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70553 Los(e)/Seite
Joan Miro (1893-1983) 'Grand Palais' lithograph, numbered 53/100, signed in pencil lower right, 21cm x 39cmProvenance: CCA (Christie's Contemporary Art) Galleries, 8 Dover Street, London, W1X 3PJ paper label to the reverse of the frame.Condition report: Minimal display wear and scuffs to the frame. Fold to the centre of the lithograph. Otherwise ok. Please note we have not removed this piece from the frame to examine.
Joan Miro (1893-1983)'Maravillas con variaciones acrósticas en el jardín de Miró' lithograph, 49cm x 70cmProvenance: Third Sector Gallery label to the reverse of the frame. Condition report: Minimal display wear and scuffs to the frame as expected. Otherwise ok. Please note we have not removed this piece from the frame to examine.
John Hoyland (1934-2011)'Untitled - From Mark Rothko Memorial portfolio' lithograph, numbered 20/75, signed and dated 1973 in pencil lower right, 58cm x 77cmCondition report: Overall wear and scuffs to the frame. Perspex is slightly loose and partially damaged. Needs replacing. The picture is also slightly loose underneath that. Minor creases to the edges and corners of the paper. Minor foxing and some minor staining. Otherwise ok.
Val Ewens (British b.1946)'Grass aspects - sun and shadows' lithograph, numbered 4/15, signed and dated 1976 in pencil lower right, 58cm x 40cm and one other by the same artist 'After rain' lithograph, numbered 3/15, signed and dated 1976 in pencil lower right, 58cm x 40cm, both unframed (2)Condition report: Both with foxing and staining, one with very large stain lower left, minor creasing to corners and edges in particular.
Val Ewens (British b.1946)'Hollow Path' lithograph, numbered 15/15, signed and dated 1980, in pencil lower right, 78cm x 58cm and one other by the same artist 'Hollow Path Shadow' lithograph, numbered 12/15, signed and dated 1980 in pencil lower right, 78cm x 58cm, both unframed (2)Condition report: Overall minor creasing to edges and corners. Slight damp odour.
Val Ewens (b.1946)'Growth Suite 1' lithograph, numbered 8/16, signed and dated 1983 in pencil lower right, 76cm x 56cm, 'Growth Suite 2' lithograph, numbered 7/12, signed and dated 1983 in pencil lower right, 76cm x 56cm and 'Growth Suite 3' lithograph, numbered 6/16, signed and dated 1983 lower right, 76cm x 56cm, all unframed (3)Condition report: Minimal creasing to edges and corners as expected. Slight damp odour. Otherwise ok.
Kees Van Dongen (1877-1968) 'La rencontre au bois' lithograph, numbered 194/290 in pencil lower left, 35cm x 53cmProvenance: Label to the reverse of the frame reads: Art Services, 8221 Melrose Avenue, Los Angeles, CaliforniaCondition report: Overall ok with minimal display wear to the frame as expected.
Frank Brangwyn (1867-1956) 'Brickmakers at work' lithograph, printed by Thomas Way, 28cm x 24cmCondition report: Overall good condition, the back of the frame has water damage, this does not seem to have affected the lithograph. Display wear to the frame. Please note we have not removed this piece from the frame to examine.
John Bellany (1942-2013)'Fisherman' lithograph, and a limited edition of 200 portfolio titled the same, containing ten lithographs, published by the Royal College of Art in 1983, one framed, ten unframed, 30cm x 21cm (11)Condition report: One is framed. Has foreign objects trapped under the glass, some marks to the mount and display wear to the frame. The other ten are unframed and contained within the portfolio, mostly ok, with minimal creasing and some folds to the edges/corners.
Jens Lindgaar (20th Century Danish School)'Indistinctly titled harbour scene' lithograph, numbered 225/260, signed in pencil lower right, 61cm x 81cmCondition report: Overall ok, some small creases to the edges and corners. Minimal foxing to the lower border, but very subtle. Please note we have not removed this piece from the frame to examine.
Salvador Dali (1904-1989)'Planetary and scatological vision' drypoint etching over lithograph, numbered 65/195, signed in pencil lower right, 93cm x 63cmProvenance: Halcyon Gallery, 29 Bruton Street, Mayfair, London, W1J 6QP label to the reverse of the frame. Condition report: Minor area of damage to the top border of the frame. Otherwise good overall condition with minor wear throughout.
