70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A Victorian maple framed hand coloured lithograph, 'The Meet before The Hunt', 52 x 82cm

Julian Trevelyan (b.1946), lithograph, Harbour (SP3), 48 x 75cm

* KAREN MCINTYRE,SO VERY SPECIALlimited edition lithograph on paper, signed and numbered 5/495, titled certificate versoimage size 46cm x 44cm, overall size 77cm x 71cm Mounted, framed and under glass.Note: certificate of authenticity attached verso.

Keith Haring (in the style of) - Born Free - Offset lithograph on wove paper Printed signature, dry stamp of the Foundation Limited edition of 150 ex - Weight: 80 g - Region: Etats-Unis - Sizes: H 700 mm L 500 mm - Condition: At first sight - good condition - no restoration - Author / artist: Keith Haring (in the style of)

Shepard Fairey alias Obey (1970) "Liberty Equality Fraternity" Street American artist Polychrome lithograph, signed. - Weight: 6.40 kg - Region: Etats-Unis - Sizes: H 900 mm L 600 mm - Condition: At first sight - good condition - no restoration - Author / artist: Shepard Fairey alias Obey (1970)

Keith Haring (in the style of) - Love Family - Offset lithograph on wove paper Printed signature, - Weight: 60 g - Region: England - Sizes: H 700 mm L 500 mm - Condition: At first sight - good condition - no restoration - Author / artist: Keith Haring (in the style of

Niki de Saint Phalle - Naughty, 74 cm x 55.5 cm. Lithograph. Pattern here with green background. Inscribed "H.C" lower left, signed in pencil "Niki de St. Phalle" lower right. - Weight: 4.20 kg - Region: France - Period: 20eme - Sizes: H 750mm L550mm - Condition: At first sight - good condition - no restoration - Author / artist: Niki de Saint Phalle - Object type: Dessin

Kees Van Dongen (1877-1968)--Rimmel II, 1920-Lithograph in black, enhanced with stencil, signature - Weight: 50 g - Region: France - Period: 20eme - Sizes: H 300mm L 230mm - Condition: At first sight - good condition - no restoration - Author / artist: Kees Van Dongen - Object type: Tableau

KÖHLER August (1881 Stuttgart - 1964 ebd.) "Bodenseestimmung" Blick auf den See mit Holzpfählen, Steg mit kleinen Hütten, im Hintergrund ein Segelboot dahinter die Berge, Ölgemälde auf Leinwand, links unten signiert, 46,5x59,5cm, R *Köhler war als praktischer Lithograph tätig, anschließend besuchte er bis 1912 die Stuttgarter Akademie unter Robert Pötzelberger, Christian Landenberger und Robert von Haug. Die Akademie verlieh ihm 1912 die Goldmedaille. Gemälde Köhlers wurden u. a. auf Ausstellungen im Münchener Glaspalast 1910, auf der Großen Kunstausstellung 1911 in Düsseldorf und auf der Großen Kunstausstellung in Berlin 1912 gezeigt. Auch auf der Großen Kunstausstellung in Stuttgart 1913 war er vertreten.*

Three French coloured lithograph prints with verre eglomise and Hogarth style frames, 43 x 40cm (3)

Ronald Searle (1920-2011), "The Guru" lithograph, signed, inscribed and numbered 23/99, stamped Michel Casse Litho Paris, 64.5cm x 49.5cm

ACKERMANN, MAX (1887-1975, Prof.), "Abstrakte Komposition", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert und datiert 1947/72, u.li. mit Bleistift num. 50/100, HxB: Platte ca. 55x42 cm, Passepartoutausschnitt ca. 58,5x44,5 cm, Außenmaße Rahmen ca. 75x61 cm. Leichte Altersspuren und gewellt. Im Passepartout hinter Glas gerahmt (Beriebspuren an den Kanten).| ACKERMANN, MAX (1887-1975, Prof.), "Abstract composition", color lithograph/paper, signed by hand in pencil and dated 1947/72, lower left with pencil no. 50/100, HxW: plate approx. 55x42 cm, passe-partout cut-out approx. 58.5x44.5 cm, outer dimensions of frame approx. 75x61 cm. Slight signs of age and wavy. Framed behind glass in a passe-partout (traces of wear on the edges).

