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Click here to subscribeJ. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow. Group of six earthenware ceramic pottery transferware rice plates including five in the pattern "Keelin Hong" and one in the pattern "Makassar." Two red plates, two green and red plates, one blue plate, and one blue and red plate. All marked along the underside.Diameter ranges from 9 3/4 in to 10 in.
Group of 13 spongeware plates decorated with floral and foliate motifs including five plates, five saucers, two small dishes, and one covered vessel. Makers marks along the underside including Petrus Regout Maastricht, Nippon Koshitsu Toki Co., and Opaque de Sarreguemines among other faience and ceramic producers.Lidded pot; height: 5 1/4 in x diameter: 6 1/2 in. Plates; diameter ranges from 5 1/4 in to 14 1/4 in.
J. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow. Group of eleven earthenware ceramic pottery transferware rice plates including five in the pattern "Kwantung," four in the pattern "Buah Buah," one in the pattern "Durian (Dhurian) and Nanus," and one in the pattern "Buah and Nanas." Three red plates, one blue plate, one brown plate, two green and red plates, and four blue and red plates. All marked along the underside.Diameter ranges from 8 1/2 in to 10 in.
Ushebti; Egypt, New Empire, 1526-1070 BC.Fayenza.It has faults.Measurements: 10.5 x 4.5 x 3 cm.The ushebtis, an Egyptian term meaning "those who answer", are small statuettes which, in Ancient Egypt, were placed in the tombs as part of the funerary trousseau of the deceased, and whose function was to replace him in the work he had to carry out in the Afterlife. Most were made of ceramic, wood or stone, although in the richest tombs they could be found carved in lapis lazuli. The oldest surviving examples come from the Middle Kingdom, although references to them can be found in texts from the end of the Old Kingdom. After the sacred scarabs, ushebtis are the most numerous and possibly the most characteristic pieces of Egyptian art that have survived to the present day. Throughout the ages they have always had the same function in the religious sphere, but while during the Middle Kingdom they were conceived as a representation of their owner before Osiris in the work of tilling the kingdom of the shadows, replicas of the deceased, from the New Kingdom onwards they came to be seen as his servants or slaves, and were produced in large numbers.
Ushebti; Egypt, Ptolemaic period, 323-30 BC.Green faience.It shows superficial wear and loss.Visible inscription.Measurements: 9 x 3 x 2 cm.The ushebtis, an Egyptian term meaning 'those who answer', are small statuettes which, in Ancient Egypt, were placed in tombs as part of the funerary trousseau of the deceased, and whose function was to replace him in the work he had to carry out in the Afterlife. Most were made of ceramic, wood or stone, although in the richest tombs they could be found carved in lapis lazuli. The oldest surviving examples come from the Middle Kingdom, although references to them can be found in texts from the end of the Old Kingdom. After the sacred scarabs, ushebtis are the most numerous and possibly the most characteristic pieces of Egyptian art that have survived to the present day. Throughout the ages they have always had the same function in the religious sphere, but while during the Middle Kingdom they were conceived as a representation of their owner before Osiris in the work of tilling the kingdom of the shadows, replicas of the deceased, from the New Kingdom onwards they came to be seen as his servants or slaves, and were produced in large numbers.
Ushebti; Egypt, Lower Egypt, 664-332 BC.Fayenza.It has losses in the glaze.Measurements: 19 x 5 x 3.5 cm.Ushebti in faience that has lost part of its turquoise-green glaze, wearing a wig and false beard, holding a pickaxe and hoe. The lower part has inscriptions taken from chapter six of the Book of the Dead, as is usual in this type of piece.Ushebtis, an Egyptian term meaning 'those who answer', are small statuettes that, in ancient Egypt, were placed in tombs as part of the grave goods of the deceased, and whose function was to replace the deceased in the work to be carried out in the afterlife. Most were made of ceramic, wood or stone, although in the richest tombs they could be found carved in lapis lazuli. The oldest surviving examples come from the Middle Kingdom, although references to them can be found in texts from the end of the Old Kingdom. After the sacred scarabs, ushebtis are the most numerous and possibly the most characteristic pieces of Egyptian art that have survived to the present day. Throughout the ages they have always had the same function in the religious sphere, but while during the Middle Kingdom they were conceived as a representation of their owner before Osiris in the work of tilling the kingdom of the shadows, replicas of the deceased, from the New Kingdom onwards they came to be seen as his servants or slaves, and were produced in large numbers.
Amphoriscus. Ancient Greece, 6th-4th century BC.Moulded glass.In good condition.Provenance: Private collection R. G. Lleida (Spain) in the 1980s /J. Bagot Gallery, Spain, 2015; Exhibited: Ifergan Collection, Malaga (2018-2020).Measurements: 8 cm.Object made in vitreous paste in the typology known as amphoriskos, as it has the same shape as Greek amphorae made in ceramic. The glazed paste combines different colours: cobalt blue for the body and handles, light blue and yellow for some of the stripes on the mouth, neck and the rest of the piece, combining straight lines with another zigzag decoration.These small vessels were used in antiquity to contain ointments, aromatic oils or perfumes. The vitreous-paste objects belonged to the wealthier social classes and were considered luxury items, being exported throughout the Mediterranean.
Three limited edition ceramic lady figurines. Royal Worcester 'Anniversary 1998 'A day to remember' CW395; 'Keepsake' CW566 No.665 and a Royal Doulton 'Shall I compare thee' HN3999, No. 1553. 23cm high Condition Report: Overall in good-very good condition. Small chip to one of the flowers in the bouquet being held by one figure. No other apparent chips, cracks or restoration. Some rubbing to the bases and slight wear including scratches. Colours bright. Some of the original stickers present on the underside.
A large West German ceramic vase, #650-50. With raised reed decoration and glazed interior, 51cm high Condition Report: Overall in good-very good condition. Some inconsistencies to the glaze and light marks. No apparent cracks, chips or restoration. Some slight wear including rubbing to the base. Dusty (mostly the interior).
Four Royal Doulton figurines: 'Hello Daddy' HN3651, 'First Performance' HN3605, 'First Recital' HN3652, 'A Posy for You' HN3606, a Coalport figurine 'Congratulations', an oval ceramic shallow dish marked CP&C, with painted scene of Crummock Water by W Lambert dated 1920, 22.5 x 13cm and other modern ceramics.
#A mixed lot, comprising silver items: a Victorian blue glass scent bottle, the hinged cover and mount, Birmingham 1893, plus a three piece condiment set, with a salt spoon, an electroplated French cigarette lighter, by Dupont, Paris, and a pair of Edwardian silver-mounted continental ceramic vases, the mounts London 1908, maker's mark worn, tapering circular form, decorated with harvest scenes, height 11.4cm, approx. weighable 3.3oz. (8)
A Chinese ceramic figural group of Immortals - 30cms highCONDITION REPORTsigns of loss, damage and repair in placescrack to base and sidesCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
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