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Lot 44
Two Maw & Co ceramic floral design tiles, one with ruby lustre finish, the second with sprays in polychrome enamels, each with 'Floreat Salopia' mark verso, 15 cm square, together with a smaller Craven & Dunnhill dust pressed lustre tile, with art nouveau floral design, 12.5 cm square, and a similar period tile with art nouveau floral decoration on a green ground, unmarked verso, 15 cm square.Qty: 4
Lot 54
Lajos Mack for Zsolnay, an early 20th-century iridescent ceramic 'Mermaid' vase, shape number 6108, with two art nouveau-style mermaids forming the handles, lozenge stamp to the base, 20 cm high x 23 cm wide.The former report mentioned professional restoration to the foot rim, I have checked the area to ascertain the extent of said restoration but have found the glazed area to be fully vitrified and the foot rim un-restored, I can see some marks of kiln debris and discolouration to the edge of the footrim that could account for the former report. However, the external face of the foot rim shows a small shell chip and signs of a broad but captive shell chip with a short crack running from its edge but confined to the edge of the foot. The body shows some very small areas of glaze loss.Please see the extra images that illustrate the points above.
Lot 56
A collection of five small Zsolnay ceramic lustre items, consisting of a figural jug, 17cm high, a Zsolnay fountain figurine 14cm high, a girl with a woven basket figurine 7cm high, a cockerel and hen figurine, 13cm high and a candle holder, 10.5cm high, all with eosin glaze, stamped with manufacturer's logo and 'Made in Hungary'.Qty: 5
Lot 604
No Reserve - Cartier 18K white gold Trinitiy ring with ceramic and diamond. Trinity ring with a ceramic ring, a smooth band and a band set with 106 brilliant cut diamonds of a total of approx. 0.47 (VVS - VS / F - G). In good condition. Hallmarks: 750, signed and maker's mark Cartier, numbered YO 5860. With certificate and pouch. Ring size: 16.5 mm / 52 mm. Weight: 4.97 grams. This lot will be auctioned without reserve price.
Lot 369
An oval shell cameo brooch, depicting the profile of a classical female, mounted within yellow metal stamped '9ct', together with two further oval shell cameo brooches, each mounted in yellow metal stamped '9ct', a 9ct gold ring, size M, weight approx 4.8g and two oval ceramic plaque pendants (6)
Lot 136
An eclectic mix including six A4 size action photos of Reading FC in the Premiership against Manchester United and Arsenal, an early 20th century Range Finder, a collection of Smurfs, a wind up robot with box, six coasters, boxed, biscuit tin, a metal pouch bag, ceramic pig, frog, bear, and fish and a ceramic tourist ware panel.
Lot 94
A large Chinese Tang-style carved marble figure of a mother tigerLate Qing dynastyCarved striding forward with a cub standing on her tail, decorated in low relief with archaistic motifs, 36cm long, fitted hardwood standProvenance: Mufei CollectionExhibited: The Animal in China, Oriental Ceramic Society, 1968, no. 300.清晚期 仿唐大理石雕虎來源：木扉收藏。展覽：The Animal in China, 東方陶瓷協會，1968年第300號展品。 Condition Report: Nibbling to edges and general surface wear and deterioration. Small re-attached chip to tip of one ear. Polished off chip to edge of right front paw. Restoration to at least one of the hind legs.
Lot 51
A group of four Chinese ceramic vesselsFive dynasties - 20th centuryComprising a white-glazed jar, Five dynasties, 10cm high, with fitted box, a brown-glazed incense burner, Ming dynasty, 9cm high, with matching wood stand, a small iron-splashed globular jar, Yuan dynasty, 6cm high, with fitted box, and a Cizhou-type polychrome bowl, 20th century, 10cm diameter (4).Provenance: Mu-Fei Collection.五代 白釉罐，元 褐釉香炉，元 青白点彩双耳罐， 二十世纪 磁州红绿彩牡丹纹碗來源：木扉收藏。Condition Report: Expected firing flaws and general wear to all the pieces, including small old chips to the ears and base of the incense burner and the base of the white jar.
