70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

[STRETSER (Thomas)] A New Description of Merryland Containing, A Topographical, Geographical, and Natural History of that Country, 5th edition, Bath 1741, 8vo, frontis, 48pp., title slightly toned, recent sprinkled calf; TROLLOPE (Mrs) Domestic Manners of the Americans, 2 vols.,3rd edition, 1832, 8vo, lithograph plates, captions cropped, slight spotting, full morocco; [SWIFT (J)] Travels Into Several Remote Nations of The World, by Lemuel Gulliver, 5th edition, London: for Charles Bathurst 1747, 12mo, mottled calf, rebacked;

ADAMS' Illustrated Panorama of History: A H Walker, London & Paris, 1878, 3rd edition, twelfth-thousand, glazed foldout colour lithograph pages, linen backed, in worn original half calf over blue cloth

After Laurence Stephen Lowry(1887-1976)Sketch for 'The Contraption',offset lithograph,23.5 x 16.5cms, framed.

After Jack Vettriano(b.1951)"The Singing Butler",offset lithograph,66 x 85cms, framed.

Norman Wade(20th Century)"Bamburgh Castle",signed, titled, and dated '74,limited edition lithograph, 42/150,36 x 58cms, framed.

John Boyd(20th Century)Surrealist Knight Machine,signed, dated 1977, and numbered, limited edition lithograph, 29/100,35 x 30cms, framed.

After Fernand Leger(1881-1955, French)"Eau",signed within the work,colour lithograph,original from Verve magazine, Vol I, 1937,33 x 24cms, framed.Provenance: Gallagher and Turner.

After André Masson(1896-1987, French)"Le Soleil",signed within the work,colour lithograph,original from Verve magazine, 1938,35 x 26cms, in frame.Provenance: Gallagher and Turner.

After George Braque(1882-1963, French)"Figure (Fragment)",colour lithograph,original from Verve magazine, Vol II, 1939,35 x 26cms, framed.Provenance: Gallagher and Turner.

Richard Hobson(b.1945)Newcastle-Upon-Tyne,signed,limited edition offset lithograph, 51/75,28 x 39cms, framed.

LEAR (Edward) Journals of a Landscape Painter in Albania.., London: Richard Bentley 1851, 8vo, with map and 20 tinted lithograph plates, slight age toning, half roan (rebacked); and 18 others, 20th century, on Lear's work including exhibition catalogues

After David Roberts (1796-1864) Temple called El Khasne, Petra, lithograph 45.5 x 33cm

Sammlung: von 5 Bl. mit Boudoirszenen mit Frauen in nachlässiger Spitzenkleidung bei versch. Tätigkeiten. Kolor. Lithographien um 1920/30. Blgr. zw. 41 x 28 u. 37 x 41 cm. wohl von 2 versch. Händen undeutl. (Jonson, Gouson?) sign., 1 Bl. dat. 1927. - 1 Bl. ob. etw. randrissig. Mit ovalem Sammlungstempel (n.b. Lugt). - Collection of 5 sheets with boudoir scenes with women in careless lace dress doing various activities. Coloured lithograph. Indistinctly signed. One sheet somewhat cracked at margin. With collection stamp. R

Steiff u.a. Spielzeug.: Paar Teddybären o.Knopf u. Fahne. Blondes Mohair, Druckstimmen oh. Funktion, Sealyham-Terrier, blanker Knopf 1907-08, Sowie weiterer, früher Teddy. Dabei Puppenstubenzub. u.a. Zinn um 1900, Buntes ABC, Vrlg. von Wilhelm Effenberger Stgt. Lithograph. Tafeln nicht alle vorh. Puppen Porzellank. u. Glieder zum Rest. gek. wie besichtigt. D

Chagall, Marc: (1887-1985) nach. 4 Farboffsets n. Lithographien aus "Daphnis u. Chloe" bei Braziller, NY 1977. Blgr. 32 x 24 cm. ╔Dabei: Georges Braque╗ (1883-1963). 2 Bl. Farblithographien aus "Varengeville" bei Maeght, Paris 1968 u. 3 Bl. Farblithogr. aus "Sauret, Braque Lithograph" bei Mourlot, Paris 1963. Blgr. 23,5 x 37 cm bzw. 32 x 24,5 cm. 3 Bl. mit dem Namenszug im Stein u. mit Text verso. Alle 9 Bl. hinter Passep. mont. D

