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An oak framed World War I lithograph 'the white comrade' by G. Hillyard Swinstead.

A coloured Lithograph 'The Promenade at Carlisle House', a limited edition Print of Falcon Club, Bangkok 1990 and a small embroidery on silk of a thatched cottage.

A quantity of unframed Prints and pictures including a watercolour of a Spanish Bullfighter, coloured lithograph of Bridge Street, Durer print of a young hare and another 'Courtyard of Innesbruck Castle', etc.

ANEURIN JONES coloured lithograph - horse and handler with crowd of farmers entitled 'Sadwrn Barlys / Barley Saturday', 30 x 35cms

An early 20th century lithograph printed oil can advertising Notwen Motor Oil

Lionel Edwards - Before the Off, signed lithograph; James Pollard - Epsom, colour engraving; and one other racing print (3) Condition Report / Extra Information Edwards - print in excellent condition, no fading, foxing or spotting.Epsom print - some minor staining throughout and some warping.Last print - in good condition.

STEPHEN BUCKLEY (b. 1944) Framed, signed, dated 1983 and numbered 23/25 in pencil to margin, Contemporary lithograph on paper, 'Pang', 55cm x 38cm. (ARR).

MICHAEL JAMES KIDNER RA (1917-2009) - Spiral form, lithograph, signed and dated '80 in pencil, unframed, 77cm x 66cm

JOHN GLASHAN (1927-1999) - 'Why Me?', lithograph, signed in pencil and dated '79, artist's proof, unframed, 54cm x 76cm

JOHN McLEAN (b.1939) - Abstract with diagonal stripes, lithograph, signed in pencil dated '88, unframed, 41cm x 80cm

P. SOUGY - Taste and the digestive system, an anatomical lithograph, signed and dated 1957, published by Adam, Rouilly & Co., Ltd, London, linen backed, rolled, 128cm x 97cm also four other rolled medical lithographs after the same hand (5)

Scarborough from the North Cliff, lithograph by F.Nicholson printed by C. Hullmandel 17.5cm x 38cm Condition Report Click here for further images, condition, auction times & delivery costs

'Four Water Mills', including Goatland lithograph from the Rodwell and Martin Edition printed by Rowney & Forster 1820-21, 28cm x 39cm Condition Report Click here for further images, condition, auction times & delivery costs

*Nevinson (Christopher Richard Wynne, 1889-1946). Banking at 4000 Feet, from Building Aircraft. The Great War: Britain's Efforts and Ideals (LG. 23) lithograph, 1917, a good impression, signed, dated and numbered 22 in pencil, from the edition of 200, trimmed to plate impression at all but lower margins, mounted on board, top right corner repaired with small semi-circular loss (approximately 11 x 17 mm), image size 400 x 312 mm (15.75 x 12.25 ins), sheet size 412 x 312 mm (16.25 x 12.25 ins), framed and glazed From the collection of Major Charles Fair, DSO, and Marjorie Fair, whose letters are featured in the book 'Marjorie's War: Four Families and the Great War 1914-18'. The print was purchased shortly after their wedding in September 1917. Major Fair was an officer in the 47th London Division. (1)

Mason (Monck). Aeronautica; or, Sketches illustrative of the theory and practice of Aerostation: comprising an enlarged account of the late aerial expedition to Germany, 1st edition, F.C. Westley, 1838, 6 engraved and lithographed plates, including frontispiece (the latter with closed tear to top margin), occasional minor marks and a few leaves with some offsetting, original blindstamped cloth gilt, rubbed and marked, and a little frayed to upper joint and head and foot of spine, 8vo, together with Turnor (Hatton), Astra Castra, experiments and adventures in the atmosphere, 1st edition, Chapman & Hall, 1865, numerous wood engraved illustrations, occasional light spotting, top edge gilt, original blue cloth gilt, rubbed and some soiling, recased with original spine laid down (with a little loss to head and foot of spine), thick 4to, plus Glaisher (James), Travels in the Air by James Glaisher, Camille Flammarion, W. De Fonvielle, and Gaston Tissandier, 2nd revised edition, 1871, colour lithograph frontispiece, wood engraved illustrations, original red cloth gilt, a little rubbed and some marks to extremities, 8vo, and others on the early history of aviation, including J.E. Hodgson, The History of Aeronautics in Great Britain, 1924, R.W.A. Brewer, The Art of Aviation, a handbook upon aeroplanes and their engines with notes upon propellers, 2nd edition, 1911, Sir Hiram Maxim, Artificial and Natural Flight, 1908, H.M. De Vries, The Importance of Java Seen from the Air, Batavia, circa 1929, another worn copy of Turnor's Astra Castra, etc., 8vo/4to (a carton)