UECKER, GÜNTHER (geb. 1930), "Abstrakte Komposition", Lithographie/Bütten, u.re. mit Bleistift von Hand signiert und datiert 'Uecker 95', u.li. mit Bleistift num. 17/30, HxB: Blatt ca. 80x60 cm, Außenmaße Rahmen ca. 109x86 cm. Mit Passepartout hinter Glas gerahmt. Minim. Altersspuren. DAZU: "Wort - Schrift - Zeichen, Uecker", Lithographie/Papier, HxB: Blatt ca. 70x50 cm. Leichte Alters- und Knickspuren, Reißnagellöchlein an den Ecken. | UECKER, GÜNTHER (born 1930), "Abstract Composition", lithograph / handmade paper, u.re. Signed and dated 'Uecker 95' by hand in pencil, below left. with pencil num. 17/30, HxW: sheet approx. 80x60 cm, external dimensions frame approx. 109x86 cm. Framed behind glass with a passepartout. Minim. Signs of age. ADDITIONAL: "Word - Script - Sign, Uecker", lithography / paper, HxW: sheet approx. 70x50 cm. Slight signs of age and creases, thumbtack holes at the corners.

BREKER, ARNO (1900-1991), "Sitzender weiblicher Akt", Lithographie mit Bleistift signiert 'Breker' und nummeriert 11/15, HxB: ca. 53x39 cm (57,5x43,5 cm mit Rahmen). Hinter Glas gerahmt. Rahmen besch..| BREKER, ARNO (1900-1991), "Sitting female nude", Lithograph signed in pencil 'Breker' and numbered 11/15, HxW: ca. 53x39 cm (57,5x43,5 cm with frame). Framed behind glass. Frame damaged.

CHAGALL, MARC (1887-1985) "Le soir d´été" 1968 Farblithographie, signiert und bez. "epreuve d´artiste VIII/XXV", Darstellung, HxB: 60/42 cm., Verso Etikett: "Galerie Schönninger", Altersspuren, Papier gebräunt, Rahmen, HxB: 90/70 cm. PROVENIENZ: Süddeutsche Privatsammlung.| CHAGALL, MARC (1887-1985) "Le soir d'été" 1968Colour lithograph, signed and inscribed "epreuve d'artiste VIII/XXV", motif, HxW: 60/42 cm., label on verso: "Galerie Schönninger", traces of age, paper browned, frame, HxW: 90/70 cm. PROVENANCE: South German private collection.

Salon-Spieldose Adler/Fortuna Nr. 245, um 1900 Hersteller: Heinrich Zimmermann, Leipzig. Für Blechplatten Ø 28 cm, 62 Töne in 2 Stahlkämmen (komplett), Original-Lithographie im Deckel, sichtbarer Motor unter Glas, Holzgehäuse 49 x 36 x 23 cm, Deckel mit Intarsien, sehr gut spielender Zustand, mit 12 Platten. Start Price: EUR 800 Watch and Listen on:Youtube.com/AuctionTeamBrekerAdler/Fortuna Disc Musical Box No. 245, c. 1900 By Heinrich Zimmermann, Leipzig. For 11-inch discs, 62 teeth in two steel combs (complete), lid with original lithograph, visible motor under glass, marquetry-inlaid lid, in wood case 19 1/3 x 14 x 9 in., very good playing condition, with 12 discs. Start Price: EUR 800 Watch and Listen on:Youtube.com/AuctionTeamBreker

