70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

DAVID HOCKNEY 'IPad Drawing no. 778 - 17th April 2011', 2019, lithograph, limited edition 685/2000, printed in Italy by Lithopress, 55cm x 35cm, framed and glazed.

DAVID HOCKNEY 'IPad Drawing no. 610 - 23rd December 2010', 2019, lithograph, limited edition 685/2000, printed in Italy by Lithopress, 55cm x 35cm, framed and glazed.

DAVID HOCKNEY 'IPad Drawing no. 829 - 2nd May 2011', 2019, lithograph, limited edition 685/2000, printed in Italy by Lithopress, 55cm x 35cm, framed and glazed.

RAOUL DUFY 'Les Regates 2', lithograph, 32cm x 78, in vintage French frame.

JEAN-MICHEL BASQUIAT 'Untitled' (Skull with Yellow Background), lithograph, with signature and artist's moniker in the plate, numbered 68/100, 37.5cm x 32.5cm, framed and glazed.

JEAN-MICHEL BASQUIAT 'Alpha Particles', lithograph, with signature and artist's moniker in the plate, numbered 35/100, 37.5cm x 32.5cm, framed and glazed.

ANDY WARHOL 'Moonwalk (Pink)', 1987, lithograph, numbered 254/2400, CMOA stamp on reverse, printed on Lenox Museum card, 60cm x 60cm, framed and glazed.

ANDY WARHOL 'Superman', lithograph, numbered 192/2400, CMOA stamp on reverse, printed on Lenox Museum card, 60cm x 60cm, framed and glazed.

MARC CHAGALL (RUSSIAN 1887-1985)Nature Morte Bleu,circa 1957 lithograph29 x 25.5 cm (11 3/8 x 10 in.)signed lower right and edition 3/90 lower left each in pencil PROVENANCEPrivate Collection Costa RicaCONDITIONObserved out of frame, in matte and under plexi. The lithograph appears in good condition. Minor foxing to the lower left corner. The sheet appears laid down around the perimeter, due to the nature of the framing technique the cardboard backing cannot be removed without causing damage to the lithograph.framed dimensions: 68.5 x 65 cm (27 x 25 5/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

FRANK STELLA (AMERICAN B. 1936)Metropolitan Museum Of Art ,1870-1970color lithograph posterfull sheet measuring 89 x 89 cm (35 x 35 in.) signed, dated and numbered 57/350 in pencil lower right and Metropolitan Museum of Art Seal lower leftCONDITIONObserved in frame. The lithograph appears in age-appropriate condition. With no significant issues to report.framed dimensions: 96.52 x 96.52 cm (38 x 38 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

ALEXANDER CALDER (AMERICAN 1898-1976)One plate from Magie eolienne portfolio, published by Societe Internationale d'Art XXe Siecle, Paris, printed by Maeght, Paris,,1972lithograph on Arches paper full sheet measuring 65 x 49 cm (25 5/8 x 19 1/4 in.)signed lower right, inscribed with edition HC XVIII/XX lower centerCONDITIONObserved out of frame, the work is in age-appropriate condition. With full margins. The sheet is hinged at the top. Visible toning to the perimeter of the sheet. The sheet has slightly curled at the edges do to matting and framing technique. Minor tear to the lower right edge measuring 3 cm (1 1/8 in.), with fine crease above tear. Unevenness and wear to the perimeter.framed dimensions: 84 x 69 cm (33 1/8 x 27 18 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

RUFINO TAMAYO (MEXICAN 1899-1991)Sandias,1969colored lithograph76 x 57.5 cm (29 7/8 x 22 5/8 in.)signed in pencil lower right, 119/150 in pencil lower leftCONDITIONObserved out of frame, the lithograph appears in good condition. The sheet is hinged along the top edge. Visible toning to the perimeter.framed dimensions: 92 x 75 cm (36 1/4 x 29 1/2 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AFTER HENRI MATISSE (FRENCH 1869-1954)Nude II,1952lithograph after papiers découpés et collés63 x 53 cm (24 3/4 x 20 7/8 in.) [sight]signed and dated lower leftCONDITIONObserved in frame, the work appears in good condition. With no significant issues to report.framed dimensions: 97 x 66.5 cm (38 1/4 x 26 1/8 in.)Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

