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Click here to subscribeBowmore "Sea Dragon" 30 Year Old Islay Single Malt Scotch Whisky, in black ceramic bottle decorated with the namesake sea dragon, 43% vol 70cl, in original presentation box (one bottle)note: this bottle has some evapouration but due to the nature of the bottle the level cannot be seen, gross weight is 1400 grams
*EMMANUEL COOPER (1938-2012) 'White Highway I' 2002, a Volcanic glaze bowl, impressed with the Artist's seal, porcelain, 15cm dia., 6cm highExhibited: Emmanuel Cooper, Solo Show, White Gallery, Hove, Brighton, 28 Apil - 2 June 2002Provenance: Purchased at the above exhibition, Private CollectionEmmanuel Cooper (1938 – 2012) was a distinguished craftsman, writer, teacher, editor and LGBTQ activist. A potter of international standing, his work is represented in many public and private collections, both in the UK and overseas. The author of nearly thirty books he was also the founder and editor of Ceramic Review, one of the world’s leading craft magazines. For over a decade Cooper was visiting Professor on the Ceramics and Glass programme at London’s Royal College of Art. He was awarded an OBE for ‘services to art’ in the 2002 New Year Honours."My work is influenced by the urban city environment, by such things as hard, textured surfaces, by street lighting, neon, endless movement and a sense of urgency. Colours are those of roads, pavements and buildings, textures are those we encounter in the metropolis. All the work is fired to 1260c in an electric kiln"
*EMMANUEL COOPER (1938-2012) 'Highway III', 2002, a large Volcanic glaze studio pottery bowl, impressed with the Artist's seal, stoneware, 25cm dia., 9cm highExhibited: Emmanuel Cooper, Solo Show, White Gallery, Hove, Brighton, 28 Apil - 2 June 2002Provenance: Purchased at the above exhibition, Private CollectionEmmanuel Cooper (1938 – 2012) was a distinguished craftsman, writer, teacher, editor and LGBTQ activist. A potter of international standing, his work is represented in many public and private collections, both in the UK and overseas. The author of nearly thirty books he was also the founder and editor of Ceramic Review, one of the world’s leading craft magazines. For over a decade Cooper was visiting Professor on the Ceramics and Glass programme at London’s Royal College of Art. He was awarded an OBE for ‘services to art’ in the 2002 New Year Honours."My work is influenced by the urban city environment, by such things as hard, textured surfaces, by street lighting, neon, endless movement and a sense of urgency. Colours are those of roads, pavements and buildings, textures are those we encounter in the metropolis. All the work is fired to 1260c in an electric kiln"
Hans Wegner (Danish 1914-2007) for Johannes Hansen 'Peacock' Chair, designed 1947 model JH550, ash, teak, and papercord, 1970s production, stamped 'JOHANNES HANSEN / COPENHAGEN / DENMARK' and with manufacturer's stamp(105.5cm high, 76cm wide (41.5in high, 29.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-1 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Vilhelm Lundstrom (Danish 1893-1950) Still Life from 'Klingen', circa 1940 signed in pencil (lower right), lithograph(27cm x 22cm (10.5in x 8.75in))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-32 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Kay Bojesen (Danish 1886-1958) for Tenestue Rocking Horse, 1950s-60s beech, stamped mark(55cm high, 84.5cm long, 22.5cm deep (21.6in high, 33.2in long, 8.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-99 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Jens Hjorth for Randers Stolefabrik Armchair, circa 1954 model 306, beech and oak moulded plywood, traces of paper label(81.5cm high, 54cm wide, 56cm deep (32in high, 21.2in wide, 22in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-53 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Illum Wikkelsø (Danish 1919-1999) for Niels Eilersen 'Gyngestol No. 3' Rocking Chair, designed 1958 oak(89cm high, 57cm wide, 71cm deep (35in high, 22.5in wide, 28in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-56 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Peter Hvidt (Danish 1916-1986) & Orla Mølgaard-Nielsen (Danish 1907-1993) for Fritz Hansen Two AX beech and teak moulded plywood, faint maker's stamp(75cm high, 60.5cm wide, 66cm deep (29.5in high, 23.8in wide, 26in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-52 (one illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
§ Jean Cocteau (French 1889-1963) 'Face' Plate 2/15, signed (to the front), numbered and inscribed 'Edition originale de Jean Cocteau, Atelier Madeline-Jolly' (to reverse), ceramic(31.5cm diameter (12.3in diameter))Provenance: Bonham's, London, 22 January 2008, Lot 270; The Private Collection of Mark Gillette.
