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WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Die Qual)"Lithografie auf Bütten. Bleistiftsignatur. [1966]. Blatt: 62,5 x 50 cm. Aus der Reihe "Gefangene" - in Erinnerung an die Gestapo-Haft des Künstlers vom 1.7. bis 15.12.1937 im KZ Hamburg-Fuhlsbüttel, Berlin und im Nürnberger Polizeigefängnis. Minimal knickspuirg. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 781. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:00 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Die Qual)"Lithograph on laid paper. Pencil signature. [1966]. Sheet: 62.5 x 50 cm. From the series "Gefangene" - in memory of the artist's Gestapo imprisonment from 1.7. to 15.12.1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and in the Nuremberg police prison. Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 781. Aufrufzeit 24. | Feb 2024 | probably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROUAULT, Georges (1871 Paris - 1958 Paris) "Tête de Jeunne Fille"Original-Farblithografie. Im Druck signiert. [1939]. 35 x 26,5 cm. Gerahmt & hinter Glas : 86 x 64 cm (profilierter Holzrahmen). Verso Frauenbildnis von André Derain; aus: Edition Verve No. 5-6, Volume II, Tériade, Paris . Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:08 Uhr (CET) ROUAULT, Georges (1871 Paris - 1958 Paris) "Tête de Jeunne Fille"Original color lithograph. Signed in the print. [1939]. 35 x 26.5 cm. Framed & behind glass : 86 x 64 cm (profiled wooden frame). Portrait of a woman by André Derain on verso; from: Edition Verve No. 5-6, Volume II, Tériade, Paris . Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:08 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Blaues Pferd mit Paar (2. Zustand)"Farblithografie. Unsigniert. 1982. 1 von 15000 Exemplaren. Blatt: 38 x 28 cm. Gerahmt & hinter Glas : 62,5 x 52 cm. Aus der Kunstzeitschrift "Derrière le miroir", Nr. 250, Hommage des Künstlers an das bekannte französische Verlegerpaar Marguerite und Aimé Maeght; mit Echtheitsbestätigung der Kunsthandlung Springmann, Freiburg. Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. Literatur : Vgl. Gauss (1998) WVZ 993, S. 371. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:09 Uhr (CET) CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Blue horse with pair (2nd state)"Color lithograph. Unsigned. 1982. 1 of 15000 copies. Sheet: 38 x 28 cm. Framed & behind glass : 62.5 x 52 cm. From the art magazine "Derrière le miroir", no. 250, homage by the artist to the well-known French publishing couple Marguerite and Aimé Maeght; with certificate of authenticity by the art dealer Springmann, Freiburg. French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century Literature : Cf. Gauss (1998) WVZ 993, p. 371. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:09 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Glanznummer"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1963]. Blatt: 64,2 x 52,8 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 862. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:59 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Glanznummer"Lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [1963]. Sheet: 64.2 x 52.8 cm. Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 862. Aufrufzeit 24. | Feb 2024 | probably 10:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JÄGER, Bernhard (*1935 München) "Ich bin der Chef"Farblithografie. Bleistiftsignatur. Exemplar: 5/100, Edition Grafikfreunde 1967. Blatt: 43 x 61,2 cm. Rechter Rand etwas rissig. Deutscher Maler, Grafiker, Illustrator und Bildhauer; Mitbegründer der "Gulliver-Presse". In den Jahren 1970, 1984 und 1994 wurden vom Künstler illustrierte Bücher mit dem Preis "Die schönsten Bücher des Jahres" ausgezeichnet. 2010 realisierte er die farbenfrohe Skulptur "Stell-Dich-Ein" in Gießen. Literatur : https://www.bernhard-jaeger.