YOSHIMOTO NARA (JAPANESE B. 1959)Fuckin' Politics!,2003offset lithograph53 x 70.7 cm (20 7/8 x 27 7/8 in.)CONDITIONB+. In overall good original condition with no tears, holes or stains. Some creasing and handling apparent at the perimeter. Minor curling to the sheet due to being rolled. Finger smudges apparent in raking light. Not viewed under UV light.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A GROUP OF NINE ETCHINGS BY REUBEN NAKIAN (AMERICAN 1897-1986)comprising: a) Nude, lithograph, 57 x 76 cm (22 1/2 x 29 7/8 in.) [full sheet], inscribed BAT lower left, signed lower right b) Group of 8 Etchings, etching on villet press HMK paper, 34 x 54 cm (13 3/8 x 21 1/4 in.) [full sheet], 12 x 34 cm (4 3/4 x 13 3/8 in.) [plate], each with edition 62/75 lower left, signed lower rightCONDITIONObserved in frame, overall the group appears in age-appropriate condition. Each with a slight waviness to the sheet. Minor toning visible to perimeter of some but not all. No significant issues to report otherwise.framed dimensions: 76 x 96 cm (29 7/8 x 37 3/4 in.) [largest], framed dimensions: 39 x 59 cm (15 3/8 x 23 1/4 in.) [small]Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