§ Richard Mortensen (Danish 1910-1993) Four Abstracts one from 'Atelier 143', 1965, the others dated 1968, 1968 and 1969, 17/75, III/III, 11/76, 25/75, each signed, dated and numbered in pencil (in the margin), silkscreens(the sheets 69cm x 49cm (27in x 19.25in); 62cm x 74cm (24.3in x 29in); 74cm x 55cm (29iin x 21.5in); 74cm x 58cm (29in x 22.75in) respectively)Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-36, 3-37, 3-38 and 3-39(illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
§ Richard Mortensen (Danish 1910-1993) Three Abstracts dated 1961, 1965 and 1965, 15/300, 17/75 and 17/75, each signed, dated and numbered in pencil (in the margin) silkscreen(the sheets 60cm x 46cm (23.6in x 18in); 69cm x 49cm (27.1in x 19.3in); 69cm x 49cm (27.1in x 19.3in) respectively)Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-33, 3-34 and 3-35 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for Niels Vodder Armchair, designed 1946 model FJ46, teak and cloth, branded mark(84cm high, 66cm wide, 52cm deep (33in high, 26in wide, 20.5in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-24 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son 'Wishbone Chair / Y-Chair', designed 1950 model CH24, oak and papercord, manufacturer's label, and stamped 'KB77'(72cm high, 56.5cm wide (28.5in high, 22.25in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-3 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for France & Søn Coffee Table, 1950s model FD531/45, teak(45cm high, 175.3cm wide, 60.3cm deep (17.7in high, 69in wide, 23.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-27 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for France & Søn 'Japan' Sofa, designed 1953 model 137, teak and wool with brass fittings,(72cm high, 127cm wide, 68cm deep (28.3in high, 50in wide, 26.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-29 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for France & Daverkosen Side Table, circa 1950s model FD531, teak, 'France and Son' label, 'FRANCE AND SON / DENMARK / 36060'(39.5cm high, 59.5cm wide, 42.5cm deep (15.5in high, 23.4in wide, 16.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-26 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for Kay Bojesen Bowl, designed 1951 teak, stamped 'DESIGN / FINN JUHL / TEAK'(17cm high, 36.5cm wide, 34cm deep (6.75in high, 14.3in wide, 13.3in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-28 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for Søren Willadsen Møbelfabrik Chair, designed 1956 model 96, teak and rattan upholstery, with metal fittings(78cm high, 75cm wide, 66cm deep (30.7in high, 29.5in wide, 26in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-30 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Finn Juhl (Danish 1912-1989) for France & Søn Chair, designed 1959 model FD192, teak and vinyl seat, makers label 'AF FRANCE / 6255671'(83cm high, 70cm wide, 58cm deep (32.6in high, 27.5in wide, 22.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-31 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Tove & Edvard Kindt-Larsen (1906-1994 & 1901-1982) for France & Daverkosen Armchair, designed 1956 model 117, oak, teak, and wool upholstered cushions, branded mark 'FRANCE AND DAVERKOSEN'(72.5cm high, 68cm wide, 74cm deep (28.5in high, 26.8in wide, 29in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-54 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Karen & Ebbe Clemmensen (Danish, 1917-2001 & 1917-2003) for Fritz Hansen Two Safari Armchairs, model 4305, ash with original wool upholstery, leather star arms, with brass fittings, applied foil label(72.5cm high, 61.5cm wide, 66cm deep (28.5in high, 24.2in wide, 26in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-55 (one illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Børge Mogensen (Danish 1914-1972) for Fredericia Stolefabrik Armchair, designed 1967 model 2225, oak and leather(76cm high, 69cm wide, 73cm deep (30in high, 27in wide, 28.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-8 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son Armchair, designed 1950 model CH22, oak and papercord(72.5cm high, 68cm wide (28.5in high, 26.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-4 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Børge Mogensen (Danish 1914-1972) for FDB Five Chairs, designed 1947 model J39, beech and oak, unmarked(77cm high, 49cm wide, 40cm deep (30.3in high, 19.3in wide, 15.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-7 (one chair illustrated). Exhibited (one chair): Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Georg Jensen (Danish 1866-1935) 'Blossom' Tureen, conceived 1905 model 2C, silver, stamped with manufacturer's mark and '925S / DENMARK / STERLING / 2A', import marks for 1937(12cm high, 32cm wide (4.75in high, 12.6in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 2-7 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Arno Malinowski (Danish 1899-1976) for Georg Jensen Brooch, circa 1944 model 5001c, iron and silver, stamped artist's monogram and 'GEORG JENSEN 5001C'; together with a Kinmark Resistance Medal, circa 1940, silver and enamel, commemorating Danish King Christian X’s 70th Birthday, stamped '925'(brooch 4.2cm wide (1.7in wide); the medal 3cm high (1.2in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 2-9 and 2-10 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.Footnote: Brooch 5001c was produced during the war years when silver was scarce due to the allied blockade. Consquentely Jensen had to be creative in its use of materials during this period, finding new ways to create jewellery whilst using as little silver as possible.
