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Lot 13
Habitat - two vintage ceramic decorative centrepiece planter vases. The lot comprising a large twin handled example with bulbous body raised on four cylindrical feet, and a smaller Brutalist style example in mottled white & grey. Each marked Habitat to underside & made in Portugal.Tallest measures approx. 42cm.
Lot 114
A believed Bauhaus of Czechoslovakia early 20th century circa 1930s transfer printed ceramic & metal pendant ceiling light. The chandelier having a chrome metal rod ceiling support over a brass mount. The white ceramic circular shade decorated with pink & green abstract stylised motifs.Measures approx. 50cm tall including support x 17cm in diameter. Ceramic shade measures approx. 18cm tall.
Lot 316
Simon Carroll (1964–2009) - an early 2000s earthanware hand-thrown ceramic fruit bowl / charger. Large rounded form with glazed decortions and notation reading "Chandos". Signed and dated 2000 to the base.The bowl was created during his time at Chandos House Rehab Centre and holds historical significance as a testament to his artistic journey. Donated to support the “Back On Track” charity. Measures approx. 46cm diameter.
Lot 3
Wedgwood - a late 19th century circa 1880s Victorian Aesthetic Movement majolica lobster ceramic serving bowl. The bowl on cream ground featuring transfer printed seaweed & sea plant designs internally, raised on decorative lobster feet. Some crazing commensurate with age. Impressed Wedgwood to underside. Lacking original likely silver rim & serving utensils.Measures approx. 12cm tall, 26cm in diameter.
Lot 3175
Christine Cummings, modern ceramic sculpture depicting a saddleback pig, 'Sitting Sow', signed and dated May 2012. 15cm high, 35cm wide.Condition Report: This pig has been manufactured using a raku firing technique.There are typical minor cracks to the body consistent with the firing technique. All are stable.Good condition.
Lot 3203
A blue-ground Chinese textile jacket; together with a number of other items, including: a blue and white cylindrical vessel decorated with shou symbols and panels of mythological animals, 19cm high; a glazed ceramic figure of Daruma holding a sceptre; two Arita or Imari figures; and a small number of stands for ceramics. (qty)Condition Report: One Iamri figure has head broken off from main body. The other has a crack/break to its foot and losses to a rear edge. The blue and white pot has been restored right round just above the base, see image. Both the stands are in good condition. The table mat is in good condition, see image of jacket, in tired worn condition overall.
Lot 3216
A green-ground famille rose dish of shaped lozenge form; decorated with floral designs; 30cm long; the base with 'Made in China' mark; together with two pairs of Chinese wood panels; the larger pair 89 x 24cm [5]Provenance: The Property of a Lady. From a Private UK Collection.Condition Report: Ceramic footed bowl in good condition. Stamped 'Made in China' to base.
Lot 3202
A Chinese blue and white dish, decorated with a Lady and a seated scholar in a narrative scene [possibly from the Yuan novel, Xixiang Ji, attributed to Wang Shifu]; 26.5cm diameter, Kangxi six-character mark. Together with: a Chinese Export blue and white punch bowl, 26.5cm diameter; and two other blue and white dishes, comprising: one decorated with two ladies in a garden beside a table of Scholar's implements, 21 cm diameter [the base with both a conjoined fish symbol, and a typewritten label, stating 'From The Huth Collection']; and one with unglazed base, decorated with buildings in a lakeside landscape, 30 cm diameter [4]Provenance: The Property of a Gentleman. From a Private UK Collection. The Huth Collection typewritten label here may have interest for the association of this Family Name with both George Salting [see below], and with Chinese Ceramics.Set during the Tang Dynasty, Xixiang ji is famous as a drama that examines the themes of romantic love, and the obstacles that challenge it. Throughout the Qing, cameos from it were represented on both vases and dishes. See for example the famille rose plate [sold in Ewbank's/Lot 2150/6-12-2024] that depicts Zhang Sheng riding off to take the Imperial Examination. See also the Yongzheng dish at Polesden Lacey in Surrey [NT.1245678.2] Illustrated in 'Borrowed Landscapes' by Emile De Bruijan. Other scenes on Qing Ceramics, include: Zhang Sheng playing the Qin, whilst Yingying and Hongnian listen [V&A. 665-1907]; and a variety of incidents from the story on a rouleau vase [V&A. George Salting Bequest. C.859-1910]. For a summary of the genre, see both the 2011 paper by W.-C. Hsu [Illustrations of Romance of The Western Chamber on Chinese Porcelains; Iconography, Style and Development]; and the paper by Professor Craig Clunas [Oriental Ceramic Society Transactions, 1981-1982] entitled 'The West Chamber: A Literary Theme in Chinese Porcelain Decoration'.Condition Report: Please note that there is some damage and deterioration to this lot. This includes: a prominent crack and rim chips to the Kangxi marked dish; and a crack to the dish decorated with the two women.Plate ; lady with scholar : hairline crack to rim approx. 3cm longPunch bowl ; small chip to top rim, surface scratches to interior.Plate with 2 ladies ; 2 x chip to rim plus one hairline crack.Plate landscape ; minor surface scratches.Please see extra photos on Ewbank's website.
