70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

WRIGHT, John - The Fruit Grower's Guide : 6 vol. set, 45 chromo-lithograph plates, org. cloth, 4to, Virtue, no date.

Georges Rouault, Lithograph The Three Clowns: Signed in stone, printed by Clot in five colours, 58 x 46cm, together with original purchase receipt dated 1960 and various letters regarding the purchase including from the artists daughter Isabelle Rouault and a collection of books and printed material related to the artist.

Anne Desmet RA Building Site 1, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Building Site 2, 2021 Lithograph Signed verso 15 x 10cm (5¾ x 3¾ in.)   Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Building Site 3, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Looking Up, 2021 Wood engraving and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

δ Pablo Picasso (1881-1973) after.L'Arlequin. Galerie Louise Lieris (Czwiklitzer 390)Lithograph printed in colours, 1971, a proof aside from the poster edition of 2000, printed by Atelier Mourlot, Paris, on Mourlot Arches watermarked paper, with the Atelier Mourlot rubber stamp verso, the full sheet printed near to the edges, sheet, 755 x 535mm (29 ¾ x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Le Corsage RayeLithograph printed in colours, 1949-78, a proof before text, the edition was 300, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp, verso, on wove paper, with full margins, sheet 780 x 575mm (30 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Pour Henri Kahnweiler. Fumeur (Bloch 1180)Lithograph, 1964, inscribed Epreuve de L'Atelier Mourlot in pencil, the edition was 100, printed by Mourlot, Paris, on white wove paper, with the Atelier Mourlot rubber stamp verso, the full sheet printed to the edges, sheet 295 x 215mm (11 5/8 x 5 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Poster the Musée des Arts Décoratifs (Czwiklitzer 104)Lithograph printed in colours, 1955, the edition was 500, printed by Mourlot, published by La Musée des Arts Decoratifs, Paris, with the Atelier Mourlot rubber stamp verso, on wove paper, with full margins, sheet 1090 x 680mm., (42 7/8 x 26 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.La Ronde de Jeunesse Lithograph printed in colours, 1961, signed in blue crayon, a proof aside from the edition of 200, on Arches paper, with margins, sheet 615 x 485mm., (24 1/4 x 19in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Pour Fernand MourlotLithograph printed in colours, 1957, signed in blue crayon, a proof aside from the edition, on Arches paper, with full margins, sheet 745 x 510mm., (29 ¼ x 20 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Untitled From. Portraits ImaginairesLithograph printed in colours, 1969, a proof aside from the edition of 250, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm., (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Faunes et Flore (Czwiklitzer 167)Lithograph printed in colours, 1960, signed in blue crayon, numbered from the edition of 40, on Arches paper, with full margins, sheet 775 x 554mm (30 1/2 x 21 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Bouquet de FleursLithograph printed in colours, 1958, signed in blue crayon, a proof aside from the edition of 200, on Chiffon de la Dore wove paper, with full margins, sheet 657 x 498mm (25 7/8 x 19 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)La Danse des Faunes (Bloch 830)Lithograph, 1957, signed in red and blue crayon, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 505 x 660mm., (19 7/8 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Colombe (à l'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper with full margins, sheet 546x760mm (21 1/2 x 29 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)La Répétition (Bloch 756, Mourlot 252)Lithograph, 1954, signed in black ink, numbered from the edition of 50, printed by Mourlot Paris, on Arches paper, with full margins, 500x654mm (19 3/4 x 25 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Le Départ (Bloch 686, Mourlot 201)Lithograph printed in colours on an ochre tone plate, 1951, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full margins, 561x650mm (22 x 25 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Grande MaternitéLithograph printed in colours, 1973, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition of 200, published by Éditions Combat de la Paix, Paris, with their blindstamp, on Arches paper, the full sheet printed near to the edges, sheet 895 x 630mm., (35 ¼ x 24 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ John Piper (1903-1992)Long Medford Church (Levinson 336)Lithograph printed in colours, 1982, signed in pencil, numbered from the edition of 275, printed by Curwen Studio, published by the Cannon Rubber Co., London, on wove paper, with full margins, 460 x 615mm., (18 1/8 x 24 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Henry Moore (1898-1986)Rock Head (Cramer 624)Lithograph printed in colours, 1981, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, on TH Saunders wove paper, with full margins, 251 x 225mm (9 7/8 x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Henry Moore (1898-1986)Six Reclining Figures (Cramer 617)Lithograph printed in colours, 1981, signed in pencil, numbered from the edition of 20, printed by Curwen Prints Ltd., London, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, on TH Saunders wove paper, with full margins, 219 x 248mm (8 5/8 x 9 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Henry Moore (1898-1986)Mother and Child Shell (Cramer 432)Lithograph printed in colours, 1976, signed in pencil, numbered from the edition of XV, an artist's proof aside from the edition of 50, printed by Curwen Prints Ltd., London, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, on TH Saunders wove paper, with full margins, 321 x 251mm (12 5/8 x 9 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ HRH Prince of Wales (b.1948)The Castle of MeyThe deluxe portfolio, 2012, comprising the lithograph printed in colours, signed, dated and numbered from the edition of 100, on watermarked St Cuthbert's Mill wove paper, printed by the Curwen Studio, Cambridge, mounted and framed to the artist's specifications and housed within the original leather clamshell presentation box with the embossed title and artist's name, overall 690 x 615 x 70mm (27 1/5 x 24 1/4 x 2 3/4in) (framed) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ HRH Prince of Wales (b.1948)Alltnaguibhsaich LodgeThe deluxe portfolio, 2016, comprising the lithograph printed in colours, signed, dated and numbered from the edition of 100, on watermarked St Cuthbert's Mill wove paper, printed by the Curwen Studio, Cambridge, mounted and framed to the artist's specifications and housed within the original leather clamshell presentation box with the embossed title and artist's name, overall 690 x 615 x 70mm (27 1/5 x 24 1/4 x 2 3/4in) (framed) (folio)This work is accompanied by a certificate of authenticity issued by the publisher.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ HRH Prince of Wales (b.1948)Balmoral Winter SceneThe deluxe portfolio, 2000, comprising the lithograph printed in colours, signed, dated and numbered from the edition of 100, on watermarked St Cuthbert's Mill wove paper, printed by the Curwen Studio, Cambridge, mounted and framed to the artist's specifications and housed within the original leather clamshell presentation box with the embossed title and artist's name, overall 520 x 560 x 60 mm (20 1/2 x 22 x 2 3/8in) (framed) (folio)This work is accompanied by a certificate of authenticity issued by the publisher.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Jim Dine (b.1935)RainbowLithograph printed in colours, 1972, signed, dated and numbered from the edition of 150 in pencil, on wove paper, the full sheet, 365 x 450mm (14 3/8 x 17 3/4in) (framed)

