** Zhang Xiaogang (b.1958)Mercury SeaLithograph printed in colours, 2009, signed in pencil, numbered from the edition of 130, on wove paper, with full margins, 800 x 1200mm (31 5/8 x 47 ¼ in)Please note that this lot is in bonded storage in Switzerland and will be shipped from there and not Forum Auctions, London. Shipping will be charged as an additional cost and quotes will be provided to buyers after the auction. Swiss resident buyers may be required to pay Swiss VAT on release of the art work.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
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δ L. S. Lowry (1887-1976)Street Scene Near A FactoryOffset lithograph printed in colours, signed in pencil, printed by Chorley Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins, sheet 436 x 308mm (17 1/8 x 12 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Pablo Picasso (1881-1973) after.Ronde de la JeunesseLithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, on Arches paper, with full margins, 650 x 505mm (25 5/8 x 19 7/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Roy Lichtenstein (1923-1997)Modern Head #4, from Modern Head Series (Corlett 94)Lithograph printed in colours on engraved and anodised aluminium, 1970, incised witth signature, date and numbered from the edition of 100 verso, printed and published by Gemini G.E.L., Los Angeles, with their stamp screenprinted verso, in the original polished aluminium frame, the full sheet printed to the edges, sheet 520 x 430mm (20 3/8 16 7/8in)
** Sterling Ruby (b.1972)GossamerLithograph printed in colours, 2015, signed, numbered from the edition of 30, the full sheet 686 × 527mm (27 × 20 7/10in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Frantisek Kupka (1871-1957)La Disque BlanqueLithograph printed in colours, 1950, a proof aside from the numbered edition of 60, on wove paper, with full margins, image 442 x 445mm (16 5/8 x 17 1/2in)Provenance: With Redfern Gallery, October 1966.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
†δ Henri Matisse (1869-1954)Odalisque, brasero et coupe de fruits (Duthuit 504)Lithograph, 1929, signed in pencil, numbered from the edition of 100, on Arches paper, with full margins, sheet 380 x 570mm (15 x 22 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.This lot is subject to VAT at 20% payable on the hammer price, which may be reclaimable as input VAT.
** Marc Chagall (1887-1985) after.MaternitéLithograph printed in colours, 1954, signed and inscribed 'HC' in pencil, also dedicated and dated, aside from the edition of 300, published by Maeght, Paris, on Arches paper, with full margins, sheet 591 x 745mm (23 1/4 x 29 1/4in)Dedication reads: "Pour C. Wiedrich en bon souvenir. 1957. Vence"** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Barbara Hepworth (1903-1975)Three Forms, from Twelve LithographsLithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, with full margins, sheet 598 x 822mm (23 5/8 x 32 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Pablo Picasso (1881-1973)Colombe (à L'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 550 x 762mm (21 5/8 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ William Scott (1913-1989)MingulayLithograph printed in colours, 1962, signed, dated and inscribed 'artist's proof' in pencil, an artist's proof aside from the edition of 75, printed and published by Curwen Studio, London, with their blindstamp, with full margins, sheet 585 x 805mm (23 x 31 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Pablo Picasso (1881-1973) after.Clown et Cavalier de Cirque, from Suite de 180 DessinsLithograph printed in colours, 1954, signed and numbered from the edition of 75 in pencil, published by Editions Verve, Paris, with their blindstamp, with full margins, sheet 278 x 367mm (11 x 14 1/2in)LOT ESSAY"The 'Human Comedy' series of drawings, which Picasso created in the winter of 1953/54 during a period of intense personal crisis, provides the basis for the 'Portrait of the Artist as an Old Man'... A thematic analysis of the series not only shows how central the subject of artist and model was within the 'Human Comedy' staged by Picasso, but also how Picasso was to link the theme specifically with a questioning of old age and his own late style concerns. The 'Human Comedy' reads like a parody of the 1933 Vollard Suite, in which the artist is cast as a classical sculptor at the height of his powers. Twenty years later, we find that the idealized artist-god has shrunken in stature and shows his age in all too human terms. This comical about-face is marked by a significant shift in tone, from the ideals of classicism to a mocking