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70555 Los(e)/Seite
Los 317
After Henry Cave (British 1779-1836): York Minster, hand-coloured lithograph by R Havell pub. 1819, 27cm x 32cm; After John Baptist Chatelain (French 1710�1758): 'A View of the City of York', 19th century hand-coloured engraving 28cm x 43cm, and a further hand-coloured lithograph of the Minster 38cm x 28cm (3)
Los 7107
Francis Stone: 'Picturesque views of all the Bridges Belonging to the County of Norfolk in a series of Eighty-Four Prints in Lithography', [1830], 1st edition, lithograph title + 83 (of 84) litho plates by Engelman after Francis Stone, ex library, bound in two non uniform cloth gilt bindings, class mark to reverse of title page, else no other lib markings to plates throughout (2)
Los 7198
"Our National Church, the Aegis of Liberty, Equality, Fraternity", satirical caricature print by cartoonist Francis Carruthers Gould, published John Heywood, 1883, coloured lithograph satirizing the English church and its outlying sects and heretics, depicting the dome of St Paul's Cathedral as an umbrella , sheltering those figures who claim to belong to the church, these surrounded by numerous named figures of dissension including among Agnosticism those of Darwinism, Tyndall, Huxley and Herbert Spencer, on the right various groups move towards a river on the far side of which is the Pope's toe, approx. 36cm x 56cm, folded, some wear at folds, small closed tears, marginal chipping/small part losses
Los 7201
A packet of nine various 19th Century illustrated letter sheets, all unused, all with engraved or lithographed views, mainly Bristol, Bath & environs, including Clifton, Bristol, with the proposed suspension bridge in place, lithograph by G. Childs after S. Jackson, circa 1830's; 'Clifton from Coronation Road', steel engraved view by William Willis, 1836; plus others College Green, Bristol; Observatory, Baths, Library etc, Clifton; Widcombe Old Church, Bath, all circa 1830's
Los 7361
Christina Hole: 'Witchcraft in England', illustrated Mervyn Peake, 1945, 2nd impression, scraperboard frontis and full page and in text illusrations by Peake as called for, original cloth gilt, dust wrapper, plus Richards: 'The Castles on the Ground', 1946, 1st edition, 8 lithograph plates by John Piper as called for, original cloth gilt (2)
Los 7390
'Signature: A Quadrimestrial of Typography and Graphic Arts', edited Oliver Simon, London, Curwen Press, November 1935- December 1940, near complete set of the first series, 14 (of 15) numbers, comprising 1-8, 10-15, each in original printed wraps, content and numerous illustrations by leading illustrators and graphic artists of the period including Paul Nash, Graham Sutherland, Edward Bawden, Eric Ravilious, Eric Gill, Enid Marx, Barnett Freedman, John Piper, Edward Ardizzone, Lynton Lamb, Henry Moore, Edward McKnight Kauffer etc., all issues with illustrations, insets etc collated complete, these include, amongst others, 'Newhaven No. 2', by Edward Bawden, 'Road With Rocks', by Graham Sutherland, numerous Eric Ravilious wood engraved illustrations including full page cockerel 1933 Golden Cockerel Press prospectus (issue 1); 'Tide' by Paul Nash (issue 2); folding linocut illustration London Passenger Transport window bill, plus 2 colour illustrations, by Edward Bawden (issue 3); Enid Marx Christmas card (issue 4); three colour lithographs of shop fronts by Eric Ravilious, from 'High Street' (issue 5); frontispiece 'Invention in Colour', by John Piper, copper engraving by Edward Bawden (issue 6); John Piper four page folding colour lithograph 'Cheltenham' (issue 13) etc etc. Each original printed wraps, some toning and small part losses, chips, nicks. A scarce near complete set of the first series of this important periodical devoted to typography and the printing arts, started in 1935 and suspended in 1940 when the last issue of the first series was hit by a high explosive bomb as it came off the presses at the Curwen Press (14)
Los 7401
Gerald Scarfe: 'Gerald Scarfe', London, Thames & Hudson, 1982, limited edition, (141/250), signed and numbered, original cloth gilt, with corresponding original four colour hand drawn lithograph of Margaret Thatcher signed and numbered by Scarfe and bearing chopmark of Curwen Studios, housed together in original card box, printed paper label to cover
Los 7042
Francis Stone: 'Picturesque Views of all the Bridges Belonging to the County of Norfolk in a Series of Eighty-Four Prints in Lithography', [1830], 1st edition, lithograph title + 84 lithograph plates by Engelman after Francis Stone as called for, oblong folio, contemporary half calf gilt, inner joints professionally reinforced, marbled paper covered boards, calf gilt title label to upper board
Los 317
Two golfing prints comprising Graeme W Baxter; colour lithograph, limited edition print commemorating the Ryder Cup 2001 at the Belfrey, signed by Sam Torrance, European Team Captain, and the artist, no.1110/1250, 48 x 63cm, together with another golfing print by Braaq, 'Does That Mean The Bag's Full Of Tea', St Andrews, signed, limited edition no.301/600, 45 x 62cm, a pair of sepia coloured lithographs of scantily dressed Edwardian ladies on the seashore, oval 40 x 50cm, and three other prints, all framed and glazed (7).