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:19 Uhr (CET) JÄGER, Bernhard (*1935 Munich) "I am the boss"Color lithograph. Pencil signature. Copy: 5/100, Edition Grafikfreunde 1967. Sheet: 43 x 61.2 cm. Right margin somewhat cracked. German painter, graphic artist, illustrator and sculptor; co-founder of the "Gulliver-Presse". In 1970, 1984 and 1994, books illustrated by the artist were awarded the "Most Beautiful Books of the Year" prize. In 2010, he created the colorful sculpture "Stell-Dich-Ein" in Giessen. Literature : https://www.bernhard-jaeger.de/. Aufrufzeit 24. | Feb 2024 | probably 11:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Studie mit vier Pferdeköpfen. VERNET, Carle(1758 Bordeaux - 1836 Paris) Lithografie. Passepartoutausschnitt: 36 x 44 cm, gerahmt und hinter Glas: 54,5 x 63 cm. Etwas stockfleckig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:39 Uhr (CET)Study with four horse heads. VERNET, Carle(1758 Bordeaux - 1836 Paris) Lithograph. Matted cut-out: 36 x 44 cm, framed and behind glass: 54.5 x 63 cm. Some foxing. Call time 24 | Feb 2024 | probably 10:39 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 Illustrationen zu GrimmelshausenLithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1983. Auflage der Nachlassblätter für die Griffelkunst-Vereinigung. Blatt je: 50,4 x 38,4 cm. 2 von 45 Illustrationen zum Schelmenroman "Der abenteuerliche Simplicissimus" von Hans Jacob Christoffel von Grimmelshausen: "Soest" und "Ankunft Paris". Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 906 und 918. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:05 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 illustrations on GrimmelshausenLithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". 1983 edition of the estate sheets for the Griffelkunst-Vereinigung. Sheet each: 50.4 x 38.4 cm. 2 of 45 illustrations for the picaresque novel "Der abenteuerliche Simplicissimus" by Hans Jacob Christoffel von Grimmelshausen: "Soest" and "Ankunft Paris". German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 906 and 918. Aufrufzeit 24. | Feb 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SITTE, Willi(1921 Kratzau - 2013 Halle/Saale) LiebespaarLithografie. Bleistiftsignatur. [19]78. Exemplar: 5/150. Druckstock: 47,7 x 34,5 cm, Blatt: 69,2 x 50 cm. Blatt minimal knickspurig. Deutscher Maler und Grafiker, zählt zu den bedeutendsten und umstrittensten Künstlern der DDR. "Man muss diesen Sitte nicht lieben, weder den Menschen, noch den Künstler. [...] und interessant ist Sitte aus zwei Gründen: wegen seiner exemplarischen Karriere im untergegangenen deutschen Staat, mit allem, was dazugehörte, besonders dem Unerquicklichen; und wegen seiner überquellenden Produktivität, deren Resultat noch der Sichtung harrt. Wenige andere Künstler dürfte es geben, wo das völlig Misslungene derart krass neben den überraschendsten und beglückendsten Funden steht. [...]" (Burkard Müller über WS, www.sueddeutsche.de). Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:12 Uhr (CET) SITTE, Willi(1921 Kratzau - 2013 Halle/Saale) LoversLithograph. Pencil signature. [19]78. copy: 5/150. Printing block: 47.7 x 34.5 cm, sheet: 69.2 x 50 cm. Sheet minimally creased. German painter and graphic artist, one of the most important and controversial artists of the GDR. "You don't have to love this custom, neither the man nor the artist. [...] and Sitte is interesting for two reasons: because of his exemplary career in the defunct German state, with everything that went with it, especially the unpleasantness; and because of his overflowing productivity, the results of which are still waiting to be seen. There are probably few other artists where the utterly unsuccessful stands in such stark contrast to the most surprising and exhilarating finds. [...]" (Burkard Müller about WS, www.sueddeutsche.de). Aufrufzeit 24. | Feb 2024 | probably 11:12 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FANART, Antonin (1831 Besancon - 1903 Besancon) Bauernhof im SonnenlichtÖl auf Holz. Signiert. 20 x 25,5 cm. Gerahmt : 39 x 44 cm. Breiter vergoldeter Stuckrahmen. Rahmen leicht defekt. Fanart, Maler, Zeichner, Lithograph, Vater von Auguste Fanart. 1849-1853 Schüler von Francois Diday. 1860 gelingt ihm der künstlerische Durchbruch, seine Werke sind der Malerei der Schule von Barbizon zuzuordnen * Partnerauktion Bergmann. Literatur : Saur (2003). Aufrufzeit 24. | Feb 2024 | voraussichtlich 18:12 Uhr (CET) FANART, Antonin (1831 Besancon - 1903 Besancon) Farmyard in the sunlightOil on wood. Signed. 20 x 25.5 cm. Framed : 39 x 44 cm. Broad gilded stucco frame. Frame slightly defective. Fanart, painter, draughtsman, lithographer, father of Auguste Fanart. 