10 Graphiken mit Markthändlern und Schaustellern, ab 1772 1) Lithographie von Fritz Reuter, 1881, "Jahrmarkt", gedruckt von C. Hacker's Institut, Berlin, Maße 23 x 33 cm. - 2) Tuschezeichnung von Theodor Grätz, um 1920, "Zirkuselefant", für die Fliegenden Blätter, Maße 29 x 37 cm. - 3) 4 Kreidelithographien von Lou Albert-Lasard, um 1925, aus der Serie "Montmatre", jeweils signiert, erschienen im Kiepenheuer-Verlag, Potsdam, Maße jeweils 37 x 48 cm. - 4) Lithographie nach Johan Fredrik Martin, London 1772, "The Sausage Woman, or a Scene in Covent Garden", gedruckt für Robert Sayer, Maße 25 x 35 cm. - 5) Kupferstich nach Karel Dujardin, "Les Charlatans", Maße 31 x 26 cm. - 6) Lithographie, um 1840, "Der Hühnermarkt in Frankfurt am Main", Maße 50 x 34 cm. - 7) Bleistiftzeichnung von J Schultz-Dahl, 1927, "Blumenverkäuferin, Druck Nr. 17/50, unten rechts handsigniert, Maße 25 x 32 cm. Start Price: EUR 240 Ten Prints of Market Traders and Showmen, 1772 onwards 1) Lithograph by Fritz Reuter, 1881, "Fair", printed by C. Hacker's Institut, Berlin, 23 x 33 cm. - 2) Ink drawing by Theodor Grätz, c. 1920, "Circus elephant", for the Fliegende Blätter, 29 x 37 cm. - 3) Four chalk lithographs by Lou Albert-Lasard, c. 1925, from the series "Montmatre", signed, published by Kiepenheuer-Verlag, Potsdam, 37 x 48 cm. - 4) Lithograph after Johan Fredrik Martin, London 1772, "The Sausage Woman, or a Scene in Covent Garden", printed for Robert Sayer, 25 x 35 cm. - 5) Copper engraving after Karel Dujardin, "Les Charlatans", 31 x 26 cm. - 6) Lithograph, c. 1840, "Der Hühnermarkt in Frankfurt am Main", 50 x 34 cm. - 7) Pencil drawing by J Schultz-Dahl, 1927, "Blumenverkäuferin", print no. 17/50, signed by hand on lower right, 25 x 32 cm. Start Price: EUR 240

3 Mechanische Musikinstrumente 1) Weihnachtsbaumständer mit Musikwerk, um 1905, geprägtes und vernickeltes Metall auf Holzsockel, Ø 35 cm, drehender Ständer, langlaufender Federwerkmotor, Walzenspielwerk mit 2 Melodien, mit Kurbel, funktioniert, Gehäuse mit Rost und Wurmlöchern. (4-/3) - 2) Troubadour, Plattenspieldose für 18cm-Platten, 30 Töne im Stahlkamm (komplett), lasiertes Holzgehäuse, Original-Lithographie im Deckel, ohne Kurbel, ungetestet, mit 6 Platten. (3/-) - Und: 3) Edelweiss, Thorens, Schweiz, Plattenspieldose für 14cm-Platten, 30 Töne im Stahlkamm (komplett), mit Kurbel, defekt, mit 10 Platten. Start Price: EUR 180 Three Mechanical Music Instruments 1) Musical revolving Christmas tree stand, c. 1905, embossed and nickel-plated sheet metal case on wood base, Ø 13 ¾ in., long-running clockwork motor, two-air cylinder movement, with crank, working, case rusty and with wormholes. (4-/3) - 2) Troubadour, 7-inch disc musical box, 30 teeth in steel comb (complete), grained wood case, original lithograph in lid, missing crank, untested, with six discs. (3/-) - And: 3) Edelweiss, Thorens, Switzerland, 5½-inch disc musical box, 30 teeth in steel comb (complete), with crank, defective, with ten discs. Start Price: EUR 180

3 Schwarzwälder Uhren 1) Trompeter-Uhr, um 1890, Hersteller vermutlich Emilian Wehrle & Cie. in Furtwangen. Wanduhr im Bahnhäusle-Stil, römische Zahlen aus Bein (leicht beschädigt), Zeiger aus Zelluloid, Messingplatinen-Werk, Ankerhemmung, Stundenschlag auf Tonfeder, Gewichtantrieb, bestiftete Holzwalze für eine Melodie, 4 Holz-Trompeten, geschnitzte Figur, polychrom bemalt, Nußbaumgehäuse mit geschnitzten Verzierungen, Maße 47 x 25 x 84 cm. Gewichte nicht komplett, Uhrwerk und Musikwerk nicht getestet. - 2) Wanduhr mit Kuckuck und Wachtel, um 1900, geschnitztes Holzgehäuse mit Lithographie auf der Front, Messingwerk, Ankerhemmung, Kurzpendel, Gewichtantrieb, viertelstündliche Auslösung des Wachtelrufs, stündliche Auslösung des Kuckucksrufs. Höhe 45 cm. Uhrwerk funktioniert (ohne Garantie), Wachtel- und Kuckucksruf defekt. - Und: 3) Wanduhr mit Walzenspielwerk, zweizügiges Pendelwerk, Uhrwerk funktioniert, Musikwerk löst nicht aus. Start Price: EUR 450 Three Black Forest Clocks 1) Black forest trumpeter clock, c. 1890, probably by Emilian Wehrle & Cie. in Furtwangen. Station-chalet style wall clock, Roman bone dial (minor damage), celluloid hands, weight-driven brass-plate movement, anchor escapement, hour strike on spiral gong, pinned wood barrel for one melody on four wood trumpets, carved and polychrome-painted figure, walnut case with carved decoration, 18 ½ x 9 7/8 x 33 in. Weights incomplete, musical and clock movements not tested. - 2) Quail-and-cuckoo clock, c. 1900, carved wood case with lithograph on the front, weight-driven brass movement, anchor escapement, short pendulum, quail call on the quarter, cuckoo call on the hour. Height 18 ½ in. Clock movement working (not guaranteed), bird calls defective. - And: 3) Musical wall clock, two-train pendulum movement, clock movement working (not guaranteed), defective trip to musical movement. Start Price: EUR 450