Karl Dietrich Pirscher (1791-1857), Kalligraph und Lithograph in Brauschnweig. ''Die denkwürdige Nacht von 7. auf den 8. September 1830 in Braunschweig'', in welcher das Schloss im Rahmen revolutionärer Aufstände niedergebrannt wurde. Lithographie mit Schriftrand, 45 x 58 cm, hinter Glas u. Pp. ger. 57 x 72 cm
A rare Victorian Lithograph of Taylors Patent Steam Elephant circa 1860 and printed by Maclure McDonald and Macgregor Liverpool. The steam engine was designed as a road traction engine for the Indian market. The only other known example of this original Lithography Is in the Transport Museum. 46x28cm,
* DAVID SHRIGLEY, VIBES offset lithograph on paper, signed, unnumbered edition of 250, published for The Big Issue image size 70cm x 50 cm, overall size 83cm x 63cm Mounted, framed and under glass. Note: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi-faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shrigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including the National Galleries of Scotland and Tate.
Steven Townsend (British 1955-): Sunset, limited edition colour print signed and numbered 62/195 in pencil 43cm x 43cm; Gillian McDonald (British Contemporary) 'Moorland Light I', limited edition colour print signed titled and numbered 61/195 in pencil 60cm x 46cm; Robert King (British 1936-): 'Window at Twilight', limited edition colour lithograph signed and numbered 2/295 in pencil pub. Solomon & Whitehead 41cm x 30cm (3)
A Moritz Gottschalk German doll's house, circa 1890, the exterior having lithograph printed faux tile roof, with further lithograph printed detail to the walls, the left hand side with veranda, opening to reveal downstairs parlour and upstairs bedroom, the right hand side opening to reveal further downstairs room and upstairs bathroom, with some fittings to include toilet, basin, bath, fireplace and piano etc, w.52cm, d.36cm, h.68cm; together with a copy of The Ultimate Doll's House book by Faith Eaton, foreward by Flora Gill-Jacobs (2)Condition report: Some glazing has been lost. Some wallpaper looks original but is badly watermarked and stained. Condition is generally poor due to water damage.
Illustrated art history and art technique volumes:The Works of Hogarth with Sixty-Eight Illustrations (J. Dicks - 313 The Strand)3 Nouvelles Editions Francaises (Cezanne, Toulouse-Lautrec and Les Impressionistes)5 Medici Society folders (Turner, Van Gogh, Pieter de Hooch, Reynolds and Rubens)Edgar Degas - Ballet Dancers (Folio Society 1960)Understanding Watercolours (Antique Collectors' Club - 1985)The Technique of Watercolour Painting (Isaac Pitman & Sons - War Economy Standard)The Student's Book of Etching (Isaac Pitman & Sons 1938)Making a Lithograph (1936)Penquin Modern Painters (Paul Nash (1944) and Henry Moore (1944)Pitmen Painters - The Ashington Group (1993)
Henri de Toulouse Lautrec, 1864-1901, nude, limited edition lithograph, numbered in pencil to the margin 332/1250, with Toulouse Lautrec Circle blind stamp, together with another similarly numbered (2) These lithographs are two from an edition of twelve printed in London by Westerham Press in 1969Each 50 x 39cm
Three 19th century animal engravings comprising 'This portrait of the giraffe accompanied by his keeper taking an airing at Cumberland Lodge [...] is by gracious permission dedicated by his Majesty's most devoted faithful & very humble servant, A.B. Van Warrell', pub.1827, the image 32.5 x 28.5cm, a French copper plate engraving 'Lima Catta le Maki Mococo' by Muger after Maréchal and a hand coloured Barnacle goose example signed by Hayes, also a lithograph of a greyhound after John Skeaping, all framed and glazed (4).Additional InformationSpotting, foxing throughout. The giraffe picture with numerous creases, further browning. Lima with browning and spotting. The waterfowl example with old tears especially to the right hand side, further creasing, sellotape marks, central fold and some browning. Some spotting to the Skeaping example, paper wavy in places. Frames heavily worn.

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