (Italian, 1901-1986)Due coppe (Two bowls) each signed with seven dots (on the base)glazed ceramica)circa 1955Diameter: 18 cm.7 1/16 in.Height: 8 cm.3 1/8 in.b)circa 1960Diameter: 17 cm.6 11/16 in.Height: 8 cm. 3 1/8 in.Footnotes:This work is registered in the Fondazione Fausto Melotti, Milan, under no. CO 089 and CO 090.ProvenanceAngelo Ambrosini Collection, MilanThence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 42
Fausto Melotti (Italian, 1901-1986)Due bomboniere (Two wedding favours) a)circa 1960signed with seven dots (on the base)glazed ceramicDiameter: 14.9 cm.5 7/8 in.Height: 4.5 cm.1 3/4 in.Width: 8.4 cm.3 5/16 in.b)circa 1960inscribed AFglazed ceramic and glassHeight: 2.5 cm.1 in.Length: 8 cm.3 1/8 in.Width: 5.6 cm.2 3/16 in.Footnotes:This work is registered in the Fondazione Fausto Melotti, Milan, under no. OBM 017 and OBM 018.ProvenanceAngelo Ambrosini Collection, MilanThence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 37
Hublot. An 18K rose gold, black ceramic and titanium automatic calendar chronograph wristwatchModel: Big BangReference: 301Date: Circa 2010Movement: 25-jewel Cal.4100 automaticDial: Black grid effect, applied rose alternating baton and Arabic numerals, red outer minute divisions with 5 minute markers, subsidiary dials at 3, 6 and 9 for seconds, 30 minute and 12 hour recording, date aperture between 4 and 5, gilt pointed baton hands with luminous inserts, red centre chronograph handCase: Brushed and polished tonneau form, exhibition back secured by 6 screws, black bezel with 6 screws, shouldered screw down crown with twin buttons, No.848775Strap/Bracelet: Black Hublot rubberBuckle/Clasp: Signed rose gold and black DLC coated steel deployant claspSigned: Case, dial & movementSize: 44mm Accompaniments: Hublot box, outer cardFor further information on this lot please visit Bonhams.com
Lot 6
Rolex. An 18K gold automatic calendar bracelet watchModel: Oyster Perpetual SubmarinerReference: 116618Date: Purchased 27th July 2016Movement: 31-jewel Cal.3135 automatic, adjusted to 5 positions and temperatures, No.252*****Dial: Sunburst blue, applied luminous filled dot hour markers, baton quarters, gilt outer minute divisions, magnified date aperture at 3, gilt Mercedes hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, screw down back and shouldered screw down crown, uni-directional calibrated bezel with blue insert, No.598*****Strap/Bracelet: Fitted polished D8P 97208 Oyster linkBuckle/Clasp: Signed folding clasp, stamped J8KSigned: Case, dial & movementSize: 40mm Accompaniments: International Guarantee cardFootnotes:The 116618 was first introduced in 2008 and was available with either a black or blue dial and matching Cerachrom ceramic bezel.For further information on this lot please visit Bonhams.com
Lot 122
Karel Appel (Dutch, 1921-2006)Figure Glazed ceramic plate in colours, 1985, signed, dated and numbered 5/8 verso, 380mm (15in)(Diameter)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 214
Grayson Perry (British, born 1960)Piggy Bank Painted and glazed ceramic multiple, 2017, with the artist's monogram on the underside, from the edition of an unknown size, published by the Serpentine Gallery, London, housed in the original box, 130 x 260 x 125mm (5 1/8 x 10 1/4 x 4 7/8in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 194
BULGARI: CERAMIC AND DIAMOND 'SERPENTI SPIGA' WATCHThe expandable sprung ceramic links, terminating in an ovoid dial with Roman numeral hourmarkers, the bezel set with brilliant-cut diamonds, with 18 carat rose gold accents, signed Bulgari, numbered PO 0277, Swiss assay mark, European convention mark, inner measurements very approx. 4.5cm x 5.5cm (adjustable), maker's case, pouch, box and certificate of authenticityFor further information on this lot please visit Bonhams.com
Lot 195
Two early nineteenth century blue and white transfer-printed pieces, c. 1820-50. To include: a John Meir Pineapple Border series square salad bowl printed with a view of Kirkham Priory and a Copeland Italian pattern hot water plate with original ceramic stopper. 22 - 25 wide. (2)Condition: Salad bowl with crack from the rim and two foot rim chips, hot water plate with under-rim chip.
Lot 162
A pair of Doulton Lambeth ware candlesticks, with impressed marks to base. Height 20 cm. CONDITION REPORT: Both candlesticks appear to be in extremely good condition. We can see no evidence of any damage to the ceramic sections. There are no hairline cracks and no chips. The metalwork is a little tarnished and has some of the original lacquer.
Lot 957
A pair of Regency style lamp bases, each in the form of a classical urn and with stepped base with metal mounts. Height 56 cm (see illustration). CONDITION REPORT: Both lamps are in first class condition with no issues. They are both currently lit and operating in the saleroom. The shades also are in first class condition and of good quality. They are British rather than American fittings and have a recessed circular support within the shade that sits on top of the three sided wire support. It would be easy to get replacement shades if these do not suit. It is much more difficult when the fittings are American. The lamp bases are glazed ceramic.
Lot 1566
A large Victorian mahogany dressing stool, the rectangular top upholstered in foliate patterned woolwork and velvet and raised on Klismos type supports with centre stretcher and brass mounted ceramic castors. Top 80 cm x 61 cm, height 40 cm (see illustration). CONDITION REPORT: The stool is structurally very sound with no loose joints. The upholstery is in first class condition with no issues at all. It has clearly been fairly recently professionally reupholstered with traditional material. The shallow show frame beneath is in good condition all round. The legs to one side are in good order with no issues other than minor surface scratches and scuffs. The centre stretcher is in good condition. The opposing side has had a repair to the bottom scroll on one foot. There has been a break and this has now been pegged with filler over the circular mark. There is slight movement at this repair. All castors are original and present.
Lot 1059
A 19th century French faux tortoiseshell and brass marquetry mantle clock, with ceramic numerals and single train movement. Height 24 cm, width 15.5 cm. CONDITION REPORT: The movement winds and is currently ticking away. The face glass is in good order with only minor surface marks and small scratches. The face itself is in good condition. The ebonised sections of the case are in generally good order with minor old surface marks and scratches but no splits or major damage. The marquetry is a little rippled in places but again there are no losses to the brasswork. All legs are present. The gilding is original but a little rubbed in places.
Lot 31
A 19th century Imari oil lamp, with metal mounts and ceramic reservoir. Height including burner 40 cm (see illustration). CONDITION REPORT: The burner mechanism seems to adjust correctly. The reservoir has a chip to the bottom edge of the top lip where it joins the main body of the vase. This is visible when seated against the brass top. It is +/- 1.5 mm high and 6 mm long. The ceramic vase body is in good order with no damage, no repairs and no restoration. We can see no cracks or chips. All brasswork is present and in generally good order with only minor tarnished areas.
Lot 10
A collection of Chinese and other eastern snuff bottles, ceramic, enamel, silver coloured metal, jewelled and inlaid mother of pearl, variously set with jade, amber, etc. and a hardback book "Chinese Snuff Bottles" by Lilla S. Perry. Tallest 85 mm. CONDITION REPORT: The blue porcelain snuff bottle has a hairline crack running for +/- 4.5 cm. The folding double snuff bottle has no stoppers. The enamelled example is in good order with no issues. The three other metal snuff bottles are in good order with no issues. The moon shaped example is missing its stopper top.
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