Ed Ruscha (b.1937)America Whistles (Engberg 84)Lithograph printed in colours, 1976, signed in pencil, numbered from the edition of 200, published by APC Editions, New York, on Arches paper, the full sheet printed to the edges, sheet 760 x 565mm., (30 x 22 ¼ in) (unframed)

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Takashi Murakami (b.1962)Me and Mr. DOBOffset lithograph printed in colours, 2009, each signed and numbered from the edition of 300 in silver ink, published by Kaikai Kiki Ltd., Tokyo, on white wove paper, the full sheet printed to the edges, 680 x 680mm (26 3/4 x 26 3/4in) (unframed)

Takashi Murakami (b.1962)Flowerball Sexual Violet No1 (3D)Offset Lithograph printed in colours, 2013 signed in silver ink and numbered from the edition of 300, printed and published by KaiKai Kiki Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet diameter 710mm., (28in)

Jonas Wood (b.1977)Large Shelf Still Life 2017Offset lithograph printed in colours, 2017, on wove paper, the full sheet printed to the edges, 595 x 595mm (28 3/8 x 28 3/8in) (unframed)

δ Harland Miller (b.1964) (after)York - So Good They Named It OnceOffset lithograph printed in colours, 2020, from the edition of an unknown size, published by York Art Gallery, York, on the occasion of the artist's exhibition, on wove paper, the full sheet printed to the edges, 841 x 555mm (33 x 21 3/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** Shepard Fairey (b.1970)Endless PowerOffset lithograph printed in colours, 2015, signed and dated in pencil, published by Obey Giant, Los Angeles, on cream wove paper, with full margins, sheet 914 x 610mm (36 x 24in) (framed)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Bernard Buffet (1928-1999)San Francisco. Misson Dolores Church (Sorlier 90)Lithograph printed in colours, 1966, signed in pencil, numbered from the edition of 150, on wove paper, with full margins, 675 x 470mm., 26 6/8 x 18 5/8 in.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Giorgio de Chirico (1888-1978)Le Musa della StoriaLithograph printed in colours, 1970, a rare proof, signed and inscribed à Jacqueline avec mes voeux les meilleurs in black ink, printed by Alberto Capriani, with his blindstamp, on Fabriano wove paper, with full margins, 478 x 345mmδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Raoul Dufy (1877-1953)AscotLithograph printed in colours, 1957, a proof before the edition, with the Atelier Mourlot Collection rubber stamp verso, printed by Mourlot, Paris, on wove paper with the usual fold at left, with full margins, sheet 695 x 1050mm (27 ¼ x 41 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Fernand Léger (1881-1955) after.Deauville (Saphire E13)Lithograph printed in colours, 1950, a proof aside from the edition of 120, printed by Mourlot, Paris, on Arches paper, with the Atelier Mourlot rubber stamp verso, with full margins, sheet 360 x 480mm (14 ¼ x 18 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Fernand Léger (1881-1955) after.Léger. Affiche pour BerggruenLithograph printed in colours, 1962, printed by Mourlot, Paris, on white wove paper, with the Atelier Mourlot rubber stamp verso, the full sheet printed near to the edges, sheet 600 x 450mm (23 5/8 x 17 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985) after.Le SongeLithograph printed in colours, 1994, with the Atelier Mourlot Collection rubber stamp verso, a proof aside from the edition of 750, printed by Mourlot, Paris, on wove paper, with full margins, sheet 1030 x 720mm (40 ½ x 28 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Jean Cocteau (1889-1963)PoteriesLithograph printed in colours, 1954, a proof before the poster edition, printed by Mourlot, Paris, on wove paper, with full margins, sheet 630 x 480mm., (24 3/4 x 19in) (unframed)Provenance: Ex coll Family Mourlot, with the Mourlot collection rubberstamp versoδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1995)Cavalier de Cirque et Clown (Mourlot 511)The rare, possibly unique lithograph printed in colours, 1967, a trial proof before additions to the composition, signed