Los 406
BRIAN HEALEY (British, 20th century); watercolour, 'Gorch Foch at Liverpool, signed, 27 x 37cm and four other maritime and topographical pictures to include John Howell; colour lithograph of Liverpool Docks, signed, A L Rockwood; lithograph 'St John's Market, Elliott Street, Liverpool 1893', signed and dated 1980, Dupas(?); pen sketch 'Central Library, Manchester', signed and titled and Wilfred L Vinson; etching 'Gateway St James' Palace', signed and titled, all framed and glazed (5).
Los 295
Herbert Thomas Dicksee RE (1862-1942)Study of a Tigerstone lithograph on paper, signed ‘HD’ lower left.image 21 x 36cmRare. Not published.Provenance: From the artist’s studio, purchased direct from a descendant;the Bryan Steele Collection.Condition report: In good condition. Unexamined out of frame.
Los 40
Cecil Aldin (1970-1935)'Breaking Cover';'The Hunt Supper'two lithographs printed in colours, both signed and dated 1900 within the plate, from 'The Fallowfield Hunt' series38.5 x 61cm;'The Meet at the Hare and Hounds'lithograph printed in colours, signed within the plate, from the 'Harefield Harriers' series37.5 x 60.5cm (3)Condition report: Breaking cover - A little yellowing near the top edge, and possibly some in the lower right quarter. A white spot above the head of the female rider on the right. A small red mark lower right. Hunt supper - Possibly a couple of tiny dots of foxing. The open book, lower right, could have a small stain on it. The Meet - A couple of dots of minor foxing. A tiny crease on the dog. A very small spot lower right that looks like it has come from behind. Overall in good condition and ready to hang.
Los 1627
Hans Tisdall (German 1910-1997), lithograph, 'Fisherman's Hut' from The School Prints series, a set of 24 lithographs produced in the 1940s with the intention of bringing contemporary art to young children, signed in the plate, printed in England at the Baynard Press, Goldmark and Mascalls Gallery labels verso, framed, with accompanying book by Ruth Artmonsky and purchase receipt, 48 x 75cm
Los 1645
Georges Braques, lithograph, 'Boat on a Beach' and Trevor Price (b. 1966), etching, 'Bottles, Pots and the Ocean II', the former signed in the plate, with Goldmark Gallery label verso and accompanying paperwork, the latter signed and inscribed in pencil and numbered 8/100 (Affordable Art Fair), 27 x 35cm & 96 x 76cm
Los 1646
Roland Collins (1918-2015), gouache, 'Newhaven, 1979' and a lithograph by Jeremy King (b. 1933), 'Winter Reeds', the former signed, framed, with accompanying exhibition publications from Mascalls Gallery, Paddock Wood ('Found Landscapes' 20 April - 30 June 2012') and Browse & Darby invitation to a private view ('Roland Collins Drawings & Gouaches - a Retrospective', 10-26 February 2016), the latter signed and numbered 22/50 (Christies Contemporary Art print), 38 x 53cm & 40 x 63cm
Los 522
DEAN WOLSTENHOLME JR. (BRITISH, 1798 - 1882), MR. TIMOTHY LUFF MULLENS WITH HIS HARRIERS, BASINGSTOKE coloured lithograph on paper, titled and attributed 36cm x 49 cm Mounted, framed and under glass. Note: In its original decorative frame by Arthur Ackerman & Son Ltd.. London, thus labelled verso.
