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Lot 13
Pilkington's Royal Lancastrian PotteryPair of blue ceramic vases no. 3108, and an ovoid form blue vase moulded with spiral decoration no.3291 Glazed earthenware Pair: underside impressed 'ROYAL LANCASTRIAN / ENGLAND' and model number '3108', Spiral vase: impressed model number '3291' Pair: 31.5cm high, spiral: 17cm high. (3)
Lot 132
Peter Hayes (b.1946) Studio Pottery and Contemporary Ceramics Large bottle form with textured body, 1989 Raku-fired ceramic Underside incised 'Peter Hayes, 89' 37cm high ARRCondition Report: Overall condition very good, one side of the vase has a group of three scratches which may or may not have been created by the artist (see image), no other damage or restoration found.
Lot 137
Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Buff coloured vessel, circa 1977 Earthenware Unsigned 13cm high, max width approx 20cm. ARRProvenance From a Private Collection acquired directly from the Artist. Footnote Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Patch of dark crazing to interior, no damage or restoration.
Lot 138
Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Vessel with orange and black stripes on buff ground, circa 1977 Earthenware Unsigned 25.5cm high, max width 18cm ARR Provenance From a Private Collection acquired directly from the Artist. Footnote Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: No damage or restoration.
Lot 139
Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in brown on buff, chequered exterior and striped interior, 1977 Earthenware Unsigned 26cm high, approx 36cm max width. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Minor rubbing to one bottom corner, no other damage or restoration.
Lot 140
Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in copper-brown on buff ground, circa 1977 Earthenware Unsigned 29cm high, max width approx 34cm. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Tiny nick to two underside corners not seen when placed - otherwise no damage or restoration.
Lot 141
Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in brown on buff ground with each slab alternating squares and stripes, circa 1977 Earthenware Unsigned 26cm high, max width approx 30cm. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: A couple of very tiny nicks to the balancing 'leg', otherwise no damage or restoration.
Lot 183
Timo Sarpaneva (1926-2006) and Sir Eduardo Paolozzi (1924-2005) for Rosenthal Studio Line Miniature 'Suomi' coffee set with decoration designed by Sir Eduardo Paolozzi, Limited edition 031/999, circa 2001 Transfer printed ceramic, steel Each part with manufacturer's marks to underside Coffee pot : 9cm highCondition Report: In generally good clean overall condition
Lot 185
Gunnar Nyland (1904-1997) for Rorstrand Two bowls and a vase, circa 1960 Glazed ceramic Each with incised marks to underside Larger bowl : 9cm high, 14cm wide ; Small bowl : 5cm high, 10cm wide ; Vase : 17cm high Condition Report: Large bowl : minimal light surface wear to glaze to include some very faint marks, in generally good clean overall conditionSmall Bowl : one small and shallow flea bite chip glaze on lip of bowl, otherwise only minimal light surface wearVase : minimal light surface wear to glaze, in generally good clean overall condition
Lot 314
Rye Pottery Table lamp together with two plant pots, circa 1960 Ceramic with Sgraffito decoration Each with printed manufacturer's marks to base Lamp : 38.5cm high, 49cm high with shade ; Large planter : 21.5cm high ; Small planter : 11.8cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use
Lot 40
Attributed to Jan W Eisenlöffel (1876-1957) Triangular brass tray with matchbox holder and two bowls all on bun feet, circa 1905 Brass Unsigned Tray: 33.5cm. Footnote Eisenloffel worked for Hoeker & Son (Amsterdam), Amstelhoek and Binnenhuis, before in 1903 he founded a rival interior design firm De Woning, together with W. Penaat who had directed the furniture department at Amstelhoek. See further details below. Footnotes: After studying at the Rijksnormaalschool from 1892 to 1896 Eisenloffel joined the silversmiths Hoeker & Son, Amsterdam, designing mainly works in revivalist styles. Following eight months in St Petersburg, where he learnt enamelling and niello techniques, Eisenloffel developed his own style. In 1900 he became artistic director of the newly installed metal workshop at the Amstelhoek factory, working in his new style for the first time. The Amstelhoek factory was founded in 1897 by W.C. Hoeker (of Hoeker & Son), initially as a ceramic factory, the metalwork and furniture departments being later additions. Hoeker wished to produce modern designs in non-precious metals such as copper and brass; the production of silver at Amstelhoek was always associated with his family's firm. The factory name was derived from the telegraphic address: Amsterdam-Hoeker.In September 1900, on the initiative of the architect H.P. Berlage and the designer Jacob P. van den Bosch, a new design gallery, het Binnenhuis, opened in Amsterdam as a retail outlet for the applied arts, with Eisenloffel among the collaborators. Eisenloffel's metalwork enjoyed wide distribution through Amstelhoek displays at het Binnenhuis, but in January 1902, he left Amstelhoek and het Binnenhuis to run his own workshop, designing copper and brass objects for machine production. In 1903 he founded a rival interior design firm, De Woning, together with W. Penaat, who had directed the furniture department at Amstelhoek.British Museum website
Lot 64
Vintage Collectables. Including ceramic mannequin doll, a vintage toy donkey and a blue glass 'rum' decanter with stopper, guilt lettering and decoration, H23cm Condition Report: The decanter is overall in fair condition. There is rubbing to the gilt. The stopper has some small chips around the base. No other apparent cracks, chips or restoration. Some rubbing to the base. Signs of general wear consistent with age and usage including light scratches. Would benefit from a clean.
Lot 26
Collection of Royal Doulton children's character figurines including:Noddy and Big Ears, UKI Ceramics ltd ed #9/750Noddy, Big Ears, Tessie Bear, Mr Plod, all UKI Ceramic ltd editions, numbered 421/1,500Winnie the Pooh Collection 'Summer's Day Picnic' WP21, #148/5,000 (boxed with wooden stand)Winnie the Pooh Collection 'The Candle' Wp11 (boxed)and a Beswick Ware 'Rupert Bear' #248/1920 (boxed).Qty: 8Condition report:All items are in excellent condition but would benefit from a gentle dusting.
Lot 95
Wade - NatWest - Made in England - A collection of five vintage late 20th century 1980s ceramic porcelain piggy bank money box figurines, being four Sir Nathaniel Westminster and one baby Woody. Unboxed, marked Wade England to base. All Sir Nathaniel figures with stoppers, Woody figure lacking. Tallest measures approx. 19cm in height.
Lot 56
Wade - NatWest - Made in England - A collection of five vintage late 20th century 1980s ceramic porcelain piggy bank money box figurines, being four of baby Woody and one Annabel. Unboxed, marked Wade England to base. Annabel figure and one Woody figure with stoppers, remaining three lacking. Tallest measuring approx. 16cm in height.
Lot 121
Wade - NatWest - Made in England - A collection of five vintage late 20th century c1980s ceramic porcelain piggy bank money box figurines, being one unboxed baby Woody, one unboxed Annabel, one unboxed brother Maxwell, and a boxed Annabel and boxed Maxwell. Marked Wade England to base. All complete with stoppers. Tallest measuring approx. 16cm in height.
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163696 item(s)/page