Plenkers, Stefan. Geb. 1945 Ebern/ Bamberg, lebt und arbeitet in DresdenO.T. (Komposition mit weiblicher Figur auf der großen Treppe zur Elbe in Schloß Pillnitz), 1994. Farblithographie/ Bütten, sign., dat., als Probedruck bezeichnet. 54 x 39,5 cm (Pl)/ 62 x 81 cm (Rahmenmaß) Stefan Plenkers (born 1945 Ebern/ Bamberg): untitled, 1994, colour lithograph, signed, dated, artist's proof. 62 x 81 cm (frame size), framed with glass.

Undeutl. sign., tätig um 1920Inneres einer Werkhalle. 1920. Lithographie, sign., dat., betitelt "Turbinenfabrik", nu. Ex. 3/ 200. PA gleichmäßig gebräunt, 37,5 x 26 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 60,5 x 40,5 cm Interiour of a factory workshop, 1920, lithograph, signed (unclearly) and dated lower right, entitled "Turbinenfabrik" and numbered copy 3 of 100 lower left. Tanned. 37,5 x 26 cm (cutout), frame: 60,5 x 40,5 cm

Thieler, Fred. 1916 Königsberg - 1999 BerlinO.T. (Informelle Komposition). 1960. Farblithographie auf Bütten, sign., dat., num. Ex. 37/ 60. Blattrand mit kl. Einriss, Stockflecken und Knitter, Blattrand unregelmäßig beschnitten. 70 x 50 cm (Bl). Hinter Glas gerahmt. Ra. 72,5 x 52 cm Fred Thieler (1916-1999): untitled, 1960, colour lithograph, signed, dated, numbered copy 37 of 60. Tear in right margin, margins cut. 70 x 50 cm, framed with glass, frame. 72,5 x 52 cm

Günther, Herta. 1934-2018 DresdenPaar (weiblicher Halbakt und männlicher Kopf). Lithographhie, i. St. sign., zusätzl. in Bleistift sign., 21 x 15 cm, hinter Glas mit Pp. gerahmt. Rahmenmaß 30 x 24 cm Herta Günther: Couple. Lithograph, signed, framed with glass. Frame size: 30 x 24 cm

Schillers Arbeits- und Sterbezimmer in WeimarKolorierte Lithografie, um 1850/60. Im Stein signiert unten links "A. Williams" (?; nicht aufgelöst). Interieurszene des lichtdurchfluteten, aber sparsam möblierten Raumes in der ersten Etage des Schillerschen Wohnhauses in Weimar, vormals Esplanade. Im Passepartout. 11,5 x 17 cm (Bl), 28 x 35 cm (PP). Bis an die Darstellung geschnitten. Interior of the studio and dying room of the German poet Friedrich von Schiller in Weimar. Coloured lithograph, around 1850/60. Signed in the stone bottom left (not identified). Mounted in passepartout. Cut to the motif.