Lot 234
Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracottaH 11,5 cm - Dia.: 14,5 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).
Lot 235
Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracotta, dated (19)95H 14 cm - Dia.: 15,5 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).
Lot 236
Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracotta, dated (19)95H 15 cm - Dia.: 19 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).
Lot 220
A striking hand-painted framed ceramic tile art featuring vibrant floral motifs with roses in shades of pink, orange, purple, and blue, complemented by a stylized portrait of a woman adorned with earrings and a golden necklace. The surrounding mirror tiles enhance the overall aesthetic, reflecting light beautifully. The piece is set within a gold-tone frame, measuring 16.25"H x 16.25"W.Dimensions: See DescriptionCondition: Age related wear.
Lot 24
2003 Porsche Carrera C2 996Registration number KX03 VKKMidnight Blue with a grey interiorManual 6 speed 3.6 litreApprox. 64,500 recorded milesMOT expires 20th August 2025ULEZ CompliantRecent work undertaken on the car includes the renewal of front brake pipes, air conditioning pipe and condenser, engine mounts and exhaust back boxMinor service, brake fluid change and aux drive belt change in 2024Owner states the bodywork is in good condition and the previous owner had a ceramic coat appliedHPI clearVendor informs us the factory PCM/CD radio unit appears to not be working, and recommends replacement or upgradeFront storage struts replacement recommendedIMS bearing has not been upgraded during the vendors ownership and there is no evidence that is has beenVendor states there are the typical minor scratches - in the obvious places (near front storage latch, doors/door handles, see images)All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsThis lot must be collected by 12.30pm on Friday 28th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £100 + VAT, to include the first week of storage, unless otherwise noted. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
Lot 18
Rado - Hyperchrome Ceramic Automatic Watch Ref. 580.0255.3. Automatic movement. Ceramic and gold tone construction, date window to 3 o clock. Glass crystal. Sizing Information:Case Diameter (Incl. Crown) - 37mmLug To Lug Distance - 42mmLug Width - 17mmStrap Length - 180mmNo Box or papers included.
Lot 1507
LESLEY D MCKENZIE, TWO ANIMAL SCULPTURES, CONTEMPORARY one modelled as an ewe, posed lying down, the other as a lamb, posed standing, each in raku fired ceramicewe 52cm long Overall good condtion for the age and style of piece. It is unclear where these may have been stored, and as such, they is some cracking to the glaze. Due to the raku firing, the colour appears darker, but this is part of the style.
Lot 1401
LESLIE HARRADINE FOR ROYAL DOULTON, FAIRY FIGURE, HN1380 1930'S a rare ceramic Royal Doulton figure by Leslie Harradine, hand painted and modelled as a fairy sitting on a mushroom surrounded by flowers, with handwritten title and HN number, green Doulton England backstamp10.5cm highCondition overall is good/fair, With some damage present to the flower petals and leaves, with one flower missing a section, minor surface wear also present and some blutac residue to base, detailed in the additional images now available
Lot 1476
CORACLE FOR ASPREY LONDON PICNIC SET FOR FOUR, EARLY 20TH CENTURY a cased 'Coracle' picnic set for four persons by G.W. Scott & Sons, circa 1909, consisting of a black board case, with handles and triple lock, with a white formed interior, with base wicker organiser, the interior comprises a lunch setting for four people, including cups and saucers, plates and cutlery, wicker covered glass bottle and cups, plated metal food containers, condiment jars and jugs, a wicker-handled kettle with burner, a 'Coracle Brand' ceramic-based food container, without keythe case measuring 57 x 33 x 19cm
Lot 1348
TWO KARL ENS CERAMIC FIGURES, EARLY TO MID 20TH CENTURY one modelled as Pierrot and Pierrette dancing, the other modelled as a gentleman with top hat, each with green stamped mark to basethe larger 26cm highEach in overall good - fair condition. Single male figure with some figures broken, another re-glued. Finge rim other hand slightly chipped. Additional images now available.