GROUP OF 20TH CENTURY SOVIET DRAWINGS AND PRINTScomprising:a) AN ART EXHIBITION PAMPHLET, 15 Years of RKKA [Red Army], Art Exhibition, 1933, 21.7 x 30 cm (8 1/2 x 11 3/4 in.) [opened], 11 x 15.88 cm (4 3/8 x 6 1/4 in.) [closed], text in Russianb) A SET OF TWO SOVIET MAGAZINE COVERS, Ekran and Krasnaya Niva, 30 x 20 cm (11 3/4 x 7 7/8 in.) [Ekran], 30 x 22 cm (11 3/4 x 8 5/8 in.) [Krasnaya Niva]c) A UNION OF SOVIET ARTISTS OF THE AZERBAIJAN SSR POSTER,Soyuz Sovetskih Khudozhnikov Azerbaidzhanskikh SSR v Dni Velikoj Otechestvennoj Voiny [Union of Soviet Artists of the Azerbaijan SSR in the Days of the Great Patriotic War],watercolor, lithograph, stenciling on paper mounted on cardboard, 52.5 x 31.7 cm (20 2/3 x 12 1/2 in.), text in Russiand) PAINTING REPRODUCTION OF ROSTISLAV BARTO (RUSSIAN 1902-1974), Derbent Cityscape, 1932 [date of original work], lithograph, full sheet measuring: 29 x 40 cm (11 3/8 x 15 3/4 in.), attributed lower lefte) AFTER IVAN AIVAZOVSKY, Turbulent Seascape with a Raft, print reproduction, full sheet measuring 33 x 42 cm (13 x 16 1/2 in.), stamped lower leftf) UNKNOWN ARTIST (RUSSIAN 20TH CENTURY), Metallurgical Plant, pencil and watercolor on paper, 51.5 x 37.5 cm (20 1/4 x 14 3/4 in.)g) NIKOLAI ANTONOVICH MATSEDONSKY (RUSSIAN 1911-1981), A Young Renaissance Man, 1933, oil on paper laid on thick paper, 43.5 x 21.5 cm (17 1/8 x 8 1/2 in.), inscribed, titled, and dated on versoh) IGOR IVANOVICH YERSHOV (RUSSIAN 1916-1985), The Mine, 1931, India ink on paper, 35 x 49 cm (13 3/4 x 19 1/4 in.), signed twice and dated lower right; titled and inscribed on verso in peni) SOLOMON SAMSONOVICH BOIM (RUSSIAN 1899-1978), Sailors Waving the Ship, 1947, lithograph, full sheet measuring 46.5 x 61 cm (18 1/4 x 24 in.), image size 34 x 49 cm (13 3/8 x 19 1/4 in.), initialed and dated lower left j) A PAIR OF PAINTINGS BY ALEKSANDR ALEKSEEVICH TOPORKOV (RUSSIAN 1896-1995), Field Workers, 1932, watercolor on paper [recto], with pencil drawing of landscape [verso], 25 x 33 cm (9 7/8 x 13 in.), signed with monogram and dated lower right in pencil; 2j) Rural Scene, 1929, watercolor on paper [recto], with pencil drawing [verso], 21 x 29.5 (8 1/4 x 11 5/8 in.), signed and dated lower right in pencil CONDITIONUnframed, the group appears in age-appropriate condition.a) Unframed, the pamphlet is in fragile condition with tearing to the perimeter, largest measuring, 3 cm (1 1/8 in.) in length. Quadrilateral creasing. Discoloration along the lower edge. All consistent with ageb) Both unframed, two tears along the left edge of Ekran, largest measuring, 3 cm (1 1/8 in.) in length. Two tears visible to Krasnaya Niva, one to the left edge and one to the right edge, largest measuring, 2 cm (3/4 in.) in length. General wear consistent with use and age.c) Unframed, the poster is in fragile condition with wear to the perimeter. Tearing visible to the perimeter, largest measuring 2 cm (3/4 in.) in length. The paper has started to lift from the board.d) Unframed, the litograph with hard creasing to the left edge, upper right corner and vertically down the center. A small tear to the lower edge.e) Unframed, the print with visible wear to the perimeter consistent with age. No significant issues to report otherwise.f) Unframed, the paper with a visible waviness and creasing. A small tear to the left edge, measuring 1 cm (3/8 in.). No significant issues to report otherwise.g) Unframed, the sheet with a loss to the lower right corner, as apparent in photographs. Scattered losses overall most significantly to the right edge. Not inspected under UV.h) Unframed, the paper with a crease to the lower left corner. A visible tear to the upper right corner, measuring 18 cm (7 in.) in length.i) Unframed, the lithograph with tearing to the perimeter, largest measuring 5 cm (2 in.) in length. A loss to the upper left corner. Toning and discoloration to the perimeter.j) The pair appears in good condition. Very minor toning and wear to the perimeter. Two loss visible to the top edge of Rural Scene. Scattered foxing visible to Field Workers.unframedKindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LITHOGRAPH PORTFOLIOS BY BORIS LOVET-LORSKIA GROUP OF TEN LITHOGRAPHS BY BORIS LOVET-LORSKI (AMERICAN 1894-1973), VOL. 1, edition number 139 in pencil, sixteen loose pages, containing ten lithographs, all signed in pencil, additionally a title page, dedication page, printed note and colophon each sheet measuring: 29.5 x 39.1 cm (11 5/8 x 15 3/8 in.), cloth portfolio with a single string tie, measuring: 32 x 41 cm (12 5/8 x 16 1/8 in.) printed by Ad Braun & Co., imprimeurs d'art, Mulhouse (haut-rhin), on paper de montval, which was made by hand and prepared for this edition by Caspard Maillol, Copyright by Boris Lovet-Lorski 7, Rue Cels, Paris 14, 1929 A GROUP OF TEN LITHOGRAPHS BY BORIS LOVET-LORSKI (AMERICAN 1894-1973), VOL. 2, edition numbered 166 in pencil, fourteen loose pages, containing ten lithographs all signed and inscribed in pencil, additionally a title page, dedication page, printed note and colophon, each sheet measuring: 40 x 29.5 cm (15 3/4 x 11 5/8 in.), cloth portfolio with two string ties, measuring: 41 x 32 cm (16 1/8 x 12 5/8 in.) printed by Ad Braun & Co., imprimeurs d'art, Mulhouse (haut-rhin), on paper de montval, which was made by hand and prepared for this edition by Caspard Maillol, Copyright by Boris Lovet-Lorski 7, Rue Cels, Paris 14, 1929CONDITIONThe pair of complete portfolios appear in good condition. Wear and creasing to each sheet.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

