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Preisdatenbank abonnierenJoan Miró (1893-1983)Musée National d'Art Moderne, Paris, 1962 (Mourlot 337)Lithograph printed in colours, 1962, signed in pencil, numbered from the edition of 150, there was also a poster edition with text, printed by Maeght, published by Musée National d'Art Moderne, Paris, on BFK Rives paper, the full sheet printed to near the edges, sheet 707 x 494mm (27 3/4 x 19 3/8in)
Salvador Dalí (1904-1989)Velasquez 'Les ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 652mm (35 1/2 x 25 5/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 6/21/24)
Karel Appel (1921-2006)Innocent Cat, from the Cats PortfolioLithograph printed in colours, 1978, signed in pencil, numbered from the edition of 65 in Roman Numerals, printed by Arts Litho-Paris, published by London Arts, Inc., Detroit, on Japan paper, with full margins, sheet 630 x 815mm (24 3/4 x 32 1/8in)
Pablo Picasso (1881-1973) after.Prolongation de l'Exposition Picasso PosterOffset lithograph printed in colours, 1973, from the edition of unknown size, published by Mourlot, Paris, with the Atelier Mourlot Collection rubber stamp verso, on wove paper, the full sheet, sheet 779 x 565mm (30 5/8 x 22 1/4in)
Stanley William Hayter (1901-1988)Interference (Black & Moorhead 303)Lithograph printed in colours, 1966, signed and dated in pencil, numbered from the edition of 75, printed by Curwen Graphic Workshop, published by Grosvenor Gallery, London, on Barcham Green wove paper, with full margins, sheet 790 x 590mm (31 1/8 x 23 1/4in)
Takashi Murakami (b.1962)Flowerball: Colorful, Miracle, SparkleOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Robert Breer (1926-2011) Untitled, from the New York Collection for Stockholm Portfolio Lithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Takashi Murakami (b.1962)Time Bokan - Missing in the Eyes (Red)Offset lithograph printed in colours, 2006, signed in silver ink, numbered from the edition of 300, published by Kaikai Kiki co., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 500 x 500mm (19 5/8 x 19 5/8in) (framed)
Salvador Dalí (1904-1989)Vermeer 'La Lettre', from Changes in Great Masterpieces (Field 74-2F; M&L 1475)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 635mm (35 3/8 x 25in)With the Dali Trade authentication inscription and signature in pencil verso (dated 6/21/24)
Terry Frost (1915-2003)Necklace Around the Sun, from Royal College of Art Printmaking Portfolio 1993 (Kemp 136)Screenprint and lithograph printed in colours, 1993, signed and dated in pencil, numbered from the edition of 50, published by The Royal College of Art, London, the full sheet printed to the edges, sheet 280 x 280mm (11 x 11in)
Eileen Cooper (b.1953)Laugh Out Loud, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996Etching, lithograph, woodcut and chine colle printed in colours, 1996, signed, titled and dated in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Salvador Dalí (1904-1989)Untitled, from Les Songes drolatiques de Pantagruel (Field 73-7-T; M&L 1420d)Lithograph, 1973, signed and numbered from the edition of 50 in pencil, on Japon nacré paper, printed by Grapholith, published by Carpentier, Geneva, with margins, sheet 760 x 535mm (30 x 21in) With the Dali Trade authentication and signature in pencil verso (dated 14/08/23)
Marc Chagall (1887-1985)Plate 13, from The Tempest (Sorlier 853; see Cramer 97)Lithograph, 1975, a proof aside from the edition of 250, published by Éditions André Sauret, Monte Carlo, with the Atelier Mourlot Collection rubber stamp verso, on wove paper, the full sheet, sheet 435 x 333mm (17 1/8 x 13 1/8in)
Henry Moore (1898-1986) Two Heads (Cramer 318) Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition of 40, as included in La Poésie, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on wove paper, with full margins, sheet 467 x 378mm (18 3/8 x 14 7/8in)
John Bellany (1942-2013)Untitled, from Six Artists: The Royal College of Art Portfolio 1992Offset lithograph printed in colours, 1992, signed, inscribed 'HC' and dated in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to near the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Salvador Dalí (1904-1989) Portrait du Peintre par lui-même, from Changes in Great Masterpieces (Field 74-2E; M&L 1474) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 840 x 630mm (33 x 24 78in) With the Dali Trade authentication and signature in pencil verso (dated 06/21/24)
Henry Moore (1898-1986)La Poésie Cover, from La Poésie (Cramer 313) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on Japon nacré paper, with full margins sheet 763 x 566mm (30 x 22 1/4in)
Spooner's Transformations. No. 7 The Rival Heroes or a Fight For The Championship. Between the two gamest Birds in Europe. " When Greek meets Greek then comes the tug of War"London, 1838, a hand coloured lithograph Protean of two fighting cocks whose head transform into the Duke of Wellington and Napoleon, mounted on card with caption, tissue backedwithin mount 13 x 18.1 cm., overall 24 x 27.5cm.Condition: Good condition. soling and marks to mount
Spooner's Transformations. Two Protean PrintsNo3. 'The Transformed Sleepers' and No. 4 'The Thinking Philosopher'London, n.d c.1840, two hand coloured lithograph protean views, mounted on card with captions, tissue backed, (2)each 17.6 x 14.4cm., overall 28.5 x 23cm.Condition: occasional very minor spotting to mount
Terry Frost (British, 1915-2003)"Blues", lithograph, signed bottom right, dated 69, numbered 53/75 bottom left, framed and mountedwithin mount 57 x 55.5 cm., overall size 83 x 81 cmCondition: In good condition. Untrimmed. Attached to mount with masking tape. The paper has reacted with the mount. There is change in shade of the paper where it is covered by the mount and where it is not.