Chagall, Marc: (1887 Peskowatik b. Witebsk - Saint-Paul-de-Vence 1985). Lithograph II. Der verliebte Clown. Lithographie. 1963. 32 x 24,4 cm. Punktuell auf Karton fixiert. ╔Pärchen am Baum.╗ Lithographie. 1963. 32 x 24 cm. Etw. fl. - ╔Dabei:╗ Alexander Archipenko, Fig. Komposition. Lithogr. 34 x 26,5 cm. - ╔Kienle, Weibl. Akt.╗ Radierung. 1980. 17 x 12,5. - E.A. - ╔Unbek. Künstler.╗ Autumn. Radierung. 1977. - Ex. 31/100. - ╔Rembrandt, Harmensz van Rijn╗ (1606 Leiden - Amsterdam 1669) Kopie nach. Der Bauer mit Weib u. Kind auf der Reise. Anonyme Radierung, 20. Jh. Plgr. 14 x 10, Blgr. 17,8 x 13,5 cm. - Vgl. B. 131, W.-B., Novell-Usticke u. Ho. 131. D

David Roberts, lithograph, temple ruins on the Nile at Kom Ombo, dated 1838 and signed in plate along with a set of five framed and glazed French 19th century bingo cards and framed and glazed signed print 'Deck chairs', indistinctly signed. H.62 W.76cm. (largest)

* STIK (BRITISH b. 1979), HOLDING HANDS, BLUE limited edition colour lithograph on wove paper, signed image size 50cm x 50cm, overall size 58cm x 58cm Framed and under glass.

PAUL NASH (BRITISH 1889 - 1946),WOOD ON THE DOWNScolour offset lithograph on paper, published by W.J. Stacey, Londonimage size 42cm x 53cm, overall size 51cm x 62cm Framed and under glass.

Henry Salt (British, 1780-1827), after, The Town of Abha in Abyssinia, hand-coloured lithograph engraved by L. Bluck, published by William Miller, 18098, 48cm x 61cm, framed

Two French 1960s limited edition prints with blind stamps and a lithograph, in strip frames

COMIC MAP OF EUROPE, LATE 19TH CENTURY CARICATURE MAP,based upon Paul Hadol's popular prototype of 1870, hand-coloured lithograph, approx. 28cm x 42cm, mounted, framed and under glassThe map itself appears generally good. Foxing above the OF, and same position to bottom edge. Some other minor areas to edge, and yellowing of paper but generally good for age. Frame worn and would benefit from reframing. Additional images now available.

BARNETT FREEDMAN (1901-1958). 15-INCH GUN TURRET, HMS REPULSE (1941). (d) Colour lithograph, issued by The Ministry of Information, published by The Baynard Press for The National Gallery, 1942, rolled, unframed, 70.5 x 99.5 cm. * Some light handling creases, small tear in left margin; break in paper extending into image upper centre; paper a little yellowed, pale foxing. **BP 22.5% inc VAT + Lot Fee of £8

BERNARD BUFFET (1928-1999). IRONS (Sorlier 13). (d) Colour lithograph, 1955, signed and numbered 276/300, 48 x 69.5cm approx. * A few faint grazes within image; some handling creases; needs a light clean. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). THREE FRAMED WORKS. (d) Comprising `Zahara`, 1935, a gift to Gavin and so inscribed, pencil, 17 x 32.5cm.; `Malpas on the Fall`, pencil and wash, 11 x 17.5cm.; and `Mounting a Big Gun`, offset lithograph, signed and titled, 35 x 53cm. (3). * Lithograph stained. **BP 22.5% inc VAT + Lot Fee of £8

Ireland (William Henry), England's Topographer, or a new and Complete History of the County of Kent; From the earliest records to the present time, including every modern improvement. Embellished with a series of views from Original Drawings by Geo. Shepherd, H. Gastineau, &c., 4 volumes, London: George Virtue, 1828-30, engraved title to volume 1, folding engraved map, 124 engraved plates, some spotting and browning, contemporary calf, elaborate gilt decorated spines with contrasting morocco labels, 8vo, together with:Dearn (Thomas Downes Wilmot), An historical topographical and descriptive account of the Weald of Kent, Cranbrook: S. Reader, 1814, eight uncoloured aquatint plates (including frontispiece), engraved map, edges untrimmed, contemporary marbled calf, rebacked and corners repaired, 8vo (Abbey Scenery 175),Dunkin (John), The History and Antiquities of Dartford, with topographical notices of the neighbourhood, London: John Russell Smith, 1844, engraved portrait frontispiece, chromolithograph title, few lithograph and engraved plates (one hand-coloured), modern calf gilt, 8voQTY: (6)