Francis Bacon (British 1909-1992): 'Two Figures 1953', artist's proof lithograph signed and marked e.a. in pencil 41cm x 28cmProvenance: with Belmain Antiques, Ripon; Robert Simms Hampstead; with J Y Poucher, Vernon, France, label verso

An 1889 Scottish Union & National Insurance Company calendar, colour lithograph by Banks & Co, Edinburgh, from a design by Walter Crane, 40 by 50cm, framed, together with an oil river landscape (2)

FOUR PRINTS; FRAMED PRINT OF GEORGE 4TH, 18 X 26CM, THE CITY OF GLASGOW 1842 FRAMED LITHOGRAPH PRINT, 31 X 20CM, WINDCOMBE OLD CHURCH & BATH HOUSE LITHORGRAPH PRINT, 16.5 X 12CM AND SMALL FRAMED VAN GOGH PRINT, 20 X 15CM

IONA MONTGOMERYTHE SACRISTY IONA ABBEYLithograph, signed in pencil and No. 1 of 7, 62cm x 45cm, framed and glazed

TWO CONTINENTAL SCHOOL OIL PAINTINGS,signed Burnett, mounted, framed and under glass, the largest 89cm x 76cm overall, along with two other contintal scenes and a colour lithograph (5)

After Alexander Calder (American 1898-1976) -  "Derriere le Miroir No. 156" - A 1960's surrealism lithograph print in colours depicting distorted figures / animals with splashes of red throughout. Unsigned. Painting measures approx; 370mm x 52cm. Frame measures approx; 50cm x 70cm. This piece once belonging to Walter Strachan. Mr Strachan (1903-1994) was Head of Modern Languages at Bishop Stortford College for over 40 years, but also pursued a parallel career as a poet, French translator, art critic and connoisseur.

Roy Lichtenstein (American 1923-1997) - The Red Horseman - A 20th Century 1976 Exhibition coloured lithograph poster for January 22 - March 7 at the Modern Art Pavilion Seattle Art Museum. Framed and glazed. Litho measures approx; 560mm x 700mm. Frame measures approx; 59cm x 73cm.

Peter Max (b.1937) - Liberty Head II Collage (1997) - a mixed media with acrylic painting on board having a central Statue Of Liberty surrounded by abstract symbols and imagery on a lithograph printed background. Signed by the artist in acrylic. Set within a gilt frame and being glazed. With original paperwork from Park West Galleries present. Painting measures approx; 350mm x 290mm. Frame measures approx; 61cm x 54cm. Peter Max is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.

Binding.- Scrope (William) The Art of Deer Stalking, first edition, additional pictorial title (dated 1839), frontispiece and 10 lithograph plates, light foxing and browning, including to additional title and plates, ink ownership inscription front endpaper, half morocco, spine gilt, two small instances of wear to spine, extremities lightly scuffed, 1838 § Voltaire. Candide, illustrations by Étienne Calo, illustrations with hand-colouring, 7 etched plates at rear, full green morocco, spine gilt, a little toned, presentation card slipcase, 1945 § Brontë (Emily) Wuthering Heights, translated by Henri Picard, colour illustrations by Jacques Camus, half morocco, spine a little toned, 1948; and 55 others bound in leather, v.s. (58)

America.- Adams (John Quincy) The Jubilee of the Constitution. A Discourse., lithograph frontispiece, previous owner's ink name-stamp to title, scattered spotting, contemporary morocco-backed boards, upper cover detached, defective backstrip, rubbed and worn, New York, 1839 § Dodge (Colonel Richard Irving) Our Wild Indians, portrait frontispiece, plates, of which 6 colour, original decorative cloth, sunned spine, slight bumping to corners and extremities, Hartford, Conn., 1883 § A Short Narrative of the Horrid Massacre in Boston, frontispiece, folding map at end, spotting, original cloth, small gauge to upper cover, chipping to corners and spine extremities, New York, 1849 § Smith (Joshua Hett) An Authentic Narrative of the causes which led to the Death of Major Andrè ..., engraved frontispiece and one plate, folding map, scattered faint spotting, contemporary boards, rebacked, rubbed, bumping to corners and extremities, 1808; and another, America, v.s. (33)

Sitte (Willi, illustrator).- Ovidius Naso (Publius) Ars Amatoria, one of 600 copies, signed by the illustrator, 13 whole page colour lithograph illustrations by Willi Sitte, original vellum-backed pictorial paper covered boards, housed loosely in wraparound card portfolio, torn at joints chipped spine foot, folio, Berlin, Akademie-Verlag, [1970].

