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70555 Los(e)/Seite
Los 1301
Fantastic original vintage poster advertising coffee brand J Vanden Berghe. Cool art deco image of the coffee pot and cup with bold red on the back background. The writing is in Flemish, signature at the bottom reads Zegel Omzijde. This lithograph poster is printed on thick paper and has two round holes at the top. Country: Belgium, year: 1930s, designer: Unknown, size(cm): 36x25.5.
Los 1601
Limited edition lithograph re-issue of advertising poster by Toulouse-Lautrec: ‘Elles par Toulouse-Lautrec’. Lithograph from the set of 11 prints reprinted in London, 1969, numbered 588 from the edition of 1250, printed by Westerham Press, published by the Toulouse-Lautrec Circle of London with embossed seal of Toulouse Lautrec Circle. This poster depicts a woman seen from the back undoing her hair in her dressing room with dresses, hats and other garments visible on the left of the image. The text is positioned in the top left corner in stylised red letters. Very good condition, numbered and featuring an embossed authenticity stamp, faint creases.Country: UK, year: 1969, designer: Toulouse-Lautrec, size(cm): 52x40 .
Los 89
Birds.- Thomson (Sir Charles Wyville) Report of the Scientific Results of the Voyage of H.M.S. Challenger, vol.II, part VIII only: Birds by P.L. Sclater, 30 hand-coloured lithograph plates by J. Smit, occasional spotting, mostly to text, modern morocco-backed cloth, spine a little faded, [Fine Bird Books 111], 4to, 1881.⁂ The ornithological report from the most important 19th-century circumnavigation of the globe. HMS Challenger embarked from Portsmouth in 1872 under the direction of the Scottish professor Charles Wyville Thomson and his Canadian-born assistant and naturalist John Murray. During the four-year voyage they circumnavigated the globe, travelling 69,0000 nautical miles across the Atlantic, Pacific and Antarctic oceans. They sounded the ocean bottom to a depth of 26,850 feet, discovered 715 new genera and 4,717 new species of ocean life forms, including many deep-sea specimens.
Los 86
Birds.- Layard (Edgar Leopold) The Birds of South Africa, edited by R. Bowdler Sharpe, 12 hand-coloured lithograph plates by J.G. Keulemans, without pp.856-866 as usual, modern brown morocco, [Anker 281; Wood p.428], 8vo, Bernard Quaritch, 1875-84.⁂ A very good copy of this second and augmented edition, dedicated by Sharpe to Layard. The first edition appeared in Cape Town in 1867.
Los 377
Verve: Revue Artistique et Littéraire/An Artistic and Literary Quarterly, edited by E.Tériade, nos.1-38 in 26 vol. [a complete set], no.1-4 in English, the rest in French, with numerous original colour lithographs as called for by Picasso, Chagall, Matisse, Léger, Miro, Kandinsky, Bonnard and others (see below), some double-page, many printed on both sides of sheet, numerous other plates and illustrations, many colour, some tipped in, most original pictorial wrappers or boards (many original lithographs), some rubbing, slight wear to a few spine ends and one or two small splits to joints but overall in very good condition, no.4 with slip-case (rubbed, split at joints), 4to, Paris & London, lithographs printed by Mourlot Frères, 1937-60. ⁂ An excellent set of this important French art magazine comprising: No.1 Lithographs by Léger, Miro, Rattner & Borès, cover by Matisse. No.2 Lithographs by Kandinsky (2) & Masson (2), cover by Braque. No.3 Lithographs by Chagall, Miro, Rattner & Klee, cover by Bonnard. No.4 Lithographs by Matisse (4, one double-page of La Danse) & Derain (4), cover by Rouault. No.5/6 Lithographs by Guys (4), Braque, Rouault, Derain (2), Léger, Bonnard (2), Matisse (2) & Klee, cover by Maillol. No.7 