70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

•GRAHAM FRY BARK RHYTHM Lithograph, title inscribed verso, editioned (1/10), 51 x 35cm Condition report: Available upon request

John Piper (1903-1992)'Exton, Rutland' lithograph, numbered 43/70, signed in pencil lower right, 78cm x 54cmCondition report: Overall good condition, minor display wear to the frame. Please note we have not removed this piece from the frame to examine.

Robert Tavener (1920-2004)'Regency houses, Cheltenham' lithograph, signed and titled in pencil, lower right, unframed, 28cm x 38cmCondition report: This piece is unframed, minimal tiny creases to the edges and corners, overall ok.

John Piper (1903-1992) 'The visitation/Saints' lithograph, numbered 79/90, signed lower right in pencil, 53.5cm x 43cmCondition report: Overall good condition, with minimal display, wear to the frame. Please note we have not removed this piece from the frame to examine.

Auguste Rodin (French 1840 - 1917). A framed early coloured lithograph of a young woman, frame 37 x 49cm.

D'Oyly (Charles, 1781-1845). Procession of the Churruckpooja, [1848], fine hand-coloured lithograph, printed by Dickinson & Co., two or three short closed tears to outer blank margins (neatly repaired) without loss, some pale mount toning (colours generally fresh), vertical crease towards right-hand side where previously folded at time of publication, image size 34 x 84 cm (13 1/2 x 33 ins), sheet size 47 x 100.5 cm (18 1/2 x 39 1/2 ins), mountedQty: (1)Footnote: Abbey, Travel 497 (number 10 from the series of views entitled Views of Calcutta).

* Oxford. Pattison (Edgar L.). Magdalen College from the Bridge, circa 1905, uncoloured drypoint etching, signed and titled in pencil below the image, 290 x 360 mm, mounted, framed and glazed, together with Winter (George Robert, after). Returning from Cricket. A Scene on Magdalen Bridge, J. Ryman, Oxford, circa 1850, hand-coloured lithograph, 270 x 370 mm, mounted, framed and glazedQty: (2)

Hodgson (William B.). Notes on Northern Africa, The Sahara and Soudan, 1st edition, New York: Wiley and Putnam, 1844, title chipped to extremities (resulting in loss), leaves with occasional marginal loss, some leaves uncut, toned and spotted, bound in later pink paper-covered boards, extremities worn, boards faintly marked, 8vo, together with: Fairholt (F.W.). Up The Nile, and Home Again, 1st edition, London: Chapman and Hall, 1862, half-title, lithographic frontispiece, 19 lithograph plates, small marginal damp-stain to lower margin of frontispiece, leave slightly toned, original green publisher's cloth, recased with new endpapers, joints and extremities slightly worn, 8vo, with Cusack-Smith (Berry). Territorials in Mhow and Mesopotamia, no publisher, 1920, typewritten text, 16 photographic plates, spotting, gift sticker to front pastedown, contemporary cloth, faded and worn, front joint split at base, extremities bumped, 8vo, with 3 others relatedQty: (6)

Keppel (Henry). A Visit to the Indian Archipelago, in H.M. Ship Maeander, with portions of the private journal of Sir James Brooke, K.C.B., 2 volumes, 1st edition, London: Richard Bentley, 1853, 8 tinted lithograph plates, folding map in volume I rear pocket, advertisement leaf at end of each volume, a little minor spotting, volume I hinges tender, volume II endpapers renewed, bookplate and signature of Charles Waite, Dorking to volume I, original red cloth gilt, spines a little darkened and rubbed with tears at ends, corners bent, 8voQty: (2)Footnote: Abbey Travel 550. Description of Keppel's voyage to Labuan to convey Sir James Brooke as governor, including piracy in the South China Sea and visits to Manila, Singapore, Sydney and Hobart. Abbey states that a first edition was published in 1852 but no such institutional copies from that date have been located, the preface is dated December 11, 1852.

