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A Victorian Silver-Mounted Ceramic Novelty Scent-Bottle, The Silver Mounts by Cornelius Desormeaux Saunders and James Francis Hollings Shepherd, Birmingham, 1893 the ceramic body modelled as a walnut, the threaded domed cover52mm highMarked on rim of cover. There is some wear to the marks but each is still legible. There are some bruises to the silver cover. The stopper is lacking.
A collection of glazed pottery comprising, an Iznic pottery glazed jar in bulbous form and slip-painted with black floral decorations(h. 15cm), together with a green-glazed pottery vase with a leaf and berry frieze exterior (h. 9.5cm), and an Italian ceramic glazed vase decorated with diamond shapes and floral motifs (h. 16cm)
An Edwardian opaque glass ball perfume bottle with floral and leaf hand painted design and screw top: h. x 10cm, an Edwardian ceramic fluted perfume bottle with hand-painted flowers and leaves and fixed top: h. x 7cm, a modern Linogues style porcelain casket with hinged top containing two clear glass miniature perfume bottles: h. x 6cm, a Rosenthal white porcelain perfume bottle with gilt crown stopper: h. x 5cm and an Edwardian Limogues style perfume flagon with silver screw down top: h. x 6cm (5)
A CHINESE BRONZE TRIPOD JAR AND COVER, 18/19TH CENTURY. Globular body supported on three feet with phoenix head ring handles leading up to a cylindrical neck decorated with continuous key fret. The cover pierced with lion finial. 19cm tall including cover.Provenance: Ex. Phillip Allen (1938-2022) Collection who was a council member of the Oriental Ceramic Society. In good overall condition with no major signs of damage or repair.
A JAPANESE VINTAGE (1990S) ARITA PORCELAIN VASE, FUJI SHUMEI. Japanese vintage (late 20thC) Arita porcelain ‘winter landscape at sunrise’ vase by Shumei Fuji (1936-2017). Signed by the artist on the base and comes with an inscribed box. Ca. 26.5cm high x 15cm diameter.The artist used tree leaves in his underglaze blue pottery to depict the seasonal scenery of Arita. His specialty is the technique of drawing a mountain by simulating the veins of a leaf, called the ‘leaf technique’, as if it were a complex tree branch. When young leaves such as magnolia are pressed against unglazed pottery like Japanese paper dyeing and bleeding Kuresu, the veins of the leaves emerge as dark lines and the mountains are drawn by arranging them. This technique is used to capture the characteristics of the season, and the Arita landscape itself, which is depicted in this work. Born in Arita in 1936, Shumei Fuji began making pottery at the age of 15 and was selected for the Nitten (Japan Fine Arts Exhibition) no less than 15 times. He won many prizes including the Japan Ceramic Art Exhibition and the Kyushu Yamaguchi Ceramics Exhibition Minister of Education Award. Good condition.
A pair of 20th century Meissen ceramic candlesticks, applied to the stems with children representing the seasons, on Rococo gilded and floral painted bases, 34cm high Losses to flowers, leaves , one basket handle missing and a cherubs toes. Stress cracks in making to underneath. Minor restoration including under the nozzles.

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163691 item(s)/page