*Solomon (Captain William Ewart Gladstone, 1880-1965, Welsh Regiment). Portrait of a First World War Officer, possibly a self-portrait, 1915, charcoal on paper, signed and dated lower right, 25 x 29cm, together with 3 pencil portraits by Private Sidney Denant Moss, an unsigned pencil sketch of 2 men of the Middlesex National Reserve firing rifles, circa 1914, 2 colour lithograph prints with ink signature of the artist Sacre, plus 4 colour lithographed portraits by Snaffles, 1 framed and glazed (11)

*Matania (Fortunino, 1881-1963). 'The Strongest', published 1915, colour lithograph print, embossed stamp lower left, signed in pencil by the artist to lower margin, 44.5 x 30.5 cm, framed and glazed, together with a group of 5 other framed and glazed etchings and prints of First World War interest (6)

AFTER HENRY WILLIAM BUNBURY (1750-1811) "Original design for a King's Arms to be placed over the New Speaker's Chair", black and white lithograph, hand-coloured, by Ducote & Stephen's, published by T McLean, 26 Haymarket, 17th February 1835, together with another coloured engraving "An Old Maid on a Journey" CONDITION REPORTS Engraving - yellowed and with some foxing. Both poorly hand-coloured. Lithograph has some yellowing and with creases to the paper. Both with various general signs of wear and tear throughout.

*'Chantecler' - Champion de la Mer, 1909 - Moteur Brasier, Coque Despujols: A Hand-Coloured Pochoir Lithograph after Ernest Montaut (1879-1909). A large, horizontal marine image, with a printed E. Montaut signature bottom left and Copyright M.M. (i.e. Maguerite Montaut) Paris, plus the full title, in the bottom left margin. Good colour. Recently mounted, framed and glazed. Sheet size 37 x 87cm. (1)

*'Le Panhard et Levassor' - Gagnant du Championnat de la Mer en 1908; A Hand-Coloured Pochoir Lithograph after Ernest Montaut (1879-1909). A large, horizontal marine image, making a good pair to the previous lot, with a printed E. Montaut signature bottom right and Copyright M.M. Paris, plus the full title, in the bottom right margin. Good colour. Recently mounted, framed and glazed in the same style as the previous lot. Sheet size 41.75 x 83.75cm. (1)

*'Dietrich III - A Hand-Coloured Pochoir Lithograph after Ernest Montaut. A large horizontal format image, on paper, depicting a motor vessel, "Dietrich III" on the River Seine, with printed signature E. Montaut, and the date 04(?) in the bottom right-hand corner and Montaut Mabileau, Editeurs, Paris in the bottom left-hand corner. Some scattered surface browning, but a striking image. Mounted, framed and glazed in a similar style to the previous two lots. Sheet size 33 x 79cm (1)

*Henri Mirande (1877-1955), 'Scorching'. An original colour lithograph by Fortier et Marotte, depicting two children racing down a village street in their battered home-made car, a puppy balanced on the rear, the resulting image being quite surreal. This is one of Mirande's celebrated humorous works. Good condition, though somewhat browned, and with a short (3cm) vertical abrasion in the middle of the top edge (not affecting the main image). Artist's signature lower right-hand corner. Framed, mounted and glazed, published March 1906, Sheet size 45 x 53cm. (1)

*Mais quelqu'un Troubla la Fete!!... A hand-coloured pochoir lithograph after Ernest Montaut (1870-1909). A large image in horizontal format, depicting a motoring picnic party being harassed by a group of bears. Hand-coloured, on paper, copyright 1910, image size 39 x 76cm, mounted, framed and glazed. This Montaut lithograph is one of the rarest of the genre, unlisted in most authoritative documents on the subject. The colours slightly faded. (1)

*Vertige - A hand-coloured pochoir lithograph after Ernest Montaut. A large and striking image in horizontal format depicting a masked and somewhat devilish motorist driving his car at speed and leering across at his glamorous lady companion. On paper, painted signature E. Montaut lower right corner and title upper left, not dated, but 1904 according to the Collection de L’Atelier Montau - Mabileau inventory. Some short marginal tears. Good colouring. Image size 50 x 76cm, mounted, framed and glazed.