1849-1853 pupil of Francois Diday. His artistic breakthrough came in 1860, his works are associated with the Barbizon school of painting * Partner auction Bergmann. Literature : Saur (2003). Aufrufzeit 24. | Feb 2024 | probably 18:12 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CORNEILLE, (1922 Lüttich - 2010 Auvers-sur-Oise) Dame mit Vogel und FischFarbaquatinta-Radierung oder Farblithografie. Bleistiftsignatur. [19]93. Exemplar: 40/120. Druckplatte: 24 x 32 cm. Gerahmt & hinter Glas : 56 x 61,5 cm. Niederländischer Maler, Bildhauer, Dichter und Mitbegründer der Künstlergruppe CoBrA. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:36 Uhr (CET) CORNEILLE, (1922 Liège - 2010 Auvers-sur-Oise) Lady with bird and fishColor aquatint etching or color lithograph. Pencil signature. [19]93. copy: 40/120. Printing plate: 24 x 32 cm. Framed & behind glass : 56 x 61.5 cm. Dutch painter, sculptor, poet and co-founder of the artist group CoBrA. About 24 Feb 2024 | probably 11:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JÄGER, Bernhard (*1935 München) WesenFarblithografie. Bleistiftsignatur. Exemplar: 2/100. Blatt: 61,5 x 43 cm. Deutscher Maler, Grafiker, Illustrator und Bildhauer; Mitbegründer der "Gulliver-Presse". In den Jahren 1970, 1984 und 1994 wurden vom Künstler illustrierte Bücher mit dem Preis "Die schönsten Bücher des Jahres" ausgezeichnet. 2010 realisierte er die farbenfrohe Skulptur "Stell-Dich-Ein" in Gießen. Literatur : https://www.bernhard-jaeger.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:20 Uhr (CET) JÄGER, Bernhard (*1935 Munich) BeingColor lithograph. Pencil signature. Copy: 2/100. Sheet: 61.5 x 43 cm. German painter, graphic artist, illustrator and sculptor; co-founder of the "Gulliver-Presse". In 1970, 1984 and 1994, books illustrated by the artist were awarded the "Most Beautiful Books of the Year" prize. In 2010, he created the colorful sculpture "Stell-Dich-Ein" in Giessen. Literature : https://www.bernhard-jaeger.de/. Aufrufzeit 24. | Feb 2024 | probably 11:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Dame mit FächerLithografie. Bleistiftsignatur. 1968. Exemplar: 13/30. Druckstock: 19,5 x 16 cm, Blatt: 24 x 18 cm. Litho 1968 13/30 , signiert. Deutscher Maler und Grafiker der Naiven Kunst. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:17 Uhr (CET) EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Lady with fanLithograph. Pencil signature. 1968. copy: 13/30. Print block: 19.5 x 16 cm, sheet: 24 x 18 cm. Litho 1968 13/30 , signed. German painter and graphic artist of naive art. Aufrufzeit 24. | Feb 2024 | probably 11:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SEITZ, Gustav (1906 Mannheim-Neckarau - 1969 Hamburg) "Bert Brecht"Lithografie. Verso Nachlassstempel "Nachlass Gustav Seitz 1970 Bestätigt C. Seitz". Edition Griffelkunst-Vereinigung Hamburg e.V. 1970. Blatt: 64 x 49,7 cm. Randbereich etwas knickspurig. Deutscher Bildhauer, Grafiker und Zeichner. Er erhielt im Jahr 1949 den Nationalpreis der DDR 3. Klasse für die Gestaltung des Mahnmals "Den Toten der Lorbeer" für die Opfer des Faschismus in Weißwasser/Oberlausitz. Literatur : https://gustav-seitz-museum.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:19 Uhr (CET) SEITZ, Gustav (1906 Mannheim-Neckarau - 1969 Hamburg) "Bert Brecht"Lithograph. Estate stamp "Nachlass Gustav Seitz 1970 Bestätigt C. Seitz" on verso. Edition Griffelkunst-Vereinigung Hamburg e.V. 1970. Sheet: 64 x 49.7 cm. Some creasing to margins. German sculptor, graphic artist and draughtsman. In 1949, he was awarded the GDR National Prize 3rd class for the design of the memorial "Den Toten der Lorbeer" for the victims of fascism in Weißwasser/Oberlausitz. Literature : https://gustav-seitz-museum.de/. Call time 24 | Feb 2024 | probably 11:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) "Kaninchen I"Lithografie. Bleistiftsignatur. [19]42. Blatt: 37,5 x 26,4 cm. auf Blatt 76,5 x 58 cm geheftet. Kaninchen nach Albrecht Dürer aus der Studienzeit von 1941 bis 1945 bei Walther Klemm in Weimar. Maler und Grafiker in Weimar, studierte bei Walther Klemm in Weimar. Er erhielt 1971 den Kunstpreis der DDR. Provenienz : Nachlass Otto Paetz Atelier Weimar. