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70553 Los(e)/Seite
Los 4062
Nineteenth-Century Thought - Natural History and Anthropology - Darwin (Charles), The Origin of Species by Means of Natural Selection, Popular Impression [...], Issued with the Approval of the Author's Executors, London: John Murray, 1902, contemporary green cloth, 8vo; Haeckel (Ernst): The History of Creation [...], Translation Revised by E. Ray Lankester [...], fourth edition, second impression, two-volume set, London: Kegan Paul, Trench, Trübner & Co., Ltd., 1899, lithograph frontispiece, fold-out map and full-page plates, contemporary cloth, 8vo, (2), &, The Wonders of Life: A Popular Study of Biological Philosophy [...], Translated by Joseph McCabe, London: Watts & Co., 1910, original wrappers, 8vo; Ripley (William Z), The Races of Europe [...], London: Kegan Paul, Trunch, Trübner & Co., 1900, 20th century institutional red cloth, University of Manchester presentation plate, 8vo; Journal of the Anthropological Institute of Great Britain and Ireland: Volume III, 1865; Volume V, 1867; Volume VI, 1868; Volume XXIII, 1894; &, Volume XXIV, 1895, harlequin bindings, 8vo, (5); Magenta, [Mahon (Maurice Hartland)], The Treatment of Our Domesticated Dogs, second edition, Edinburgh and London: William Blackwood and Sons, 1868, contemporary pictorial purple cloth gilt, 12mo; Forrest (Col. Chris.), The Complete American Farrier, and Horse Doctor [...], London: W. Nicholson & Sons, [n.d., c. 1870], pictorial cloth, 12mo; Botany, Culpepper's British Herbal and Family Physician, London: Milner & Company Ltd., [n.d., c. 1860], colour plates, green cloth, 8vo; Politics and Philosophy - Mill (John Stuart), Three Essays on Religion [...], first edition, London: Longmans [...], 1874, contemporary green cloth, 19th century pasted botanical specimen to flyleaf inscribed in ink MS: Leaf of French Honeysuckle from J.S. Mill's Grave, Avignon, 8vo; The Philosophical Works of David Hume [...], four-volume set, Boston: Little, Brown and Company, 1854, contemporary three-quarter calf over marbled boards (some disbound, loose), 8vo, (4); Whately (Richard, D.D., Archbishop of Dublin), Elements of Rhetoric [...], seventh edition, London: B. Fellowes, 1846, contemporary polished calf gilt, crested ownership stamp to title-page, later 19th century Welsh lady's book label: Sarah Atkinson, Bangor, 8vo; Richard Cobden; etc
![Ornithology - Maynard [Charles Johnson], Eggs of North American Birds, Illustrated with Ten Hand-Coloured Plates, first editi](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/86a8af52-1164-4384-9cdc-ab2700fbc2b5/468x382.jpg)
Los 4171
Ornithology - Maynard [Charles Johnson], Eggs of North American Birds, Illustrated with Ten Hand-Coloured Plates, first edition, Boston: De Wolfe, Fiske & Co, 1890, pp: [i]-iv, [1]- 149, advertisement leaf for the purchase of bird egg specimens [2], 10 full-page lithograph plates with contemporary hand-colouring, contemporary green cloth as issued, flyleaf inscribed and dated June 27th 1892 in ink MS, 8vo
![Miscellaneous - Men of Mark: A Gallery of Contemporary Portraits [...], Photographed from Life by Lock and Whitfield, with Br](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/1accd96a-f98b-4a91-b837-ab2700fb791b/468x382.jpg)
Los 4056