Daly (César) L'Architecture Privée au XIX Siecle sous Napoleon III, 3 vol., additional pictorial titles, 232 lithograph plates, vol. 1 and 2 without list of illustrations, spotting and some light foxing, contemporary morocco backed boards, spines with very faint sunning, edges and corners scuffed, folio, Paris, 1864.

Bernard Dunstan, lithograph, street musicians, signed in pencil, no. 6/200, image 37cm x 31cm, framedGood condition

Bernard Dunstan, lithograph, orchestra, signed in pencil, artist's proof, image 35cm x 34cm, framedGood condition

Corneille, original lithograph, Signs, signed in pencil dated '96, no. 108/500, image 39cm x 50cm, framedVery slight paper discolouration in the margin, no foxing, generally very good

Joan Miro, lithograph abstract 1972, published by Mourlot, no. 843, sheet 32cm x 45cm, framedGood condition

Man Ray, Marchand De Couleurs, colour lithograph, signed with monogram with dedication from Juliet (Mrs Juliet Browner Ray), image 35cm x 40cm, unframedSheet is 55cm x 60cm, several tears along the top edge, general paper discolouration and light foxing in the light areas

Hubert Wellington (1879 - 1967), pencil drawing, Nancy at Heath Street, 26cm x 33cm, and a lithograph, woman dressing 1899, framed (2)Both have even paper discolouration

Edward Mcknight Kauffer (1891 - 1954), Twickenham, lithograph commissioned by Transport For London 1924, sheet 23cm x 17cm, unframedGood condition, slight crease

Percy Wyndam Lewis (1882 - 1957), lithograph, 2 figures, 32cm x 23cm, framedA short tear on right-hand edge and a horizontal crease

Jacques Villon (1875 - 1963), colour lithograph, abstract, 1952, sheet 38cm x 28cm, unframedGood condition

David Schneuer: a silvered framed coloured lithograph entitled "First Meeting", limited edition, signed & numbered in pencil 28/250 - Gallery label and details verso - 27cm X 22cm

Gerald Mynott (b. 1957) - 'Venice', signed artist's proof, numbered 140/250, coloured lithograph, 22.5" x 16.25"-** Provenance with The Francis Kyle Gallery Lld., 9 Maddox Street, London, W1R 9LE

BARRY JONES, a lithograph print of a dockyard scene, signed and dated 1962, unframed, 50cm x 38cmSome foxing and minor paper loss to borders.

C. 1900 lithograph in colours depicting Cupid and a maiden. Framed and glazed. Image size 46.5 x 16.5cm. Condition Report: Generally good condition overall, with wear consistent with age and some fading. No major visible defects.

Oskar Kokoschka: Der gefesselte Columbus. Berlin: Gurlitt 1920-21. 49,8 x 38,5 cm. Mit 12 ganzs. OrLithographien von O. Kokoschka, davon die erste handschriftl. monogrammiert; Text in lithograph. Handschrift von E. R. Weiss. 29 Bll. OrHLdr. mit goldgepr. Rt. u. lithogr. Deckeltitel von Weiss.(Einband berieben und mit Alters- bzw. Gebrauchsspuren. Innen teils leicht fingerfleckig.)Nr. 66 von 70 Ex. auf weißem Zandersbütten mit einer monogr. Lithographie (GA 120). - Die neuen Bilderbücher, Dritte Reihe. - Wingler/Welz 43-54. Raabe, Liter. Expr. 166, 8. Jentsch 103. Schauer II, 115. Rodenberg 394. - Die Dichtung Kokoschkas hatte ursprünglich den Titel "Der weiße Tiertöter" und entstand in seiner ersten Fassung schon 1908. Gedacht war dieser Text auch als Fortsetzung der "Träumenden Knaben".

JOAN MIRÓ 1893 - 1983 OHNE TITEL (AUS: LITHOGRAPH II) 1975 Farblithographie auf Arches. Signiert und nummeriert. Ex. III/LXXX. Ca. 31 x 26 cm (45,5 x 37 cm). Mourlot 1049. (Altersspuren, gebräunt.)