Virtue (George). The Picturesque Beauties of Great Britain: illustrated by topographical, historical, and critical notices ... Kent, London: George Virtue, [1829], engraved frontispiece, additional engraved title, folding engraved county map, 126 engraved views of 128 on 63 plates (of 64), some damp staining and spotting, contemporary half calf, gilt decorated spine, 4to, together with:Stanfield (Clarkson), Stanfield's Coast Scenery. A series of views in the British Channel, London: Smith, Elder & Co., 1836, engraved frontispiece, additional engraved title, 38 engraved plates, all edges gilt, contemporary gilt decorated morocco, 8vo,Newman (John & Co., publishers), Illustrations of British Scenery, London: John Newman & Co., 1881, lithograph decorative title (detached), 100 engraved vignette views on 50 plates, occasional spotting, all edges gilt, front free endpaper and following blank torn to lower outer corner, original gilt-blocked cloth, extremities worn, 4to, plus Finden's Views of the Ports, Harbours & Watering Places of Great Britain, continued by W.H. Bartlett, 2 volumes, [1842], numerous engraved plates, some spotting and marginal browning etc., all edges gilt, contemporary gilt decorated calf, joints worn, volume 2 front board detached, 4toQTY: (5)

Carne (John). Syria, The Holy Land, Asia Minor, 3 volumes, London: Fisher & Son, [1836], 120 steel-engraved plates, contemporary ownership inscription to volume 3 front free endpaper, lightly spotted, lithograph title to volume 1 loose, original green cloth gilt, all edges gilt, head and tail of volume 3 backstrip worn, rubbed, 8vo, together with: Wilson (Charles). Picturesque Palestine, Sinai and Egypt, 5 volumes, London: J.S. Virtue & Co, [1880], 48 steel engravings including frontispieces and additional titles, further wood engravings to text, occasional light spotting, original brown cloth gilt, all edges gilt, volume 5 front joint split to head, rubbed, 4to, withTemple (Richard). Palestine Illustrated, London: W H Allen, 1888, 4 maps (2 double-page). 32 chromolithographs, 2 lithographs, preliminary leaves spotted, one plate loose, original purple cloth gilt, backstrip faded, lightly rubbed, 8vo, with 16 others related to Palestine QTY: (25)

London. Lee (Kerry), London. The Bastion of Liberty, circa 1950, large colour lithograph pictorial map of London, very slight creasing, 990 x 1230 mmQTY: (1)NOTE:A charming portrait of the artist Kerry Lee (1902 - 1988) can be seen in the lower right corner, his name signed on an easel with his faithful dog Jim, sitting by his side. Kerry Lee produced two colour pictorial maps for British Railways in the 1930s which were revised up until the 1950s. These railway posters are very much in the style of Macdonald Gill.

* Roberts (David). Temple of Edfou. Ancient Appolinopolis. Upper Egypt, F. G. Moon 1847, lithograph with contemporary hand-colouring, slight spotting and staining, 370 x 515 mm, mounted, framed and glazedQTY: (1)

Gardiner (Captain Allen F.) Narrative of a Journey to the Zoolu Country, in South Africa, undertaken in 1835, 1st edition, London: William Crofts, 1836, hand-coloiured frontispiece, 24 lithograph plates, one part-coloured, 2 folding maps, one plate repaired to verso, title and one other leaf reinforced at gutter, some toning and light spotting, bookplate, endpapers renewed, original cloth, rebacked with most of original spine relaid, 8vo QTY: (1)NOTE:Abbey Travel 332.

