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Lewis (John Frederick) Illustrations of Constantinople, made during a Residence in that City &c. in the Years 1835-6, first edition, hand-coloured lithograph title, dedication leaf, 27 hand-coloured lithographs on 25 sheets, 5 with short marginal tears and neat tape repairs verso, one or two with faint marginal spotting, disbound, housed in modern half-morocco drop-back box, black crushed morocco label with gilt lettering to upper cover, [Abbey Travel 394; Atabey 722; Blackmer 1015], folio, [1838]. *** Scarce. Although a hand-coloured deluxe edition was issued with mounted plates, this is a hand-coloured copy of the first edition, ordinary format."Although Lewis travelled in the East from about 1839 to 1851, the plates in this work are after drawings by Coke Smyth, who was resident in Constantinople before Lewis arrived there." (Atabey)

Simpson (William) The Seat of the War in the East, first edition, 2 vol., first edition, [comprising first- and second-series], tinted lithograph titles, 79 tinted lithographs, plate-guards, faint marginal spotting, original cloth, rebacked with green calf, title in gilt to upper covers, vol. 2 with abrasion mark to upper cover, a little rubbed, bumping to corners, housed in modern dropback box, [Abbey, Travel 237], folio, Paul & Dominic Colnaghi, 1855-56

Lennep (Rev. Henry J. van) The Oriental Album ... of the People and Scenery of Turkey, first edition, additional tinted lithograph title, 20 lithographs printed in colour, short tear to lithograph title with neat repair, occasional faint water-staining, modern half crushed morocco, [Atabey 1274; Blackmer 1715], folio, New York, 1862.

Longworth (J.A.) A Year among the Circassians, 2 vol., first edition, half-titles, lithograph frontispieces and 5 lithographs, occasional very faint spotting, cracked hinges, original cloth, lightly sunned spines, slight bumping to corners and extremities, housed in modern slipcase, 8vo, 1840.

[Bearn (Louis Hector de, Count)] Quelques Souvenirs d'une Campagne en Turquie, ?one of 100 copies, early blank and lithograph dedication signed by author, tinted lithograph title and 62 tinted lithographs, 63 ff. lithographed explanatory text, scattered spotting, contemporary calf-backed boards, a little rubbed, [Atabey 77; Blackmer 98], folio, [?Paris], [c.1839]. *** "The date '1839' has been attributed by the Gennadius Library, although the introduction is dated 1828. There is a note in Gennadius's hand on his copy which states that only 100 copies were produced." (Atabey)

WINCHESTER COLLEGE: a collection of prints and engravings related to include 'The Trusty Servant', engraved by G S Shury, Kensington (?circa 1840), later hand-colouring, approx 56 x 36cm within mount, framed and glazed (glass cracked): tinted lithograph of Flint Court pub. D Nutt, Winchester, c. 30 x 23cm, n.d (mid-19thc), framed and glazed: with a quantity of other prints, maps, engravings and watercolours of Winchester, Oxford and other locations, 19th century to modern, framed and unframed, various sizes. (Approx 25 items)

An interesting lithograph depicting the fossilized remains of a rhinocerous jaw, as found in Cromer. 'The high tides have partly uncovered the lignite beds along the base of the cliffs, & among the fossil remains of that stratum have been found a fine specimen of the lower jaw of a rhinocerous...together with the molars of the Elephant, Hippopotamus and Beaver' (Cambridge Advertiser Feb 26 1845) 'The jaw of the Rhinocerous has been obligingly transmitted to me for examination by its present Professor, Robert Filch' (British Fossil Mammalia by Richard Owen)Drawn by Turner and lithographed by Bridgman, Norwich 1845Size approximately: 25x32cm

ROBERT FREKE GOULD: THE HISTORY OF FREEMASONRY, ITS ANTIQUITIES, SYMBOLS, CONSTITUTIONS, CUSTOMS ETC. Edinburgh, T C & E C Jack, c1880/90. Volume I (of three). Large 4to bound in period half Morocco, title in gilt to the spine. Title and freemasonry gilt stamp to upper boards. Coloured lithograph plates throughout. Spine detached and calf rubbed and heavily marked to upper board

After Albrecht Durer (1471-1528), "Knight, Death and the Devil", lithograph, 19x25ccm, framed (housed loosely), glazed

An early 20th century lithograph theatre poster for 'Robinson Crusoe' after Jim Affleck,printed by Alf Cooke Limited Design No 256, 74 x 50cm

EGGERS, Friedrich. Deutsches Kunstblatt. Volumes 1-9. 1850-1858. Leipzig and Stuttgart. Small folios, bound in period marbled boards. Title label to the spines. Illustrated with Steel, lithograph and colour plates. German language. **The magazine Deutsches Kunstblatt was founded in 1850 by Friedrich Eggers. It saw itself as a "newspaper for fine art and architecture" and a must of the German art associations. Scarce early run. Some staining and foxing.