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:38 Uhr (CET) PAETZ, Otto(1914 Reichenbach im Vogtland - 2006 Zella-Mehlis) "Rabbit I"Lithograph. Pencil signature. [19]42. Sheet: 37.5 x 26.4 cm. stitched on sheet 76.5 x 58 cm. Rabbit after Albrecht Dürer from the period of study from 1941 to 1945 with Walther Klemm in Weimar. Painter and graphic artist in Weimar, studied under Walther Klemm in Weimar. He received the GDR Art Prize in 1971. Provenance : Estate Otto Paetz Atelier Weimar. Aufrufzeit 24. | Feb 2024 | probably 10:38 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Blick auf BleicherodeLithografie. Gerahmt & hinter Glas : 56 x 83 cm. Blick auf Bleicherode im Landkreis Nordhausen/Thüringen von der Burgruine Löwenburg. Stockfleckig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:17 Uhr (CET) View of BleicherodeLithograph. Framed & behind glass : 56 x 83 cm. View of Bleicherode in the district of Nordhausen/Thuringia from the castle ruins of Löwenburg. Foxspotted. Aufrufzeit 24. | Feb 2024 | probably 10:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die feindlichen Brüder (II)"Aquarellierte Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1967]. Blatt: 53,7 x 65,1 cm. Blatt minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 679. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:02 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die feindlichen Brüder (II)"Watercolor lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [1967]. Sheet: 53.7 x 65.1 cm. Sheet minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 679. Aufrufzeit 24. | Feb 2024 | probably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DALI, Salvador(1904 Figueres - 1989 Figueres) "Phoebus, der bekrönte Gott"Farbholzstich auf Arches-Bütten (1970er Jahre). Bleistiftsignatur. Exemplar: 35/144. Druckstock: 27 x 21 cm, Blatt ca.: 56 x 38 cm. Gerahmt & hinter Glas : 60 x 41,5 cm. Aus dem Zyklus "Ovid. Die Kunst zu lieben" mit 13 Farbholzstichen, 1 Radierung und 1 Farblithografie, Centre Culturel Paris, 1978. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. "Eines Tages wird man offiziell zugeben müssen, dass das, was wir Wirklichkeit getauft haben, eine noch größere Illusion ist als die Welt des Traumes." (Zitat: SD, https://www.dalimuseum.de/zitate.php). Literatur : WVZ Michler/Löpsinger 1527a. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:07 Uhr (CET) DALI, Salvador(1904 Figueres - 1989 Figueres) "Phoebus, der bekrönte Gott"Color wood engraving on Arches laid paper (1970s). Pencil signature. Copy: 35/144. Imprint block: 27 x 21 cm, sheet approx. 56 x 38 cm. Framed & behind glass : 60 x 41.5 cm. From the cycle "Ovid. The Art of Loving" with 13 wood engravings, 1 etching and 1 color lithograph, Centre Culturel Paris, 1978. Spanish painter, graphic artist, writer and stage designer. He is one of the most famous painters of the 20th century and one of the main representatives of Surrealism. "One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams." (Quote: SD, https://www.dalimuseum.de/zitate.php). Literature : WVZ Michler/Löpsinger 1527a. Aufrufzeit 24. | Feb 2024 | probably 11:07 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ANTES, Horst(*1936 Heppenheim) KopffüßlerFarblithografie auf Bütten. Bleistiftsignatur. Exemplar: 92/200.Blatt: 56,5 x 41,5 cm. Gerahmt & hinter Glas : 80 x 60,5 cm. Deutscher Maler, Grafiker und Bildhauer, der besonders für seine "Kopffüßler" Bekanntheit erlangte.| Nachtrag 20.02.24: Werk heißt "Maskierte Figur", es handelt sich um einen OffsetdruckAufrufzeit 24. | Feb 2024 | voraussichtlich 11:20 Uhr (CET) ANTES, Horst(*1936 Heppenheim) HeadfootColor lithograph on laid paper. Pencil signature. Copy: 92/200.Sheet: 56.5 x 41.5 cm. Framed & behind glass : 80 x 60.5 cm. German painter, graphic artist and sculptor, who became particularly famous for his "Kopffüßler".Aufrufzeit 24. | Feb 2024 | probably 11:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ENDERLEIN, Karl (1872 Leipzig - 1954 Dresden) Frühlingslandschaft mit zwei KindernÖl/Leinwand. Links unten signiert. 70 x 98 cm. Gerahmt : 84 x 112 cm. Die zwei nackten Kinder im hellen Sonnenschein an einer Quelle beim Spielen mit Blumen. Altersspuren. Maler und Lithograph, studierte in Dresden, dort an der Kunstgewerbeschule tätig. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 15:42 Uhr (CET) ENDERLEIN, Karl (1872 Leipzig - 1954 Dresden) Spring landscape with two childrenOil/canvas. Signed lower left. 70 x 98 cm. Framed : 84 x 112 cm. The two naked children in the bright sunshine at a spring playing with flowers. Traces of age. Painter and lithographer, studied in Dresden, where he worked at the Kunstgewerbeschule. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 15:42 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LIEBERMANN, Max(1847 Berlin - 1935 Berlin) Soldaten beim Schießen auf einen nackten PoLithografie. Bleistiftsignatur. Ca. 1915. Abbildung: 12 x 14,5 cm, Passepartout: 24,5 x 29,5 cm. Abbildungsbereich lichtgebräunt, Klebespuren, oben rechts kleiner Wasserfleck. Deutscher Maler und Grafiker, Präsident der "Berliner Secession"; gehört zu den bedeutendsten Vertretern des deutschen Impressionismus. Literatur : Verso bezeichnet "Schiefler 266" (vgl. WVZ Schiefler, 1991 Nr. 266); https://liebermann-villa.de/museum/max-liebermann/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:25 Uhr (CET) LIEBERMANN, Max(1847 Berlin - 1935 Berlin) Soldiers shooting at a naked bottomLithograph. Pencil signature. Circa 1915. Image: 12 x 14.5 cm, mat: 24.5 x 29.5 cm. Image area light browned, traces of glue, small water stain upper right. German painter and graphic artist, president of the "Berliner Secession"; one of the most important representatives of German Impressionism. Literature : verso inscribed "Schiefler 266" (cf. WVZ Schiefler, 1991 no. 266); https://liebermann-villa.de/museum/max-liebermann/. Aufrufzeit 24. | Feb 2024 | probably 10:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CORINTH, Lovis(1858 Tapiau - 1925 Zandvoort) Soldaten bei der RastLithografie. Bleistiftsignatur. Passepartoutausschnitt: 34 x 26 cm. Gerahmt & hinter Glas : 51 x 43 cm. Unterer Bereich etwas knickspurig. Deutscher Maler, Zeichner und Grafiker, zählt zu den wichtigsten Vertretern des deutschen Impressionismus: "Das höchste ist in der Kunst, sich von der Wirklichkeit zu entfernen." (Zitat: LC, gesehen auf Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:26 Uhr (CET) CORINTH, Lovis(1858 Tapiau - 1925 Zandvoort) Soldiers at restLithograph. Pencil signature. Passepartout cut-out: 34 x 26 cm. Framed & behind glass : 51 x 43 cm. Some creasing to lower area. German painter, draughtsman and graphic artist, one of the most important representatives of German Impressionism: "The highest thing in art is to distance oneself from reality." (Quote: LC, seen on Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Aufrufzeit 24. | Feb 2024 | probably 10:26 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Mit sich selbst)"Lithografie auf Bütten. Bleistiftsignatur, Wasserzeichen "Clan-Presse". [1966]. Blatt: 65 x 54 cm. Aus der Reihe "Gefangene" - in Erinnerung an die Gestapo-Haft des Künstlers vom 1.7. bis 15.12.1937 im KZ Hamburg-Fuhlsbüttel, Berlin und im Nürnberger Polizeigefängnis: "Gefangener spielt, auf seiner Pritsche sitzend, mit sich selbst Schach. Weber hat im Gefängnis 1937 begonnen, Schachpartien zu zeichnen [...] und hat auch gegen sich selbst gespielt. Dazu fertigte er ein Schachspiel aus aufgeweichtem Zeitungspapier an, wobei aus den Rändern die weißen, aus den bedruckten Teilen die schwarzen Figuren entstanden. Das Spiel, das Weber später sorgsam verwahrte, befindet sich heute im Weber-Museum Ratzeburg." (Zitat aus Dorsch 1991, Werkverzeichnis der Lithografien, WVZ 777). Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 777. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:01 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Mit sich selbst)"Lithograph on laid paper. Pencil signature, watermark "Clan-Presse". [1966]. Sheet: 65 x 54 cm. From the series "Gefangene" (Prisoners) - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison: "Gefangener spielt, auf seiner Pritsche sitzend, mit sich Schach. Weber began drawing chess games in prison in 1937 [...] and also played against himself. To do this, he made a chess set out of softened newspaper, using the edges to make the white pieces and the printed parts to make the black pieces. The game, which Weber later kept carefully, is now in the Weber Museum in Ratzeburg." (Quote from Dorsch 1991, catalog raisonné of lithographs, WVZ 777). Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 777. Aufrufzeit 24. | Feb 2024 | probably 11:01 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Runkelrübe"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [19]74. Druckplatte: 16,5 x 24 cm. Gerahmt & hinter Glas : 36 x 45,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 2084. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Runkelrübe"Lithograph. Pencil signature, red stamp "Clan-Presse". [19]74. Printing plate: 16.5 x 24 cm. Framed & behind glass : 36 x 45.5 cm. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : see Dorsch WVZ 2084. Call time 24 | Feb 2024 | probably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Bertholet, Ferrie (1952) "Japanese veranda", signed in full in pencil lower right, color lithograph/paper E.A. no. 5/12, h 42 x w 55 cm.

