70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Artist: Keith Haring (American, 1958 - 1990). Title: "Untitled 1981 (#2) [three barking dogs] [promotional card]". Medium: Color offset lithograph. Date: Composed 1981. Printed 1982. Dimensions: Overall size: 4 3/16 x 5 7/8 in. (106 x 149 mm).Lot Note(s): Signed in black marker, upper margin. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Rare. This card was issued by Galerie Watari and used as an announcement for their Haring exhibition in Tokyo in 1983. The card image is after the acrylic and sumi ink on canvas of the same name. Image copyright © The Keith Haring Foundation. [30396-1-300]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #3 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 III, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30020-2-1600]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Future Sciences Versus the Man [invitation]". Medium: Color offset lithograph. Date: Composed 1982. Printed 1983. Dimensions: Overall size: 6 3/4 x 5 in. (171 x 127 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good condition; tape remains verso. Comment(s): Very rare invitation for the opening night of the exhibition entitled "Jean-Michel Basquiat" at the Larry Gagosian Gallery, Los Angeles, California, March 8th to April 2, 1983. Note that the invitation’s title for its cover image is “Future Science Verses (sic) the Man.” Dimensions: folded 6¾ in. by 5 in.; opened 6¾ in. by 10 in. Image copyright © Estate of Jean-Michel Basquiat/Artists Rights Society (ARS), New York. [29000-1-1600]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Stilleben am Schalttag ["Still Life on February 29"]". Medium: Original color lithograph. Date: Composed 1940. Printed later. Dimensions: Overall size: 8 x 11 3/4 in. (203 x 298 mm).Lot Note(s): Signed in the image, upper right. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29289-2-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Black Rhinoceros [offset lithograph]". Medium: Original color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 9 1/16 x 7 3/16 in. (230 x 183 mm).Lot Note(s): Signed in silver marker, lower margin. Edition unknown, presumed very small. Very light cream wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.301. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Published for an important exhibition of Warhol’s “Endangered Species” prints. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29244-1-1200]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Hospital Ward". Medium: Color offset lithograph. Date: Composed 1941. Printed 1996. Dimensions: Overall size: 7 3/8 x 9 3/16 in. (187 x 233 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29442-2-700]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Knives #07". Medium: Color offset lithograph. Date: Printed 1982. Dimensions: Overall size: 11 3/8 x 8 5/16 in. (289 x 211 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Comment(s): Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28857-2-700]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30019-2-1600]

Artist: Keith Haring (American, 1958 - 1990). Title: "Barking Dog". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 3/4 in. (232 x 222 mm).Lot Note(s): Hand-signed by Haring in black marker, center right. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29124-2-800]

Artist: Banksy (English, b. c1973-75 | Active 1990 - Present). Title: "Rude Snowman". Medium: Color offset lithograph. Date: Composed 2006. Printed 2006. Dimensions: Overall size: (unfolded) 11 3/8 x 6 7/8 in. (289 x 175 mm).Lot Note(s): Sgned in the plate by Banksy with his tag. Edition not specified, probably small. Printed on white wove textured paper. The full sheet. Fine, quality printing. Very good to fine condition. Comment(s): Steve Lazarides, at his Laz Emporium website on August 18, 2021, offered another example of this object for £3,000 ($4,125). The auctioneer Tate Ward, London, sold an example at a hammer price of £3,000 on Dec 09, 2020, lot #37. The work is a Christmas card from Banksy’s 2006 “Santa’s Ghetto” exhibition, held in a temporary art gallery and amusement arcade located on Oxford Street in London. The image is a parody of Raymond Briggs's "The Snowman" character. In fact, Banksy added Raymond Briggs's signature to the example in the show. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30355-1-800]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Foot Medication". Medium: Offset lithograph. Date: Composed 1971. Dimensions: Overall size: 24 x 18 in. (610 x 457 mm). Image size: 15 3/4 x 16 in. (400 x 406 mm).Lot Note(s): Signed in pencil, lower right. Edition size unspecified, presumed small. Thin white wove paper. Full margins. Fine impression. Very good condition. Literature/catalogue raisonne: Doering/Von der Osten 110. Comment(s): Poster image copyright © The Estate of Roy Lichtenstein. [28316-5-1600]