Laurence Stephen Lowry R.A. (British 1887-1976) Framed offset lithograph in colours, 1942, ARR signed and stamped  Lonely House 26.5cm x 50cm

Laurence Stephen Lowry R.A. (British1887-1976) 'Sailing Boats' Framed offset lithograph in colours,1972. ARR Published by Venture Prints Ltd signed and stamped 29cm x 34 cm Condition Report: Good overall condition

* MICHAEL ROSCHLAU (GERMAN b. 1942), PLATFORM II lithograph on paper, signed, dated '70 mounted, framed and under glassoverall size 94cm x 62cm

PIERRE-AUGUSTE RENOIR (1841-1919) - The Orange Vendor, lithograph printed in sepia, signed in the stone, framed, 24cm x 17.5cm, frame size 40cm x 33cm, also a reproduction printed after Renoir depicting a nude with arm raised. (2) Condition reports for each lot are available on our website.

Celebrate the legendary 1955 World Series champions with this limited edition framed piece #205 of 300 signed by artist James M. Amore. This is a one of a kind lithograph autographed by 16 MLB legendary Dodger players including Carl Erskine, Clem Labine, WS MVP Johnny Podres and 1956 Cy Young winner Don Newcombe. Sight size: 15"W x 19"H. Frame dimensions: 16.5"L x 19.5"W x 1"H. Artwork can be unframed and rolled for shipment. Artist: James M. AmoreIssued: 1998Dimensions: See DescriptionEdition Number: 205 of 300Country of Origin: USACondition: Age related wear.

This beautiful full color lithograph depiction of David Wells riding on the shoulders of his fellow New York Yankee Players after throwing a perfect game. Artist signed. Certificate of Authenticity included. Sight size 16.5"L x 24.75"H. Artist: Arthur K. MillerDimensions: 26.25"L x 1.25"W x 36.25"HCondition: Age related wear.

This player and artist pencil signed lithograph entitled The Tradition Continues commemorates the next generation of MLB greatness that was Barry Bonds and Ken Griffey Jr. Bobby Bonds and Ken Griffey had sons that re-revolutionized the game and they are celebrated here in Steve Hoskins limited edition work. Autographed by Hoskins, Bonds and Griffey and numbered 48 of 300. 18"W x 24"H framed. Certificate of Authenticity included. Artwork can be unframed and rolled for shipment. Artist: Steve HoskinsIssued: c. 1996Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.

A striking lithograph featuring Ricky Henderson and Lou Brock, showcasing their profiles, dynamic batting stances, and iconic base running moments, all beautifully autographed by both baseball legends. Ricky Henderson signature. Lou Brock signature. Certificate of Authenticity from James Spence Authentication included. Matching sticker and COA. Marked 241 of 938. Christopher Paluso signature. Marked National Baseball Hall of Fame. Artist: Christopher PalusoDimensions: 29"L x 1"W x 32"HEdition Number: 241 of 938Condition: Age related wear.

This framed lithograph commemorates the Miami Dolphins' legendary 1972 Perfect Season, featuring multiple scenes that capture key moments from the historic accomplishment. It is hand-signed by pivotal Dolphins player Jim Kiick and renowned sports artist Ron Lewis. Certificate of Authenticity included. Sight size 17"L x 23"H. Artist: Ron LewisDimensions: 18.25"L x 0.25"W x 24.25"HEdition Number: 652 of 1972Condition: Age related wear.

This beautifully framed and artfully matted commemorative collage features a limited-edition lithograph of the team's first-day logo, signed by Wayne Huizenga. The artwork, created and signed by Denis Pereira. Artist: Denis PereiraIssued: 1993Dimensions: 30"L x 1.25"W x 33.5"HEdition Number: 550 of 1993Condition: Age related wear.