A collection of hand coloured lithograph Protean prints c.1840comprising 'Mount Vesuvius' published by Morgan, 1837, 'Mount Vesuvius' published W. Spooner, Morgan's Dioramic View of Coronation at Westminster Abbey, Morgan's Improved Protean Scenery: No 10 Temple-Bar by Moonlight / Queens visit to the city and No 11 Cloister of St Juan with torch, Relfe's Protean, No. 2 York Minster, west front. changing to a view of the Minster in flames as it appeared on the 30th May, 1840, Eales' Dioramic views: No 3 Swiss Village, No 12 Rheims Cathedral and Gypsies in a ruined Abbey, G.W.'s Dioramic Views No2. a Village destroyed by an Avalanche, published by Reeves, all mounted on card with captions and tissue backed, together with an anonymous series of ten views mounted on card, tissue backed A ruined church with witches at night, Queen Victoria banqueting in Westminster Hall, an Alpine scene with a village being overwhelmed by an avalanche, a snow scene with a stage coach and Thames Tunnel, Gypsies in a Ruined Abbey, a Spanish street scene with Auto da Fe, Wedding in a cathedral, Penitents in a cathedral and the Eglington Tournament, (20)various, first 17.2 x 24 cm., overall 25.7 x 35.3cm.Condition: Spooners Mount Vesuvius foxed, soiling to card mount Relfe's York Minster foxed cloister of St Juan with mark to top margin centre. G.W.'s Dioramic Views No2. a Village destroyed by an Avalanche marks to card mount, bottom left corner of mount torn with loss
A collection of hand coloured lithograph transparency prints c.1835comprising Morgan's Transparent Views published by Reeves: The Thames Tunnel, Netley Abbey, Funeral By Moonlight, Pirate's Cave, The Waterfall, Interior of a convent, Windmill and bridge by Moonlight Torchlit burial in a ruined Abbey, Torchlight Procession leaving a Cathedral and Ruins By Moonlight, mounted on card with captions, tissue backed, G.W.s Transparencies Interior of a Convent and Midnight Mass, Morgan's Improved Transparencies' Gypsies in a ruined Abbey, Browne's Transparencies The Waterfall another of a windmill and bridge by moonlight, mounted on card with captions, tissue backed, a cold Protean picture, three others c.1820 of a Mourner by a tomb, a hermit praying and a brigand asleep, Winter and Summer, sold & published as the Act directs by Orme, plate No 3 from Orme's An Essay on coloured Prints, 1807, a windmill and a bridge by moonlight, annotated in pencil 'Cold Protean Picture used for Lampshades', a George III gouache pin prick picture of an old lady seated at a table reading a book and a hand coloured lithograph pin prick picture of the Vatican, (3)various Condition: Some with a couple of worm holes to images. Card mounts with soiling and marks commensurate with age. Ruins by Moonlight small tear to tissue of moon. netley Abbey tissue has stuck to left hand edge of plate, marks / spots to card mount. Morgans Gypsies in a ruined abbey with mould spots on surface, Browne's Transparencies The Waterfall with spotting to card. Hermit praying with marginal tears
Three hand coloured Lithograph Protean Views, c.1840Three Spooner's Protean Views. No. 21. 'Napoleon at the Battle of Wagram, Changing to The Conflagration of Moscow', London, William Spooner, No. 337 Strand. n.d. c1840, mounted, birdseye maple frame,Morgan's Improved Protean Scenery. 'No 12 Napoleon at Elba'London, 1838, captioned 'This print represents the late Emperor on the Seashore at Evening contemplating his escape from the Island and upon raising the print to the light you will perceive Napoleon's enthusiastic reception on his return to Fontainbleu', and Spooner's Transformations No.6 the Duke of Wellington changing to the Battle of Waterloo, London, 1838, both with captions, mounted on card and tissue backed, (3)first within mount 12 x 18.2cm., overall 25.2 x 32.7cm.Condition: Good condition. unexamined out of frame. Tissue absent. Second minor spotting mild soiling to caption. Tissue to reverse with small tear. Third small tear bottom right creases, some light soiling. marks to card mount.