Artist: E(rnest) H(oward) Shepard (British, 1879 - 1976). Title: "An Anxious Moment - Pooh and His Friends…". Medium: Original color offset lithograph. Date: Printed 1957. Dimensions: Overall size: 14 3/16 x 11 1/8 in. (360 x 283 mm).Lot Note(s): Signed with the initials in pencil, lower right; signed in the plate, lower left. Edition unknown, presumed small. Light cream textured laid paper. Wide (full?) margins. Fine impression. Very good condition; a few dimples in the sheet; minor creasing two corners; else fine. Comment(s): The lithograph illustrates a scene from “The World of Pooh.” The full title is : "An Anxious Moment - Pooh and His Friends Watch for Eeyore to Float by." Image copyright © The Disney Corporation and Dutton Children's Books. [30095-3-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Three-Eyed Smiley Face [lithograph]". Medium: Color offset lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 8 3/4 x 8 3/4 in. (222 x 222 mm).Lot Note(s): Signed in black marker. Edition of 2,000. Stiff wove paper, smooth one side. Printed to the edge of the sheet. Fine, quality printing. Good to very good condition. Comment(s): We have not found a signed impression of this object at auction. An unsigned impression was offered with estimates of $800/1,000 in Philadelphia, PA, at Dane Fine Art’s auction of September 27, 2018, going unsold. Image copyright © The Keith Haring Foundation. [29518-2-800]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Night Portrait". Medium: Color offset lithograph. Date: Composed 1977-78. Printed 1996. Dimensions: Overall size: 9 1/2 x 9 1/8 in. (241 x 232 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29447-2-800]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #02 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 II, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 13/16 x 9 11/16 in. (325 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30026-2-1600]

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Tiempo Tiepolo". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower right; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28018-5-300]

Artist: Roberto (Portuguese, active 1920s). Title: "Dalia - Apasta da Gente Chic [Julio Amorim, Lisbon]". Medium: Original vintage color lithograph. Date: Composed 1924. Dimensions: Overall size: 11 11/16 x 16 7/8 in. (297 x 429 mm). Image size: 11 1/8 x 16 3/16 in. (283 x 411 mm).Lot Note(s): Signed and dated in the stone, lower left. Edition size unspecified, presumed small. Cream wove paper. Margins as issued. Very good impression. Very good to fine condition; linen backed. Comment(s): We have not found this poster at auction in the past 25 years. The slogan 'A pasta da gente chic' translates to 'Toothpaste for chic people'. [25021-3-400]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Auftrieb ["Soaring and Gliding"]". Medium: Original color lithograph. Date: Composed 1932. Printed later. Dimensions: Overall size: 9 5/8 x 9 3/4 in. (244 x 248 mm).Lot Note(s): Signed in the image, lower center. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29287-2-400]

Artist: Cy Twombly (American, 1928-2011). Title: "Cy Twombly: Zeichnungen [Kestner-Gesellschaft]". Medium: Color offset lithograph. Date: Composed 1976. Dimensions: Overall size: 27 9/16 x 19 11/16 in. (700 x 500 mm).Lot Note(s): Signed in pencil, lower left. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine, quality printing. Very good to fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): A scarce poster, rare signed. The poster image was created by Twombly for the exhibition at the Kestnergesellschaft, Hannover, Germany, from May 7th to June 20th, 1976. Image copyright © The Cy Twombly Foundation. [29232-5-800]

