Fraser Taylor, British b.1960- "Three figures"; screenprint in colours, signed, titled, numbered 25/75 and dated 85 in pencil, 78x85cm (may be subject to Droit de Suite) Provenance: with the Thumb Gallery Limited, London, according to label attached to the reverse of the frame: Maurice Blond, French 1899-1974- Still life of fruit in a bowl and a mortar and pestle; lithograph printed in colours, signed and numbered 5/50 in pencil, 36.5x44cm., (2) (may be subject to Droit de Suite)
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David Hockney RA, British b.1937- "My Mother (Bridlington)", publ by Tate Gallery Publications for the Mail on Sunday, 1988, from the edition of 250; lithograph and offset/exhibition poster printed in colours, signed by the artist in pencil, 76.5x51cm: together with two other exhibition posters entitled `David Hockney: A Retrospective The Metropolitan Museum of Art 1988` and the other "Frederick Remington: The Masterworks`, various sizes, (3) (unframed) (rolled) (may be subject to Droit de Suite) Note: A certificate and letter of authenticity relating to the lead item accompanies this lot
Phyllis Edith MacKenzie, British 1911-1998- Cartoon of a courtroom drama; pen and black ink and wash and watercolour, heightened with white, original artwork for illustration, signed, 36x46cm: After Werner Forbes, mid 20th century- Study of a ballerina; lithograph, signed within the plate, 66x48cm., (2) (part unframed) (may be subject to Droit de Suite)
French School, circa 1900- "Marthe Brandès, dans Catherine (Comédie Française)"; lithograph printed in colours, 32x16cm19th Century- Calamity in a rocky mountain pass; hand-coloured aquatint, 18x24cm: British School, early 19th century- "The Continuation of the Road from London to Barwick beginning at Tuxford & extending to York"; hand-coloured engraved strip road map, 34x44cm: After James Abbott McNeill Whistler PRBA RP HRSA RSW, American 1834-1903- "St James`s Street June 1878", publ by Vanity Fair 2 July 1878; lithographic transfer print, 39x27cm: Hobakoba, Eastern European School, late 20th century- Surrealistic self-portrait of the artist and view of a church and woodland; etching, signed with monogram `HE` and dated 1989-1990 within the plate, signed, inscribed and dated 1989 in pencil, 33x24cm: European School, late 19th/early 20th century- An old man reading; lithograph in black, red and white on olive brown paper, signed within the plate, 27x27cm., (6) (part unframed)
Eliot Hodgkin 1905-1987, pencil and watercolour sketch of horse chestnut leaves, signed, edges folded over, 7 2/8" x 7 1/8" and Julian Trevelyan 1910-1988, a pencil drawing of a pair of oxen, signed and dated `65, 5" x 7 3/8" (2) Catalogue Note: The Trevelyan drawing maybe a preparatory study for the Green Oxen, a lithograph print printed in 1968 by the Curwen Studio in an edition of 75.
A portrait photograph of William Gladstone, 13.5 x10cm, with lithograph signature and date, "6th August 1892". Dated in the days before the start of his fourth term in office as Prime Minister - the administration during which he introduced the Second Home Rule Bill which was subsequently passed by the House of Commons but defeated by the House of Lords and ultimately brought his political career to an end. Mounted on card, circa 39.5 x 27cm, with detailed 19th Century illustrations and inscriptions in ink celebrating the major achievements of his terms in office.
