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W.H. Harriott The Cato Street Conspiracy 3 plates exterior and interior views with key and description below original hand-coloured lithographs 1820 publisher`s blindstamps printed by Francis Moser for S. & J. Fuller 280 x 240mm to 235 x 190mm (11 x 9 1/2 in to 9 x 7 1/2 in) § A Sketch of the Premises in Cato Street elevation and floor plans with descriptive key original hand-coloured lithograph 1820 R. Ackermann 275 x 230mm. (10 3/4 x 9 in); with a similar larger plate by J. Heskett after B. King and 3 others on the subject; also a view of Margate theatre all unframed (9).
After Hippolyte d` Orschwiller Steeple Chase Cracks lithograph c.1860 François Delarue Paris 380 x 710mm. (15 x 28 in); with 2 lithographs of horses after Kiorboe each c.410 x 570mm. (16 x 22 1/2 in); also The Birth Day Team by Hunt and 3 others 19th century v.s. all unframed (7) Condition report: Steeple Chase Cracks has areas of damp-staining tears into the margin. Other prints ahve handling creases surface dirt and tears.
Georg T. Hartmann and Pamela Bianco A group of original Christmas cards 19 original etchings and aquatints by Hartmann 1 aquatint 2 lithographs and 1 offset lithograph by Bianco and 2 further cards each with 2 etchings by both artist/illustrators all issued as Christmas cards all signed all but 1 dated 1950 to 1974 all inscribed most to Clara Buck v.s. 75 x 65mm to 125 x 185mm (3 x 2? in to 5 x 7? in) (25). *** Provenance: by descent from the recipient.
Caricature.- William Spooner (Publisher.) The King and The Duke double-portrait caricature depicting a smiling William IV with the caption Let Me Be Loved with an overlay in the lower half to form the stern visage of the Duke of Wellington captioned Let Me Be Feared original hand-coloured lithograph c.1830 345 x 235mm. (13 1/2 x 9 1/4 in) unframed. Condition report: Surface dirt the overlay with minor handling creases and a short split at the lower edge mounted on a loose album leaf.
Count Ivan Forray Roda Sziget A Nil Mellett lithograph with hand-colouring heightened with gum-arabic 1849 Pest 320 x 440mm. (12 1/2 x 17 1/2 in) § Ciceri (Eugene) Habitation Arabe Dans La Plaine De Suez from Souvenirs d`Egypte tinted lithograph 1851 295 x 450mm.(11 1/2 x 17 1/2 in); with five lithograph views of the Middle East from Eugene Flandon`s L`Orient all unframed (7). Condition report: One short marginal tear handling creases.
Thomas Goldsworth Dutton Australian Steam Ship “Norfolk” 3196 tons 2500 horse-power profile portrait of a steam powered sail ship original hand-coloured lithograph 1879 330 x 465mm.(13 x 18 1/2 in) unframed. Condition report: Two repaired tears in the margins one through the upper borderline exposure line from previous mounting outside borderline and title.
a group of Swiss and other central European views including Casino in Bern by Haller after König lithograph early 19th century Bern 315 x 410mm (12 1/2 x 16 in); with other views on the Rhine and Moselle and 3 architectural views by Salomon Kleiner engravings and lithographs 18th and 19th century v.s. all unframed (7). Condition report: Casino in Bern has some surface dirt creasing and some staining in wide margins and a printer`s crease.(7)
A small mixed group of bird prints including a Barraband print from Description de l`Egypte a large lithograph of falcons after Wolf and others engravings lithographs some hand-coloured 19th century v.s. largest 680 x 490mm. (26 3/4 x 19 1/4 in) unframed (17) Condition report: Edges slightly frayed minor tears surface dust.
Percy Venner Bradshaw (1878-1965) a snooker player at rest pen and black ink with grey and brown washes signed lower right 19.5 x 13.5cm (7 3/4 x 5 1/4 in); with a group of 4 small posters by Hartmann Beier and others for Arabella by Strauss Der Protagonist by Weill c.1983 with a mining lithograph 1963 a print of W. Harvey and 2 others all but one unframed (9).
Sir William Russell Flint. An Awkward Encounter selected proof outside an edition of 760 colour-printed offset lithograph signed in pencil lower right initialled by the artist and inscribed IV Selected Proof lower left 1956 W.J. Stacey with Fine Art Trade Guild blindstamp 445 x 605mm.(17 1/2 x 24 in).
George Roland Hackett Irish Independence Their Irish Master colour lithograph poster National Union of Conservative and Constitutional Associations [1910] 760 x 1000mm. (30 x 39in.) unframed. *** John Redmond head of the Irish Parliamentary Party leads submissive Tory government ministers Asquith Lloyd George and Churchill towards “disruption”. This is a larger version than that usually found probably intended for billboard display. Condition report: A few small holes at corners of old folds otherwise a very good example.
