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70555 Los(e)/Seite
PIERRE-AUGUSTE RENOIR [FRENCH 1841-1919], LITHOGRAPH, 1904, IMAGE: H 12", W 6 1/4", "VALTAT": Published by Vollard, Paris. From "L'Album des Douze Lithographies Originales"; stone signed lower right; framed. References: Delteil/Stella 38. Provenance: purchased from The J.L. Hudson Gallery, Detroit, MI.
*Freedman (Barnett, 1901-1958). 15 Inch Gun Turret, H.M.S. Repulse, August 1941, [1942], colour lithograph on wove paper, printed by the Baynard Press and published by the National Gallery, image size 705 x 995 mm (27.75 x 39.2 ins), sheet size 760 x 1015 mm (30 x 40 ins), framed and glazed (1)
*Shannon (Charles Haslewood, 1863-1937). Late Summer, 1917, lithograph printed in red-brown on Ingres laid paper, signed in pencil, one or two minor marginal marks, image size 370 x 380 mm (14.5 x 15 ins), sheet size 630 x 475 mm (24.75 x 18.75 ins), together with The Ebb Tide, 1917, lithograph printed in red-brown on Ingres laid paper, signed in pencil, image size 295 x 305 mm (11.5 x 12 ins), sheet size 630 x 475 mm (24.75 x 18.75 ins), plus Autumn, 1917, lithograph printed in red-brown, signed in pencil, image size 480 x 325 mm (18.8 x 12.8 ins), sheet size 555 x 400 mm (21.8 x 15.75 ins) Delaney 85, 86 & 84 respectively. Printed in editions of approximately 50. (3)
*Royds (Mabel Allington, 1874-1941). The Snake Charmer, colour woodcut on laid paper, signed in pencil, image size 132 x 180 mm (5.25 x 7.1 ins), sheet size 180 x 250 mm (7.1 x 9.9 ins), together with Lamas Harvest, colour woodcut on laid paper, signed in pencil, image size 136 x 208 mm (5.3 x 8.2 ins), sheet size 198 x 264 mm (7.75 x 10.4 ins), plus Chortens, Ladak, colour woodcut on laid paper, signed in pencil, some mount staining and fading, image size 175 x 203 mm (6.9 x 8 ins), sheet size 333 x 254 mm (13.1 x 9.9 ins), and two other colour woodcuts by Royds (The Flight Into Egypt, & The Annunciation to the Shepherds), each signed and initialled in pencil respectively, sheet size 260 x 375 mm (10.25 x 14.75 ins), and 305 x 360 mm (12 x 14.25 ins) respectively, plus a monochrome lithograph portrat of Hester Frances Royds n‚e Allington, and two original studies of children in black charcoal on paper, unsigned (8)
*@Brangwyn (Frank, 1867-1956 ). The Zeppelin Raids: The Vow of Vengeance, circa 1915, lithograph on laid paper, signed in pencil, in very good condition, image size 580 x 485 mm (22.8 x 19.1 ins), with margins, framed and glazed (unexamined out of frame) A signed impression of the poster designed by Brangwyn for the Daily Chronicle, and published in 1916, with the printed text above and below removed. (1)
JOHN BRUNSDEN (1933-2014); a signed limited edition (1/8) artist's proof lithograph 'Dale', City Gallery label verso, framed and glazed, 47 x 60cm. Provenance: Purchased from Phillips Auctioneers, 1990. CONDITION REPORT: No damage can be seen to the image. Mount intact. Steel frame is very slightly scratched in places. Surface dirt removable to glass.
•SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) CLIFF VILLAGE, SAINT CIRQ LAPOPIE, FRANCE (Gaunt 162) Etching, 1910, printed in sepia with plate tone, signed in pencil 46.5 x 43.5cm.; with a colour lithograph of `The Port` by Jean Morvan, signed and numbered, 29 x 43cm. Provenance: Brangwyn, probably London, Ernest Brown and Phillips; Morvan, London, The Redfern Gallery Ltd, 1959 ++ Each in good condition
•DAVID HOCKNEY, OM, CH, RA (b.1937) RED SQUARE AND THE FORBIDDEN CITY (FROM `CHINA DIARY`) (M.C.A.Tokyo 254) Lithograph, printed in colours, 1982, signed, dated 82 and numbered 24/1000 published/printed by Thames and Hudson, London/Petersburg Studios, New York, the full sheet with three folds as issued, lacking book 49 x 54cm. ++ Some very slight fading; twin glazed
Moore (Henry) - Heads Figures and Ideas, with a comment by Geoffrey Grigson, with original colour auto-lithograph tipped in at beginning, illustrations, hinges splitting, but holding firm, original cloth-backed pictorial boards, spine ends little frayed, corners worn, a few abrasion marks, folio, printed at the Curwen Press , 1958.