AFTER HARRY BIRD McQueen's Derby Winners 'Merry Hampton', Winner of the Derby 1887 Lithograph, 60 x 83cm The Last maiden to win the English Derby and still more remarkably the last winner of any English Classic to score on the occasion of his racecourse debut. Provenance: Acquired from the Burlington Gallery, London. Provenance: The estate of Tony Sweeney
VANITY FAIR A pair of lithographic prints depicting her Imperial Majesty the Empress of Austria in riding attire and her companion Bay Lithograph, a pair, 36 x 22cm each (2) A framed and glazed Vanity Fair portrait of the Empress Elizabeth - By C. de Grimm. Captioned "H.I.M. The Empress of Austria", it offers an informal portrait of the Empress sitting on a fence in a riding habit. Her visits to Ireland left an enduring legacy conferring international social status in the sport as well as becoming a folkloric character thanks to her fearless exploits in the saddle. Captain William George Middleton - By "T" (Chartran). Captioned "Bay" as he was universally known as "Bay Middleton" and is shown in top hat, hunting pink and boots. Celebrated as the finest huntsman of his generation, he escorted the Empress Elizabeth on her hunting holidays in Ireland at this period. He had acquired much local knowledge when serving in Ireland and put this to good use on his return to serve as A.D.C. to the Lord Lieutenant, Earl Spencer. Provenance: The estate of Tony Sweeney
Dame Barbara Hepworth - (1903 - 1975) - A large colour lithograph titled `Moonplay`, 1972, circles and lines to white ground with blue and yellow colour wash, edition IV of XX, signed in pencil to the margin, framed, 75cm x 56cm. ILLUSTRATED This lot may be subject to Droit de Suite / Artist`s Resale Right
Peter Blake - (Bn 1932) - A colour lithograph, untitled, 1997, depicting a photographic female nude over a montage of antique style engravings in tonal blue to black, numbered 84 of 100, pencil signed to the margin, framed, 38cm x 52cm. ILLUSTRATED This lot may be subject to Droit de Suite / Artist`s Resale Right
Roy Lichtenstein (1923-1997) An offset lithograph poster titled `The Four Sections`, 1991, printed in colours, signed by the artist and by Steve Reich in pencil, this edition of 150, published by Elektra / Nonesuch Records, printed by Bury Press, on wove paper, 61cm x 40cm. ILLUSTRATED N.B - This work was given to 150 staff at Elektra Records who worked on the Steve Reich album
AFTER GEORGE STUBBS "The Godolphin Barb", coloured lithograph, published by Messrs. Fores, AFTER GEORGE STUBBS "The Prince of Wales's Phaeton", coloured print bearing "The Medici Society" label verso, and a coloured print depicting a young woman seated in a salon interior holding a bouquet of flowers (3)
20TH CENTURY CHINESE SCHOOL "Study of a junk with other sailing boats in a harbour", oil on canvas, unsigned, BALSAN "Figure of a bearded man in a market", oil on canvas, AFTER WALTER "Nectarina Gouldiae", coloured lithograph by J GOULD and H C RICHTER, three further bird prints and a quantity of assorted pictures and prints, together with three mirrors
An early 20th Century "Amalgamated Union Operative Baker's and Confectioner's Certificate awarded to John Sadler of the Swindon Branch of the Union December 1913" signed by President and Secretary, a coloured lithograph contained within an oak frame stamped "CWS" to the borders CONDITION REPORTS Tears and hole to top left section. Scuffs to bottom section also _ ( see photos). Original. The frame has a boarded back
Sir Kyffin Williams R.A (1918-2006), limited edition screen-print or lithograph, "Pontlyfni in Snow ", 40cm x 73cm, signed in pencil lower right and numbered "91/150 ", framed and glazed, bearing Christie’s certificate and information to reverse Some foxing to whole. Unexamined out of frame. The print is in good condition having the Christies blind stamp to the lower right corner. There has been slight overall discolouration where the print has been exposed to light, this has not affected the tones, but has slightly yellowed the white paper.
A group of assorted watercolours, drawings and prints, including a watercolour of a castle in as rocky landscape signed Haslehurst, a watercolour street scene in the manner of Prout, a pastel study of a lady, a pair of 20th century reverse prints on glass of ships, a pencil drwing of a coaching scene, an engraving of a South East view of Portsmouth, and a lithograph of a Short Horned Heifer.(qty)

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