of the grotesque body, which ultimately proves renewing and life-affirming despite the satirical self-caricature. It is this adoption of parody in both his style and his personal point of view that marks the 'Human Comedy' as the true beginning of Picasso's late period. Within these bittersweet drawings, Picasso self-consciously thematizes the issue of an artist's late style and begins in the process to confront both his own myth and historical identity, though always in masked terms" (Karen L. Kleinfelder, The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** δ Marc Chagall (1887-1985)Hyménée, from Daphnis et Chloé (Cramer 46; Mourlot 349)Lithograph printed in colours, 1961, signed and numbered from the edition of 60 in pencil, printed by Mourlot, published by Tériade, Paris, on Arches paper, with full margins, sheet 539 x 755mm (21 1/4 x 29 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
David Hockney (b.1937) after.The Santa Fe Festival Theatre (Baggott 6)Lithograph printed in colours, 1981, signed and inscribed 'For Leslie' in pencil, printed by Petersburg Press, London, published by The Santa Fe Festival Theatre, Arizona, on wove paper, the full sheet printed to the edges, sheet 792 x 622mm (31 1/4 x 24 1/2in)
Andy Warhol (1928-1987)Absolut Vodka (Maréchal 43)Offset lithograph printed in colours, 1985, signed in pencil, the edition was 100, published by Carillon Importers, Ltd., New Jersey, on wove paper, with full margins, sheet 1151 x 944mm (45 1/4 x 37 1/4in) Provenance:Acquired by the present owner from Jody Goodrich, who was gifted the work by Andy Warhol in her position as Executive Secretary to the President of Carillon Importers.
Edward Kienholz (1927-1994)The Marriage Icon (Gemini G.E.L. 29.5)Oakwood and plexiglass multiple with photo offset lithograph, photograph, watercolour, polyester resin and nylon lace, 1972, with the artist's incised signature on brass plaque, numbered from the edition of 75, published by Gemini G.E.L., Los Angeles, overall size 325 x 1325mm (13 x 52 1/4in)
δ Joan Miró (1893-1983)Cartones (Mourlot 383; Cramer 103)Lithograph printed in colours, 1965, signed and inscribed 'e.a.' in pencil, an artist's proof aside from the edition of 75, printed by Mourlot, Paris, published by Pierre Matisse Gallery, New York, on Japan paper, with full margins, sheet 420 x 545mm (16 1/2 x 21 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Pablo Picasso (1881-1973) after.Le ClownLithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, on Arches paper, the full sheet printed to the edges, sheet 645 x 500mm (25 3/8 x 19 ¾ in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** δ Pierre Bonnard (1867-1947)Les Chiens (Bouvet 25)Lithograph, 1893, signed in pencil, from the deluxe edition of 20, published by Edouard Kleinmann, Paris, on Japan paper, with full margins, sheet 445 x 309mm (17 1/2 x 12 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Salvador Dalí (1904-1989)The Chemist, from The Professions (Field 80-4C; Michler and Löpsinger 1579h)Lithograph printed in colours, 1979-1980, signed in pencil, numbered from the edition of 125 and with the G designation for Edition Verlag, printed by Atelier Dumas, New York, with their blindstamp, co-published by DALART and Graphos Verlag, with the 'Copyright 1980' blindstamp, on Arches paper, with full margins, sheet 740 x 530mm (29 1/8 x 20 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ L. S. Lowry (1887-1976)Lonely HouseOffset lithograph printed in colours, 1942, signed and numbered from the edition of 500 in pencil, printed by Hind, Hoyle and Light Ltd., Manchester, published by Magnus Prints, courtesy of Dame Kathleen Ollerenshaw, with Fine Art Trade Guild blindstamp, on wove paper, with full margins, sheet 397 x 583mm (15 5/8 x 22 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miró (1893-1983)Untitled from Je Travaille comme un jardinier (Mourlot 370; Cramer 85)Lithograph printed in colours, 1963, signed in pencil, numbered from the edition of 40, printed by Mourlot, Paris, published by XXe Siécle, Paris, on Rives paper, the full sheet printed to the edges, sheet 407 x 330mm (16 x 13 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jean Dubuffet (1901-1985)Le Noctambule (Webel 807)Lithograph printed in colours, 1961, signed, titled and dated in pencil, numbered from the edition of 50, on Arches paper, with full margins, sheet 657 x 505mm (25 7/8 x 19 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Pablo Picasso (1881-1973) after.L'Arrivée Du ChevalierLithograph printed in colours, 1951, signed and numbered from the edition of 350 in pencil, published by Fernand Mourlot, Paris, on wove