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70553 Los(e)/Seite
Los 431
Herbert Gordon WARLOW (1885-1942) Farmyard, c1925 Etching, signed and numbered 54/75, plate 14 x 18cm, sheet 26 x 39cmTogether with Sidney TUSHINGHAM (1884-1968), Amalfi, 1926, etching and drypoint, signed, plate 24 x 31.5cm, sheet 30.5 x 44cm& James Duffield HARDING (c.1797/98-1863), At Dorking, c.1836, lithograph, sheet 38.5 x 28.5cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Los 447
Oliver HALL (1869-1957) Five Etchings & 1 Lithograph Five etchings - 'Bolton Castle Vista', 1894, signed, plate 10.6 x 20cm, 'Border Castle', signed, plate 17.5 x 30cm, 'Broughton Moor Pits', c1920, signed, plate 20 x 30.2cm, 'Newbiggin', c1895, signed, plate 15 x 22.5cm, 'A Yorkshire Road' c1924, signed and titled, plate 12.5 x 18cmLithograph - 'Road into Town', sheet 19 x 26cmEach mounted(6) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Los 97
Sir Terry FROST (1915-2003) Necklace Around the Sun (1993) Lithograph and screenprint, signed and dated '93, numbered 8/50, 28 x 28cm, 51 x 51cm framed. Published and printed by the Royal College of Art, London.Purchased from Jonathan Grimble, 2008.This float-mounted work appears to be in excellent condition. It has not been examined out of the glazed frame.
Los 222
CHAGALL, MARC1887 Witebsk - 1985 St. Paul de VenceTitel: Le Repas Chez Dryas (Aus: Daphnis et Chloé). Datierung: 1961. Technik: Farblithografie auf Arches (Wasserzeichen). Darstellungsmaß: 43 x 64cm. Blattmaß: 54 x 76cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Tériade Éditeur, Paris (Hrsg.). Exemplar: 32/60. Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Aus dem Buchband »Daphnis et Chloé« mit 47 Illustrationen. Eines von 60 signierten Exemplaren mit breitem Rand außerhalb der Auflage von 250 Exemplaren ohne Rand, die nur im Impressum signiert sind, nicht auf den einzelnen Blättern.Literatur: - Mourlot, Fernand: Chagall - Lithograph II, 1957-1962, Monte Carlo 1963, WVZ.-Nr. 334, Abb. Voraussichtliche Versandkosten für dieses Los: Deutschland: 63,00 Euro inkl. 10,06 Euro MwSt EU: 95,00 Euro inkl. 15,17 Euro MwSt Weltweit: 165,00 Euro inkl. 26,34 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Marc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1960er Rahmen. Im Rahmen beschrieben Figur / Figuren Druckgrafik Farblithografie Mythologie
Los 715
Attila Hejja (1955-2007), 'Cape Winds', limited edition lithograph print, signed lower right hand side in pencil, 39.8cm x 76cm, mounted, framed and glazed. Together with purchase receipt and other related paperwork **Please note that these signatures are not authenticated and it is up to the potential buyer to satisfy themselves as to the veracity before purchase**
Los 29
Dia al-Azzawi (Iraq, born 1939)We Are Not Seen, But Corpses: The Massacre of Sabra and Shatila portfolio of eight etchings and one lithographeach work signed, dated '1983', titled and numbered '15/60', number 15 from an edition of 60, executed in 198398 x 75cm (38 9/16 x 29 1/2in).Footnotes:Provenance:Property from the collection of AbdulMagid Breish, LondonPublished:Louisa Macmillan, Mysa Kafil-Hussain et others, In Vested Interests: from Passion to Patronage, The AbdulMagid Breish Collection of Arab Art, Skira, Milan, 2020Prints from this series were exhibited at the below institutions between 1983 and 1995.Exhibited:National Council for Art and Culture, Kuwait, 1983Galerie des Arts, Tunis, 1990The British Museum, London, 1991The University of Nevada, USA, 1991Galerie Claude Lemand, Paris, 1995Bibliotheque National, Paris, 1995'After the Palestinian fighters left Lebanon, the Phalangists had their opportunity to take revenge on old people, women and children. I have a lot of Palestinian friends, some artists and writers, and I knew those camps. Within two days, up to 3,500 people were killed. So, this work had a moral side: to defend unarmed people with no voice.'