This artist-signed lithograph celebrates the New York Jets' 1969 championship season, featuring representations of key players and signed by Matt Snell #41. Certificate of Authenticity included. Artist: Doo S. OhDimensions: 28.25"L x 0.25"W x 22.25"HCondition: Age related wear.

LITHOGRAPH OF MONK IN ROSEWOOD FRAMES

Helen Frankenthaler (1928-2011). Six-color lithograph on paper titled "Reflection IX" depicting an abstract pink composition, 1995. From the "Reflections" series published by Tyler Graphics, Ltd. Pencil signed and dated along the lower right; numbered 17/30 along the lower left.Sight; height: 20 in x width: 15 in. Framed; height: 28 in x width: 22 3/4 in x depth: 1 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. The colors appear to be somewhat faded. Floated in frame on a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out frame.

Robert Rauschenberg (American, 1925-2008). Lithograph in four colors with embossing on J. Whatman 1958 paper titled "Gamble" depicting darkened shapes with pops of a pale red, 1968. Pencil signed, dated and numbered 8/41 along the lower left. With a label from John C. Stoller & Co., Minneapolis, affixed along the verso.Sight; height: 40 3/4 in x width: 27 1/2 in. Framed; height: 42 in x width: 29 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. Undulation to the sheet. Floated in frame; light wear ot the frame. Not inspected out of frame.

Tom Wesselmann (American, 1931-2004). Lithograph on paper titled "Rosemary Sitting Up Straight" depicting a nude woman sitting with her legs crossed and arms behind her head, 1990. Pencil signed and numbered 15/26 along the lower right.Unframed; height: 42 1/2 in x width: 37 in. Framed; height: 50 in x width: 45 1/2 in x depth: 2 1/4 in.Condition: The colors are bold and deep. The sheet is very lightly toned. There are no visible tears, losses, or restorations. Slight undulation to the sheet. There are light handling marks along the extreme edges of the work, especially along the upper left corner. Floated in frame on an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Robert Rauschenberg (American, 1925-2008). Lithograph on paper titled "Earth Day" depicting a bald eagle against a collage of environmental disasters, 1970. Signed in red along the lower left; further signed and dated in print along the lower center. Produced as an edition of 10,300 to benefit the American Environment Foundation in Washington, D.C. on the first annual Earth Day on April 22, 1970.Sight; height: 33 in x width: 23 3/4 in. Framed; height: 42 3/4 in x width: 34 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, or losses. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Suzanne Caporael (America, b. 1949). Lithograph with hand painting on paper titled "Hobo Dyb, Denmark" depicting geometric scene with blue and white squares against a yellow background, 2003. From the "Salt Marsh" suite. Pencil signed and dated along the lower right; Editioned 13/30 along the lower left.Height: 19 1/4 in x width: 14 in.Condition: The colors are bold and bright. There are no tears, losses, or restorations. Light wear long the deckled edges. The work is not framed.

Theo Tobiasse (Tobias Eidesas) (French, 1927-2012). Lithograph on paper titled "The Great Parade" depicting a group of colorfully dressed people walking down a street, one riding a horse. Pencil signed along the lower right; numbered 56/175 along the lower left.Sight; height: 21 in x width: 27 in. Framed; height: 31 1/2 in x width: 37 in x depth: 1 1/4 in.Condition: The colors are bold and bright.. There are no visible tears, creases, losses, or restorations. The sheet is slightly toned. Housed under a non-acidic mat. Framed under glass. Light wear to the frame.

After Jean-Michel Basquiat (American, 1960-1988). Lithograph on paper titled "Beat Bop" depicting a composition with Basquiat's signature crown above a series of doodles and words, 2010. This is a reissue of the album cover Basquiat designed for K-Rob and Rammellzee.Sight; height: 12 1/4 in x width: 12 1/4 in. Framed; height: 16 1/4 in x width: 16 1/4 in x depth: 1 in.Condition: No visible tears, creases, or losses. There is light wear visible along the edges and corners of the album. Housed between two panes of glass. Light wear to the frame. Not inspected out of frame.

