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Lot 352
Two Italian ceramic figures with penny farthing bicycles, a parien ware group of boys with a goat, a Victorian glass epergne in the form of a flower with foliage set on a shaped mirrored base and a 19th Century pottery figure of a Dutch lady making lace with indistinct impressed marks to the base.
Lot 199
A Victorian glass scent bottle with silver cover by Sampson Mordan & Co A Victorian glass scent bottle with silver cover by Sampson Mordan & Co., London 1887, with spiralling decoration, 14cm high; an ovoid shape ceramic scent bottle, painted with flowers on a pink background, with a silver cover, marks, obscured 6.5cm long; a cylindrical glass jar, etched with foliate swags and a silver cover by G Loveridge & Co., Birmingham 1914, engraved with matching decoration, 7.3cm high; and another scent bottle (4) View on dnfa.com
Lot 27
A collection of silver and silver coloured items, to include A collection of silver and silver coloured items, to include: a cased silver christening bowl and spoon by Atkin Brothers, Sheffield 1942, the bowl 9.2cm long; a cased twin handled baluster christening mug by Goldsmiths & Silversmiths Co. Ltd., London 1914, the hammered body with twin loop handles, engraved with a presentation inscription and on a circular foot, 8.3cm high; a rectangular cigarette case by Harman Brothers, Birmingham 1944, with engine turned decoration and a rectangular vacant reserve, 13.2cm long; a Portuguese silver coloured oval canister, Oporto 1886-1938, with an egg shaped finial and engraved with foliate swags, 11cm high; an Indian silver coloured bowl, 11cm diameter; a silver spoon by Thomas Bradbury & Sons Ltd., Sheffield 1939, 13cm long; three electro-plated items; and four ceramic cups and saucers, 959g (30.85 oz) View on dnfa.com
Lot 199
A Victorian glass scent bottle with silver cover by Sampson Mordan & Co A Victorian glass scent bottle with silver cover by Sampson Mordan & Co., London 1887, with spiralling decoration, 14cm high; an ovoid shape ceramic scent bottle, painted with flowers on a pink background, with a silver cover, marks, obscured 6.5cm long; a cylindrical glass jar, etched with foliate swags and a silver cover by G Loveridge & Co., Birmingham 1914, engraved with matching decoration, 7.3cm high; and another scent bottle (4) View on dnfa.com
Lot 27
A collection of silver and silver coloured items, to include A collection of silver and silver coloured items, to include: a cased silver christening bowl and spoon by Atkin Brothers, Sheffield 1942, the bowl 9.2cm long; a cased twin handled baluster christening mug by Goldsmiths & Silversmiths Co. Ltd., London 1914, the hammered body with twin loop handles, engraved with a presentation inscription and on a circular foot, 8.3cm high; a rectangular cigarette case by Harman Brothers, Birmingham 1944, with engine turned decoration and a rectangular vacant reserve, 13.2cm long; a Portuguese silver coloured oval canister, Oporto 1886-1938, with an egg shaped finial and engraved with foliate swags, 11cm high; an Indian silver coloured bowl, 11cm diameter; a silver spoon by Thomas Bradbury & Sons Ltd., Sheffield 1939, 13cm long; three electro-plated items; and four ceramic cups and saucers, 959g (30.85 oz) View on dnfa.com
Lot 30
A RARE BRAMELD EARTHENWARE CANDELABRUM comprised of nine baluster, globular, shield shaped and cylindrical elements applied with moulded acanthus leaves and flowerheads in yellow and gilt on an apple green ground, on brass foot, 154cm h, printed circular DALE`S PATENT MANUFACTURED AT THE ROYAL ROCKINGHAM WORKS and griffin mark, 1838-42 Provenance: (possibly) anon. sale Sotheby`s, early 20th century, one of a pair of candelabra (see below). Literature: Evans (J G & M I N), Rockingham The Final Fling, NCS Journal 1, 1972-3, pp 63-7, the present example, or its pair, illustrated plts 20A and 22. In February 1838 the Brameld partners entered into an agreement with William Dale of Shelton, Staffordshire to manufacture his patent `Columns, Pillars, Bedposts and other like articles.` The present candelabrum pillar would originally have supported a colza lamp or candle branches and, with its pair, was discussed at length in an article by Mr & Mrs Evans in 1972-3 (see Literature). Since every item was a costly tour de force to produce it is not surprising that few examples of ceramic furniture were made. Even by the 1870s, Llewellyn Jewitt, who not only owned several but also Dale`s designs, was writing in his Ceramic Art of Great Britain that "...they are now of very great rarity. " ++One of two elements with slight defects/repair, but in essentially good condition
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