Shane Warne and Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. Est. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
'Blossom and Decay' lithograph, 1860, an optical illusion lithograph print, after Ignatius Krausz Defeher, of two lovers with the illusion of a skull, published 15 Dec 1860 by J K Defeher to raise funds for the Freemasons,image 22 x 26.5cmA similar lithograph is in the British Museum collection.Condition ReportNice fresh bright print - cut down from the original and framed. Title of original print attached to the reverse of the frame. Crease line across the middle of the print - see detailed photos
'The Prince's Quest, A Fairy Race Game', 1890s, a board for 'The Prince's Quest - A Fairy Race Game', a wonderful lithograph design with witches, wizards, talking dogs, wicked fairy, dragons, dwarves, sorcerers, giants, sleeping beauty, fairy godmother and many more,46 x 72cmCondition ReportJust the board - no box or pieces. Both of the boards 2 folds has been repaired, paper a little tatty in places however board will frame up well -- rare item see detail photos
After Paul Osborne Jones (Australian 1921-1997) Offset colour lithograph Two limited edition botanical studies depicting "Hibiscus Cameo Queen", numbered 130/250 and "Camellia Mrs. Davis", numbered 150/250, both with blindstamp, published by The Tyron Gallery, framed and glazed, image size 61cm x 42cm (2)
Eric Ravilious (Illustrator: 1903-1942) High Street First edition book, text by J.M. Richards, published by Curwen Press, first published 1938, with title vignette and all Ravilious designed colour lithograph illustrations inside, Complete and in plastic protective cover. Further details: some small areas of damage/loss to spine top and bottom, slightest loss to corners and general wear. Pages inside generally very good condition.
CHAGALL, MARC (Witebsk 1887-1985 St. Paul-de-Vence), Farblithographie / Künstlersteinzeichnung: "Lithograph III", rechts mit Bleistift signiert "Marc Chagall". Lithografie nach dem Einband des Buches "Chagall, Lithograph (III) 1962–1968" (Werkverzeichnis der Lithographien), erschienen 1969. Hinter Glas gerahmt (unausgerahmt bearbeitet). Blatt H. 34 x 25,5 cm. (Blatt oben links mit Knick, Blatt am linken Rand beschnitten, Rahmen mit Gebrauchsspuren).
AFTER SALVADOR DALI (SPANISH 1904-1989): SCARAB COSTUMES, MIMETIC COSTUME FOR THE COVER OF THE NEW YORKER 2000, DATED 1971, A COLOURED LITHOGRAPH/PRINT SIGNED IN THE PLATE, 'Offert par Scabal' (Maison Scabal is a custom suit fashion brand) 60cm x 43cm Mounted in a frame and glazed. 83cm x 65cm
Alan Davie (Scottish, 1920-2014), colour lithograph, 'Sleep my angel' signed and dated 1962, limited edition of 50, with original bill of sale 1963, 59 x 81cm. Condition - poor to fair, discolouration and staining Frayed around the edges; edges discoloured with damp-stains; some grey patches that may be dirt/dust under the glass.
Limited edition color lithograph on paper entitled The Wedding Bouquet by Marc Chagall. Housed in a Neo-Empire style grey-blue and gilded frame with an off-white linen mat. Signed in plate on lower right: Marc Chagall. Edition number on lower left: 733/2000. Sight size: 17"L x 25.50"H. Frame size: 27"L x 35"H x 1"W. Artist: Marc Chagall (Russian/French 1887-1985)Issued: c. 1980Edition Number: 733 of 2000Country of Origin: RussiaCondition: Age related wear.
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