Philip Pearlstein (American, 1924-2022). Lithograph on paper titled "Reclining Nude on Green Couch" depicting a nude woman draped over a green chaise lounge, 1971. Pencil signed, dated, and numbered 16/72 along the lower right.Height: 27 in x width: 22 1/2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. The work is not framed.

Helen Frankenthaler (1928-2011). Color lithograph on paper titled "Reflection VII" depicting an abstract blue composition, 1995. From the "Reflections" series published by Tyler Graphics, Ltd. Pencil signed and dated along the lower right; numbered 17/30 along the lower left.Sight; height: 15 in x width: 20 in. Framed; height: 23 in x width: 28 in x depth: 1 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. The colors appear to be somewhat faded. Floated in frame on a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out frame.

Lari Pittman (Colombian/American, b. 1952). Large lithograph on paper titled "Existential and Needy" depicting an owl, the number 69 repeated, and a candle, 1991. Signed and dated along the lower right; numbered 26/40 along the lower left.Sight; height: 49 in x width: 37 3/4 in. Framed; height: 54 in x width: 42 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major tears, losses, or restorations. There is a crease to the lower left corner. The artwork is floated in frame on a nonacidic matboard. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

A Victorian colour lithograph featuring the Royal Derby winner of 1896 Persimmon,fine quality but with no artist or publication details, featuring a picture within a picture, Persimmon portrayed as an oil painting portrait on an easel being admired by HRH The Prince of Wales and jockey John Watts, trainer Richard Marsh in a vignette lower left, title plaque to frame, mounted, framed & glazed, 63 by 76cm., very good condition; sold together with a small print of Secretariat after the artist Helen Hayse, mounted, framed & glazed, 33cm. square, good condition, (2 items).

Three framed horse racing prints dating between circa1887 and 1927,comprising: the 1886 Triple Crown winner Ormonde after Alfred Charles Havell (1855-1928) published by Messrs. Fores; lithograph after Lionel Edwards of Durbar winning the 1914 Derby; and a lithograph after G Earle of the 1927 Grand National, all mounted, framed & glazed, the largest 46 by 56cm., generally all in good condition, (3).

Sir William Nicholson (1872-1942) “J for Jockey” lithograph from the Alphabet Series,a transfer from a woodblock print, signed in the plate, mounted, framed & glazed, 41 by 36cm.; sold together with an old small print of a racehorse & jockey, framed, 14 by 18cm., (2 items).

Three 19th century horse racing prints,the first a woven silk stevengraph titled “The Start”; the next a colour lithograph titled Jockeys of the Day, a supplement of the Illustrated London News dated 1891; the other an engraving after the artist Ben Herring titled “Wanota, Winner of the Ascot Stakes”, all mounted, framed & glazed, the jockeys print the largest 57 by 47cm., good condition, (3).

AFTER DAVID ROBERTS, BRITISH (1796-1864), 'ISLE OF GRACE, GULF OF AKABAH', DATED 1839 hand coloured lithograph from The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, mounted and framed, 34 x 50.5cm (inside mount)

Terence Coventry: a lithograph, "Raven", 7/25, Thackeray Gallery label verso, in ebonised frame, and Terence Coventry: a signed etching, "Raven", 9/18, in strip frame

A 19th century engraving, "Twisell Bridge", in strip frame, and a lithograph, portrait of Revd George Inge, in Oxford frame

GEORGE HAWKINS II (1819-1852) 'Building for the Great Exhibition, London 1851' lithograph, published by Ackermann, printed by Day & Son, 32.75cm x 96cm

AFTER THOMAS GOLDSWORTHY DUTTON (1819-1891) 'Royal Mail Steam Ship 'Shannon''lithograph, printed by Day & Son, published by William Foster, 47cm x 63cm

A SCHEMATIC OF THE SS DRYDEN lithograph, 56cm x 87cm

Walter Dendy Sadler (1854-1923), after, Dinner Conversation, published London 1908 by L.H. Lefoure & Son, signed, lithograph, 42cm x 31cm; another similar (2)

Pictures & Prints - Daniel Louradour (1930-2007), Carnival in Venice, France, mixed media lithograph, 54cm x 71.5cm