ELIZABETH CATLETT (AMERICAN-MEXICAN 1915-2012)Nino Papalero,1947lithograph full sheet measuring 33 x 25.4 cm (13 x 10 in.)signed lower right, inscribed with edition 40/31 lower leftLOT NOTESThe foremother by subsequent generations. Residing in the United States and Mexico, Catlett produced an unparalleled body of politically charged and compelling graphic and sculptural works. Catletts body of work was influenced from her grandmothers who told her stories of slavery, from her mother she head about the realities of life in the slums. These stories shaped her understanding of what life was like in the United States for black people, aware of the exploitation that black people experienced created the groundwork for her artistic vision. In 1942 Catlett moved to New York City, she became immersed in the milieu of the City’s leading African American artist community. Later Catlett worked as a promotion director and instructor of sculpture and sewing at the George Washing Carver People’s School. While working at the night school, Catlett became seemingly aware of the way her students’ lives were shaped by their social and economical circumstances. This deepened her awareness of the privileges she was afforded. Catlett, who was deeply moved by the young women, noted these women with the term, “cultural hunger”. Inspired by her students, Catlett was awarded with the Julius Rosenwald Fund Fellowship, to produce a series of work [prints, paintings and sculpture] on the subject of “The Negro Woman”. The series was completed in Mexico, after Catlett moved to Mexico City to establish a permanent residence. The series, “The Negro Woman” was completed in 1947, consisting of fifteen linocuts, creating a chronicle of oppression, resistance and survival of African American women. Around the same time period, Catlett created series and sculptures depicting mother-and-child themes. It is evident in Catlett’s body of work that she was interested in showing the social and economical struggles people of color endured.CONDITIONUnframed, the work appears in good condition. The sheet is laid down. Minor toning and scattered tears to the perimeter.framed dimensions: 53 x 43 cm (20 7/8 x 16 7/8 in.) Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Cy Twombly (1929 Lexington - 2011 Rom)Ohne Titel aus 'Hommage à Picasso', Farboffsetlithografie auf Papier, 76 cm x 56 cm Blattmaß, monogrammiert, 73 datiert, 54/150 nummeriert, minimal knickfaltigProvenienz: Privatsammlung HannoverLiteratur: Wvz. Bastian 40In seinen eigenartigen Werken verbindet Twombly Collagen mit frenetisch abstrakten Pinselstrichen und Elementen aus der wissenschaftlichen Zeichnung. Der amerikanische Maler wurde 1928 in Lexington geboren und besuchte schon als 14-jähriger Malkurse und Vorlesungen des spanischen Künstlers Pierre Daura, durch den er zum ersten Mal mit der europäischen Kunst in Kontakt kam. Später setzte er seine Ausbildung an der Art Students League fort und lernte Robert Rauschenberg kennen. Twombly entwickelte früh einen abstrakt-expressiven Stil, in dessen gestischer Pinselführung er seine eigene physische und psychische Präsenz Ausdruck zu verleihen suchte. In den 1970er Jahren begann er Papiercollagen in seine Arbeiten zu integrieren und vermischte Malmittel wie Öl, Acryl, Aquarell und Pastell, um unterschiedliche Oberflächen zu erzeugen. Die Mappe "Hommage à Picasso" bestand aus 68 Drucke in verschiedenen Techniken. Cy Twombly (1929 Lexington - 2011 Rome)Untitled from 'Hommage à Picasso', offset lithograph in colours on paper, sheet size 76 cm x 56 cm, monogrammed, dated 73, numbered 54/150, slightly creasedProvenance: Private collection, HanoverLiterature: Cat. rais. Bastian 40In his idiosyncratic works, Twombly combines collages with frenetic abstract brushstrokes and elements from scientific drawing. The American painter was born in Lexington, Virginia in 1928. At the age of 14 be began attending painting classes and lectures by the Spanish artist Pierre Daura, through whom he first came into contact with European art. He later continued his education at the Art Students League, where he met Robert Rauschenberg. Twombly developed an expressive, abstract style early on, in whose gestural brushwork he sought to express his own physical and psychological presence. In the 1970s, he began incorporating paper collages into his work, mixing painting mediums such as oil, acrylic, watercolour, and pastel to create different surfaces. The portfolio ''Hommage à Picasso'' consisted of 68 prints in various techniques.