Pablo Picasso, Spanish (1881 - 1973) "La Comedie Humaine," lithograph, published by Teriade, Paris 1964, with certificate of authenticity on reverse, recent mount and silvered frame. (1)

Roy Lichtenstein, American (1923 - 1997) "Whaam!" original offset lithograph Print on heavy wove paper, Limited Edition, published c. 1984, Tate Gallery, London, printed by Lautrec Photo Litho Leeds, each print (2 parts) 76cms x 64cms (30" x 25"), in matching frames. (2)

SENDAK (MAURICE)An extensive collection, assembled over the past 30 years, of the works of Maurice Sendak, comprising some 340 volumes covering virtually all of Sendak's works in first edition, later editions, and foreign translations, together with several hundred printed ephemera such as proofs, posters, pamphlets, brochures, programmes, cards, leaflets, greetings cards, point of sale displays and exhibitions catalogues, and objects such as Wild Thing dolls, t-shirts, tote bags, badges, etc., a sample of the highlights including:(i)7 books inscribed with original drawings, comprising (all in publisher's bindings):- Where the Wild Things Are, first edition, inscribed on half-title 'For Vera, Indeed – a first! Maurice Sendak May '92' with drawing of the head of Moishe the Wild Thing, first issue dust-jacket, price-clipped, lightly toned, 8mm. tear to front panel, slightly longer tear at foot of spine [Hanrahan A58], oblong 4to, [New York], Harper & Row, 1963; - ibid., later edition, inscribed on half-title 'For Dan for Christmas 1983, from Robert and Frank and Maurice, Dec. 25, '83' with large drawing of Moishe in Christmas hat saying 'Boo!', dust-jacket (price-clipped, tears and repairs), oblong 4to, Bodley Head, 1983; - ibid., 25th anniversary edition, number 150 of 250 copies signed by Sendak on half-title and with drawing of Moishe signed and dated 'Oct. '88' loosely inserted, oblong 4to, [New York], Harper & Row, 1988; - AYME (MARCEL) The Wonderful Farm, early edition, illustrations by Sendak, drawing of a seated pig signed 'Maurice Sendak' on front free endpaper, dust-jacket (price-clipped, spine toned) [Hanrahan A2], 8vo, New York, Harper, 1951; - The Magic Pictures: More about the Wonderful Farm, early edition, drawing of a leaping pig (with 'Oink!') signed 'Maurice Sendak' on front free endpaper, first issue dust-jacket, spine toned, tear at foot of rear panel [Hanrahan A10], 8vo, New York, Harper, 1951;- Higglety Pigglety Pop!, first edition, inscribed on front free endpaper 'Aug. '68 For Bevan, All best wishes! Maurice Sendak' with drawing of the cat-milkman, dust-jacket (price-clipped, spine toned) [Hanrahan A68], square 12mo, [New York], Harper & Row, 1967; - OPIE (IONA AND PETER) I Saw Esau, number 285 of 300 copies signed by Iona Opie and Sendak, with drawing of baby in romper suit dated 'May '92' below, slipcase [Hanrahan A136], 8vo, Walker Books, 1992(ii)Over 90 books signed and frequently inscribed by Sendak, including: - EIDINOFF (M.L.) and H. RUCHLIS. Atomics for the Millions, first edition of the first book illustrated by Sendak, signed on front free endpaper and dated 'Oct. '84', library mark on rear pastedown, endpapers toned, rubbed [Hanrahan A1], 8vo, New York, McGraw-Hill, 1947; - ibid., first UK edition, signed on half-title and inscribed 'For Vera', endpapers spotted, lightly rubbed, shelfmark on spine, 12mo, George G. Harrap, 1950;- Where the Wild Things Are, first edition, inscribed on half-title 'to Mary B. Stancisto, Maurice Sendak, Jan. '71', early issue dust-jacket with Caldecott Medal label and blurb and price $3.95, spine panel very lightly toned, oblong 4to, [New York], Harper & Row, 1963; - ibid., first UK edition, signed on half-title and inscribed 'to Vera', dust-jacket lightly toned, oblong 4to, Bodley Head, 1967(iii)Miscellanea, including: - American Booksellers Association 1991 poster, colour lithograph, number 172 of 275 copies, numbered lower left and signed and dated '91 lower right, 780 x 620mm.; - Pictures by Maurice Sendak, number 471 of 500 copies with signed reproduction of drawing of a Sealyham terrier, portfolio containing 20 prints [Hanrahan A78], the box 650 x 430mm., New York, Harper & Row, 1971; - ibid., UK version, number 4 of 1,000 copies, no signature called for, Bodley Head, 1972; - another copy, number 421; ibid., German version, number 799 of 1,000 copies, no signature called for, Zurich, Diogenes Verlag, 1972; - Fly By Night, galley proofs, stamped 'First Proof 61229 Jun 25 1976', green paper wrappers [cf. Hanrahan A95], 4to, [New York, Farrar, Straus & Giroux, 1976]; - ibid., proof sheet with 16 illustrations, folded, 640 x 950mm.; - fax sent by Ursula Nordstrom of Harper & Row, to 'Dear Colleague', enclosing statement of Sendak on the censorship of the naked baby of In the Night Kitchen by librarians, 3pp., stapled, 4to, 24 April 1972; - Higglety Pigglety Pop!, proof sheet with 14 full-page illustrations and 8 vignettes, printed on thick paper, numbered '20' in felt-tip and 'light' in pencil', folded [cf. Hanrahan A68], 910 x 600mm., [?New York, Harper & Row, 1967]; - I Saw Esau, complete set of unbound, unfolded colour proofs [cf. Hanrahan A136], 4to, Walker Books, 1992; - several Wild Thing dolls, unopened in original packagingFootnotes:'In a lifetime of making and illustrating books, Maurice Sendak has contributed to American literature an astonishing body of creative work... from the early, brash illustrations for Atomics for the Millions to... the richness of imagery and imagination in picture books such as Where the Wild Things Are and In the Night Kitchen' (Stephen K. Urice, Sendak at the Rosenbach, 1995). The present collection is surely one of the most extensive and thorough in private hands; a full list is available on request.Provenance: Property from a London private collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Stephen Laurence Lowry (British, 1887-1976), Britain at Play. Offset lithograph in colours, signed.17 x 24ins Qty: 1