Salvador Dali Nu au Sopha From The Nude seriesSpain, 1976. Artist Edition Lithograph On Paper. 19 x 24 inches (650x 500mm" Signed Dali Bottom Right, Comes With Photo Copied Receipt From Museo Perrot-Moore, Gerona, dated 1992

Salvador Dali (1904-1989) Luna Geminata (from Flora Dalinae) Limited Edition Framed Lithograph, Signed in pencil at lower right, numbered in pencil at lower left 215 Of 350. 9x6 Inches

Salvador Dali (1904-1989) Return, O Shulamite Songs of Songs, Limited Edition Framed Lithograph, stencil-colored and dusted in gold in a limited edition Numbered 204 Of 250 Signed in pencil at lower right, numbered in pencil at lower left. 16x10 Inches

A good collection of 19th and 20th century lithograph prints of Bristol etc by Sharland. Signed in pencil to the margins, most framed and glazed

After Thomas Kinkade [ American1958 -2012 ) An offset lithograph entitled ' Carmel Mission 1998 Complete with the certificate, unframed. Together with ' The Water Tower, Chigaco ' 1998 complete with certificate, unframed, Rainy Day in Carmer ' 1998 complete with the certificate, unframed and ' Plaza Lights Kansas City 1998 complete with the certificate, unframed. Also a signed Douglas Hoffman giclee print limited edition 658 signed in pencil by the artist with certificate

A collection of early 20th century loose hand painted lithograph prints - birds to include many various types

A group of 4 books of military uniform and Napoleonic era soldier lithograph prints along with a small group of loose lithographs.

A collection of 19th and early 20th century lithograph prints, mounted. To include Sharland and other artists, Bristol and other areas

A framed and glazed hand coloured lithograph titled ' Coq ' of a French Cockerell in a proud pose. Measures: 22cms high x 19cms wide.

Philip Boileau (French), early 20th century framed lithograph of Peggy, frame size 30cm x 47cm.

Don Troiani (American), artists proof, 37/50, limited edition lithograph entitled "Southern Steel", pencil signed by artist lower right, frame size H. 92cm W. 82cm, together with a book of Troiani Civil War Works.

A framed and glazed lithograph print, number 1 of 6, ''Pierrot'' signed Suzi Lavinia Smith, image 44 x 56cm

A large 19th century lithograph portrait of a gentle woman

An English artist proof lithograph of a steeple chase scene by Vincent Haddelsey (1934-2010) signed in pencil

After John Frederick Herring, Snr. (1795-1865), A Glimpse of an English Homestead, published by Lipschitz [c.1870], monochrome proof lithograph, 56cm x 82cm

Sir William Russell Flint, by and after, A study in White, lithograph, limited edition 247/850, 38cm x 26cm, framed; another; nude study, limited edition 703/850, 49cm x 32cm, framed (2)

Sir William Russell Flint, by and after, Gitanas at La Galera, lithograph, signed by the artist in pencil to margin, published by Frost and Reed (1969), Fine Art Trade Guild blind stamp to margin, 67.5cm x 50cm, framed

TL Rowbotham, after, St Goar on the Rhine, early 20th century chromo-lithograph, 43cm x 65cm, framed

Montague Dawson, after, The Silvered Way, lithograph, signed by the artist in pencil to margin, published by Frost and Reed (1937); Fine Art Trade Guild blind stamp to margin, 76cm x 52cm, framed

LITHOGRAPH AND A PRINT

A Victorian rosewood sewing box, boxwood stringing, lithograph cartouche, bone escutcheon, opening to reveal fitted interior.

Quantity of watercolour studies, sepia architectural and an agricultural study of a plough by James King ?, 32 x 48.5cm, and a nude lithograph. (9)

Alfred Fuchs, Czech, 1925-2003, Military Convoy, limited edition lithograph, signed and dated in pencil '61, numbered 4/125.