Henry Moore (1889 Castleford/Yorkshire - 1986 Much Hadham) (F)'Figures with Sky Background I', Farblithografie auf Bütten, 46 cm x 45 cm Blattmaß, 27 cm x 27,5 cm Plattenmaß, signiert, 30/50 nummeriert, verso betiteltProvenienz: Privatsammlung HannoverHenry Moore wurde am 30. Juli 1898 in Castleford im britischen West Yorkshire geboren und zählt zu den bedeutendsten englischen Bildhauern des 20. Jahrhunderts. Moore, der am besten für seine großformatigen Skulpturen bekannt ist, hinterließ auch ein beachtliches graphisches Oeuvre. Viele seine Grafiken sind als zweidimensionale Vorstudien zu seinen Werken in Marmor oder Bronze zu verstehen oder greifen auf die unverkennbare Formensprache seiner bildhauerischen Arbeiten zurück, dabei war das zentrale Thema seiner Arbeit der menschliche Körper, überwiegend der weibliche. Bei zahlreichen Aufenthalten in Paris knüpfte der Künstler Kontakte mit der Avantgarde, insbesondere mit Constantin Brancusi und Pablo Picasso. Trotz seines Aufstiegs zu einem der erfolgreichsten britischen Künstler der Nachkriegszeit, lebte Moore, der als siebtes von acht Kindern einer Bergarbeiterfamilie aufwuchs, sehr sparsam, sodass der größte Teil seines Geldes in die Finanzierung der Henry Moore Stiftung floss, die bis heute die Bildung und Förderung im Bereich der Kunst unterstützt. Henry Moore (1889 Castleford/Yorkshire - 1986 Much Hadham) (F)'Figures with Sky Background I', lithograph in colours on laid paper, sheet size 46 cm x 45 cm, plate size 27 cm x 27.5 cm, signed, numbered 30/50, titled on the reverseProvenance: Private collection, HanoverHenry Moore was born on 30th July 1898 in Castleford in West Yorkshire, England, and was one of the most important English sculptors of the 20th century. Moore, who is best known for his large-scale sculptures, also left behind a considerable graphic oeuvre. Many of his prints are to be understood as two-dimensional preliminary studies for his works in marble or bronze or draw upon the unmistakable formal language of his sculptural works. The central theme of his work was the human body, predominantly the female. During numerous stays in Paris, the artist established contacts with the avant garde, especially with Constantin Brancusi and Pablo Picasso. Despite his rise to become one of the most successful British artists of the postwar period, Moore, who grew up as the seventh of eight children in a miner's family, lived very frugally, so that most of his money went into funding the Henry Moore Foundation, which to this day supports education and promotion in the field of art.

Serge Poliakoff (1906 Moskau - 1969 Paris) (F)'Composition rose', Farblithografie auf Arches, 1959, 54,2 cm x 72,5 cm Blattmaß, 45 cm x 60 cm Plattenmaß, signiert, 30/75 nummeriert, montiert, mittig fachmännisch restaurierte StelleLiteratur: Wvz. Poliakoff/Schneider 22Der russischstämmige Maler Serge Poliakoff, am 8. Januar 1900 in Moskau geboren, gilt als wichtiger Vertreter der "École de Paris" und der Modernen Abstrakten Malerei Frankreichs. 1917 floh er vor der Russischen Revolution und gelangte nach Paris, wo er ab 1929 an den Pariser Akademien Forchot und de la Grande Chaumière studierte. Ende der 1930er Jahre fand er zur geometrischen Abstraktion. Poliakoff entwickelte seine eigene Bildsprache und eine individuelle Form der abstrakten Malerei indem er klare geometrische Formen mit gegeneinander abgesetzten Farben, unter Ausschluss linearer Elemente, unmittelbar puzzleartig aneinandersetzt. Das Werk "Composition rose" veranschaulicht eindrucksvoll Poliakoffs Bildsprache. Die Mischung und Überlagerung relativ weniger Grundfarben in erdfarbenen Nuancen zeigt seine Neigung zur monochromen Gestaltung seines Spätwerkes. 'Composition rose', lithograph in colours on Arches, 1959, 54.2 cm x 72.5 cm sheet size, 45 cm x 60 cm plate size, signed, numbered 30/75, mounted, centre with expertly restored spotLiterature: Cat. rais. Poliakoff/Schneider 22The Russian painter Serge Poliakoff was born in Moscow on 8th January 1900. He is considered an important representative of the ''École de Paris'' and of Modern Abstract Painting in France. In 1917 he fled the Russian Revolution and arrived in Paris, where he studied at the Academies Forchot and de la Grande Chaumière as of 1929. In the late 1930s he discovered geometric abstraction. Poliakoff developed his own pictorial language and a unique form of abstract painting by directly juxtaposing clear geometric forms with contrasting colours, to the exclusion of linear elements. The work ''Composition rose'' impressively illustrates Poliakoff's pictorial language. The combination and superimposition of relatively few primary colours in earth-toned nuances already hints at his tendency toward monochrome designs in his late work.