Dean (George Alfred). A series of selected designs for country residences, entrance lodges, farm offices, cottages, &c. Which have been erected for H.R.H. the late Prince Consort, the Earl of Leicester, Lord Harris, Hon. G.W. Fitzwilliam, &c., &c., Worthing, York & London, 1867, hand-coloured lithograph frontispiece (detached), lithograph plates & plans, (including one coloured and few double-page), light toning, original cloth, spine detached, worn, folio, together with:Small (John Wiliam), Scottish Woodwork of the Sixteenth & Seventeenth Centuries, Edinburgh: David Douglas, [1878], numerous lithograph plates, front blank with the signature & address of Edward Burgess (Architect 1850-1929), original morocco-backed printed boards, worn, folio (limited edition 110/250),Ahlberg (Hakon), Swedish Architecture of the Twentieth Century, London: Ernest Benn Ltd., 1925, photogravure plates, original cloth in torn dust jacket, 4to,Lloyd (Nathaniel), A History of the English House, Architectural Press, 1931, monochrome illustrations and plans, original cloth, 4to, volume loosely containing a small series of photographs etc. partly relating to proposed minor extensions to Coleshill House, Berkshire (now Oxfordshire) by the architects Burgess, Holden & Watson, dated 1951 (with later research documentation dated 1979), plus other architecture and design related including Tanner (Henry), English Interior Woodwork of the XVI, XVVII & XVIII centuries, Batsford, 1902; Documents classés de l'art dans les Pays-Bas du Xe au XVIIIe siècle / recueillis et reproduits par J.J. van Ysendyck, 9 portfolio volumes, mixed set, circa 1880s; Blumer (George B.), Architectural Studies in Yorkshire, Jubilee Edition, 1887; Smith (Bernard), Sketches Abroad in Germany, Spain, Italy & France, Batsford, 1883, etc.QTY: (23)

XXe Siecle. 7 volumes, 1964-83, comprising Permanance du Sacré, Number 24, Decembre 1964, Panorama 70, Number 34, Juin 1970, Homage to Wassily Kandinsky, 2nd edition, 1976 (2 copies), Panorama 76, Number 46, Septembre 1976, Gentilini, Number 55, Mars 1980, & Chagall in Jerusalem, 1983, containing colour lithographs by Hartung and Miro, Chagall and Soulages, four woodcuts by Kandinsky (8 in total), colour lithgraph by Miro, two colour lithographs by Gentilini, and one colour lithograph by Chagall respectively, numerous colour and monochrome illustrations to each volume, all original cloth or boards, including four in dustwrappers, first volume bound in original printed wrappers, rubbed to spine (with original lithograph to upper cover by Bissiere), 4to, 32 x 24.5 cm, together withFriedlaender (Johnny). Gemälde und Radierungen Johnny Friedlaender, Ausstellung Galerie Orangerie, Juni-Juli 1973, original colour lithograph frontispiece, and monochrome illustrations, original cloth in dust wrapper, slim folio QTY: (8)

Bewick (Thomas). History of British Birds, volume I only of two (Land Birds), 1st edition, 2nd issue, Newcastle: Sol. Hodgson for Beilby & Bewick, 1797, 2nd issue with partly obscured vignette on p. 285, wood engraved illustrations, some spotting, previous owner inscriptions to front pastedown, contemporary half calf, a little rubbed, 8vo, together with:Bewick (Thomas), A General History of Quadrupeds, 4th edition, Newcastle: printed by and for S. Hodgson, R. Beilby and T. Bewick, 1800, wood engraved illustrations, upper corner of p. xix of index torn away, occasional light spotting and toning, contemporary presentation inscription to front pastedown, contemporary half calf, modern reback, 8vo,Bingley (William), Memoirs of British Quadrupeds, illustrative principally of their habits of life, instincts, sagacity and uses to mankind. Arranged accordfing to the system of Linnaeus, 1st edition, London: printed for Darton and Harvey & others, 1809, engraved illustrations after Samuel Howitt, some spotting and offsetting, previous owner monogram 'EH' & heron stamp to front pastedown, contemporary tree calf, rebacked, a little rubbed, 8vo,Paterson (Daniel), Paterson's British Itinerary. Being a new and accurate delineation and description of the direct and principal cross-roads of Great Britain, 2 volumes, 1st edition, London: Carington Bowles, 1785, hand-coloured engraved double page map, engraved calligraphic titles, dedication, 358 strip maps, printed two to a page and back to back, a few light spots, contemporary calf gilt, spines repaired, some edge wear, 8vo,Cussans (John Edwin), History of Hertfordshire, 6 parts in 2 volumes only (of 3), 1870-77, portrait frontispiece to volume I, folding map, 15 chromolithograph and tinted or colour lithograph plates, illustrations, bookplates of Charles H. Athill, College of Arms, top edge gilt, contemporary half morocco, volume I lower cover detached, some wear and losses to spines, rubbed, 4to, together with John Nichols' The History and Antiquities of the County of Leicester, 2 volumes (volume III part I & volume IV part II) only, 1800-1811 QTY: (a carton)