Nanna & Jørgen Ditzel (Danish 1923-2005 & 1921-1961) for Georg Jensen Black Pearl and Shell Brooch, model 328, silver and hematite, stamped manufacturer's marks, 'STERLING DENMARK / 328 / NJ' and import marks for 1961; and ring, model 92, stamped with manufacturer's mark and 'STERLING DENMARK / 92'(the brooch 5.3cm wide (2.1in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-81 and 3-82 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen 'Splash' Earrings, designed 1965 model 1118, gold, each stamped manufacturer's marks, '750 / DENMARK / 1118' and with import marks(each 3.2cm high (1.25in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-80 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1947 model 306, silver and blue enamel, stamped manufacturer's mark, 'STERLING / DENMARK / HK / 306'(5cm wide (2in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-73 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1954 model 314, silver and dark red enamel, stamped manufacturer's mark and '925S DENMARK / HK /314'(7cm long (2.75in long))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-76 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1947 model 307, silver and mottled purple enamel, stamped 'GEORG JENSEN & WENDEL / STERLING / DENMARK / HK / 307'(6.4cm wide (2.5in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-47 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son Easy Chair, designed circa 1951 model CH27, oak and cane, stamped 'MADE IN DENMARK / BY CARL HANSEN & SON / ODENSE DENMARK / DESIGNER / HANS WEGNER'(77cm high, 73cm wide (30.25in high, 28.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-5 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen 'Caravel' Flatware Set, designed 1957 silver, stainless steel and plastic, comprising three forks, four knives, two spoons and pair of salad servers, each stamped with manufacturer's mark and 'STERLING / DENMARK', one fork with import marks(the salad servers 29cm long (11.3in long) and the largest spoon 22cm long (8.7in long))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-83 and 3-84 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Henning Koppel (Danish 1918-1981) for Georg Jensen Three 'Taverna' Saucepans and Casserole, copper and steel, each stamped 'GEORG JENSEN DESIGN / HK / DENMARK'(the largest 47cm wide (18.5in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-86 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Jens Quistgaard (Danish 1919-2008) for Dansk International Designs Ice Bucket, Salad Bowl Set and the ice bucket, teak and plastic, stamped 'STAVED TEAK / DANMARK / JHQ'; the bowl, teak, stamped 'DANSK / DESIGNS / DENMARK / JHQ'; 'Crown' candle holder, steel, marked 'DANSK DESIGNS / JAPAN' and two further cast iron candle holders, each stamped with manufacturer's marks(ice bucket 48.3cm high (19in high); the bowl 11cm high, 23cm wide (4.3in high, 9in wide); the steel candle holder 8cm high (3.1in high, the larger cast iron candle holder 18cm wide (7in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-66, 3-67, 3-69, 3-70 and 3-71 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Jacob Jensen (Danish 1926-2015) for Bang & Olufsen 'Beogram 1200' Record Player, designed 1969 aluminum, plastic, and wood; 'Beomaster 1200' FM Tuner, no 12964/Amplifier no 52948, 11.5cm high (4.5in), 44cm wide (17.25 in); 'Beogram 4000' Record Player, no 132920, designed 1972, 9.5cm high (3.75in), 48cm wide (18.8in); and 'BeoVox 1702' speakers 53245 and 53240, designed 1972, 33.5cm high (13.25in), 18cm wide (7in)Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-59a, 3-59b, 3-61 (illustrated). Speakers not illustrated. Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Arne Jacobsen (Danish 1902-1971) for Fritz Hansen School Desk, designed 1955 beech moulded plywood, chromed steel and formica(72.5cm high, 61cm wide, 51cm deep (28.5in high, 24in wide, 20in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-14 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Arne Jacobsen (Danish 1902-1971) for Fritz Hansen Five Chairs comprising 'Series 7' chair, designed 1955, dated 1967, model 3107, laminated oak, produced 1967, stamped 'FH / BY FRITZ HANSEN / MADE IN DENMARK 1967'; two model 3105 chairs, designed 1955, one in teak, the other beech ply and chromium plated steel legs, teak stamped 'FH DANMARK', beech with paper label 'FH MADE IN DENMARK BY FRITZ HANSEN / 0463'; two model 3103 chairs, designed 1955, teak and moulded plywood and ribbed plastic covered steel legs, both with paper label 'FH BY FRITZ HANSEN / MADE IN DENMARK / 1065'(Series 7 Chair: 78cm high (30.5in high); Model 3105 Chairs: 77cm high (30.3in high); Model 3103 Chairs: 78cm high (30.7in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-9, 3-11, 3-12, 3-13 (one example of each chair illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
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