Georges Redon A comic early motoring scene lithograph printed in colours initialled in pencil and numbered 89/100 lower right 1904 Paris Sagot 450 x 620mm. (17 3/4 x 24 1/2 in); with 2 similar comic motoring scenes published by l`Estampe Sportive Artistique La Sortie de l`Église depicting a motorcar splashing a wedding party and “Scorching” children with a homemade car coloured lithographs one signed c.1905 330 x 495mm. (13 x 19 1/2 in) and 450 x 590mm. (17 3/4 x 23 1/4 in) respectively all unframed (3). Condition report: Some spotting and surface dirt.(3)
Rémy de Gourmont, French, Belgian 1858-1915- Frontispiece to his own novel `Le Fantôme`; lithograph, bears pencil inscription and dedication signed by fellow symbolist artist Henri Jules Charles de Groux, French 1866/67-1930, 41.5x31.5cm Note: This print is illustrated in "The Symbolists" by Phillippe Julian, publ Phiadon 1973, page 205: European Symbolist School, late 19th/early 20th century- The Baptism; lithograph, unsigned, 22.5x17cm., (2) (mounted) (unframed)
Alvar Sunol Munoz-Ramos, Spanish b.1935- "A Look of Hope"; etching with aquatint printed in colours, signed and numbered 66/150 in pencil, 39x48.8cm: Charles Laborde, French 1886-1941- "L`Essayage"; lithograph printed in colours, signed and numbered 41/150 in pencil, bears publisher`s blindstamp, 43x33cm., (2) (may be subject to Droit de Suite)
* Ivor Abrahams RA, British 1935-1983- Pink garden border; mixed technique, lithograph/collage/flocking, signed, numbered 41/73, dated 70 in pencil, 38.5x61cm: together with seven other similar prints by the same hand, similar suite, variously signed, numbered and dated, and similar size, published by Bernard Jacobson and printed by Kelpra Studios, 57.5x78cm (max)., (a folio), (unframed), (8)
After Eugène Samuel Grasset, French 1845-1917- "Chocolat Mexicain Masson Paris", 1892, publ G de Malherbe & H A Cellot, Rue N-des Champs 54, Imprimeurs -Editeurs; lithograph/poster printed in colours, signed with monogram within the plate, 121.3x81.4cm: After Jules Chéret, French 1836-1933- "Yvette Guilbert au Concert Parisien", 1991, publ Imp Chaix (Ateliers Chéret) 20 rue Bergère Paris; lithograph/poster printed in colours, signed and dated 91 within the plate, 124x86.5cm: After Jules Chéret, French 1836-1933- Untitled, 1893, publ Imp Chaix (Ateliers Chéret) 20 rue Bergère Paris; lithograph/poster printed in colours, signed and dedicated in black crayon, signed and dated 93 within the plate, 122x87cm., (3)
After Richard di Rosa, French b.1963 -"Robert Fraser Presents Paris NY Remi Blanchard A-One Jean Charles Blais Jean Michel Basquiat Francois Boisrond Futura 2000 Robert Combas Keith Haring Herve di Rosa Kenny Scharf Opening 15th of May", 1984; lithograph/poster, signed and dated 84 within the plate, 72.5x51cm: together with twenty-six other examples of the same poster, 72.5x51cm.,, ea., (27) (rolled) (unframed)
After Keith Haring, American 1958-1990- "Keith Haring at Robert Fraser Gallery- Oct. 19-Nov. 12 1983 21 Cork St. London, England"; lithograph/poster in colours, signed and dated within the plate, 67x101cm: together with twenty-six further examples of the same poster, 67x101cm., ea., (27) (unframed)
Leonard Rosoman OBE RA (b.1913)-`Royal Albert Dock, London`, watercolour, bears label verso for Arthur Guinness Son & Co (Park Royal) Ltd, 8 Baker Street, London, W1, and typed `Original painting on loan from the advertising department. Original lithograph sketch from the 2nd series issued in 1962. Royal Albert Dock, London, by Leonard Rosoman`, 38 x 50cm (illustrated)
Carel Weight RA (1908-1997)-`Cup Tie`, oil, bears original paper label verso for Arthur Guinness Son & Co (Park Royal) Limited, 8 Baker Street, London W1, from the advertising department, with typed text `Original painting on loan from the advertising department. Original lithograph sketch from the second series issued in 1962. Cup Tie by Carel Weight.`, also written in ink to verso `14 Feb 1962`, 47 x 61cm. NB: It is assumed that this is the original painting for the lithographs produced by Guinness for the poster publicity campaign which were displayed in pubs and bars around the country (illustrated)
Elwes (Henry John) and Augustine Henry. The Trees of Great Britain & Ireland 7 vol. 5 colour frontispieces 1 portrait frontispiece and 214 photogravure and lithograph plates plus 5 coloured titles original wrappers bound in contemporary half morocco for Sotherans spines dulled some surface rubbing privately printed folio Edinburgh 1906-1913.

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