Wiegers, Jan (Oldenhove 1893 A'dam-1959) "View of Lugano", 1958, signed in full right in the plate, color lithograph/mixed media/paper, image size h 28 x w 41 cm (Lit. Jan Wiegers 1893-1959, edition Groninger Museum, part 6, page 105).

Wiegers, Jan (Oldenhove 1893 A'dam-1959) "Portrait of a man", signed in full pencil b.r., lithograph/paper, image size h32.5 x w26 cm.

After Marc Chagall, David Saved by Michael, lithograph, published by Mourlot, 13" x 10" (33 x 25cm).

After Vernier, A 19th Century hand coloured lithograph of Napoleon III and his entourage at an International exhibition, 10.5" x 15.25", (27x38.5cm) and five 19th Century lithographs of French military subjects, largest 16.5" x 11.75", (42x29.5cm) (a/f) (6).

Théophile Alexandre Steinlen (1859-1923) ; Georges de Feure, (1868-1943) ; Adolfo Hohenstein (1854-1928) ; Alejandro de Riquer (1856-1920) Five 'Les Maitres de L'affiche' posters printed by Imprimerie Chaix comprising : Théophile Alexandre Steinlen, 'Motocycles Comiot Paris', c.1899 ; Georges de Feure, 'Le Journal des Ventes', c.1898 ; Adolfo Hohenstein, 'Centenaire de la Decouvert de la Pile Voltaique' c.1898 ; Alejandro de Riquer, 'Napoleon, Rambla Santa Monica Barcelona', c.1895 and  Ayutamiento de Barcelona', 'Napoleon, c.1896  Lithograph in colours on paper  (i) 39.5cm x 29cm  (ii) 39cm x 28.5cm  (iii) 39.5cm x 29cm  (iv) 40cm x 29cm  (v) 39.5cm x 29cm  (Unframed)

Alphonse Mucha (1860-1039) 'Gismonda, Bernhardt, Theatre de la Renaissance' poster, published by Imprimeries Lemercier, circa 1896 Lithograph in colours on paper Image : 34.5cm x 13.5cm

Alphonse Mucha (1860-1039) ; Henri Privat-Livemont (1861-1936) Alphonse Mucha 'Moet et Chandon' menu, F. Champenois, c.1897 ; Henri Privat-Livemont, 'Ameublement', Editeur Bruxelles, c.1890 Each lithograph in colours on paper Image : 21cm x 14.5cm and 25.5cm x 12cm respectively (Framed) 

Joshua Cristall (1767–1847). 1816 pen lithograph. Apollo and the muses. Signed in the plate lower right. Framed and glazed. H.43 W.57cm.

R. Bonis. French rail travel poster. Lithograph. Chemins de fer Paris-Lyon-Méditerranée. Advertising the winter service to Italy via the Mont-Cenis Pisa tunnel to Florence, Naples, Venice and Rome. Chemins de fer Paris-Lyon-Méditerranée or PLM as it was known, was established in 1857 and was one of France’s main railway companies until it was nationalised in 1938. Framed and glazed. H.112 W.81cm.

Nina K. Brisley (British. 1898-1978) Lithograph. "Heigh-Ho! Come to the Fair" From the 'Child Education Posters' series. With old folds running through the centre and lightly faded. Framed and glazed. H.100 W.63cm.