Leisner (Georg & Vera). Die Megalithgraber der Iberischen Halbinse erster teil: Dr Suden, 2 volumes (text/plates), Berlin: Walter de Gruyter 1943, & Der Westen, 1956, together 3 volumes, numerous half-tone and lithograph illustrations, colour maps, several folding, contemporary morocco-backed boards, 4to, together with Schubart (Hermanfrid). Die Kultur der Bronzezeit im Sudwesten der Iberischen Halbinsel, 2 volumes (text/plates), Berlin: Water de Gruyter, 1975, numerous illustrations, a few folding, original cloth, 4to, with two others: Juan Maluquer de Motes' El Yacimento Hallstattico Cortes de Navarra, volume I only (of 2), 1954, and Martin Almagro & Antonio Arribas' El Poblado y la Necropolis Magaliticos de Los Millares (Santa Fe de Mondujar, Almeria), Madrid, 1963 (volume III of Bibliotheca Praehistorica Hispana)Qty: (3)

Munro (Robert). The Lake-Dwellings of Europe: being the Rhind Lectures in Archaeology for 1888, 1st edition, London, Paris & Melbourne: Cassell & Co. Ltd., 1890, monochrome plates and illustrations, original cloth, spine slightly faded and scuff marks across rear board, large 8vo, together: Childe (Vere Gordon), The Danube in Prehistory, 1st edition, Oxford: Clarendon Press, 1929, monochrome folding map frontispiece, plates, illustrations and plans (some folding), ink markings to margins, original cloth, 8vo, Childe (Vere Gordon), Prehistoric Migrations in Europe, Instituttet for Sammenlignende Kulturforskning, 1st edition, Oslo: H. Aschehoug & Co., 1950, monochrome illustrations and plans, occasional pencil underscoring and markings, original cloth in torn dust jacket (repaired with adhesive tape), 4to, Clark (John Grahame Douglas ), Prehistoric Europe, the economic basis, 1st edition, London: Methuen & Co. Ltd., 1952, map frontispiece, numerous monochrome illustrations and plans, original cloth in slightly worn dust jacket, 4to, Summers (Roger), Inyanga. Prehistoric settlements in Southern Rhodesia, 1st edition, Cambridge: published for the Inyanga Research Fund at the University Press, 1958, monochrome plates and diagrams, original cloth in dust jacket, 8vo, Almagro (Martin & Arribas, Antonio), El Poblado y la Necropolis megaliticos de los millares (Santa Fe de Mondujar, Almeria), volume 3, Madrid:[s.n.], 1963, monochrome plates and plans, folding plans in rear pocket, half-title inscribed by the authors, original cloth-backed printed boards, folio, Fergusson (James), Rude Stone Monuments in all countries, 1st edition, London: John Murray, 1872, wood engraved frontispiece, vignette title and illustrations, folding lithograph map at rear, original cloth, lightly rubbed and scuffed, 8vo, Peake (Harold), The Bronze Age and the Celtic World, 1st edition, London: Benn Brothers Ltd., 1922, monochrome plates at rear, original cloth, large 4to, plus others similar relating to prehistory and archaeologyQty: (approx. 30)

Pashley (Robert). Travels in Crete, 2 volumes, 1st edition, Cambridge & London, 1837, 10 lithograph plates, folding map, folding leaf of inscriptions, illustrations, occasional light spotting, stitching breaking in volume II, front hinge broken, previous owner ink stamp to pastedowns, original cloth gilt, spines faded with tears and splits along joints, 8voQty: (2)Footnote: Blackmer 1263. "First edition of this important work... Pashley spent most of 1834 in Crete, exploring it in detail. He was accompanied by Antonio Schranz, a member of the Maltese family of artists, who did the drawings... Pasley and Schranz visited practically every village, monasteries, ancient sites, etc. and have produced a detailed account of the island." (Blackmer).