Miscellaneous - Men of Mark: A Gallery of Contemporary Portraits [...], Photographed from Life by Lock and Whitfield, with Brief Biographical Notices by Thompson Cooper, F.S.A., Series 1-3 bound as one, London: Sampson Low, Marston, Searle, and Rivington, 1876-1878, illustrated with tipped-in photographic plates, contemporary half-calf over cloth boards, all edges gilt, 4to; Local Provincial Imprint, The Life and Explorations of David Livingstone, LL.D., Carefully Compiled from Reliable Sources, Nottingham: J.R. Haslam, [n.d. 1874], lithograph title-page, frontispiece and full-page plates, contemporary three-quarter black calf over cloth boards gilt, all edges gilt, 4to; The New Guide to Masonry, Bricklaying and Plastering: Theoretical and Practical, edited by R. Scott Burn [...], Illustrated by 160 Plates and 346 Wood Engravings in Text, Glasgow [...]: M'Gready, Thomson, & Niven, contemporary three-quarter black calf over cloth boards, marbled edges and endpapers, contemporary ownership stamps to title-page: J.W. Wilson, Architect, 4to; Cornish Interest, a Victorian half-leather and cloth photographic scrapbook, compiled by Mary Boiltho, [of Cornwall], dated 1868, the card pages illustrated with clipped and pasted albumen prints of Old Masters and further art, 4to, [4]
Los 907
L. S. Lowry 1887 - 1976 Unsigned Ltd and Numbered Edition Colour Lithograph / Print - Titled ' The Auction ' Ltd Edition of Only 850, This Is Numbered 166. Published by Michael Stewart FIne Art, Stamped by The Published and Numbered, Mounted nad Framed Behind Glass. Lithograph Size 17.5 x 21.25 Inches - 43.75 x 53 cm. Condition of Lithograph Excellent Colours Good, No Fading. Please Confirm with Photo.
Los 906
L. S. Lowry 1887 - 1976 Unsigned Ltd Edition Proof Lithograph / Print - Titled ' The Football Match ' The Lithograph / Print Is Marked In Pencil ' Proof ' to Margin. Published by Grove Fine Art Manchester Edition of 1,500 Copies, This Is Marked Proof Stamped with Grove Fine Art Blind Stamp G.F.A. Mounted and Framed Behind Reflective Glass. Lithograph Size Only 15.25 x 11 Inches. Excellent Condition In All Aspects.
Los 230
§ David Hockney (British B.1937) Paper Pools Signed and dated '80 and numbered 453/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, bears blindstamp, on Arches Cover paper, lithograph; Together with 'Paper Pools', the accompanying book, signed by the artist in red ink and stamp numbered 453 on the justification, with blue canvas covers and original slipcase (Dimensions: 26.5cm x 23cm (10.5in x 9in) (2))(26.5cm x 23cm (10.5in x 9in) (2))Footnote: Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were then applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre.
Los 242
ALEX WALTER DIGGELMANN (1902-1987) SCHYNIGE PLATTE INTERLAKEN lithograph, 1932, condition A; not backed, together with 'Interlaken' by Koller (Dimensions: 102cm x 64cm (40in x 25in)) (Qty: 2)(102cm x 64cm (40in x 25in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; some very minor nicks in margins, colours excellent, Interlaken by Koller also in A condition, not backed
Los 248
ALEX STOCKER (1926-1951) KLOSTERS lithograph, 1950, condition A; not backed (Dimensions: 102cm x 64cm (40in x 25in)) (Qty: 1)(102cm x 64cm (40in x 25in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; faint diagonal fold in top right hand corner, image and colours excellent, not backed
Los 250
MARTIN PEIKERT (1901-1975) CHAMPÉRY lithograph, 1955, condition A; not backed (Dimensions: 100cm x 65cm (39.5in x 25.5in))(100cm x 65cm (39.5in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; very minor tera in top margin, minor crease in bottom left hand corner, not backed
Los 251
MARTIN PEIKERT (1901-1975) VILLARS lithograph, condition A; not backed (Dimensions: 100cm x 65cm (39.5in x 25.5in)) (Qty: 1)(100cm x 65cm (39.5in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; minor creasing in margins, image and colours otherwise excellent, not backed
Los 252