Verdet (André) - Pour un Nouveau Printemps de Pablo Picasso, number 68 of 79 copies, lacking the signed colour lithograph by Picasso and Verdet's photograph of Picasso but inscribed by Verdet with watercolour design dated 1963 , colour from design slightly seeped onto title, loose as issued in original raffia-covered boards with leather straps and cut-out shapes mounted on upper cover, uncut, spine a little worn, folio, Nice, 1963; sold not subject to return
India.- Coleman (Charles) - The Mythology of the Hindus, with Notices of Various Mountain and Island Tribes , first edition , without half-title, lithograph frontispiece and 38 lithograph plates, 2 pp. advertisments at end, frontispiece browned & frayed, and mounted, plates browned and brittle, fore-edges chipped, title margins browned and frayed, last 2 ff. margin torn, twentieth-century half calf, spine gilt, new endpapers, 4to , 1832.
Roberts (David) - The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol., 6 tinted lithograph titles, portrait, 2 maps and 240 plates only (of 241), a few plates and text leaves with marginal tape repairs, a couple of short tears, some foxing, a few frontispieces and maps stuck to free endpapers, original cloth, gilt, some spine ends worn, 4to, 1855-56.
Natural History.- - A small mixed group birds and animals, including The Giraffes at the Surry Zoological Gardens, unsigned, The Crowned Cranes in the Gardens of the Zoological Society by Simpkins after Panormo, The Song Thrush, by T. Lord, a study of reindeer by Ridinger, and a portrait of kittens by Alfred C. Alais, engraving and a lithograph, 2 with hand-colouring, v.s., 380 x 305mm. et infra, in various antique frames, 18th and 19th century, (5).
FRERE (Alice M.) The Antipodes and Round the World, in 2 vol., London 1870, 8vo, with 7 lithograph plates as required, one hand-coloured, faint embossed library stamps, contents rather toned, modern calf-backed marbled boards; SIDNEY (Samuel) The Three Colonies of Australia, 1852, 8vo, wood-engraved plates and illustrations, some soiling and foxing, modern calf-backed marbled boards
SPRUNER (K V) Hand-Atlas zur Geschichte Asiens, Afrikas, Amerikas und Australiens, Gotha 1855, folio, lithograph maps hand coloured in outline, few margins damaged; FRIEDRICH (Ernst) War Against War!, 6th edition, photo-book, 1925 or later, in 4 languages, pictorial boards; CASSELL's New Atlas 1930, cloth (3)
SUETER (Commander M.F.) The Evolution of the Submarine Boat Mine and Torpedo, Portsmouth 1907, 8vo, plates, soiled worn cloth; DELPEUCH (M) La Navigation sous-marine, Paris [no date], 8vo, paper wrapper; FAIRBAIRN (W) Treatise on Iron Ship Building, London 1865, 8vo, lithograph frontispiece and three folding plates, library perforation to title, 2 small labels to cloth spine, slight foxing (3)
ADHEMAR (Jean) Lithographies de L'Atelier Mourlot, Redfern Gallery 1965, with 11 original lithographs, original publisher's printed wrappers, from an edition limited to 1150 copies. This catalogue was of an exhibition to celebrate the achievements of Atelier Mourlot, having two original lithographs by Picasso and one each by Miro, Giacometti, Minaux, Jenkins, Matisse, Masson, Calder, & Buffet. The front cover dust jacket is an original lithograph by Chagall
A late 19th century coloured lithograph showing a scene at New Market races 1885 and including the Prince of Wales - Vanity Fair Winter Number 1885, produced by Vincent Brooks, Day & Son, 35 x 51 cm approx together with an early 19th century coloured caricature engraving - Surgical Operations, or a New Method of Obtaining Subjects, published 1827 by S W Fores, 23 x 33 cm approx in simple wooden frames
A 19th century panoramic view of a country landscape at sunset with woman and child walking along a lane, ducks in a pond, thatched cottage, etc, with signature bottom right S Sinclair (possibly coloured lithograph with watercoloured finish), 25 x 76 cm approx in gilt frame together with a 19th century pencil study of a rustic window, signed with initials HPW and inscribed - Vernon July 13th 1888 and dedicated to George Kenyon, 25 x 17 cm approx in gilt frame, and a 19th century coloured engraving showing the Melton Hunt breakfast and identifying the characters, 30 x 35 cm approx in oak frame, etc

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70555 Los(e)/Seite