AFTER GRAEME BAXTER (2)Champion Golfer of the Year signed in pencil 'Graeme Baxter' and signed by Padraig Harrington (in lower margin) lithograph in colours 40 x 51cm with a certificate of authenticity together with another lithograph after Graeme Baxter of Valhalla 13th Hole, Ryder Cup, 40 x 61cm, with a certificate of authenticity (2) ARR

BERNARD CHEESE (BRITISH, 1925-2013)Fishing Off the Pier signed, dated and numbered in pencil 'Cheese '52 4/10' (lower right) lithograph in colours 40 x 45cm ARR

Moïse Kisling (Polish-French, 1891-1953) Portrait of a boylithograph in colours, numbered 'IV/LXX' with Atelier Kisling blind stamp l.l.image 46 x 37cmCondition ReportFrame is not glazed. Paper a little cockled. Staining to margins. Reisdue from tape marks on print under mount. However presents well.

David Hockney OM CH RA (b.1937) 'Celia with Green Hat'offset lithograph in colours, 1998, published for the exhibition 'David Hockney Prints 1954 -1995' at the Peter Gwyther Gallery, London sheet 71 x 42cm, unframedCondition ReportIn good condition.

▴ After Pablo Picasso Woman Leaning, 1938offset lithograph in colours, numbered '10/200' in pencil l.l., bears printed signature, published by Fundación Museo Picasso Málaga with blind stamp and further printed authentication versosheet 70 x 50cm, unframedCondition ReportPreviously rolled. A couple of very slight handling creases to the margins but presents well overall.

▴ John Nash RA (1893-1977) 'The Stour at Bures'lithograph in colours, 1937, signed 'John Nash' in pencil l.r. (obscured by mount), published by Contemporary Lithographs Ltd., Londonimage 49 x 74cm, visibleProvenance: With William Weston Gallery Ltd., London.Condition ReportFramed: 75 x 99cmSheet: 57 x 81cmLight cockling. Some small creases to the sky and a further light crease to the bottom right corner. There is some faint time staining and slight discolouration to the sky on the right hand side, please see images. The pencil signature is obscured by the mount. Examined out of the frame there is some time staining and discolouration to the edges and the print appears to have been trimmed unevenly. There colours underneath the mount appear slightly brighter which suggests that some fading has occurred to the rest of the print.The work has been attached to the mount with a strip of tape applied to the reverse of the top edge.

▴ Robert Adams (1917-1984) Untitled (from IAA Portfolio)lithograph in colours, signed 'Robert Adams' in pencil l.r., and numbered '68/75', from the 'Portfolio of Prints by British Artists', published by the United Kingdom National Committee of the International Association of Art, 1975image 48.5 x 35cm, unframedCondition ReportSheet: 68 x 48cmThe printed area appears to be in good condition and the colours are bright and vibrant There are a couple of very light handling creases to the margins which are only visible on close inspection, and in our opinion do not affect overall enjoyment of the work.The top left corner of the sheet is slightly dog-eared and there is an extremely tiny faint dirty spot to the unprinted area in the centre of the left edge.

▴ Sir Grayson Perry RA (b.1960) 'A Show For Normal People'offset lithograph in colours, 2021, signed 'Grayson Perry' in marker c.l., with a sketch by the artist c.r.sheet 59.5 x 42cm, unframedCondition ReportA very light handling crease to the upper right corner and a further slight crease to the lower left corner. This does not affect enjoyment of the print which is in otherwise good condition.

After Jean-Michel Basquiat 'Keep Frozen'offset lithograph in colours, numbered '340/500' in pencil l.l., bears printed signature with Oro Cartier blind stampsheet 50 x 35cm, unframedCondition ReportSome light handling crease but presents well overall. The signature is printed.

▴ Sir Peter Blake RA (b.1932) 'Liberty Blake in a Kimono', 1971offset lithograph in colours, bears printed signature l.r.sheet 61 x 45cm, unframedCondition ReportSome light handling creases but presents well overall.

▴ William Gear RA RBSA (1915-1997) 'Structure'lithograph in colours, signed and dated 'Gear 49' in pencil l.r., and numbered '5/20'image 40.5 x 57cmCondition ReportFramed: 58 x 74cmLight time staining but presents well overall. Not examined out of glazed frame.