Los 1818
GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), Blau, Grün, Rosa, Lithografie, Auflage 15 (XV) Exemplare, Blatt Nr. 5, unten mittig mit Bleistift von Hand signiert. HxB: Blatt ca. 41,5/31 cm, Außenmaße Rahmen 67,5/57 cm. Mit Passepartout hinter Glas gerahmt. Leichte Altersspuren. GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), Blue, green, pink, lithograph, edition of 15 (XV) copies, sheet no. 5, signed by hand in pencil at the bottom center. HxW: sheet approx. 41.5 / 31 cm, outer dimensions frame 67.5 / 57 cm. Framed behind glass with a passepartout. Slight signs of age.
Los 237
Wiener Portaluhr mit Musikautomat, Mitte 19. Jh. Große, aufwendig gestaltete Tischuhr in Portalarchitektur mit ebonisiertem Gebälk und Basis über vier einreihig angeordneten Alabastersäulen. Bekrönend eine verglaste Schaukastenreihe mit Blütenensembles sowie einem weißen Schwan mit geneigtem Haupt. Federzugwerk. Halbstundenschlagwerk auf Tonfeder mit Repetition sowie stündlich auslösende Walzer-Melodie aus dem im Sockel befindlichen Musikspielwerk. Emaillezifferblatt mit römischen Stunden. Gegossene Messinglunette, verglast. Floral gestaltete Pendellinse mit Weinrankenbesatz, Fadenaufhängung. Im Sockel mittig kleine kolorierte Federlithografie mit Vedute des Karlsplatzes in Wien. H. 62 cm. Einige Fehlstellen und Abplatzungen. Läuft nicht an. Viennese portal clock with music automat, mid 19th century. Large table clock, richly decorated. Ebonised top and base with four alabaster columns in a row inbetween. On top display cases with fake blossoms and a white swan. Manual wind movement. Coil chime every half hour with repetition. On the hour waltz melody from the music automat in the base. Enamel dial with roman hours. Cast brass lunette with glass. Floral pendulum with wineleaf decorum. In the base center small coloured lithograph showing the Karlsplatz scenery in Vienna. Some losses and bruises. Not starting.
Los 757
Gelbke, Georg. 1882 Rochlitz - 1947 Dresden Konvolut von sechs Blatt: a) Landschaft (Kärnten?), Aquarell, sign., verso bezeichnet und datiert ''1942'' von fremder Hand. 19 x 27 cm (Bl); b) ''Bogenschießen'' (männliche Akte), Radierung/ Aquatinta, sign., betitelt, num. Ex. 2/ 30, 22 x 32,5 cm (Bl); c) zwei Bl. Kompositionen mit Aktfiguren, monogr. und dat. (19)18 i. St., Lithographien (?) o. Lichtdrucke, jeweils auf Untersatz, 17 x 14 bzw. 20 x 17 cm (Bl); d) zwei Bll. Gelegenheitsgrafik, sign. bzw. monogr., dat. 1918, Kleinformate. Georg Gelbke (1882 Rochlitz-1947 Dresden): six works on paper, watercolour/ etching/ lithograph, with monogr. or signed, some dated 1918/ 1942. Different sizes.
Los 758
Goltzsche, Dieter. Geb. 1934 Dresden, lebt in Berlin ''Bärentraum''. 1972. Lithographie/ Bütten, sign., dat., betitelt, num. Ex. 1/ 32. Min. Einriss ob. Blattrand, min. Randläsuren. 35 x 49 cm (Bl) Dieter Goltzsche: ''Bärentraum'', 1972, lithograph, signed, dated, entitled, numbered copy 1 of 32. 35 x 49 cm
Los 759
Goltzsche, Dieter. Geb. 1934 Dresden, lebt in Berlin Marodes Brückenbauwerk. 1968. Lithographie, sign., dat., undeutl. betitelt und als ''Probedruck'' bezeichnet. re. unt. Ecke eselsohrig mit kl. Einrissen. 34 x 48 cm (Bl) Dieter Goltzsche: bridge over channel, 1968, lithograph, signed, dated. 34 x 48 cm
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70555 Los(e)/Seite