AFTER DAVID ROBERTS (BRITISH 1796-1864) FOURTEEN PLATES FROM THE SERIES 'THE HOLY LAND, SYRIA, IDUMEA, ARABIA, EGYPT & NUBIA' lithographed by Louis Haghe (Belgian 1806-1855), all published by F.G. Moon, 20 Threadneedle Street, London, circa 1842-1849, including plates; Encampment of the Aulad-Said (1844); Convent of St Catherine, Mount Sinai (1845); Remains of the portico of the Temple of Kom Ombo (1846); Ruins of Kom Ombo (1846); Ruins of the Memnonium, Thebes (1847); Approach to the Fortress of Ibrim, Nubia (1847); Hadjar Silsilis (1847); Entrance to The Temple of Amun, Thebes (1847); Medinet, Abdu, Thebes (1847); Alexandria (1848); Medinet, Abdu, Thebes (1847) (Second copy); General View of Esouan and the Island of Elephantine (1848); Entrance to the Tombs of the Kings of Thebes, Biban-El-Molook (1848); Cairo from the Gate of Citzenib, Looking towards the Desert of Suez (1849); together with three other Roberts prints, including a cut down to the image and remounted plate of the series Egypt and Nubia, Volume II, ‘Excavated Temples of Abo Simble, Nubia’; ‘The Fortress of Akabah, Arabia, Petraea’, published by F.G. Moon, 20 Threadneedle Street, London, 1844; ‘Tomb of St. James, Valley of Jehosaphat’, published by F.G. Moon, 20 Threadneedle Street, London, 1843 (17) set of the fourteen plates each 33cm x 49cm [plate margins only] Provenance: The Estate of the late Lynette F. H. Cole, Rutherford House, Town Yetholm, Scottish Borders Note: Roberts was the first professional artist to visit the Near East without a patron or a connection to a military expedition or missionary group. He sailed to Alexandria in 1838 and for eleven months travelled up the Nile River, across deserts and mountains, through Egypt and the Holy Land, to arrive in Jerusalem on Easter 1839. He continued north to Lebanon and departed from Beirut in May. Roberts recorded his impressions of landscapes, temples, ruins, and people in three sketchbooks and more than 272 watercolours. These sketches and paintings provided the basis for the 247 lithographs published with text between 1842 and 1849 as the three-volume "Holy Land." The images were produced by Louis Haghe, the best and most prolific lithographer of the time. Originally from Tournai, Belgium, Haghe moved to England before 1825 and established himself as specialist of the hand-tinted lithograph. His sensitive handling of the lithographer's tools imparts a range of tonality and colour as well as a sense of the delicacy and spontaneous quality of Roberts's original images. Roberts's plates are among the most popular images of famous sites in the Near East. As John Ruskin wrote they make "true portraiture of scenes of historical and religious interest. They are faithful and laborious beyond any outlines from nature I have ever seen."

George Meunier (1869-1942) Printed by Imprimerie Chaix (Ateliers Cheret)  'L'Excellent, Consomme de Viande de Boeuf' poster ,circa 1895  Lithograph in colours, backed on linen  123cm x 83.5cm  VAT charged on hammer price 

Leonetto Cappiello (1872-1945) printed by Vercasson French Art Nouveau poster, ' Grands Chais du Medoc, L. Segol Fils', circa 1901 Lithograph in colors, backed on linen Image 137cm x 99cm VAT charged on hammer price

* Gould (John & Elizabeth). Ten lithographs originally published in 'Birds of Australia' [1850-83], ten lithographs with contemporary hand-colouring, six supplied with a sheet of descriptive text, each lithograph with old 'punch holes' to a vertical margin, old stitch marks, slight dust and finger soiling, each approximately 500 x 320 mmQTY: (10)NOTE:The prints comprise of: Ptilinopus Ewingii, Epthianura Tricolor, Stipiturus Malachurus, Amytis Textilis, Meliphaga Novae-Hollandiae, Estrelda Annulosa, Malurus Melanocephalus, Petroica Goodenovii, Atticora Leucosternon [and] Cypselus Australis.

* Moody (C. lithographer). The Prize Heifer Flower, At one Year and four Months old. Bred by Mr. Thomas Moses of Stenigot near Louth, Lincolnshire..., published Boston: by Thos. Moses, circa 1850, lithograph after B. Hubbard, bright contemporary hand-colouring, 460 x 535 mm, mounted, framed and glazedQTY: (1)NOTE:An unusually bright and clean example.