Les Très Riches Heures du Duc de Berry: Le Calendrier par Pol de Limbourg & Jean Colombe. No.8 Lithograph by Bonnard, cover by Matisse. No.9 Les Fouquet de la Bibliothèque Nationale. No.10 Les Très Riches Heures du Duc de Berry: Images de la Vie de Jésus par Pol de Limbourg & Jean Colombe. No.11 Les Fouquet de Chantilly. Les Heures d'Étienne Chevalier: Vie de Jésus par Jean Fouquet. No.12 Les Fouquet de Chantilly. Les Heures d'Étienne Chevalier: La Vierge et les Saints par Jean Fouquet. No.13 Matisse. De la Couleur, 2 lithographs and cover by Matisse. No.14/15 Jean Bourdichon: Les Heures d'Anne de Bretagne. No.16 René d'Anjou: Traité de la Forme et Devis d'un Tournoi. No.17/18 Couleur de Bonnard, lithograph and cover by Bonnard. No.19/20 Couleur de Picasso, cover by Picasso. No.21/22 Matisse. Vence 1944-48, lithograph title and cover by Matisse. No.23 Le Livre du Coeur d'Amour Épris du Roi René, cover by Matisse. No.24 Contes de Boccace: Peintures du Manuscrit des Ducs de Bourgogne, Bibliothèque de l'Arsenal, cover by Chagall. No.25/26 Picasso à Vallauris 1949-1951, lithograph and cover by Picasso. No.27/28 Lithographs by Braque (2), Matisse (4), Laurens (2), Giacometti (2), Masson (4), Léger (4), Miro (4), Borès (2), Gromaire (2) & Chagall (8), cover by Braque. No.29/30 Suite de 180 Dessins de Picasso 28 Novembre 1953 au 3 Février 1954, 16 lithographs and cover by Picasso. No.31/32 Carnets Intimes de G.Braque, lithographs and cover by Braque. No.33/34 Illustrations for the Bible by Marc Chagall, 17 lithographs and cover by Chagall. No.35/36 Dernières Oeuvres de Matisse 1950-1954, 40 lithographs and cover by Matisse. No.37/38 Marc Chagall. Dessins pour la Bible, 24 lithographs and cover by Chagall.
Los 88
Birds.- Sharpe (Richard Bowdler) Scientific Results of the Second Yarkand Mission: Aves, 24 hand-coloured lithograph plates by J.G. Keulemans, W. Hart and J. Smit, without the folding map, title lightly foxed, original printed upper wrapper bound in, modern cloth, [Fine Bird Books p.107; Nissen IVB 861], 4to, 1891.⁂ In 1873, the second Yarkand mission, under Sir Douglas Forsyth, was sent by the Viceroy of India, Lord Northbrook, to the court of Yakub Beg, ruler of Kashgaria. Ferdinand Stoliczka, the mission's geologist and naturalist, died on the return journey but his collections and notes were edited by various scientists to form the complete 14-part report, issued between 1874 and 1891. The ornithological section was edited by Richard Bowdler Sharpe.
Los 80
Birds.- Brabourne (Lord) and Charles Chubb. The Birds of South America, 2 vol., H. Gronvold's copy, vol.2 with 38 hand-coloured lithograph plates by Gronvold and bound in at rear 9 colour proof plates from vol.2 of Chubb's Birds of British Guiana plus 2 original pencil sketches by Gronvold, original printed wrappers to some parts bound in, contemporary russet half morocco, vol.1 with Gronvold's pencil signature on title plus a few annotations, vol.1 in contemporary tan buckram, 8vo and 4to, 1912-17.⁂ An excellent association copy - the artist's own copy and with later bookplates of Alan Francis Brooke and Peter Tate. The two pencil sketches by Gronvold are of Argentine birds - the White-banded Mocking-Bird and Schulz's Dipper.
Los 335
Heaney (Seamus) Ugolino, number 77 of 125 copies signed by the author, artist, designer and publisher, 2 lithograph plates by Louis le Brocquy, designed by Liam Browne, published by Andrew Carpenter, original limp black goatskin, cloth & board slip-case with printed spine label, small folio, Dublin, Dolmen Press, 1979., Dublin, Dolmen Press, 1979.⁂ Loosely inserted is a manuscript receipt from Andrew Carpenter to Liam Miller indicating that this is one of 2 copies in goatskin sent to Miller.
