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Six Books: Five books and Exhibition Catalogue on Chinese porcelain and paintings. Titles 1. Made at New Canton, Bow Porcelain from the collection of The London Borough of Newham, Catalogue by Anton Gabszewicz. Items Exhibited at Christie's, Newham Museum, The Potteries Museum & Art Gallery and The Museum of Worcester Porcelain. (TOne hardback copy and two other copies) (3) 2. Ching-Te-Chen, Views of a Porcelain City, by Robert Tichane. 3. Catalogue - The World in Blue and White, An Exhibition of Blue and White Ceramics dating between 1320 and 1820, from members of The Oriental Ceramic Society.
A Large Chinese Han Dynasty Glazed Stoneware Jar with Incised Patterns. This type of ware is often referred to as “proto-porcelain”. The upper part of the wide globular body is decorated with three raised bands and incised scrolling patterns. On opposing sides of the shoulder are handles decorated with stylized animal motifs, above which are scrolling appliqués and below which are rings. The lower body remains unglazed and is burnt to a dark reddish-brown in places. Diameter 34cm, height 30cm. Western Han Dynasty (206 BC – AD 8).Reference: an almost identical example, although lacking the incised decoration of this jar and with less elaborate handles, is described and illustrated in the 1991 Southeast Asian Ceramic Society book “Spirit of Han”.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
An extremely Rare Chinese Han Dynasty Bronze & Iron Ding. This form of tripod vessel, a ding, is well-known, with the vast majority of known examples being made of either bronze or pottery. The body and cover of this particular example are made of bronze whereas the legs are cast-iron. Although the bronze cover and vessel do have a few minor holes due to some 2,000 years of corrosion, the iron legs have not fared so well, with some of the iron having rusted away exposing the ceramic core. The ends of all three legs have broken away, and one foot has been lost. Diameter 27.5cm. Han Dynasty (206 BC – AD 220).Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
A Rare Chinese Western Han Dynasty Miniature Pottery Cocoon Jar. The body burnished smooth and decorated with eight bands of vertically triple-incised bands and pronounced ridges surrounding the neck and base. Length of body 14cm (5.5 inches), height 13cm (5.25 inches). Qin (221 – 206BC) or Early Western Han Dynasty (206 BC – AD 8).Reference: similarly decorated, albeit larger, cocoon jars are described and illustrated in the 1991 Southeast Asian Ceramic Society book “Spirit of Han”.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
A Fine Chinese Western Han Dynasty Painted Pottery Cocoon Jar. Made from a relatively highly-fired grey pottery and decorated with coloured pigments in a design featuring cloud patterns within vertical bands. Length of body 26cm, height 25cm. A fine and untouched example. Western Han Dynasty (206 BC - AD 8).Reference: similarly decorated cocoon jars are described and illustrated in the 1991 Southeast Asian Ceramic Society book “Spirit of Han”.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
A lunchbox and thermos set from the 2012 Wes Anderson romance Moonrise Kingdom. In the film, two adolescents ran away together, and caused a search party to locate them. Lunch boxes were part of Sam (Jared Gillman) and Suzy's (Kara Hayward) supplies when they first made camp. This lot consists of a ceramic-lined, green painted metal thermos and an unpainted aluminum lunchbox, each with a carrying handle. The lot shows signs of rust and wear from age and production use, but remains in good overall condition. Dimensions (thermos): 10 1/4" x 8" x 7 1/4" (26 cm x 20 cm x 18 cm); (lunchbox): 7" x 6" x 11" (18 cm x 15 cm x 28 cm)Estimate: $1,000 - 1,500
Miniature set pieces and crew ephemera from the action-adventure sequel The Mummy Returns. The lot is comprised of various miniature statues, crew photos, and crew gifts. The miniatures consist of 13 resin trim structure pieces, three ceramic miniature statues, one ceramic miniature city monument, one resin unpainted statue, and two unpainted resin structure trim pieces. The ephemera consists of Industrial Light & Magic crew gifts, such as a pen, a notepad, and a photo of the ILM animation and VFX crew. Also included are 33 photographs of various miniature sets and crew members working on the sets. The lot shows some signs of wear from age, but it remains in very good overall condition. Dimensions: (largest) 6" x 4 1/2" x 5" (15 cm x 13 cm x 4 cm); (smallest) 8 3/4' x 12"Estimate: $400 - 600
NICOL LAIDLAW (SCOTTISH 1886 - 1929), FLORAL STILL LIFE WITH DOULTON LAMBETH CERAMIC oil on canvas, signed, further signed and dated 1920 verso 43cm x 54cm Framed and under glass. Label verso: Aitken Dott & Son (The Scottish Gallery), 26 Castle Street, Edinburgh. Note: The Doulton Lambeth ceramic depicted in this picture accompanies this lot.

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