*Roberts (David). Petra, Conference at Wady Moosa, & Tomb of Joseph at Shechem from the Holy Land, published by F.G. Moon, 1842-1849, together 2 hand-coloured lithographs, each mounted on thick card, both dated in the image 1839, 265 x 355 mm (10.4 x 14 ins), backing sheet size 445 x 625 mm (17.5 x 24.5 ins), together with an uncoloured lithograph portrait of David Roberts by C. Baugniet, dated 1844, from the same work, plus an original autograph letter by the artist to G.A. Ward, written in dark brown ink on blue paper, dated 7 Fitzroy Street, May 28th, 1856, and 'I herewith return Mr. Messingham's letter, and will be glad to see him when he comes to town - when we can talk over a subject. I think he is quite right, as to my later Pictures Exhibited, they are large, elaborate, and I may add profitless. But I fear we painters seldom think of the latter in beginning a subject - and it is as well we should be, or no great work would either be the gun, carried on or finished were the S.D., the only consideration', 183 x 127 mm (7.25 x 5 ins) (4)

Stevens (Thomas). Around the World on a Bicycle, from San Francisco to Teheran, 1st edition, 1887, chromolithograph frontispiece, lithograph illustrations, spotting mostly at front and rear of volume, contemporary green half morocco, gilt decorated spine with library armorial to lower panel and gilt stamp to upper board, some rubbing, together with Around the World on a Bicycle, from Teheran to Yokohama, 1st edition, 1888, wood engraved portrait frontispiece and illustrations, spotting throughout, contemporary maroon half morocco, gilt decorated spine with library armorial to lower panel and gilt stamp to upper board, some rubbing, both 8vo (2)

Norman (B.M.). Rambles in Yucatan; or, Notes of Travel through the Peninsula, including a visit to the remarkable ruins of Chi-Chen, Kabah, Zayi, and Uxmal, New York, J. & H.G. Langley, 1843, additional lithographed title, tinted lithograph and wood engraved plates, contemporary half calf, backstrip deficient, 8vo, together with Shea (John Gilmary), Discovery and Exploration of the Mississippi Valley: with the original narratives of Marquette, Allouez, Membré, Hennepin, and Anastase Douay, New York, Redfield, 1853, frontispiece, folding facsimile map at rear (torn without loss), 4 pages of adverts at end, some scattered spotting with first few leaves heavily spotted, 20th century library cloth, rubbed and marked, 8vo, plus Smyth (Lieutenant W. and Lowe, F.), Narrative of a Journey from Lima to Para, across the Andes and down the Amazon, John Murray, 1836, lithographed plates (somewhat browned), rough-trimmed original blindstamped cloth, worn, with backstrip deficient and covers detached, and other American travel and history, including Albert D. Richardson, Beyond the Mississippi, Harford, 1867, Elisha Kent Kane, Arctic Explorations in the Years 1853, '54, '55, 2 volumes, Philadelphia, 1856, Richard Irving Dodge, Our Wild Indians, Hartford, 1882, H.W. Bates, Illustrated Travels: A Record of Discovery, Geography and Adventure, 4 volumes, Cassell, circa 1870s (bound in contemporary uniform red half morocco gilt), etc., mostly leather-bound but including some in original or contemporary cloth, generally with some wear, mostly 8vo (approx. 100)

Heraldry. Armorial Register of the Order of the Garter, [London]: A.P. Harrison and Son, circa 1845, lithograph title, patronage leaf, dedication leaf, forty-six plates (including portrait frontispiece & numerous armorials), all with original skilful hand-colouring and gilding, each leaf of plates interleaved with protective blanks, fifteen leaves of tables at rear, with four additional lines of manuscript entries to final leaf, front pastedown with contemporary inscription 'The Marquess of Westminster, Grosvenor House', all edges gilt, contemporary gilt panelled and decorated navy straight grain morocco, gilt dentelles to turn-ins, lightly rubbed to joints and extremities, 4to (1)