Lester Sutcliffe (British 1848-1943): 'Homeward Flock', watercolour signed 19cm x 14.5cm; 'Silver Birch', monochrome lithograph signed and titled in pencil 57cm x 32cm (2)

Jessica Wasilewski (American contemporary): 'Pugs in the Park', limited edition colour lithograph signed and numbered 286/400 pub. 2007, 51cm x 63cm

After Laurence Stephen Lowry R.A. (British 1887-1976): 'The Arrest', limited edition colour lithograph blindstamped and numbered 787/850 pub. The Adams Collection 1976, 52cm x 42cm

Sam Toft b.1964: 'Off for a Breakfast' Lithograph. 39 x 21cm not including margin or frame

Beate Ohemann Two colour lithograph of nude figures. Limited edition 39/70, signed in pencil. [Frame 45x55cm]

Beate OhemannTwo colour lithograph titled 'Girl in the Restaurant' limited 39/70. [Frame 58x40cm]

Original oil painting depicting flowers by Julie Nicholson, together with a lithograph print titled Rosa Alba by Kate Philip

Frank Stella. b.19361980 lithograph print, 'Polar Co- Ordinates IV' Working Proof. Signed in pen by Frank Stella 80' [110x110cm- frame]

Caroline Shotton Ltd Edition "Falling in Love With Moo" 64/195. Lithograph giclee on canvas, circa 2008. 70cms h x 112cms w.Condition ReportVery good condition.

Adrian George - The Bather, colour lithograph, signed and dated in pencil to the margin and numbered 72/150, the full sheet 75x57cm, together with a pair Michael Wright prints (3)

Ruth W Freeman - Kitchen table, lithograph, signed in pencil to the margin, 28 x 24cm; and one other by the artist (2)

After JC Bourne - Entrance to Birmingham Station, colour lithograph, published by JC Bourne of London, 22x33cm

Contemporary school - abstract study screen print, 18x25cm; J Rothenberg - Our Garden III, lithograph; and one other modern work (3)

A coloured lithograph 'West Front, Tintern Abbey', 15 1/2'' x 18 1/2'' including frame.

English School (18th Century)"The Miller Grinding of Old Women"Black and white engraving; together with a framed lithograph after John Nash, Party setting off from the entrance to Penshurst Place, Kent, 25cm by 38cm and 29cm by 40.5cm respectively

T.G. Dutton, after T.S. RobbinsThe Kestrel. R.Y.S Lithograph, 51cm by 72cm , in a birdseye maple frame

A large framed lithograph print of the Coronation by Sir Terrence Cuneo. Signed by the artist bottom right, overall size 110cm x 90cm, together with a small framed key to the seating plan.

POSTER: Vintage Player's Weights Cigarettes, colour lithograph, featuring a jockey, 67 x 45cms

MARC CHAGALL (French / Russian, 1887-1985) lithograph - 'Bouquet With Hand' signed in pencil, 22 x 18.5cms Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

HENRI MATISSE (French, 1869-1954) colour lithograph on Arches - Fleur de Lys variation 45, one plate from Les Poèmes de Charles d'Orléans, 1950 (the entire edition was 1,200), published/printed by Tériade/Ateliers Mourlot Frères, Paris, (I) 39 x 24.7cms Provenance: with Park West Gallery certificate Comments: paper slightly bowed in the frame, otherwise excellent, in later frame with textured fabric mount. Please note that this lot may be subject to Droite de Suite ar 4% of the hammer price (please see terms / enquire)

JOHN ROBERTS lithograph - two figures, titled in margin 'Olive Tree and Rocks', signed and dated 1954, 33 x 29cms Provenance: private collection Vale of Glamorgan Comments: contemporaneous frame, glazed, frame tired, no other problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