▴ Kees Van Dongen (Dutch-French, 1877-1968) 'Cavalier Arabe'lithograph in colours on Arches wove, c.1930s, signed 'Van Dongen' in pencil l.c., numbered '90/95'image 37 x 30cmCondition ReportFramed: 73 x 54cmTimes staining with patchy discolouration to the margins, please refer to images. Small spots and speckles of foxing starting to emerge. Not examined out of glazed frame.

▴ Graham Sutherland OM (1903-1980) 'Beetle'lithograph in colours, 1968, signed 'Sutherland' in pencil l.r., and numbered '116/300'image 59 x 29cm, unframedCondition ReportMount: 80 x 53.5cmThere is some slight discolouration to the edges of the work where the print has been previously framed with a smaller mount but the printed area does not appear to be affected. Slight cockling to the top edge. Two small creases 2cm in length to the centre of the right side. The colours appear bright. Not viewed out of mount.

David Hockney OM CH RA (b.1937) 'Olympische Spiele München 1972'offset lithograph in colours, from an open editionsheet 101 x 64cm, unframedCondition ReportPreviously rolled with light handling creases to the bottom. On the back there is a very small crease to the top in the centre. On close inspection in raking light this is visible from the front of the print, but in our opinion this does not detract from overall enjoyment of the work. Some extremely faint time staining to the white area at the bottom of the print, please see condition images. The full sheet is printed to the edges which are in good condition. The print is crisp and the colours are bright.

▴ Dame Elisabeth Frink CH RA (1930-1993) 'Small Horse and Rider', 1970 (Wiseman 40)lithographsheet 25.5 x 32cm, unframedCondition ReportIn good condition.

Paul Klee (Swiss-German, 1879-1940) 'Seaside Resort in the South of France', 1927offset lithograph in colours, signed in the platesheet 39 x 49cm (visible)Condition ReportFramed: 41 x 51cmCockling and time staining with some creasing to the white area of the sky. Some small spots and specks of dust and dirt are trapped behind the glazing. The print is on laid paper. Not viewed out of glazed frame.

After Roy Lichtenstein 'Kiss III', 1962offset lithograph in colours, 1996, numbered '20/150' in pencil l.l., bears printed signature with Styria Studio blind stamp, and Castelli Graphics stamp versosheet 50 x 35cm, unframedCondition ReportPreviously rolled. There is a small diagonal fold in the bottom right corner. The printed area is unaffected and the work appears to be in otherwise good condition.

Original Victorian color lithograph entitled The Block Printed Table Cover from Sir Matthew Digby Wyatt's publication The Industrial Arts of the Nineteenth Century, Plate 120. Published by lithographers to the Queen Day & Son, the group Evans & Co of London designed this exuberant flower arrangement. Below the design: A. Aglio Del., M. Bigly Wyatt Direx., F. Bedford, Lith. Housed in a gilded frame with an ecru mat. Sight size: 12"L x 17"H. Frame size: 19"L x 24"H x 0.75"W. Artist: Matthew Digby Wyatt (British 1820-1877)Issued: 1852Country of Origin: EnglandCondition: Age related wear.

Original chromolithograph on paper by French painter and botanical artist Louise-Cecile Descamps-Sabouret who contributed illustrations for La Revue Horticole at the turn of the 19th century. This velvety lithograph in greens and yellows entitled Iochroma Flavum (Mini Angel Trumpet) is made with delicate details and great accuracy. On the lower part: L. Descamps-Sabouret, del. Chromolith. J.L Goffard, Bruxelles. Housed in a gilded wood frame. Sight size: 6.50"L x 9.75"H.Frame size: 14.25"L x 17.25"H x 1"W. Artist: Louise-Cecile Descamps-Sabouret (French b.1855-?)Issued: c. 1891Country of Origin: FranceCondition: Age related wear. Glass is missing from frame.

ELISABETH FRINK, The Goose with the Golden egg, off the set lithograph edition: 250, printed at Curwen studio, vintage French frame.

JOAN MIRO, Abstract, lithograph in colour 1960, vintage French frame, 37cm x 27cm.

PABLO PICASSO, Bouquet of Flowers, lithograph, signed and dated in the plate, vintage French frame, 65cm x 50cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Woman on horseback pink, off set lithograph, Toros suite, vintage French frame, 37.5cm x 27cm.

MARGARET LAYTON (American mid 20th century), study of an owl, lithograph, 47cm H x 39cm W. Framed.

PABLO PICASSO, The Owl, lithograph 1954, vintage French frame, 37cm x 27cm.

PABLO PICASSO, Woman on horseback with dog, off set lithograph, Toros suite, vintage French frame, 37.5cm x 27cm.