HENRY DE TOULOUSE-LAUTREC 1864-1901 Le deuxième volume de Bruant 1893 Imp. Chaix, Paris. Litografia a colori. Buone condizioni generali, carta leggermente ingiallita. Telato e montato su telaio, in cornice. Qualità B. 81 x 59 cm Un’immagine irriverente e sardonica che ben incarna l’arte del pittore delle notti parigine e l’allure del performer dai monologhi pungenti che tanto animava i palchi dei cabaret di tutta la città. Nota: Il poster venne realizzato in tre versioni, cambiando leggermente il testo nel contenuto e nel colore, e questa stessa immagine venne usata anche come locandina per “Le Mirliton” per pubblicizzare il suo secondo volume di canzoni e monologhi. E’ curioso notare come entrambi i volumi vennero illustrati da Stinlen, mentre per il loro lancio venne scelto Lautrec, proprio per il suo stile grafico perfetto per la pubblicità. Color lithograph. Good quality, slightly yellowed paper. Backed on linen and then mounted to board. Framed. Condition B. 31,89 x 23,23 in. It is an irreverent and sardonic image well representative of the art of the painter of Parisian nights and the allure of the performer whose caustic monologues so infallibly delighted the audiences of his cabaret performances throughout the city. Note: The poster was produced in three versions, with slight changes to the text in content and color, and this same image was also used as the poster for “Le Mirliton” to advertise his second volume of songs and monologues. It is curious to note how both volumes were illustrated by Stinlen, while to launch them he relied on Lautrec, as his graphic style was perfect for advertising. Bibliografia / Literature Weill, The Art Nouveau Poster, Trofarello, 2015. Rennert, Posters of the Belle Epoque. The Wine Spectator Collection, New York, 1990, tav. 47. 1000

HENRY THIRIET 1873-1946 L’Affiche Francaise 1895 ca. Bourgerie & Cie., Paris. Litografia a colori. Telato, strappo restaurato lungo il margine inferiore. Qualità B+. 65 x 49 cm Una statuaria ma meditabonda giovane donna seduta sulle rive della Senna sfoglia un album e annota i nomi di grandi maestri dell’Affiche con una penna d’oca, un’immagine che ricorda i simbolisti, strizzando l’occhio all’angelo melancolico di Du?rer. Color lithograph. Backed on linen, a restored tear in the lower margin. Condition B+. 25,59 x 19,29 in. A statuesque, studious young woman seated on the banks of the Seine leafing through an album and writing down the names of the great masters of poster art with a quill pen. An image that reminiscent of the pictorial models of the French symbolist painters, with a sly wink at Du?rer’s melancholy angel. Bibliografia / Literature Weill, The Art Nouveau Poster, Trofarello, 2015. Weill, L’Affichomanie, Paris, 1980, p. 44. 500

FRANK S. HAZENPLUG 1874-1931 Living Posters 1896 Stone and Kimball, Chicago. Litografia a colori. Telato, in ottime condizioni. Qualità B+/A-. 73 x 52,5 cm Il grafismo spogliato di orpelli ridondanti, la semplicità del tratto e le campiture di colore piatte ed immediate con un accostamento cromatico azzardato, affascinarono così tanto il grande Chéret che diede al giovane Hazenplug una visibilità internazionale inserendolo nei suoi “Maitres de l’Affiche”. Color lithograph. Backed on linen, good quality. Condition B+/A-. 28,74 x 20,67 in. It was just the graphic design stripped of all its redundant trimmings, the simplicity of the drawing and the fields of flat 500

PIERRE BONNARD 1867-1947 L’Estampe et l’Affiche 1897 Editions d’Art, Paris. Litografia a colori. Telato, ottime condizioni. Qualità A-. 84 x 61,5 cm Nell’innovativa e divertente costruzione di Bonnard, attraverso l’uso di soli tre colori, si snoda una scena quasi caricaturale tutta incentrata sulla grande scritta “Affiche” che troneggia in bianco e grassetto, quasi una dichiarazione d’intenti da parte del grandissimo artista francese. Color lithograph. Backed on linen, perfect quality. Condition A-. 33,07 x 24,22 in. In the innovative, delightful constructions of Bonnard, using just three colors, one sees an almost caricatural scene focused on the large word “Affiche” blazing across the page in boldface white, almost a declaration of intent by the great French artist. Bibliografia / Literature Weill, The Art Nouveau Poster, Trofarello, 2015. Rennert, Posters of the Belle Epoque. The Wine Spectator Collection, New York, 1990. 1800