Artist: Keith Haring (American, 1958 - 1990). Title: "Rumble". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 3/4 in. (232 x 222 mm).Lot Note(s): Hand-signed by Haring in silver marker. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29473-2-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Marilyn Diptych [museum promotional card]". Medium: Original color offset lithograph. Date: Composed 1962. Printed 1984. Dimensions: Overall size: 4 1/8 x 6 in. (105 x 152 mm).Lot Note(s): Signed in black marker, upper right. Edition unknown. Light cream coated wove paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29243-1-400]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Grand Bal Travesti/Transmental (Programme) [Picasso *two original lithographs*, Larionov, Gontchrova, et al] [Portfolio/Book] [program for the 1923 Ball organized by the Union des Artistes Russes in Paris]". Medium: Original color lithograph and lithographs. Date: Composed 1923. Dimensions: Image size: 13 x 10 in. (330 x 254 mm).Lot Note(s): Several lithographs signed in the plate. All lithographs with artist credit. Small edition?. Heavy wove paper. Fine impressions. Fine condition. Comment(s): Contains two original lithographs by Pablo Picasso, one hand-colored with blue and yellow pastel, "Saltimbanque Assis," apparently found only in this program (see: Online Picasso Project, 23:197); the other, "Cheval," also apparently found only in this program. Published for the first experimental ball of the Union of Russian Artists in Paris, the printed program is a typographical and artistic masterpiece. 16 pages. In addition to the Picassos, it features original lithographs and illustrations by and after Gris, Ferat, Derain, Gontcharova, and others, and poetry by Tzara, Soupault, Reverdy, and Cowely. Printed by Francois Bernouard, Paris. Highly important and rare. Picasso images copyright © Artists Rights Society (ARS), New York. [19199-2-2400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Shadow (Andy Warhol) [announcement]". Medium: Color offset lithograph. Date: Composed 1981. Dimensions: Overall size: 6 7/8 x 6 7/8 in. (175 x 175 mm). Image size: 6 7/8 x 6 7/8 in. (175 x 175 mm).Lot Note(s): Signed in black marker, upper left. Edition unknown, presumed small (250?). Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 36(i); cf. Feldman/Schellmann II.267. Comment(s): This "mini portfolio" card announcement is based on a photograph of Andy Warhol by Rupert Jasen Smith. The image was issued as one of the silkscreens in Warhol's famous 'Myths' portfolio, one of his most sought after collections. Our example is one of the set of 10 announcements included in a purple portfolio wrapper with a separate card containing information about the series (folder and information card not part of lot). Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28549-1-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (05)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream smooth wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28333-2-400]

Artist: Al Hirschfeld (American, 1903 - 2003). Title: "Slow Blues [from the suite 'Harlem As Seen by Hirschfeld']". Medium: Original lithograph. Date: Composed 1930s. Printed 1941. Dimensions: Overall size: 8 7/8 x 11 7/8 in. (225 x 302 mm).Lot Note(s): Signed in pencil, lower right; annotated "PP" in pencil, lower left. A printer's proof aside from the edition of 1,000. Cream laid handmade Canson & Montgolfier (Annonay, France) watermarked paper. Printed to the edge of the sheet. Fine impression. Fine condition. Provenance: Through Daniel W. Triggs, the executor of the estate of Frederick Triggs, Sr., the printer of the edition. Comment(s): Another signed impression of this lithograph sold for $1,380 at Swann Auction Galleries, New York City, 10/7/2004, lot #156. Many of the Hirschfeld's images in the Harlem suite have become iconic representations of the African-American experience in the 1930's and are often considered to be the artist's best work. Printed by the Triggs Color Printing Corporation, New York; published by The Hyperion Press, New York. Image copyright © The Al Hirschfeld Foundation, New York. [30057-2-800]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Esther and Albie". Medium: Color offset lithograph. Date: Composed 1995. Printed 1996. Dimensions: Overall size: 7 3/16 x 8 5/8 in. (183 x 219 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29452-2-600]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Dog Bite [postcard edition]". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 4 1/8 x 6 in. (105 x 152 mm).Lot Note(s): Signed in black marker. Edition unknown. Light cream wove paper. The full sheet. Fine impression. Fine condition. Comment(s): The painting is in the collection of the Museum Boymans-van-Beuningen, Rotterdam. Image copyright © Artists Rights Society (ARS), New York. [28720-1-800]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Jean-Michel Basquiat (Vrej Baghoomian)". Medium: Color offset lithograph. Date: Composed 1988. Dimensions: Overall size: 28 7/8 x 21 in. (733 x 533 mm).Lot Note(s): Signed and annotated in black marker, lower left. Edition size unspecified, probably small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Comment(s): A rare poster - only three auction records in the past 25 years located. Produced for the exhibition at the Vrej Baghoomian Gallery in New York City, April 29 to June 11, 1988. This was Basquiat's last exhibition. He died on August 12, 1988. According to people who were present at the opening, Basquiat signed approximately 30-40 impressions of the poster. Photograph by Jerome Schlomoff; designed by Anthony McCall Associates. Image copyright © Artists Rights Society (ARS), New York. [28900-5-1200]