A limited edition Lithograph by Marc Chagall 254/400 label to back "Le Rose" 105cm x 80cm

JOHN DRAWBRIDGE (1930-2005): A monotone limited edition lithograph, "Loire Valley", 19/50, signed and dated 1959, framed and glazed, 29cm x 50cm

Hannah Frank (Scottish 1908-2008)Framed lithograph, signed in pencil'Dance'36cm x 25cm

Hannah Frank (Scottish 1908-2008)Framed lithograph, signed in pencil, dated 1947'Women with Birds'35cm x 29cm

Michael Carlo, b1945, Sunset, limited edition lithograph, signed and numbered 72/75 in pencil by the artist, 49 x 34cm, together with two others by the same hand and a small collection of pictures and prints

Heaney (Seamus) & Barry Flanagan. The Names of the Hare, number 196 of 250 signed by artist and poet, offset lithograph on thin card, minor creasing, sheet 560 x 430 mm (22 x 17 in), unframed, [1989].

AMENDED DESCRIPTION Thomas Rowlandson (British, 1757-1827), satirical aristocratic ball scene. Lithograph in colours. Framed and glazed. Image size 21 x 62cm.

AMENDED DESCRIPTION Thomas Rowlandson (British, 1757-1827), satirical aristocratic ball scene. Lithograph in colours. Framed and glazed. Image size 21 x 56cm.

William Nicholson (British, 1972-1949), 'Baron Munchausen'. Hand-coloured lithograph. Framed and glazed. Image size 34 x 27cm. With framed lithograph after the same artist, 'H. M. Queen Alexandra', image size 27.5 x 23cm. (2)

French nineteenth-century lithograph after Manet, 'Portrait of Baudelaire'. Annotated in pencil to margin. Framed and glazed. Image size 10.5 x 8.5cm.

After Thomas Lawrence (British, 1769-1830), portrait of two sisters (1837). Lithograph. Framed and glazed. Image size 45 x 39cm.

'Travelling on the Liverpool and Manchester Railway, 1831', nineteenth-century hand-coloured lithograph. Framed and glazed. Image size 24 x 64cm.

Anatoli Kaplan (1902 - 1980), a proof lithograph, interior scene

•LAURENCE STEPHEN LOWRY RBA, RA (BRITISH 1887-1976) LEVEL CROSSING, BURTON-ON-TRENT Offset lithograph on paper, signed limited edition Fine Art Trade Guild Stamped CHK (269/850), 41.5 x 57cm (16 1/4 x 22 1/2") Condition Report: On close inspection there are two small brownish stains, one in proximity to top right corner and the other, horizontal line in shape, near the top edge left of centre. There are around 5 areas within the top left quarter section where what appears extraneous media has been used very possibly to tone in lines of slight paper damage. There is another very small area of what appears to be paper damage located top right quarter section. There is also what appears to be light staining in 3 to 4 areas at upper left area of the top right quarter section.

•LAURENCE STEPHEN LOWRY RBA, RA (BRITISH 1887-1976) GROUP OF CHILDREN Offset lithograph limited edition with Fine Art Guild Stamped FLC (numbered 593/850), 18 x 19.5cm (7 x 7 3/4") Condition Report: On inspection the offset lithograph is in good condition with no significant issues.

HANNAH FRANK (SCOTTISH 1908-2008)GARDEN Lithograph, signed, 31.5 x 27.5cm (12 1/2 x 11 3/4") Condition report: The work is found to be in good condition with no significant issues.

HANNAH FRANK (SCOTTISH 1908-2008)WOMAN WITH BIRDS Lithograph, 34.5 x 28.5cm (13 1/2 x 11 1/4") Condition report: The work is found to be in good condition with no significant issues.

UNITED STATES - WORLD WAR II[SMITH (LAWRENCE BEAL)] 'Don't Let that Shadow Touch Them. Buy War Bonds', large format offset lithograph poster depicting children playing beneath the shadow of a swastika, creases where folded (one small hole where folds meet), 1013 x 724mm., U.S. Government Printing Office, 1942For further information on this lot please visit Bonhams.com