ALEARDO VILLA 1865-1906 Caffaro 1900 ca. G. Ricordi, Milano. Litografia a colori. Telato, piccole mancanze restaurate lungo il margine sinistro, aloni di polvere. Qualità B. 122 x 86 cm Una donna seduta legge una copia del giornale genovese, un manifesto tutto giocato sui toni neutri e sul bianco, in cui c’è spazio solo per il nero dei contorni, una linea netta e spigolosa che eleva l’immagine dalla didascalica impostazione Art Nouveau. Color lithograph. Backed on linen, tiny restored losses among the left margin, dust stains. Condition B. 48,03 33,85 in. A seated woman reading a copy of the Il Caffaro, the Genoese newspaper, a poster well played in a gamut of neutral shades and on white, where there is just a space for the black of the contours, a sharp, pointed line who raises the image from its didactic Art Nouveau setting. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, pp. 229-230. 500

ALEARDO VILLA 1865-1906 Caffaro 1900 ca. Senza indicazione dello stampatore. Litografia a colori. Telato, restauri lungo i margini, aloni e piccole macchie di polvere, pieghe. Qualità B. 122 x 86 cm La figura è elegante, sinuosa, assorta nella lettura, quasi come se fosse stata ritratta per la strada. Il messaggio pubblicitario relegato allo sfondo questa volta è tracciato in nero, con caratteri di inizio Novecento. Color lithograph. Backed on linen, restorations among the margins, dust stains, fold marks. Condition B. 48,03 x 33,85 in. The figure is elegant and sinuous, absorbed in reading the paper almost as if caught in the street. Here also, the advertising message is relegated to the background and, in this case, traced in black with early 20th century characters. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, pp. 229-230. 500

GIOVANNI BATTISTA CARPANETTO 1863-1928 Guida di Torino 1899 Lit. Salussolia, Torino. Litografia a colori. Telato, strappi restaurati lungo i margini. Qualità B. 164 x 97 cm Una donna eterea e bellissima, alata messaggera di cultura, quasi comparendo dalle nubi incede portando in mano un libro aperto mentre con l’altra mano tiene una pianta della città di Torino. Color lithograph. Backed on linen, restored tears among the margins. Condition B. 68,90 x 38,18 in. An ethereal beauty, winged messenger of culture, almost enveloped by great clouds, proceed solemnly bearing an open book while with the other hand she holds a map of Torino. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, pp. 48-49. 500

ANONIMO Cito 1900 ca. CP Harrf & Gartz Kunstanstalt, Köln. Litografia a colori. Telato, macchie umidità lungo i margini, strappo restaurato angolo superiore sinistro. Qualità B. 121 x 61 cm Trai i nuovi mezzi di locomozione dei primi anni del Novecento vi è la bicicletta, qui guidata da una giovane ancora fortemente legata ad un gusto Belle époque. Color Lithograph. Backed on linen, moisture stains among the margins, restored tear on the upper left corner. Condition B. 47,64 x 24 in. At the start of the 20th century among the new means of transportation we can find the bicycle, here showed by a girl that still closely reflects the taste of the Belle Époque. 250

LEOPOLDO METLICOVITZ 1868-1944 Cabiria 1914 Ricordi, Milano. Litografia a colori. Telato, pieghe nella parte alta, leggero strappo e mancanza restaurata in corrispondenza del margine sinistro. Telato. Qualità B. 206 x 144 cm Con Cabiria il film diventa per la prima volta kolossal, e per questo manifesto Metlicovitz studia un’immagine di violento impatto visivo ed emotivo permeata di modelli simbolisti che ricalcano le donne fatali dell’Ottocento narrate da Mallarmé e Baudelaire e dipinte da Moreau e dai Preraffaeliti inglesi. Color lithograph. Backed on linen, fold marks at the top, a tiny tear and restoration loss in the left margin . Condition B. 81,10 x 56,69 in. Cabiria was the first colossal ever produced and for this poster Metlicovitz designed an image of violent and emotional visual impact permeated by symbolist models that recall the femmes fatales of the 19th century narrated by Mallarmé and Baudelaire and painted by Moreau and the English Pre-Raphaelites. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, pp. 143-147. Ginex, Metlicovitz, Dudovich. Grandi cartellonisti triestini, Milano, 2001. Marsano, XX Secolo Manifesti, Milano, 2003, p. 120. Scudiero, Manifesti Italiani. Dall’Art Nouveau al Futurismo 1895-1940, Milano, 1997, p. 77. 5000