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Lot 664
Late Victorian mahogany extending dining table, with two additional leaves, raised on turned supports with brass cup and ceramic castors (106cm x 107cm, H74cm) together with a set of four Victorian mahogany dining chairs, with drop in upholstered seats, raised on turned front supports, stamped with Victorian registration mark (W45cm)
Lot 240
JOY DIVISION "FACT 10 1979 2019 40" MERCHANDISE RANGE. 9 items to include large blanket/throw, cushion, ceramic plate, a ceramic mug, phone case, lighter, t-shirt (L), tote bag and another t-shirt (XL - Bella-canvas label in support of CALM). Also includes pages of designs for the merch range.Apparel...
Lot 308
*DAME PAULA REGO (B. 1935) A PAINTED CERAMIC TILE depicting a fox holding its burning tail, signed and dated '96 in black felt pen verso, the tile made by Viuva Lamego, Lisbon, 14cm x 14cm; together with a square ceramic stand printed with a detail from a painting by Craigie Aitchison (1926-2009) 'Indian Painting I', made in England by Craven Dunnill Jackfield Ltd exclusively for the Royal Academy of Arts, 15.25cm x 15.25cm, raised on four moulded feet, 1.5cm high (2)Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 389
Full title: Alexandre Raymond, 1924: Vieilles Fa•ences turques en Asie-Mineure et a ConstantinopleDescription: Dim.: 51 x 37 cm (the cover)Ê Imperial folio (360 x 490 mm). Half cloth, boards with illustrated lithogr. title, inside covers and flaps with ornamental decoration printed in gold, green and blue. 12 pp. 40 lithogr. plates in colour, including 4 which are double-page. The first part was long considered lost.Ê Raymond's fine series of plates, which depict ceramics employed in architectural decoration and ceramic artefacts, deals mostly with in situ Iznik and Kütahya ceramics.Ê Ref.: - Sotheby's, London, Oct. 14, 2003, lot 402, for the second volume, where the catalogue note states 'Part 1 was never published. (link available on our website)- Sotheby's, London, Nov. 15, 2011, for a set including both volumes. (link available on our website)- Christie's, London, Sep. 21, 2005, for a set including both volumes, where the catalogue note states 'Sets of the French edition of parts I and II are rare at auction: no copies of either part I alone or parts I and II together are recorded by ABPC since 1975 and only two copies of part II are listed. (link available on our website)Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 395
Full title: A Hispano-Moresque 'IHS' lusterware dish, Manises, Spain, 15th C.Description: Dia.: 33,5 cmÊThe radiating leaf, flower, and tendril decoration of this dish is characteristic of Valencian pottery, as is the golden-brown luster. Artisans created the iridescent luster surface by firing metal oxides onto ceramic objects in a special "reduction" firing, in which the kiln was starved of oxygen. Renaissance patrons prized lustered ceramics not only for their shimmering surfaces but also for their seeming transformation of base materials into gold-the dream of alchemists since the Middle Ages.Ê The export of such wares to Flanders and Italy is documented by the inclusion of Spanish lusterware in the Book of Hours of Engelbert of Nassau, by The Vienna Master of Mary of Burgundy, Claas Spierinc. (see third image, courtesy of the Bodleian Libraries, University of Oxford)Ê In Sam Fogg's exhibition catalogue 'Lustreware from Spain', a related example is shown (nr. 6). Here, it is noted that 'Only a tiny handful of chargers comparable to this example in form and decoration survive anywhere in the world. Examples closely matching ours in both respects are preserved in the Metropolitan Museum of Art in New York, the Burrell Collection in Glasgow, the British Museum in London, and the Cluny and Louvre museums in Paris. Several of these are so close in execution that they must have been produced in the same period and artistic orbit as ours, and perhaps even by the same group of master potter-painters . Almost without exception, they incorporate the same large, shapely curlicue of lustre that bisects the ascender of the central letter ‘h’. This motif, put to use within the Christian context of the sacred trigram, has its roots in Arabic script introduced to Spain during the long period of Islamic rule over the Iberian Peninsula, which lasted until the Reconquista in 1492. Its complete integration into the aesthetic repertoire of the Valencian potters speaks to the intensely complex and dialogic relationship between the two cultures during the Middle Ages, and the influence it exerted on Spanish art right up until the close of the Middle Ages and beyond. (link to catalogue)Ê Ref.:- Christie's, New York, Oct. 20, 2020, lot 88, for a related larger example. (sold USD 81.250) (link available on our website)- The British Museum, Museum number G.572, for a related example. (link available on our website)- The J. Paul Getty Museum, object number 85.DE.441, for a related basin. (link available on our website)- The Musee de Cluny, Paris, inv. CL2090. (link available on our website)- The Louvre, Paris, inv. OA4032. (link available on our website)- Sotheby's, Paris, Oct. 22, 2008, lot 4, for a smaller example. (sold EUR 31.950) (link available on our website)Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 696
A BESWICK MODEL OF A GOLDEN TROUT NUMBER 1246 and a Brown Trout number 1042, a Beswick spaniel and a Royal Doulton Grand National ceramic tankard Coronation year 1937 'Royal Mail' by Teofani Condition Report : tiny chip to base of Doulton tankard, otherwise good condition throughout Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
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163696 item(s)/page