New (Charles). Life, Wanderings and Labours in Eastern Africa, 1st edition, London: Hodder and Stoughton, 1873, half-title, portrait frontispiece, 10 lithograph plates, folding maps, spotting, numerous ownership inscriptions to preliminaries, text block separated from backstrip, top right-hand corner of endpaper clipped, original green pictorial cloth gilt, worn, 8vo, together with:Laborde (M. Léon de). Journey through Arabia Petraea, to Mount Sinai, and the excavated city of Petra, the edom of the prophecies, 1st edition, London: John Murray, 1836, lithographic frontispiece, lithographic plates throughout, folding map, armorial bookplate of Richmond College Surrey, lightly spotted, front free endpaper torn with loss, original brown blindstamped cloth gilt, lacking headcap, rubbed, 8vo, withForbes (Rosita). Forbidden Road-Kabul to Samarkand, 1st edition London: Cassell and Company, 1937, inscribed by the author to front free endpaper, black and white illustrations throughout, a few spots to preliminaries, original red cloth, spine lightly faded, 8vo, with 15 others relatedQTY: (18)

Bennett (George). Gatherings in Australia: Being observations principally on the animal and vegetable productions of New South Wales, New Zealand, and some of the Austral Islands, 1st edition, London: John van Voorst, 1860, 8 lithograph plates (7 hand-coloured, 1 tinted), illustrations, manuscript correction to one word on p. 423, modern green half morocco gilt by Walter Craven, Worthing, 8vo QTY: (1)NOTE:Fergusson 6929. Presentation copy, inscribed to front endpaper: "To Alice M. Vidler, with the kindest love of the author, Oct 22nd 1877", with a newspaper portrait of the author beneath and photographic portrait of the same, aged 88 pasted to frontispiece verso. Additional note bound at end regarding the purchase of the book and binder information.

Rycaut (Paul). The History of the Turkish Empire from the year 1623. To the year 1677. Containing the Reigns of the three last emperours, viz, Sultan Morat or Amurat IV, Sultan Ibrahim, and Sultan Mahomet IV, his Son, the XIII Emperour now Reigning, 1st edition, London: J.M. for John Starkey, 1680, 4 engraved plates, lacking engraved portrait of the author, A1 & Aaa2 torn with loss of text, dust-soiled, a few gatherings damp-stained to lower margin, title with closed tear repaired to gutter, endpapers renewed, contemporary calf gilt, rebacked, some wear, folio, together with:Castellan (Antoine Laurent). Lettres sur la Moree, l'Hellespont et Constantinople, 2nd edition, 3 volumes, Paris: A. Nepveu, 1820, 63 plates (6 folding, 1 double-page), some damp-staining to lower margin (affecting text), 20th-century brown half morocco gilt, some staining, 8vo, withAllom (Thomas, Robert Walsh). Constantinople and The Scenery of the Seven Churches of Asia Minor, 1st edition, 2 volumes, London: Fisher, Son & Co, circa 1839, 96 lithograph plates (including frontispieces and lithograph titles to each), spotting, damp-staining to a few gatherings (affecting image), contemporary green morocco gilt, all edges gilt, rubbed, 4to, with 9 others related QTY: (15)

Simpson (William). The Seat of the War in the East, 2 volumes (First & Second Series), London: Paul & Dominic Colnaghi, 1855-[56], a collection of 102 tinted lithograph plates, including First Series with tinted lithograph title, dedication and 40 tinted plates, and Second Series with 32 plates only, together with another First Series volume containing 29 plates only, a few plates with water stains, occasional light spotting and soiling, one First Series title detached, one or two marginal tears, contemporary half morocco, rubbed with some wear, folio (sheet size 36.5 x 55 cm) QTY: (3)NOTE:Abbey Travel 237. The complete work in two volumes comprised 81 plates, including titles.