Lot 1402
LESLIE HARRADINE FOR ROYAL DOULTON, FAIRY FIGURE, HN1393, 1930's a rare ceramic Royal Doulton figure by Leslie Harradine, hand painted and modelled as a fairy surrounded by flowers, with handwritten title and HN number, green Doulton England backstamp5.5cm highCondition overall is fair/poor, with damage present to the leaves and flower petals with sections missing. Also has been badly damaged and glued back together, detailed in the additional images now available
Lot 1552
AUSTRIAN VIENNA STYLE, VASE LAMP, the ceramic body of baluster form with flaring neck and applied gilded metal floral rim and loop handles cast in relief with husk festoons, the body painted with a floral reserve to one side, to the other side withan allegorical scene of semi nude females and a child, on a cast gilt metal square formed base, with a fabric shade Provenance: Private Scottish Collection. height to vase rim - 47cm Condition overall is good, with tarnishing to the gilt metal mounts, age associated surface wear and some light scratches present, no obvious signs of any damage or restoration
Lot 1143
CHINESE CERAMICS - The George Eumorfopoulos Collection. Catalogue of the Chinese, Corean and Persian Pottery and Porcelain by R. L. Hobson, London, 1925-28. Volumes I - VI, folio, 450 plates, some coloured, cloth. FIRST EDITION. ONE OF 725 COPIES. (6)CHINESE, KOREAN AND PERSIAN CERAMICS - The George Eumorfopoulos Collection. Catalogue of the Chinese, Corean and Persian Pottery and Porcelain by R. L. Hobson. London: Ernest Benn, Ltd., 1925-28. Volumes I - VI, large folio (450 x 310mm). Half titles, titles printed in blue and black, 450 plates, some mounted and coloured. Original textured black and gold cloth boards, black cloth title panels to the upper covers, the spines lettered in gilt, uncut (extremities very lightly scuffed, some creasing at the foot of spines). Provenance: Longstock House (small stamps to the rear pastedowns of the first 4 vols.); publisher's prospectus for another related work loosely-inserted. FIRST EDITION of this monumental catalogue of part of the unrivalled collection of collector and philanthropist George Aristides Eumorfopoulos (1863-1939). ONE OF 755 COPIES, VOLUME ONE NUMBER 489 OF 725 COPIES AND VOLUMES II - VI NUMBERS 184 OF 725 COPIES, ALL "ON VAN GELDER MOULD-MADE PAPER". George Eumorfopoulos was a British collector, of Greek lineage, of Chinese, Korean and Near Eastern Art. He had originally intended to bequeath his entire collection to the British nation but the Great Depression of the 1930s forced him to sell part of it to the V&A and the British Museum for the generous sum of £100,000. He also donated some 800 pieces to the Benaki Museum in Athens. He was the founder, and first President of, the "Oriental Ceramic Society". Rowland Outline and Bibliographies of Oriental Art p.61. (6)
Lot 79
3 bottles Whisky, Rum and Brandy including 1 Litre Decanter Pussers Rum 3 bottles Whisky, Rum and Brandy including 1 Litre Decanter Pussers Rum comprising: 1 Litre Ceramic Decanter Pussers Rum 109°proof (54.5% ABV) ‘Nelson’s Ship’s Decanter (in Original Presentation Carton with perfect stopper and ‘information booklet’), together with 1 Boxed Ceramic Bottle Bells Whisky, 1 bottle Romate ‘Cardenal Mendoza’ Brandy of Jerez Gran Reserva.
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163696 item(s)/page