Los 87
Birds.- Sclater (P.L.) and W.H. Hudson. Argentine Ornithology, 2 vol., first edition, one of 200 copies signed by the authors, 20 hand-coloured lithograph plates by J. G. Keulemans, a few loose, illustrations and title-vignettes, occasional spotting, occasional slight fraying or tears to fore-edge of plates and text, uncut in original printed boards, soiled and corners rubbed, rebacked in cloth with leather lettering pieces just starting to peel, [Fine Bird Books p.106; Nissen IVB 843], 8vo,1888-89.
Los 371
Dolmen Press.- le Brocquy (Louis).- Kinsella (Thomas) Cuchulainn's Boyhood Deeds: From the Táin, one of 50 copies for private circulation, illustrations by Louis le Brocquy, original printed wrappers, lightly spotted, 1968 § le Brocquy (Louis) Proof Lithograph (black on grey) for the cover of "The Tain", folds, 1969, Dolmen Editions; and 2 others, including the limitation sheet from The Tain on of 50 signed by Kinsella, le Brocquy and Liam Miller, all preserved in custom slip-case, v.s. (4)
Los 81
Birds.- Cassin (John) Illustrations of the Birds of California, Texas, Oregon, British and Russian America, first edition in book form, 50 hand-coloured lithograph plates by William E. Hitchcock, some after George G. White, advertisement leaf at end, some minor mostly marginal foxing, original cloth, spine faded, [Nissen IVB 173], 8vo, Philadelphia, J.B. Lippincott & Co., 1862.⁂ A very good copy in original condition of this work which was first published in parts between 1853 and 1855 and intended as a complementary volume to the octavo edition of Audubon's Birds of America
Los 286
§ Laurence Stephen Lowry, RA (British, 1887-1976) Huddersfield signed lower right in pencil "L S Lowry" and with FATG blind stamp offset lithograph 48 x 58cm (19 x 23in) Provenance: Bought from Beaconsfield Art Gallery, Buckinghamshire, 1975 Has slightly slipped in the frame. Some discoloration and offset stains in the margins from the mount.
Los 345
Allan Gwynne-Jones, CBE, DSO, RA (British, 1892-1982) and others Portrait studies of Professor John Mavrogordato, both signed with initials "AGJ 1944", 28 x 20cm (11 x 8in) and 25 x 20cm (10 x 8in), pencil, unframed (2); Lettice Sandford (British, 1902-1993), Prospectus frontispiece for "The Golden Bed of Kydno", 1935, lithographic print, 31 x 23cm (12 x 9in); Katerina Wilczynski (German, 1894-1978), Portrait studies of Professor John Mavrogordato, one inscribed lower right "Thanks for so many / sittings in patience / K Wilczynski / 11/2/42"; the second dated lower right "17/1/42 Prof. Mavrogordato", pen and ink, unframed, 27 x 34cm (10.5 x 13.5in) and 30 x 25cm (12 x 10in) (2); Thomas Derrick (British, 1885–1954), A design for a Christmas Card, with a Nativity scene and bell ringers below, signed "July 1st 1944 / to John Mavrogordato / with very best wishes / Thomas Derrick", lithograph, unframed, 29 x 22cm (11.5 x 8.5in); Katerina Wilczynski (German, 1894-1978), Roman ruins with shadowy figures, signed lower left with initials "KW '52" / Bahnai", pen and ink, and sold with book (2), 37 x 44cm (14.5 x 17.5in); Peter Richey (British, 20th Century), Rennie's London Bridge, oil on board Provenance: Given by the artist to Professor John Mavrogordato on 6 June 1944 and by descent within the Mavrogordato family Other Notes: Allan Gwynne-Jones began a course at the Slade School of Fine Art in 1914, but three months later was commissioned into the Welsh Guards, Cheshire Regiment. He was wounded and awarded the Distinguished Service Order at the Battle of the Somme in 1916. After demobilisation in 1919, he taught at the Royal College of Art where he became Professor of Painting between 1923 and 1930 - when he resigned to join the staff of the Slade School of Fine Art. He continued teaching at the Slade until 1958. Unframed and corners are stuck down to paper. Some browning to the paper and one small tear.