Switzerland & Europe. An album of twelve fine watercolours of Swiss costume, and fifty-five engraved lithograph plates of regional costumes and views in Switzerland, France, Germany, Spain, and Italy, circa 1820-1830, comprising 12 fine watercolours of Swiss costume on wove paper, in the manner of Michela de Vigo, each depicting a single standing figure with caption in black ink below the image (Schwytz, Oberhasli, Canton de Berne, Baaden, Canton de'Argovie, Frybourg: part. allemande, Catholique, Frybourg: des environs de Morat, allemande catholicque, en hiver, Lucerne x 2, Zoug, Frybourg: du coté de Gruyere, Berne, Bale, & Unterwalden), sheet size 24 x 17 cm, 21 smaller colour aquatint views of towns and landscapes (Ansicht von Bonn, Linz, Dusseldorf, Dresden gegen Mittag, Coblenz, Pfalz, Frankfurt and Coln, all by Riedel of Nurnberg, am Rhein Bern by Trachsler Nyon by Heggi, Ansicht von Linz, Geneve, Cascade du Schmadribach, Lausanne, Schillon Cascade a Balstal, Via-Mala, by Heggi and others), 2 fine hand-coloured aquatints of Swiss costume (Grisons and Tessin), published by Tessari, Paris, 12 hand-coloured lithographs of Spanish costume by Langlumé after Pigal (from Trages de Espana, 1825), sheet size 28 x 19 cm), 6 hand-coloured engravings of mostly French female costume by Georges-Jacques Gatine after Lanté and Pecheux, from Costumes des Femmes du Pays de Caux, 18327, and Costumes Parisiens, 1834 (Colas 1770 & 1764), sheet size 29 x 20 cm, 2 hand-coloured lithographs after Vernet (Marchamde d'Oranges, & Marshland de chaines de sureté by Delpch, etc., all mouted in contemporary album bound in full gilt-decorated red morocco, with small suppliers label to rare endpaper of Town's Repository of Arts, 119 New Bond Street, rubbed and some wear with upper joint crack at head and foot, outer corners showing, large oblong folio (27 x 37.5 cm)QTY: (1)

Tagore (Rajah Sourindro Mahun). The Twenty Principle Kávyakáras of the Hindus, extracts from the works of twenty of the most renowned literati of India, an offering to The Sixth International Congress of Orientalists, Calcutta: I. C. Bose & Co, 1883, lithograph frontispiece, original green paper wrappers, spotted, extremities rubbed, 4toQTY: (1)

A pencil signed limited edition 174/650 lithograph of a young woman by K. Bryce, frame size 60 x 78cm.

§ LÉON-VICTOR SOLON (1872-1957) CATALOGUE COVER DESIGN, 1899 pencil, pen and watercolour on paper, 18.5cm x 13.5cm; together with a COVER DESIGN FOR THE STUDIO MAGAZINE, coloured lithograph, 23cm x 15cm

MARGARET MACDONALD, FRANCES MACDONALD, J. HERBERT MCNAIR GLASGOW INSTITUTE OF THE FINE ARTS, 1897 stone lithograph, printed by Imprimerie Chaix and published by G. Boudet for the French periodical Les Affiches Étrangères, France 1897Dimensions:29cm x 12cmNote: Note: Examples of the original poster of circa 1895-1896 printed by Carter and Pratt, Glasgow can be seen at the Hunterian Art Gallery, Glasgow and the Kelvingrove Art Gallery & Museum, Glasgow

WILLIAM NICHOLSON (1872-1949) FOR WILLIAM HEINEMANN, LONDON 'THE SQUARE BOOK OF ANIMALS', NINE FRAMED PRINTS, 1900 transfer lithographDimensions:each 13cm square

Mixed pictures and prints to include a Joseph Kirk Patrick lithograph. Not available for in-house P&P