Spratt (Thomas Abel Brimage). Travels and Researches in Crete, 2 volumes, 1st edition, London: John van Voorst, 1865, folding tinted lithograph panorama of Candia, 13 tinted lithograph plates, 3 other plates, 2 folding hand-coloured plates, lithograph illustrations on india paper in text, 2 advertisements leaves, publisher's catalogue at end of volume II, occasional light offsetting and marginal toning, volume II stitching broken resulting in textblock being split in two, volume I hinges tender, original terracotta cloth gilt, volume I upper cover detached, lower joint splitting, edges rubbed, 8voQty: (2)Footnote: Blackmer 1590. "Spratt, already known as the author of Travels in Lycia, 1847, became director of the Mediterranean Survey in 1851, and at that time began the survey of Crete. This work was interrupted by the Crimean War and was not finished until c. 1860. The results of the survey were published as Sailing Directions for the Island of Candia, 1861, while Spratt's archaeological and ethnographical interests spurred him on to produce the important Travels in Crete which contains an extremely detailed account of the island including an appendix describing the Cretan dialect as compared to Modern Greek, by Viscount Strangford. The interesting plates are by J. Schranz (either Joseph or Giovanni) after sketches by Spratt." (Blackmer).

Marryat (Frank S.). Borneo and the Indian Archipelago. With drawings of costume and scenery, 1st edition, London: Longman, Brown, Green and Longmans, 1848, colour lithograph frontispiece, additional title, and 20 tinted and coloured lithographed plates, illustrations, stitching breaking, a few leaves detaching, some light spotting, original red cloth gilt, spine a little darkened, lower joint splitting, tears and chips at ends, large 8voQty: (1)Footnote: Abbey, Travel 549; Hill p. 1088.

Royal Microscopical Society. The Monthly Microscopical Journal: Transactions of the Royal Microscopical Society, and Record of Historical Research at Home and Abroad, edited by Henry Lawson, volumes 1-18 bound in 12, London: Robert Hardwicke, 1869-77, numerous lithograph plates including some coloured, occasional scattered spotting, contemporary half calf, rebacked, recent black calf title labels to spines, 8voQty: (12)

Herbert (Henry, publisher). The Buyers' Guide to the Manufacturing Towns and Manufacturers of Great Britain, 1873, numerous advertisements, endpapers renewed, original half calf gilt, rebacked, some wear to corners, 4to, together with Scott (W. B.).The Ornamentist, or Artisan's Manual in the Various Branches of Ornamental Art, London, Dublin & Edinburgh, 1845, numerous lithograph illustrations, occasional light spotting and stains, contemporary half morocco, rubbed with losses to spine, 4to, plus Cassell's Illustrated Exhibitor... with letter-press descriptions of all the principal objects in the International Exhibition of 1862, 1862, numerous monochrome illustrations, presentation inscription, all edges gilt, original decorative cloth gilt, spine faded, 4to, with 3 others: The Art Journal Illustrated Catalogue of the International Exhibition 1862, The Illustrated Catalogue of the Paris International Exhibition 1878, and The Art Journal. The Paris Exhibition 1900, 1901Qty: (6)Footnote: The Ornamentist, or Artisan's manual in the various branches of ornamental art: being a series of designs selected from the works of Dietterlin, Berain, Blondell, Meisonier, Le Pautre, Zahn, Boetticher, and the best French and German ornamentalists; with an introductory essay on ornamental art by W.B. Scott, of the Government School of Design, Newcastle.

Pugin (Augustus Welby). Glossary of Ecclesiastical Ornament and Costume, compiled from ancient authorities and examples, 2nd edition, enlarged and revised by the Rev. Bernard Smith, London: Henry G. Bohn, 1846, additional chromolithograph title, 72 chromolithograph plates, all bar one colour, occasional slight marginal soiling, top edge gilt, original morocco-backed boards with gilt ornament decorations, spine ends a little rubbed and scuffed, some corners wear, 4to, together with Colling (James K.) Gothic Ornaments, being a series of examples of enriched details and accessories of the architecture of Great Britain, 2 volumes, [1848], 209 lithograph plates including 2 additional titles and 40 colour, occasional light spotting, previous owner inscriptions, endpapers renewed, original cloth gilt, rebacked with original spines relaid, some edge wear and fading, 4toQty: (3)