Edwardian shop advertising calendar for Bristow & Co. Ltd Tea Specialists of Hull 1905 depicting a half length portrait of a pensive young lady entitled 'Our Father', 73 x 47cm, oak and gilt frame and After J Stead (British 20th century): 'Bird's Eye View of the Town of Kingston-upon-Hull', reproduction lithograph pub. 1990, 49cm x 87cm (2). NOW UNFRAMED.

Abstrakter Expressionismus - - Paul Jenkins. (1923 Kansas City - 2012 New York). o.T. (aus: Five Invocations). 1997. Farblithographie auf Vélin. 55,6 x 75,5 cm (55,6 x 75,5 cm). Signiert, datiert und nummeriert. - Guter Zustand. Mit prächtigen Farben und hübschem Schöpfrand. Eines von 100 Exemplaren. - Aus dem fünfteiligen Mappenwerk "Five Invocations". Coloured lithograph on velin. Signed, dated and numbered. - Rich colours in good condition. - One of 100 copies. -From the portfolio "Five Invocations".

Geometrische Abstraktion - - Francois Morellet. (1926 - 2016 Cholet). o.T. Lithographie auf kräftigem Papier. 45 x 45 cm (70 x 70 cm). Signiert und nummeriert. - Entlang der Kanten teils etwas bestoßen, sonst in gutem, sauberen Zustand. Eines von 90 Exemplaren. Lithograph on strong paper. Signed and numbered. - Partially bumped along the edges, otherwise in good, clean condition. - One of 90 copies.

Geometrische Abstraktion - Op Art - - Carlos Cruz-Diez. (1923 Caracas, Venezuela - 2019 Paris). Sitges I. 2012. Farblithographie auf starkem, genarbtem Papier. 100 x 25 cm (100 x 25 cm). Signiert und nummeriert. - Teils minimal berieben, insgesamt in wohlerhaltenem Zustand. Eines von 75 Exemplaren. - Hg. v. Polígrafa, Barcelona. Colour lithograph on strong grained paper. Signed and numbered. - Partly minimally rubbed, overall in good condition. - One of 75 copies. - Pub. by Polígrafa, Barcelona.

Geometrische Abstraktion - Op Art - - Carlos Cruz-Diez. (1923 Caracas, Venezuela - 2019 Paris). Sitges III. 2012. Farblithographie auf starkem, genarbtem Papier. 100 x 25 cm (100 x 25 cm). Signiert und nummeriert. - Wohlerhalten. Eines von 75 Exemplaren. - Hg. v. Polígrafa, Barcelona. Colour lithograph on strong, grained paper. Signed and numbered. - In good condition. - One of 75 copies. - Pub. by Polígrafa, Barcelona.

