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70553 Los(e)/Seite
![* David Leverett [b.1938]-Diagonal shapes,:-lithograph, signed in pencil and numbered 1/100image size 51 x 71cm.](https://cdn.globalauctionplatform.com/35b7cbf0-a5e0-4f46-b584-aa42016ee82d/157389fe-3c6c-4193-b165-aa4f00d75350/468x382.jpg)
Los 215f
Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (57/78) lower left. Signed lower right.Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.
Los 210a
A collection of 3 18th century lithograph prints / plates of bee keeping interest, all framed and glazed. To include Agriculture & Husbandry with images of hives, bee larvae, hives, bird catching interest on rocks, honeycomb, cutaways and a French Economie Rustique with scene of bee hive maker and seller at stall with people catching birds in tree. Frames measures 35cms x 48cms
Los 110
ZDENĚK BURIAN 1905 - 1981: A POSTER FOR THE BOOK VINNETOU 1939 70 x 50 cm This color advertising poster for Toužimský & Moravec publishing house in Prague (not listed) advertises the Czech publication of Karl May’s legendary novel Winnetou. This was one volume in a the five-volume Velké řady (Great Series) edition first published in 1939. Color offset lithograph printed at Èeskoslovenská akciová tiskárna in Prague using an oil painting by Zdeněk Burian. Due to its unquestionable symbolic meaning, it also became a logo of sorts for the Wide World exhibition.
Los 116
JAN ZRZAVÝ 1890 - 1977: DÍLO JANA ZRZAVÉHO ("THE OEUVRE OF JAN ZRZAVÝ") 1941 Lithograph print on paper 30 x 23 cm Signed lower right: "Jan Zrzavý" Edited by Karel Šourek, the book was published as the first volume in the Živé umění (Live Arts) editionby the Art Section of Umìlecká Beseda and Družstevní Práce in Prague in 1941 in a limited edition of 1,000 copies. The book was designed by Josef Kaplický and features original lithographs signed by the artist. Photographs from Umìlecká Beseda show that the printing plates were prepared at the graphic design workshops of Jan Štenc and V. Neubert & Sons in Prague. Printed by Grafia Dělnická Knihtiskárna, with color supplements by Prùmyslová Tiskárna in Prague.
Los 120
ZDENĚK SKLENÁŘ 1910 - 1986: POCTA ARCIMBOLDOVI ('AN HOMAGE TO ARCIMBOLDO') 1969 Lithograph prints on handmade paper 30 x 20 cm Published in 1969 by Mladá Fronta as the second volume in the BLÍŽENCI edition in 300 numbered copies.The book of five original lithographs was decorated and designed by Zdenìk Sklenář. The verses by the anonymous Italian author were translated by Miroslav Míèko.Epilogue and note by Pavel Preiss. Josef Hrachovec transposed the lithographs to handmade Losín paper at the Dílo studio.Dedication inside front cover: “JENOM/ DADÌ/ NA PAMATKU/ Zd. SKLENÁŘ/ 9. XI. 1970” (Only / to Dada / in remembrance / Zd. Sklenář / 9 November 1970)
Los 136
KAMIL LHOTÁK 1912 - 1990: WATER TANK FOR A STEAM LOCOMOTIVE 1979 Lithograph print on paper 77 x 60 cm Signed lower right on print: "79" and in pencil: "Kamil Lhoták 79" Following a decades-long hiatus, 1979 reunited Kamil Lhoták with František Gross and František Hudeèek from the former Group 42 art group. They exhibited together at Galerie Kniha and at the Small Gallery at Èeskoslovenský Spisovatel publishing house in Prague. It was a very fertile year that gave rise to fifty artworks, and it was at exhibitions where Lhoták presented his new illustrations. This large print is dominated by a large bright blue cistern with protruding pipes. In contrasting, miniature scale, a human figure is depicted on the horizon in the background.A fascination with civilization and the modern world is a common thread throughout Lhoták’s oeuvre, as he himself explained: “I’ve always been interested in landscapes where nature combines with civilization, artificial landscapes in which man intervenes. For me what's exciting is the tension that arises between the primordiality of the Earth and the human touch, especially the touch by man – machines. There is always some deformation that creates a new beauty and picturesqueness … it is a new poetry as created, consciously and sometimes unwittingly, by man living in 20th century civilization. It possesses dynamics, strength, and courage, and sometimes things that contain a hidden sadness.”
Los 48
JAN ZRZAVÝ 1890 - 1977: AN ALBUM OF LITHOGRAPHS BY JAN ZRZAVÝ WITH TEXTS BY EWALD KLEINER 1918 Lithograph prints on paper 310 x 235 mm Signed lower right: "Jan Zrzavý", lower left: title Introductory study written by Emil Kleiner. Published as part of the Graphic Arts edition by Veraikon Prague in 1918.Prints:1. Young Lady with a Veil2. Lovers3. Meditation4. Grief5. Pain6. Toilette
Los 63
KOLOMAN MOSER 1868 - 1918: A COLLECTION OF THIRTY COLOR LITHOGRAPHS 1901 Austria Vídeň Lithograph prints on paper 26 x 30 cm This lithographcollection titled “Die Quelle” was designed by Koloman Moser and published by Gerlach & Schenk.Thirty numbered, two-sided, separate prints, which served as an important source of inspiration for the future Wiener Werkstätte.
Los 67
PABLO PICASSO 1881 - 1973: RIDER 1921 Lithograph print on paper 25,5 x 31,5 cm Signed and numbered on print and lower left in pencil: "22/ 50 Picasso" After Picasso left Juan-les-Pins in 1920, he drew a group of figures on the seacoast in lithographic pencil in the spring of the following year. The motifs – Rider, Wrestlers, On the Beach – burst with the power of life, with minimal outlines embracing all of the vital fullness of the nude bodies (in 1921, while residing in Fontainebleau for the summer, which was a particularly fruitful period, he painted Standing Woman – held by the National Gallery in Prague).Provenance: The print is from the estate of Professor Diviš, who purchased it in Kahnweiler’s Galerie Simon.
Los 304
Leon Danchin (1887-1938) coloured etching, 'English Setter Watching a Duck', signed in margin, 58 cm x 41 cm; together with Robert Kennedy Abbett (1926-2015) limited edition lithograph, 'The Pups', signed and numbered in pencil to margin, no. 92/850, 41.5 cm x 63 cm; and John Trickett limited edition print, 'Black Labrador', signed in pencil to margin, no. 71/850, each framed and glazed (3)
Los 308
Peter Sunnucks (20th Century) pencil watercolour and gouache on paper, 'Great Spotted Woodpecker', signed 'Peter Sunnucks' (lower left), 41 cm x 28.5 cm; together with M. McMurtie (20th Century) watercolour and pencil on paper, 'Still Life with Roses', signed 'M.McMurtie' (lower right), 36 cm x 33.5 cm; After John Leach (1817-1864) lithograph, 'Gone Away', 40 cm x 62 cm; 20th Century Egyptian School gouache on papyrus, 'Geese on the Riverbank', 36 cm x 46 cm; Virginia Mitchell (20th Century) watercolour on paper, 'View of Valdštejnská, Prague', signed and dated 'VIRGINIA/MITCHELL/1988' (lower left), 36 cm x 27 cm; Eric Sturgeon (1920-1999) lithograph, 'York Minster', signed and titled in pencil to margin, 32 cm x 42.5 cm; and 20th Century French School coloured engraving, 'Fishing Near a Mill', indistinctly signed and titled in pencil to margin, 24 cm x 19.5 cm, each framed and glazed (one frame af) (7)
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70553 Los(e)/Seite