* Mediterranean Topography. A large scrap album compiled by C.J. Cameron circa 1860, with a handwritten contents page inscribed 'contents of large scrapbook of places visited by C.J. Cameron' circa 1841-1862, including a large lithograph titled 'A general view of Athens', sheet size 25 x 45cm, tipped in, and views identified in the margin (for example 'Mars Hill', 'The Royal Palace', 'Temple of Theseus'), 8 smaller views all similarly presented, 6 lithograph views of Malta including 'view of the Great Harbour from Ricasoli', 'Auberge de Castille Barracks' sheet sizes 20x 29cm, pencil drawings of The Amphitheatre at Taormina, Sicily, sheet size 21 x 28cm, views of the ancient amphitheatre and modern town of Taormina, Sicily, sheet sizes 26 x 38cm, 6 views of at the Baths of Lucca, 20 x 26cm, lithographs of the lighthouse near Genoa, The Darse Genoa, 10 watercolours of various views of Naples, all captioned including Messina, Tomb of Terone,The Marina Palermo and others, all 11 x 14cm, 16 watercolours of costumes in Constantinople, various sizes, watercolours of a street in Antwerp, 35 x 24cm, Fortress near Ghent, 22 x 18cm, on the River Scorff 18.5 x 24cm, the Scorff towards L'Orient 24 x 33cm, lithographs of Switzerland, watercolours of Orporto and the Douro 25 x 39.5cm, various prints of old Venetian caricatures, presented in a leather folio album, the spine detached and some spotting throughout, 48.5 x 36cmQty: (1)

Phelps (William). The History and Antiquities of Somersetshire, 3 vols. [all published], 1836[-39], numerous engraved and lithograph plates, titles to first & second volumes, some scattered spotting and light offsetting, contemporary dark green half calf, contrasting morocco labels to spines, 4to, Toulmin (Joshua), The History of the Town of Taunton, in the county of Somerset, 1st edition, Taunton: printed by T. Norris, 1791, half-title (repaired to upper margin), engraved folding plan, three plates (one cropped to lower ruled border), folding table, F3 & F4 with infill repair to upper outer blank corners and lined with tissue to both sides, half-title and title stained to upper margins, marginal repair to S2, occasional scattered spotting, modern brown morocco-backed buckram, 4to, Savage (James), History of the Hundred of Carhampton, in the County of Somerset, Bristol: William Strong, 1830, engraved frontispiece offset to title, folding hand-coloured engraved map, scattered light spotting, contemporary speckled calf, boards with gilt emblem of the Society of Writers to the Signet, rebacked preserving original spine, extremities rubbed, large 8vo, Toulmin (Joshua & Savage, James), The History of Taunton..., new edition, greatly enlarged, Taunton: John Poole & James Savage, 1822, Large Paper copy, half-title, engraved frontispiece and two folding plates, scattered spotting, edges untrimmed, contemporary boards with modern calf spine, boards rubbed, large 8vo, and others relating to Somersetshire, Taunton, and Wellington etc., plus Mastin (John), The History and Antiquities of Naseby, in the county of Northampton, Cambridge: printed by Francis Hodson for the author, 1792, folding engraved map frontispiece, contemporary half calf with vellum board corners, marbled sides, joints cracked, small 8voQty: (approx. 25)

Pole (Sir William). Collections towards a description of the County of Devon, London: printed by J. Nichols, 1791, half-title, light spotting to first & last leaves, contemporary calf, rebacked preserving gilt embosed crest and morocco title label, 4to, together with: Dunsford (Martin), Historical Memoirs of the Town and Parish of Tiverton, in the County of Devon..., Exeter: printed for the author by J. Brice, 1790, engraved portrait frontispiece, title, map, plan and three plates, short worm trail to fore-margins of last few leaves at rear of volume, edges untrimmed, near contemporary half calf, morocco title label, 4to, Risdon (Tristram), The Chorographical Description, or, Survey of the County of Devon, with the city and county of Exeter..., London: E. Curll, 1714, two engraved plates (including frontispiece to volume 1, bookplates of Leoard Bartholmew of Oxen Hoath, Kent and bookplate of James Comerford, contemporary panelled calf, rebacked, 8vo Watkins (John), An Essay towards a history of Bideford in the county of Devon, 1st edition, Exeter: printed by E. Grigg, 1792, contemporary signature to upper margin of title, contemporary marbled calf, rebacked, morocco title label, 8vo, Jones (John Pike), A Botanical Tour through various parts of the Counties of Devon and Cornwall, Exeter: J. Treadwin; London: W.B. Whittaker, 1820, numerous annotations throughout, modern half calf, morocco title label to spine, 12mo in 4s, Moore (Thomas), The History of Devonshire, from the earliest period to the present ... illustrated by a series of views drawn & engraved by & under the direction of William Deeble, London: Robert Jennings, 1829, folding engraved county map and folding plan of Exeter (both browned, fore-edge margin of map strengthened), engraved titles, 94 engraved plates, few woodengraved vignette illustrations, some toning and scattered spotting, 20th century half calf, 8vo, Bellamy (John Cremer), The Natural History of South Devon, Plymouth: Jenkin Thomas; London: Simpkin, Marshall, & Co., 1839, half-title, lithograph & engraved maps and plates (some folding), toning and scattered spotting, modern half calf, morocco title label, 8vo in 4s,Qty: (9)

