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Preisdatenbank abonnierenSalvador Dali (Spanish, 1904-1989) 'Romantic', from the Four Dreams of Paradise suite 1973 Coloured lithograph on Arches 49/1000, hand signed and numbered in pencil Printed by Grapholith, Paris, with a letter of authenticity from Grapholith attached verso Dimensions: (Frame) 28.75 in. (H) x 21.25 in. (W) (Paper) 27.25 in. (H) x 20 in. (W)
Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Original stone lithograph poster. It is from B.C. Tipper and Son veterinary Works company in Birmingham. Circa 1910. This ad clearly portrays the "No Bull" approach to their superior pet medicines. Notice the other brands of medicines are titled "Quack Medicines", due to their misleading advertising. 90 x 118 mounted in large wooden frame. Showing signs of wear but still looks good on display.
ARR Lionel Dalhousie Robertson Edwards (1878-1966)Old Berkeley Huntsigned in pencil to lower right marginoffset lithograph in colours24.5cm x 36cmwith another signed offset lithographic hunting print by the same artist (2) Framed and glazed. Both prints are quite faded, with undulation to the sheets. The paper mounts are clearly foxed; these are inetgral to the artworks as they bear the artist's signature in both cases.
2 PICASSO framed lithograph prints, These were purchased from the London Graphic Art Associates, on 31/12/1968. 12839 TOROS IV at a cost of £12.12.0, and 16918 TOROS III at a cost of £14.14.0. Lot also contains receipts, letters from Sotheby's, an auction catalogue etc. a very good provenance. Each lithograph measures 33cm x 26cm including the frames. VGC £60-80
A scarce Mettoy box van with refreshments lithograph to each side, Hot and Cold Snacks. Dinners and Suppers, and A. Snack to the front and rear opening door. Slight discoloration to one side. Made in Gt. Britain. pitting to the cab roof. some scratching and wear. Clockwork mechanism is fully working. GC £70-90
SEVEN PRINTS ETCHINGS AND PRINTS, comprising two Charles Frank Tangmar etchings depicting barns and a cottage interior, Reginald H. Green etching of a public house 'The Leather Bottle', a Frank Short etching after J.M.W. Turner 'Water Mill', an Edward McKnight Kauffer lithograph for Don Quixote, together with two Kathe Kollwitz lithographs (7)
David Hockney, OM, CH, RA (born 1937) - 'A Bounce For Bradford', lithograph on newsprint, published 1987, dry mounted, unframed, 41.5cm x 59.5cm, also another after David Hockney Langan's Brasserie menu and various sheets of wrapping paper designed by contemporary artists. (qty) NB - This lot may be subject to Artist's Resale Right levy.
**Snaffles (Charles Johnson Payne, British 1884-1967) 'The Worst View in Europe. "Oh Murther! The dhrink died out of me and the wrong side of Bechers" colour lithograph, signed in pencil lower left in the margin, blind stamp image size 22.5 x 49cm, ebonised frame (44.75 x 69.5cm) **(Subject to ARR)
A color lithograph on paper after wildlife artist Lissa Calverts original painting depicting two polar bears in the arctic. Artists signature in plate on lower right side. Published by Island Art, British Columbia, Canada. Housed in a metallic silver-colored frame, with a white mat with a purple border. Sight size: 7.5"L x 5.75"H. Frame dimensions: 12.25"L x 1.25"W x 10.25"H. Artist: After Lissa Calvert (Canadian, 20th century)Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
* Grant (Duncan, 1885-1978). At the Ballet, 1938, colour lithograph on wove paper, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, several short closed tears and minor creasing to lower blank margin, sheet size 50.6 x 66 cm (20 x 26 ins), together with four copies of L'oeuvre grave de Vuillard, colour lithographic poster on wove, published by Mourlot, Paris, sheet size 46.5 x 34.5 cm (18 1/4 x 13 1/2 ins), plus a photolithographic print of Portrait of my Father, by Paul Klee, all unframedQTY: (6)
* French (Cecil, 1879-1953). The Rose of Dream, lithograph, depicting a young woman with a rose in her mouth, some marks to blank margins, signed in pencil to lower right, image size 23 x 19 cm (9 x 7 1/2 ins), sheet size 35 x 25.5 cm (13 3/4 x 10 ins), together with Snowdrift, lithograph, signed in pencil to lower right, image size 25.4 x 12.5 cm (10 x 4 7/8 ins), sheet size 29 x 15.3 cm (11 3/8 x 6 ins), plus A Fire by Night, lithograph, signed in pencil to lower right, image size 12 x 14.3 cm (4 3/4 x 5 5/8 ins), sheet size 25 x 22 cm (9 7/8 x 8 5/8 ins), mounted (28 x 22.3 cm), and 47 other lithographs and other prints, by the same artist, 29 signed, some duplicates, various sizesQTY: (50)NOTE:Provenance: David Gould (1922 -2004), art dealer, connoisseur, and founder of the Taranman Gallery with Christopher Hewett.French was born in Dublin and trained as an artist at the Royal Academy Schools, London, and at School at Bushey, Hertfordshire. He regularly exhibited between 1902 and 1922, at venues including the Royal Academy Annual Exhibition in 1902 and the Baillie Gallery in 1903. His etchings and lithographs are in the British Museum Print Room. He illustrated his first volume of verse Between Sun and Moon, 1922, published in a limited run of 350 copies by Favil Press. He dedicated this book to his fellow Irishman, the poet W.B.Yeats. According to David Gould, writing in 1954, French largely abandoned painting after 1903 because he felt unable to attain the standards of the Florentine Renaissance painters and Pre-Raphaelite artists he so admired.
* Hallward (Patience Mary, 1892-1981). In Ambush, 1921, lithograph, depicting a waiting dragon coiled up in wooded rocky landscape, a grassy coastal landscape in the distance, titled, signed, dated and numbered 2/25 in pencil to lower margin, some light overall toning, image size 41 x 26 cm (16 1/8 x 10 1/4 ins), sheet size 55 x 36 cm (21 5/8 x 14 1/8 ins), together with Batten (John Dickson, 1860-1932). The Centaur, October 12th 1921, colour woodcut from six blocks, signed with 'S4' and 'No14' in pencil to lower margin, '6 block edition' and date to verso in pencil, some spotting and light overall toning, image size 23.5 x 15.2 cm (9 1/8 x 6 ins), sheet size 27.5 x 18 cm (10 3/4 x 7 1/8 ins), in cream mount (36.5 x 25.5 cm), plus Guthrie (James, 1859-1930), Dreamland, wood engraving, image size 21 x 17.5 cm (8 1/4 x 6 7/8 ins), sheet size 27 x 21 (10 5/8 x 8 1/4 ins), in cream mount (49 x 32.5 cm), together with 15 other mainly etchings by various artists including Michael Renton, William Strang, Henry Townsend, Achille Ouvré, J.W. Waterhouse, etc., largest 31.5 x 51 cm (12 3/8 x 20 ins)QTY: (18)NOTE:Provenance: David Gould (1922 -2004), art dealer, connoisseur, and founder of the Taranman Gallery with Christopher Hewett.
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