Los 278
§ Richard Drew, known as Zacron (British, 1943-2012) Led Zeppelin III - The Rock Album Cover No. 50 from an edition of 500 lithograph 68 x 68cm (27 x 27in) Exhibited: Zacron Collection Cat. No 739 Edition No 50 Other Notes: Zacron (1943-2012) RA, was a multimedia artist, poet, writer and broadcaster. He was a founder member of the Psychedelic Movement of the late 1960s and founder of "The New Visionaries" school of 1978. Zacron designed the artwork for the third album cover for Led Zepplin in 1970. The work is based upon an earlier trompe l'oeil and collage piece, "A Window on London", which had been bought by Jimmy Page. The design for the album cover is of fragmentary 'scrap-book' images which relegates photographs of the four group members to the back. The sleeve's design features a rotating card disc. When this disc is turned by hand, a variety of motifs and portraits of the four group members become visible through the die-cut circles of the sleeve front, allowing viewers to 'dial-up' icons representing the interests of the group. The concept originated from a rotating book which Zacron produced whilst studying at the Royal Academy Schools in 1965. The album sleeve and lithograph are part of the Victoria and Albert museum collection. Printed using light-fast pigment inks onto 305gsm German etching paper, neutral PH and acid-free, calibrated to exactly match the original - 68cm x 68cm Archival fine art print Framed - world limited edition of 500 Printed using light-fast pigment inks onto 305gsm German etching paper, neutral PH and acid-free, calibrated to exactly match the original 68cm x 68cm
Los 293
§ Laurence Stephen Lowry, RA (British, 1887-1976) The Family signed lower right in pen "L S Lowry" and with FATG blind stamp offset lithograph 29 x 22.50cm (11 x 9in) Glass scratched lower right corner and by the top edge. The image itself is good and clear. Very slight discolouration or offset staining visible especially along the bottom edge of the mount.
Los 272
§ Graham Sutherland, OM (British, 1903-1980) The Swimmer signed lower right "Sutherland" and numbered 73/75 colour lithograph, 1973, from a portfolio of three lithographs, edition of 75 73 x 52cm (28 x 20in) Provenance: Fischer Fine Art Limited, 30 King St, London, SW1, 1985 Loose in its frame - condition is fine. Under UV glass.
Los 275
§ Anthony Deigan (British, b. 1945) Abstract in brown, signed lower right "Deigan", lithograph and collage on hand-made paper, 50 x 76cm (19.5 x 30in); and Night Lights, signed lower right "Deigan '70" and numbered 17/30, lithograph, 51 x 57cm (20 x 22.5in); and Yvonne Skargon (British, 1931-2010), Seagulls, signed lower left "Yvonne Skargon" and numbered 3/50, wood engraving, 15 x 19cm (6 x 7.5in) (3) Provenance: The Newport Gallery, High Street, Newport, Essex. Other Notes: Yvonne Skargon's wood engraving career began in 1948 when she commenced studies at Colchester School of Art. The school had two distinguished wood-engravers on the staff - the Principal, John O'Connor, and her special inspiration, Blair Hughes-Stanton, visiting lecturer. Skargon taught at the Royal College of Art.
Los 97
KARL WESCHKEBrown and Black Lithograph Signed and dated '58Numbered 8/30Paper size 63 x 48cm(See illustration)Lithograph 465 × 334 mm (18 1/4 × 13 1/8) on wove paper; printed by Stanley Jones, St Ives and published by Robert Erskine, St George's Gallery; artist's proof aside from the edition of 30 Inscribed 'Karl Weschke' below image b.r., 'own proof' below image centre and 'Rough Proof' in the printer's hand above image top centre Purchased from Redfern Gallery (Grant-in-Aid) 1986 Exh: British Prints of the Post-War Years 1945-60, Redfern Gallery, Jan.-Feb. 1986 (118, repr.) Condition report: Some foxing on edges/white area. Minor creases to the edges.
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70555 Los(e)/Seite