After Henri Matisse (French, 1869-1954), "Primavera, 1938", late 20th Century, reproduction lithograph, unsigned. 10x8ins.10x8ins Qty: 1

Football related programmes and Subbuteo items, annuals, cutlery and flatware, and pictures to include a Science and Technology limited edition lithograph print after Roy Anthony Nockolds published by Thackwell & Co Monte Carlo, titled and numbered in pencil 22/100, 66cm x 90cm mounted in a glazed frame; a wooded river landscape, oil on canvas, signed lower right 61cm x 91.5cm in a gilt frame; an Impressionist style oil on board of a French town scene with figures walking down the street, signed, 63.5cm x 48cm framed; and a framed and glazed print of the Cutty Sark after Montague Dawson (4)Location: LWM

A First World War Recruiting Poster - Lawson Wood, "A Chip Of the Old Block", "Your King & Country Need You to Maintain the Honour and Glory of the British Empire", printed signature and date (19)14 lower left, coloured lithograph, published by the Parliament Recruiting Committee, London, Poster No.18, approximately 75cm by 50cm, in a glazed oak frameCondition report: . The poster is in a sealed frame. It does not appear to be stuck down.

A Second World War Air Raid Precaution Recruitment Poster, "ARP Calling You - Air Raid Precautions - Get in touch with your Local Council", with printed signature and date E. McKnight Kauffer (19)38, coloured lithograph, issued by the Air Raid Precautions Department, Home Office, printed for H.M. Stationery Office by Fosh & Cross Ltd., London (51/1661), 76cm by 50cm, in a glazed oak frame; also, an oak framed edition of the Daily Express for Friday December 11, 1936 reporting the abdication of Edward VIII (2)Condition report: . The poster is in a sealed frame and does not appear to have been stuck down. There is some slight rippling to the paper on the left hand side.The newspaper is yellowing.

A Second World War Recruitment Poster for Blood Donors, the upper part inscribed IF HE SHOULD FALL IS YOUR BLOOD THERE TO SAVE HIM? with the figure of a soldier outlined by a bottle resting on the open palm of a hand, the lower section inscribed THE EMERGENCY BLOOD TRANSFUSION SERVICE NEEDS BLOOD DONORS, offset coloured lithograph, printed for H.M. Stationery Office by Field Sons & Co., Bradford 51-4523 P.R.86, approximately 76cm by 51cm, in a glazed oak frameCondition report: . Some water staining to the lower margin., with a small tear and a scuff mark to the lower left field. It is not stuck down. The glass is missing from the frame.