Liverpool & Manchester Railway. Proceedings of the Committee of the House of Commons on the Liverpool and Manchester Railroad Bill, London: Printed by Thomas Davison, 1825, folding lithograph view, 14 lithograph maps and plans (10 folding, all but 2 coloured, one single-page plate with short repaired closed tear), errata slip present, occasional scattered spotting, edges untrimmed, modern diced half calf, gilt decorated spine, marbled sides, folioQty: (1)Footnote: Ottley 6394. The Liverpool & Manchester Railway was to be the first built for the use of passengers (as well as goods), the Proceedings including extensive evidence from engineers, land owners, shareholders, local business men and others with a vested interest. George Stephenson was subjected to searching cross-examination by the counsel for the opposition, and the Bill was "eventually rejected, mainly on the grounds of admitted inefficiency of the plans" (ODNB). Changes were made and the Bill was introduced successfully in 1826.

Rastall (W. Dickinson). A History of the Antiquities of the Town and church of Southwell, in the county of Nottingham, London: printed for the author, 1787, half-title, 15 engraved plates (including frontispiece), light damp staining to margins of last few leaves, modern half calf, 4to, together with a duplicate copy of the same edition, with ink library stamp to title: Killpack (William Bennett), The History and Antiquities of the Collegiate Church of Southwell ... illustrated by views of the interior and exterior, plans, sections, etc. of the edifice, with a descriptive account by T. H. Clarke, London: Simpkin, Marshall, and Co.; Southwell: James Whittingham, 1839, lithograph frontispiece, additional title and 20 plates (browned & spotted), later cloth hinge to endpapers, top edge gilt, contemporary half calf, joints strengthened at head & foot of spine, slim 4to, Dimock (James Francis), Illustrations of the Collegiate Church of Southwell, in a series of ten views ... from drawings by E.H. Buckler, London: Simpkin, Marshall & Co.; Southwell: J. Whittingham, 1854, nine tinted lithograph plates, occasional archival tissue repairs mostly to margins, original printed wrappers with few repairs, cloth spine strip, large slim folio, Shilton (Richard Phillips), The History of Southwell, in the county of Nottingham, its hamlets and vicinage, including a description of the collegiate church, Newark: printed and sold by S. & J. Ridge, 1818, engraved frontispiece and one other plate, endpapers renewed, contemporary calf, rebacked, 8voQty: (5)

Halford (Frederic M.) Making a Fishery, London: Horace Cox, 1895, portrait frontispiece, mounted illustrations, one or two light spots, top edge gilt, original publisher's green full morocco gilt, spine a little faded and rubbed at ends, large 8vo, Edition de luxe 31/150, signed by the author, together with Dry-Fly Fishing in theory and practice, 1st edition, London: Sampson Low, Marston, Searle & Rivington, 1889, 25 lithograph plates, a few colour, a few small marks, top edge gilt, original cloth gilt, small stain to lower cover, spine ends and corners a little rubbed, 8vo, plus The Dry-Fly Man's Handbook. A complete manual including the fisherman's entomology and the making and management of a fishery, 1st edition, London: George Routledge, 1913, 44 plates, occasional light spotting, previous owner signature to title, bookplate, original cloth, spine a little faded, a couple of small stains and abrasions, 8voQty: (3)Footnote: First work provenance: Richard Meinertzhagen (1878-1967), ornithologist and soldier, his bookplate; additional bookplate of Joseph D. Bates Jr., angling author.