and inscribed H.C. in pencil, an hors commerce impression, the signed edition included in the deluxe edition of Cirque was 24, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 558 x 380mm (22 x 15in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Le Corbusier (1887-1965)ModulorLithograph printed in colours, 1956, a printer's proof aside from the edition of 200, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp verso on Arches paper, sheet 735 x 540mm., (28 7/8 x 21 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Fleurs Surréalistes. Flowers for Gala (80-10-A)Lithograph printed in colours, 1980, signed in pencil, numbered from the edition of 125, on Arches paper, with full margins, sheet 740 x 535mm (29 1/8 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Tauromachie de Dali (Field 66-1-5)Lithograph printed in colours, 1966, signed in pencil, numbered from the edition of 200, on BFK Rives paper, the full sheet printed near to the edges, sheet 760 x 560mm (29 7/8 x 22 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Time. Desert Watch (Field 76-1-E)Lithograph printed in colours, 1976, signed in pencil, numbered from the edition of CXXV, published by Dalart N.V. with their blindstamp, on Arches paper, with full mragins, sheet 750 x 540mm (29 ½ x 21 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Andre Derain (1880-1954)Bâteaux à Collioure Lithograph printed in colours, c.1920, with the stamped signature, numbered from the edition of 100, on BFK Rives paper, with full margins, sheet 563x494mm (22 1/8 x 19 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joan Miró (1893-1983)Les Révolutions Scéniques de XXe Siecle (Mourlot 1079)Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of LXXX, printed by Mourlot Paris, on Arches paper, with full margins, 435 x 355mm (17 ¼ x 14 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joan Miró (1893-1983)L'Enfance d'Ubu (Mourlot 1020) Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of 120, printed by Mourlot, Paris, on Arches paper, the full sheet printed near to the edges, sheet 320 x 505mm (12 5/8 x 19 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joan Miró (1893-1983)Untilted. Lithographie II (Mourlot 1037)Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of LXXX, printed by Mourlot Paris, on Arches paper, with full margins, 450 x 365mm (17 ¾ x 14 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Joan Miró (1893-1983)Le Lézard aux Plumed d'Or (Mourlot 45)Lithograph printed in colours, 1967, signed in pencil, numbered from the edition of 20, on parchment paper, the full sheet printed to the edges, sheet 353 x 500mm (13 1/8 x 19 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Joan Miró (1893-1983)Le Lézard aux Plumes d'Or (Mourlot 524)Lithograph printed in colours, 1967, signed and inscribed H.C. in pencil an hors commerce impression aside from the edition of 20, on parchment paper, the full sheet printed to the edges, sheet 353 x 500mm (13 1/8 x 19 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Nature Morte au Verre et à la Pomme (Baer 697b)Offset lithograph, 1957, inscribed Lith d'apres Pablo Picasso Epreuve de l'Atelier Mourlot, printed by Mourlot, Paris, on Arches paper, with the Atelier Mourlot rubber stamp verso, sheet 440 x 335mm (17 ¼ x 13 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

John Stanton Ward RA, Urbino view, monochrome lithograph, signed in pencil, 1991, 59 x 84cm,

Ossip Zadkine (1890-1967), Guitar Player, lithograph, signed numbered 35/150, c.83 x 44cm

Ion Mirea (1912-1987) Moldavian Nude, 1966, lithograph signed and numbered 15/50

After David Roberts, RA (Scottish, 1796 - 1864), a Middle Eastern scene, coloured lithograph, 33 x 49cm

JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm

BANKSY (BRITISH 1974-). 'Walled Off Hotel Box Set' mixed media, lithograph in colours on paper with concrete relief, with Walled Off Hotel invoice, overall 25.5 x 25.5 cmNB. The concrete relief is an original piece of the separation wall that divides Israel and Palestine which is sprayed with graffiti.