- Dia Al-AzzawiDia Al-Azzawi was deeply moved in September 1982 by the massacre of civilian Palestinians in the camps of Sabra and Shatila. The Iraqi artist had first started drawing in his studio in London the polyptych entitled The Sabra and Shatila Massacres, mixed media on paper laid down on canvas, 300 x 750 cm, in the collections of the London Tate Modern since 2012. As often was the case, he took his inspiration from photographs of the massacre published by the media and international newspapers.A few months later, in January 1983, he was inspired by Four hours in Chatila, a report that was written on the spot by the French writer Jean Genet, who has just reached Beirut with Leïla Shahid and who had visited the Palestinian camps the day after the massacres and it would be the source of inspiration for the images of nine original prints (eight etchings and one lithograph, 100 x 75 cm.) that he would publish in a portfolio with a title page and a page taken from Jean Genet's text, in a trilingual edition: We are not seen but Corpses. The Sabra and Shatila Massacres - Lâ nara illa juthathan - Nous ne voyons que des cadavres, London, 1983.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 867
Five 1960s/70s toy vehicles to include a Topper Johnny Speed remote control car with driver, a Japanese boxed heavy gauge friction-powered jeep (Wreck Truck), a Tri-ang Hi-Way series tip lorry, no. TM6274, a Marx battery-operated jet plane with automatic stop-and-go action and lighted engines with noise, and also a tinplate Police Highway Patrol vehicle with lithograph printed panels (5).Condition Report: Topper Johnny Speed - playworn, battery section clean
Los 104
Φ Laurence Stephen Lowry RA, RBA (1887-1976)Village on a HillSigned and dated L.S.LOWRY 1966 (in red felt-tip pen, lower left), and numbered 20/75 (in pencil, lower right)Lithograph93.2 x 60.7cm (image)Provenance:Ganymed Original Editions, London, where purchased by Jack and Dora Black, March 1968;The Collection of the Late Jack and Dora Black
Los 123
Φ Prunella Clough (1919-1999) Breakwater Signed and inscribed a/p Clough (in pencil to margin) Lithograph, 1946 17.8 x 14.9cm (sheet)Provenance: The Hargreaves and Ball Charitable Trust; By whom sold, via Anthony Hepworth, Bath, to the present private collectorLiterature: Frances Spalding, Prunella Clough: Regions Unmapped (London, Lund Humphries, 2012), p.44, pl.29
Los 120
Φ Graham Sutherland OM (1903-1980)The Fountain (Tassi 71)Signed and inscribed 2nd Etat Epreuve de l'artiste G Sutherland (in pencil to margin)Lithograph, 1965, an artist's proof aside from the edition of 5571.2 x 51.2cm (image)Provenance:New Gallery, Birmingham, where purchased by the present private collector, November 2004
Los 117
Φ Lynn Chadwick CBE, RA (1914-2003)Seated Figures on Stripes IISigned, dated and numbered 20/100 Chadwick 72 (in pencil to margin) and with Erker-Presse blindstampLithograph56 x 76cm (sheet)Provenance:James Hyman Fine Art, London, where purchased by Jack and Dora Black, November 2002;The Collection of the Late Jack and Dora Black
Los 460
Φ John Farleigh (1900-1965)Red Moss Rose; Peaches on a branch; I was inspired to writeThree, each signed John Farleigh, one dated 39, and two numbered 3/10, and 4/10 respectivelyOne lithograph, two wood engravingsLargest 20.2 x 14.7cm; Smallest 5.4 x 9.5cm (3)Provenance: The Collection of the Late Howard Duckworth
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70553 Los(e)/Seite