Morris (F.O.) A Natural History of British Moths, 4 volumes, London: Bell and Daldy, 1872, 132 hand-coloured lithograph plates, advertisements at end (dated March 1880), occasional minor spotting, bookplates, original green blindstamped cloth gilt, edges slightly rubbed, 8voQty: (4)

POLYANNA PICKERING (1942-2018). A signed artists proof limited edition lithograph of a cheetah 'A Moments Rest.' framed and glazed, image approx 33 x 58 cm

Emperor Meiji (1852-1912) A ‘phototexture’ portrait taken from a conté crayon drawing by Eduardo Chiossone in 1888. He drew two portraits which were to become the official images of the emperor.The term phototexture seems to embrace a woven textured form, the resultant image resembling a lithograph or photogravure. The portrait here is on silk and measures 14.5 x 11.7cm. It is enclosed in a floral and leaf border and has a Japanese inscription to the lower edge, the overall measurement of the silk being 36 x 30cm. and two printed Japanese texts, a translation of the ‘Precepts of Iyeyasu’ [Tokugawa leyasu] translated by K. Wadagaki of the Imperial University and a description of the process of phototexture signed ‘Tomizawa Phototexture Department.’All rolled into a scroll and contained in a cylindrical cloth covered case.

20th century school - Lamb and Lion, indistinctly signed, limited 159/400 lithograph, 51 x 67cm, unframed

Framed 19th Century Lithograph, Stephen Hyde Cassan (1789-1841) English Anglican Priest and Biographer, 19x13cm

BERYL COOK (1926-2008) “Jiving To Jazz”, coloured lithograph, signed & numbered 631/650 in pencil lower margin, publ. by Alexander Gallery, Bristol, 19” x 19½”, framed & glazed (29” square over-all).

BERYL COOK (1926-2008) “Ladies Who Lunch”, coloured lithograph, signed & numbered 6/650 in pencil lower margin, publ. by Alexander Gallery, Bristol, 17” x 17¾”, framed & glazed (26½” x 26¾” over-all).

BERYL COOK (1926-2008) “Dirty Dancing”, coloured lithograph, signed & numbered 53/650 in pencil lower margin, publ. by Alexander Gallery, Bristol, 20½” x 11½”, framed & glazed with Certificate of Authenticity (30” x 20¼” over-all).

MICHAEL POWELL (Contemporary) “Castell Coch, Cardiff”, coloured lithograph, Signed, titled, & numbered 459/850 in pencil, 12¾” x 9¼”, framed & glazed (21½” x 17½” over-all).

ROBERT SAVARY (French, b.1920) 'Galerie 65 Cannes', 1971, lithograph, printed by Mourlot, 50cm x 65cm, framed and glazed.

RAOUL DUFY 'Epsom', 1969, lithograph, signed and dated in the plate, printed by Mourlot, Galerie Petrides, 40cm x 50cm, framed and glazed.

RAOUL DUFY 'Les Regates', lithograph, signed in the plate, ref. Pierre Levy, 28cm x 62cm, framed and glazed.

JOHN MINTON 'Couverture - Corsica', 1948, lithograph, ref.: 'Time was away', 25cm x 19cm, in vintage French glazed frame.

JOHN MINTON 'Couverture - Boy Asleep in a Boat in Corsica', 1948, lithograph, ref.: 'Time was away', 15cm x 20cm, vintage French glazed frame.