* Stall (Joseph, 1874-1933). Sauvion's Brandy, 1925, colour lithograph poster, published by Joseph Charles, Paris, a bright and vibrant image, repaired closed tear and some light handling creases, sheet size 60 x 40 cm (23 1/2 x 15 3/4 ins), unframedQTY: (1)

Humphreys (Henry Noel & John Obadiah Westwood). British Butterflies and their Transformations, 1st edition, London: William Smith, 1841, additional hand-coloured title, 42 hand-coloured plates, lacking half-title, a few light spots (occasionally to plates), contemporary brown half morocco gilt, upper board detached, head of spine lacking, worn, 4to, together with:British Moths and their Transformations, 2 volumes, 1st edition, London: William Smith, 1843-1845, 118 hand-coloured lithograph plates, lacking half-titles, spotting, contemporary brown half morocco gilt, upper boards detached, worn, 4to, withPratt (Anne). The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain, and their allies the club mosses, pepperworts, and horsetails, 6 volumes, London: Frederick Warne and Co., [1873], chromolithograph plates throughout, near-contemporary brown ink gift inscription to head of volume 1 title, occasional light spotting, all edges gilt, original green cloth gilt, extremities slightly bumped, 8voQTY: (9)

Brooks (Vincent, printer). Hymns for Holy Week and Easter for the Christian Year, by the Rev: John Keble..., printed for private circulation only, [London: 1865], chromo-lithograph plates finished in gold, printed list of subscribers and publisher's postal order instructions loosely inserted, spotting mostly to first and last few leaves, all edges gilt, publisher's original gilt block decorated cloth boards, spine faded, extremities rubbed and bumped, 4to, together with: Jones (Owen, illustrator). A Welcome to Her Royal Highness the Princess of Wales, from the Poet Laureate, [London], Day & Son, 1863, chromolithograph plates finished in gold, publisher's original gilt block decorated cloth boards, some light soiling to lower cover, small folio, plus Jones (Owen & Henry Warren, illustrator). Scenes from a Winter's Tale, London: Day and Son, 1866, chromo-lithograph illustrations finished in gold, publisher's original gilt block decorated cloth boards, spine rubbed, small folio, plusAudsley (W. & G & W. R. Tymns, illustrator). The Prisoner of Chillon, poem by Lord Byron, London, Day & Son, 1865, chromo-lithograph illustrations finished in gold, endpapers renewed, 20th-century sheep-backed boards with original gilt decorated cloth panel inset to upper board small folio, andSevern (Walter, illustrator). Good Night & Good Morning, Words by R. M. Milnes..., London: Day & Son, 1859, chromo-lithograph plates finished in gold, some spotting, publisher's original pictorial boards, a little scuffed, small folio QTY: (5)NOTE:McLean, Victorian Publishers' Book-bindings p. 133; p. 72; p. 129 respectively for the second, third and fourth works.

Clarke (J. Stirling). The Habit & The Horse; A Treatise on Female Equitation..., London: Day & Son, Lithographers to the Queen, 1860, 9 lithograph plates (including 6 coloured lithographs), light spotting to a few leaves, previous ownership inscription excised from title page to top right corner, all edges gilt, publisher's original red cloth, gilt figure of a woman and horse blocked to upper cover, boards waterstained, rubbed and worn, 4to, together with: Miller (Samuel, publisher). Male Character Costumes for Fancy Dress Balls and Private Events, London: Samuel Miller, [1884], additional hand-coloured pictorial title (toned), 96, [2] pp., including trade advertisements, printed title with decorative outer border, 21 full-page uncoloured wood-engraved plates of fancy dress costumes, numerous illustrations to text, original yellow chalk-glazed endpapers, contemporary ownership signature 'Langtree' to front free endpaper, original publisher's blind-stamped blue cloth, lettered in gilt to upper cover, rubbed with some marks, stain to rear cover, 4to QTY: (2)