paper, with full margins, sheet 479 x 748mm (18 7/8 x 29 3/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ HM King Charles III (b.1948)Balmoral CastleLithograph printed in colours, 1991, signed, dated and titled in pencil, numbered from the edition of 295, printed by Curwen Studio, Chilford, published by Anna Hunter, Elstree, on Somerset wove paper, sheet 450 x 593mm (17 3/4 x 23 3/8in); and with the original English gilt frame, overall 610 x 770mm (24 x 30 1/4in)''One thing I have discovered in the course of my painting efforts is that Balmoral Castle is marginally easier to paint than Sandringham House. Both seem to be peppered with turrets of various kinds and to boast the most complicated sorts of gables which defy my limited reserves of patience! But what I love about Balmoral, and this sketch was done in August, is the wonderful shadows. They, alone, made my painting finger itch, so I sat out in a field on three consecutive days at exactly the same time of day, being examined by some rather inquisitive Highland cows.'' Extract from HRH Prince of Wales Watercolours (Little, Brown and Company, 1991)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Alexander Calder (1898-1976)Mer et CoquillageLithograph printed in colours, 1969, signed and numbered from the edition of 100 in pencil, printed by Arte Adrien Maeght, Paris, co-published by London Arts Gallery and Brook Street Gallery, London, with their blinstamp, the full sheet printed to the edges, sheet 749 x 543mm (29 1/2 x 21 3/8in)
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, the full sheet printed to the edges, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Barbara Hepworth (1903-1975)Squares and Circles, from Twelve LithographsLithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, with full margins, sheet 582 x 808mm (22 7/8 x 31 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997) after.WHAAM! PosterThe diptych offset lithograph printed in colours, 1967, printed by Beck and Patridge, Leeds, published by The Tate Gallery, London, on two sheets of wove paper laid down, the full sheets printed to the edges, each sheet 625 x 735mm (24 1/2 x 28 7/8in)Literature: Corlett Appendix 7.
δ Joan Miró (1893-1983)Variant Cover for Je Travaille Comme Un Jardinier (Maeght 350)Lithograph printed in colours, 1964, signed and numbered from the edition of 75 in pencil, printed by Mourlot, published by XXe Siécle, Paris, on Rives paper, the full sheet printed to the edges, sheet 358 x 558mm (14 1/4 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Marc Chagall (1887-1985) after.Le Cheval RougeLithograph printed in colours, 1954, signed in blue pen, numbered from the edition of 300 in pencil, published by Guy Spitzer, Paris, with their blindstamp, on Johannot wove paper, with full margins, sheet 559 x 749mm (22 x 29 1/2in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Martin Creed (b.1968)Work No.2874Lithograph printed in colours, 2018, signed and dated in pencil verso, numbered from the edition of 85, printed and published by The Hepworth Wakefield Museum, Yorkshire, on wove paper, with full margins, sheet 495 x 760mm (19 1/2 x 29 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Pablo Picasso (1881-1973), lithograph in colours on paper, Exposition Vallauris 1958, poster printed by Mourlot Freres Paris 1959, 21cm x 18cm, mounted, framed and glazed. This lithograph is printed by Mourlot, the original printer of the poster. It is an exact reprint of the original 3 colour linocut poster in all but size
Elizabeth Frink (1930-1993), lithograph on Antique laid paper, Polyphemus Never Noticed That My Men Were Tied Up Under The Breasts of His Own Woolly Sheep, from The Odyssey, 24 x 15 cm. Frink produced her lithographs for The Odyssey together with the master printers at the Curwen Press in 1974
CECIL ALDIN (1870-1935) - 'The Pytchley - Gone Away from Crick', coloured Lithograph, signed in pencil, publ. 1912-13 Lawrence and Jellicoe, 15 x 26½in, and After Cecil Aldin - 'The Quorn - Away from Billesdon Coplow', 11 x 22in, and 'The First Fence', 16½ x 29in, both colour prints; three (3)
Patek Philippe, Three colour lithographic 'Limited Art Edition' prints, each depicting watch movements: Ref. 5055 - Moon, date and power reserve - Calibre 240 PS IRM C LU (VII/1998); Calibre 315 SQR self-winding, perpetual calendar with fly-back date, moon phases and centre seconds (X/1999); and Annual Calendar, Moon Phases and Power Reserve Indicator - Calibre 315 S QA IRM LU (XII/1998)Very minor handling marks, no major tears, slight crease on the top right of one lithograph. Images added
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