After Heshi Yu, lithograph depicting a fishing village

Marie Laurencin, lithograph, 'Charlotte', signed in pencil, 1943 Leicester Galleries label verso, 29 x 20cm

Letitia Byrne, coloured engraving, View of the Suspension Bridge across The Thames at Hammersmith, 36 x 75cm and a lithograph by Richard Sitter of St Peter's Hospital, Wandsworth, 28 x 50cm

HELEN BRADLEY, FRAMED LITHOGRAPH DEPICTING PEOPLE AROUND A LAKE/POND WITH FINE ARTS WATER STAMP, INITIALED JLL, SIGNED TO BOTTOM RIGHT, APPROXIMATELY 27.5cm x 37cm

Lithograph by Day and Son 'Great Northern Railway Bridge... at Boston 1848' After Vernon Ward Colour print Coastal scene depicting puffins flying around headland, together with After Vernon Ward Colour print Coastal scene depicting wading seabirds and After Wallace Hester Wellington College, Great Gate Wellington College and Bradfield College, all signed lower right and further prints (13)

* JENNIFER MCRAE RSA (BRITISH b. 1955),NEW RELIGIONlimited edition lithograph on paper, signed, titled and numbered 8/22image size 76cm x 57cm, overall size 82cm x 63cm Framed and under glass.Label verso: Beaux Arts, London.

* KIRSTY WITHER (SCOTTISH b. 1968),WHERE YOU TAKE MElimited edition lithograph on paper, signed and numbered 78/875, titled label versoimage size 28cm x 40cm, overall size 53cm x 64cm Mounted, framed and under glass.Label verso: Eastwood Fine Arts.Note: Scottish artist Kirsty Wither is one of Britain's best known contemporary artists and her work is in constant demand from the most prestigious galleries. She has had more than thirty major Solo Exhibitions since 1997 including numerous shows at The Portland Gallery (London), The Open Eye Gallery (Edinburgh), The Gatehouse Gallery (Glasgow) and Duncan R Miller Fine Art (London).

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),LIFE IS VERY GOODlithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),I WILL NOT FIGHT lithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),I DID NOT ASK TO BE A BIRDlithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),LOOK AT THIS lithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),HE WILL ONLY EAT SQUID INK PASTAlithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),TRUTH lithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),SOME OF MY BEST FRIENDS ARE PIGSlithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),YOU ARE TOO CLOSElithograph on 200g Munken Lynx paperimage size 74cm x 54cm, overall size 86.5cm x 66.6cmFramed and under glass.

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. 

* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932)lithograph on paper, signed in pencil, titled and dated 1932image size 31.5cm x 27.5cm, sheet size 43cm x 32cm, overall size 46cm x 36cmFramed and under glass.Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than three times higher than those achieved less than a decade ago. Note: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of prints of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy demand for her work after exhibitions in Edinburgh and Glasgow. Only a few of these prints were ever signed by Hannah who found the task of numbering and signing "tiresome". A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.

* HANNAH FRANK (SCOTTISH 1908 - 2008),SUN (1943)lithograph, signed in pencil, titled and datedimage size 38cm x 26.5cm, sheet size 47cm x 31cm, overall size 51cm x 35cm Framed and under glass.Note: The original pen and ink drawing is held in the permanent collection of the Ben Uri London Jewish Museum of Art.

* HANNAH FRANK (SCOTTISH 1908 - 2008),WOMAN WITH BIRDS (1947)lithograph on paper, signed in pencil, titled and dated image size 34cm x 27cm, sheet size 44cm x 33cm, overall size 48cm x 37.5cmFramed and under glass.

* HANNAH FRANK (SCOTTISH 1908 - 2008),WRAP THY FORM IN A MANTLE GREY (1941)lithograph on paper, signed in pencil, titled and datedimage size 39cm x 29cm, sheet size 48cm x 35cm, overall size 53cm x 39cmFramed and under glass.

* HANNAH FRANK (SCOTTISH 1908 - 2008),FLIGHT (1939)lithograph on paper, signed in pencil, titled and dated image size 33cm x 26cm, overall size 51cm x 42cm Mounted, framed and under glass.

* HANNAH FRANK (SCOTTISH 1908 - 2008),WOMAN AND TREES (1931) lithograph on paper, signed in penimage size 34cm x 23cm, overall size 51cm x 38cm Mounted, framed and under glass.

* HANNAH FRANK (SCOTTISH 1908 - 2008),NIGHT (1930)lithograph on paper, signed in pencil, titled and dated image size 32cm x 24cm, overall size 48cm x 38cm Mounted, framed and under glass.