Lot 21
A Sino-Tibetan gilt copper-alloy figure of VaishravanaQing dynasty, 17th/18th centuryThe God of Wealth cast wearing a finely-detailed full armour whilst seated in lalitasana on a caparisoned, fierce lion, his left hand cradling a jewel-spitting mongoose, his right holding an umbrella, all above a lotus dais, the details finely carved and incised, his hair and the lion's mane and tail with traces of blue pigment, 16.5cm high.Exhibited: Oriental Ceramic Society, 1968 (by repute).清十七/十八世紀 銅鎏金毘沙门像展覽：東方陶瓷協會1968年展出（口傳）。Vaishravana, God of Wealth and Guardian of the North, is known to have been considered a protector of the Gelugpa sect since the 14th century.Condition Report: Indentation, and metal corrosion, scratches to the surface, verdigris to areas with most wear to gilding like the head and tail of the lion and the hair of the figure. Casting flaw to the edge of the lotus base to the front side. An area of possible restoration of 'T' shaped to the left side of the buttock of the figure. A section of the shaw that possibly was attached to the back of the head of the figure has been broken off from the back of the shoulders.
Lot 184
A Victorian oak card table, by William Constantine & Company (fl. 1834-1882), bears label FROM CONSTANTINE & CO.’S CABINET & UPHOLSTERY WAREHOUSE, LEEDS., hinged top enclosing a baize lined playing surface, panelled baluster column, cabriole legs, scroll feet, ceramic casters, 73.5cm high, 93cm wide, 46cm deep, c.1870
Lot 877
A 19th century Victorian pine sideboard dresser. The sideboard raised on a plinth base below two cupboard doors separated to center by a recessed fielded panel. Having three drawers across the front of the sideboard, each with ceramic handles, below a raised gallery back with shelf to top. Measures approx. 132cm x 138cm x 49cm.
Lot 11
An Edwardian mahogany and leather tub shaped swivel desk chair the scroll back and seat in green studded leather, the pierced x frame back on turned supports on four downswept supports on ceramic castersheight 80 cm., width 70cm., depth 65cm.Condition: Tape has been put on the leather on the front of the seat and pull off removing top layer of leather. Otherwise frame sound. rotates freely
Lot 357
Assorted ceramics to include: Royal Doulton Hold Tight HN3298 modelled by Adrian Hughes, factory stamp; a Royal Dux large model of a Cockatoo perched on a branch with naturalistic base, applied triangle mark, factory stamps, approx 40cm high; an Erma Duncan ceramic relief wall plaque of an an early 20th 20th Century Lady and a model of Pickwick (4)
Lot 714
Iznik-FlieseFrittenkeramik, weiß glasiert, Unterglasurdekor in zwei Blautönen, Grün, mit leicht reliefiertem Eisenrot. Zentrale Palmette um fünf Blüten innen, symmetrisch umrankt von gezackten Blättern. Randbestoßungen, zwei restaurierte Glasurverluste. 22,3 cm x 29 cm x 1,7 cm.Türkei, um 1580.Fliesen mit diesem Muster schmücken die Has Oda (die Geheime Kammer) im Harem des Topkapi-Palastes, die zur Regierungszeit von Sultan Murad III., zwischen 1574 und 1595, gestaltet wurde. Ein Paneel mit neun dieser Fliesen wurde am 12. Oktober 1981 bei Christie's in London als Los 218 verkauft und befindet sich heute im Tareq Rajab Museum in Kuwait (Fehérvári 2000, S.314, Nr. 377). Zwei weitere Kacheln besitzt die Khalili-Sammlung (Genf 1995, Nr. 122) und ein Fragment das Sadberk Hanim Museum Istanbul (siehe Ara Altun 1991, I.66).ProvenienzChristie’s Paris Auktion 5457 am 7. März 2007, Art de l’Orient et Des Indes, du Xième au XXème Siècle provenant d’une collection particulière Française, Lot 123.LiteraturVgl. Rogers (Hg), The Topkapi Saray Museum, Architecture, Boston 1988, Nr. 67.Vgl. Ara Altun, Iznik. Turkish Tiles and Ceramics. Sadberk Hanim Museum, Istanbul 1991, S. 42, Nr. 66.Vgl. Rogers, The Empire of the Sultans. Ottoman Art from the Khalili Collection, London 2002, S. 196, Nr. 133.Vgl. Denny, Gardens of Paradise. 16th Century Turkish Ceramic Tiles Decoration, Istanbul 1998, Taf. 80, S.146 f.Vgl. Momtaz, Islamic Art. Ornament and description, London 2004, S. 45.Vgl. Khalili, Tijdslijn van de Islamitische Kunst en Architectuur, Amsterdam 2006, S. 100.Vgl. de Guise (Hg), Islamic Arts Museum Malaysia (Vol. II), Malaysia 2009, S. 346, Inv. 2006.2.6.
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