MARTIN PEIKERT (1901-1975) SCHWEIZ. SKIRENNEN UNTERWASSER lithograph, 1939, condition A; not backed (Dimensions: 100cm x 70cm (39.5in x 27.5in))(100cm x 70cm (39.5in x 27.5in))Condition report: A-; creasing in top right hand corner, two x 1 in. (2 cm.) tears in bottom right hand corner, minor creasing in bottom left hand corner, colours excellent, not backed
Los 254
ALOIS CARIGIET (1902-1985) GRISONS ENGADINE lithograph, 1937, condition A-; not backed (Dimensions: 102cm x 64cm (40in x 25in))(102cm x 64cm (40in x 25in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; minor creasing and nicks in bottom left hand margin, colours excellent, not backed
Los 256
AUGUSTO GIACOMETTI (1877-1947) GRISONS-SUISSE lithograph 1924, condition A-; not backed (Dimensions: 90cm x 128cm (50.5x 35.5in)) (Qty: 1)(90cm x 128cm (50.5x 35.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; very minor nicks in the margins, minor stain in bottom margin
Los 261
JOHANNES HANDSCHIN (1899-1948) FLIMS lithograph, c.1935, condition A-; not backed (Dimensions: 100cm x 70cm (39.5in x 27.5in))(100cm x 70cm (39.5in x 27.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; 1 in. (3cm.) horizontal tear in left hand margin, minor scuffing in left hand corner, image and colours otherwise excellent, not backed
Los 263
ERICH HERMES (1881–1971) WINTER IN DER SCHWEIZ lithograph, c.1938, condition A; not backed (Dimensions: 99cm x 63cm (39in x 24.5in)) (Qty: 1)(99cm x 63cm (39in x 24.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; minor tear in right hand margin, image and colours otherwise excellent, not backed
Los 264
MARTIN PEIKERT (1901-1975) GSTAAD lithograph, 1946, condition A-; not backed (Dimensions: 100cm x 65cm (39.5in x 25.5in)) (Qty: 1)(100cm x 65cm (39.5in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; nicks, tears, creasing and minor staining in top right hand margin, other very minor tears in the margins, colours good, not backed
Los 265
DANIELE BUZZI (1890-1974) TICINO lithograph, 1943, condition A-; not backed, together with 'Ascona' by Anderegg (Dimensions: 102cm x 65cm (40in x 25.5in)) (Qty: 2)(102cm x 65cm (40in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; pin holes in the margins, minor nicks and small losses in top margin, colours excellent, not backed, 'Ascona' in A- condition
Los 266
OTTO BAUMBERGER (1889-1961) SPIEZ lithograph, 1938, condition B+; not backed (Dimensions: 100cm x 65cm (39.5in x 25.5in)) (Qty: 1)(100cm x 65cm (39.5in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: B+; minor creasing and 2 in. (5 cm.) tear in bottom margin, losses in bottom right hand margin, (see photo), some nicks in 'SPIEZ' colours excellent, not backed
Los 268
DANIELE BUZZI (1890-1974) LUGANO lithograph, 1945, condition A-; not backed (Dimensions: 102cm x 64cm (40in x 25in)) (Qty: 1)(102cm x 64cm (40in x 25in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; diagonal folds in bottom right and left hand corners, very minor loss bottom right hand corner other very minor nicks and creases in the margins, not backed
Los 270
ARMIN BIEBER (1892–1970) LÖTSCHBERG lithograph, 1939, condition A; not backed (Dimensions: 102cm x 64cm (40in x 25in))(102cm x 64cm (40in x 25in))Footnote: Provenance: From the Zahnd CollectionCondition report: A; minor creasing in bottom left hand corner, image and colours excellent, not backed
Los 271
DANIELE BUZZI (1890-1974) LOCARNO lithograph, 1944, condition A-; not backed (Dimensions: 100cm x 65cm (39.5in x 25.5in)) (Qty: 1)(100cm x 65cm (39.5in x 25.5in))Footnote: Provenance: From the Zahnd CollectionCondition report: A-; some minor creasing in image, creasing in bottom left hand margin, minor nicks in top margin, colours excellent, not backed
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70553 Los(e)/Seite