* Greenwich & Woolwich. A collection of approximately 35 prints, 18th & 19th century, engravings and lithographs including Basire (J.). A View of the Antient Royal Palace called Placentia in East Greenwich, London: April 23rd 1767, uncoloured engraving slight creasing and toning, narrow margins, 320 x 495 mm, together with Stadler (J. C.). Woolwich, London: J & J Boydell, 1795, aquatint after J. Farington, contemporary hand-colouring, slight mount staining and text offsetting, 230 x 330 mm, with Harding (J. D.). Part of Greenwich Hospital from the Ravensborne, London: Rodwell and Martin, June 1st 1822, uncoloured lithograph, some dust soiling, 260 x 320 mm, with another coloured example, plus Hawkins (George). View of the Royal Miltary Academy, Woolwich, Blackheath: R, W, Lucas, 21st May 1821, uncoloured aquatint after R. W. Lucas, slight marginal staining but not affecting the printed image, 225 x 285 mm, and Buck (Samuel & Nathaniel). The North Prospect of Woolwich in the County of Kent, London: March 26th 1739 [but R. Sayer edition of 1775], uncoloured engraved panorama, toned and stained, laid on later board, 315 x 810 mm, with others by or after Sandby, Cox, Phillips, Dugdale, Finden, Hewshall, Reeve, Rogers, Bartlett, Pass, Tombleson, Ireland, Moore and Allen, various sizes and condition, seven framed and glazedQTY: (approx.35)

Rabutin (Roger de, Count de Bussy). Histoire Amoureuse des Gaules, 6 volumes, new edition, London, 1780, all edges gilt, contemporary calf, gilt decorated spines, 12mo, together with:Boissy, M. de (Louis). Oeuvres de Monsieur de Boissy: contenant son théâtre François & Italien, 8 volumes in 4, new edition, Amsterdam & Berlin: Jean Neaulme, 1758, titles in red and black, contemporary marbled sheep, gilt decorated spines with contrasting labels, 12mo,Terence. Les comedies de Terence, Traduites en François par Madame Dacier. Avec des remarques, 3 volumes, 3rd edition, Amsterdam: George Gallet, 1699, titles in red and black, 6 engraved plates (including frontispiece to volume 1), contemporary speckled calf, gilt decorated spines, joints cracked, 12mo,Bulwer-Lytton (Edward George). Gli ultimi giorni di Pompei..., versione dall' inglese con un ragionamento preliminare e note di Francesco Cusani, 3 volumes in 1, Milan: Tipografia Pirotta E C., 1835-36, 6 lithograph plates (including frontispieces), folding engraved map at rear, armorial bookplates of James Hayllar and William Edward Kelly to front endpaper, contemporary vellum, gilt decorated spine with brown morocco title label, 8vo, plus other 18th and 19th-century volumes, including continental and British publicationsQTY: (58)

* Payne (Charles Johnson, 'Snaffles'). A Point to Point. The Big fence. Slap at it for the honour of Hitemand Holdemshire.., circa 1909, large colour lithograph finished with bodycolour, the central image surrounded by six colour vignettes, 'Jumpin Powder', 'Cook'd', 'Wreckage', 'Where an ounce of blood's worth a pound of bone', 'The more mud the more glory' [and] Toss'd about like an old 'at', signed by the artist in pencil to the lower left, overall size 525 x 750 mm, framed and glazedQTY: (1)NOTE:This early Snaffles print is found in at least five states up until 1922. In the first state, the horses are going from right to left. In the later editions, they are going from left to right. They are found with a variety of vignettes.

DAVID MUIRHEAD BONE (SCOTTISH 1876-1953)  MILITARY AIRCRAFT ASSEMBLY  Lithograph, signed lower right, 31 x 45cm   Condition Report:Available upon request

AFTER CARLE VERNET (FRENCH 1758-1836)  HEAD STUDY OF A HORSE  Lithograph, 23 x 29cm  Together with 2 similar and another (4) Condition Report:Available upon request

A 20th Century Tibetan thangka depicting a central figure in lotus position with bowl amongst numerous other figures 61 cm x 40 cm, another similar thangka depicting deity and female entwined amongst other similarly occupied figures 33 cm x 26 cm, a 20th Century Indian hand painted gouache on canvas panel study of various dancing figures, oxen and central kneeling deity with peacocks 58.5 cm x approx. 182 cm, a 20th Century Indonesian thangka style panel with central figure amongst numerous other figures amongst blossoming foliage 49 cm x 85 cm, a modern printed Chinese wall scroll depicting figure on horseback, a black and white engraving AFTER J NORTHCOTE "Vulture & snake" by W. Reynolds, a modern printed thangka laid on canvas and a hand coloured lithograph "Jenny le Rossignol suedois"