Maurice Prosper Lambert RA, British 1901-1964 - The Parachute, 1919; watercolour and ink on paper, signed and titled lower right 'M. P. Lambert The Parachute' and dedicated and dated lower left 'to Penelope Spencer June 9th 1919', 54.8 x 37 cm (ARR) Note: with thanks to Vanessa Nicolson, author of 'The sculpture of Maurice Lambert', for her assistance in the cataloguing of this work. This early work by the artist was made while Lambert was training in the studio of sculptor Francis Derwent Wood (1871-1926) and working with his father George Washington Lambert (1873-1930). Vanessa Nicolson has noted how the angular, cartoonish style of the present work is characteristic of his work of this period. The subject matter and flattened, complex composition were clearly influenced by the Futurist and Vorticist movements of the WWI period. Penelope Spencer was a celebrated ballerina, and there is a lithograph depicting the pair by Thea Proctor in the collection of the Art Gallery of New South Wales. Spencer was a lifelong friend of Lambert's brother, the composer Constant Lambert (1905-1951), who famously painted by Christopher Wood. Please refer to department for condition report

Frank Brangwyn Sir, (1867-1956), watercolour over lithograph, Bruges at night, 33cm x 47cm, mounted.

Hiro Yamagata (Japanese b. 1948),'Yamagata', revised edition, published by Perpetua Press, Los Angeles, signed edition,together with Hiro Yamagata (Japanese b. 1948)'LA is the place to be, 84', offset lithograph, signed, 67 x 92cm Condition ReportThe lithograph unframed. The dustjacket of the book with a crease.

A limited-edition lithograph print depicting a series of images of George Harrison taken by Astrid Kirchherr in Hamburg c 1962. Measures approx 59.5 x 42cm. Numbered 110/500 and signed in pencil by Astrid Kirchherr.

* Paul Jouve [1878-1973]-Panther,:-lithograph, 23 x 22cm.

DAVID KOSTER: PHEASANTS lithograph, signed and dated 1961

Winston Megoran 'Evening Shadows' lithograph with artists proof stamp Warwick Galleries approx. 57.5cm x 46.5cm 

Pecht, Johann Andreas. Ansichten vom Bodensee und seinen Umgebungen. 1 von 2 Bänden. Mit lithorgraphiertem Titel sowie mit 100 lithographierten Blättern. 1 faltbare Karte in Front. 10,5 x 13 cm. Kunstleder d. Z. (leicht berieben und bestoßen). Goldschnitt. Konstanz, Pecht, 1833.Die zweite verbesserte und vermehrte Auflage des erstmals 1832 erschienen "Ansichten vom Bodensee" von Johann Andreas Pecht (1773-1852). Dieser war als Buchhändler, Drucker, Journalist undLithograph tätig. Vorhanden ist der Tafelband. Es fehlt der Beschreibungsband. U. a. sind Lithographien von "Der Hafen zu Constanz", "Das Frauen Stift Münsterlingen", "Das K: Schloss zu Fiedrichshafen" sowie "Kloster Feldbach" enthalten. Die faltbare Karte der Front zeigt den "Bodensee und seine Umgebung". - Etwas stockefleckig. Insgesamt sehr gutes Exemplar.

Captain William Cornwallis HarrisXIII: THE AFRICAN BUFFALOLondon: W Pickering, [1840]Hand coloured lithograph, toning, window mount burn, framed From Portraits of the Game and Wild Animals of Southern Africaapprox 28 by 41cm

Captain William Cornwallis HarrisVII. ACRONOTUS CAAMA:- THE HARTEBEESTLondon: W Pickering, [1840]Hand coloured lithograph, toning, framed From Portraits of the Game and Wild Animals of Southern Africaapprox 29 by 40cm

Captain William Cornwallis HarrisI. CATOBLEPAS GNOO - THE GNOOLondon: W Pickering, [1840]Hand coloured lithograph, framed From Portraits of the Game and Wild Animals of Southern Africaapprox 28 by 40 cm

Captain William Cornwallis HarrisII EQUUS QUAGGA.- THE QUAGGALondon: W Pickering, [1840]Hand coloured lithograph, foxing, framed From Portraits of the Game and Wild Animals of Southern Africaapprox 28 by 40 cm

Walter Ernest Spradbery (1889-1969) 'London'lithograph42 x 53cm

Chung Tai Fu (Chinese. b.1956), limited edition artist's proof lithograph, 'My Rock', signed and dated '87, 25 x 20cm

French School, lithograph, Harlequin holding a rose, indistinctly signed and numbered 120/150, 56 x 42cm, unframed