Geometrische Abstraktion - Op Art - - Carlos Cruz-Diez. (1923 Caracas, Venezuela - 2019 Paris). Sitges IV. 2012. Farblithographie auf starkem, genarbtem Papier. 100 x 25 cm (100 x 25 cm). Signiert und nummeriert. - Kanten teils minimal berieben, insgesamt in wohlerhaltenem Zustand. Eines von 75 Exemplaren. - Hg. v. Polígrafa, Barcelona Colour lithograph on strong, grained paper. Signed and numbered. - Edges partly minimally bumped, overall in good condition. - One of 75 copies. - Pub. by Polígrafa, Barcelona.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Cibira. 1972. Farblithographie auf chamoisfarbenem Vélin. 28,5 x 26,5 cm (48 x 44,4 cm). Signiert. - Mit wenigen, zarten Griff- bzw. Atelierspuren im weißen Rand, diese das Motiv nicht betreffend. Kräftiger Abzug, das Blatt mit hübschem Schöpfrand. Exemplar vor der ersten Auflage. - Aus dem Portfolio "Octal". hg. v. Bruckmann Verlag, München 1972. Colour lithograph on buff vélin. Signed. - With few, delicate handling or studio marks in the white margin, not affecting the subject. Strong impression, the sheet with nice scooped margin. - Copy before the first edition. - From the portfolio "Octal", published by Bruckmann, Munich 1972.

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Greenwich Village). Untitled (aus: Tres Poemas, 1988). Lithographie auf cremefarbenem aufgewalzten Japan auf starkem Vélin. 27 x 35 cm (54,5 x 45,5 cm). - Guter Zustand. Eins von 750 Exemplaren. - Verso mit typographischen Druck. Lithograph on rolled handmade japanese paper on strong Vélin. Verso with typographical print. - One of 750 copies.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Sauzon. 1972. Farblithographie auf chamoisfarbenem Vélin. 31,2 x 25 cm (48 x 41,5 cm). Signiert. - Mit einer schwachen Atelierspur im weißen Rand. Frischer, akkurater Abzug. Exemplar vor der ersten Auflage. - Aus dem Portfolio "Octal". hg. v. Bruckmann Verlag, München 1972. Colour lithograph on buff vélin. Signed. - With a light studio mark in the white margin. At all in good condition. Fresh, rich print. - Copy before the first edition. - From the portfolio "octal" published by Bruckmann, Munich 1972.

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Greenwich Village). Untitled (aus: Tres Poemas, 1988). Lithographie auf cremefarbenem aufgewalzten Japan auf starkem Vélin. 35 x 27 cm (55 x 45,3 cm). - Guter Zustand. Eins von 750 Exemplaren. - Verso mit typographischen Druck. Lithograph on rolled handmade japanese paper on strong Vélin. Verso with typographical print. - One of 750 copies.

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Greenwich Village). Untitled (aus: Tres Poemas, 1988). Lithographie auf cremefarbenem aufgewalzten Japan auf starkem Vélin. 42 x 30 cm (54,6 x 45 cm). - Vereinzelt mit wenigen, schwachen Braunfleckchen. Insgesamt wohlerhalten. Eins von 750 Exemplaren. - Verso mit typographischen Druck. Lithograph on rolled handmade japanese paper on strong Vélin. Verso with typographical print. - Isolated with a few, weak brown spots. Overall in good condition. - One of 750 copies.

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Greenwich Village). Untitled (aus: Tres Poemas, 1988). Lithographie auf cremefarbenem aufgewalzten Japan auf starkem Vélin. 34,9 x 27 cm (54,6 x 45 cm). - Guter Zustand. Eins von 750 Exemplaren. - Verso mit typographischen Druck. Lithograph on rolled handmade japanese paper on strong Vélin. Verso with typographical print. - One of 750 copies.

Informel - - Hans Hartung. (1904 Leipzig - 1989 Antibes). Farandole. 1971. Lithographie auf chamoisfarbenem Vélin. 48 x 33 cm (86,5 x 59,5 cm). Signiert und römisch nummeriert. - Vereinzelt leichte Griffspuren. Mit dem vollen weißen Rand. Prächtiger Abzug. Vgl. Chicha-Castex/ Rümelin/ Schalhorn, L 1970/ Farandole. - Eines von LXXV Exemplaren. - Gedruckt bei Poligrafa, Barcelona. Lithograph on buff vélin. Signed and Roman numbered. - Scattered light traces of handling. With the full white margin. Splendid print. - One of LXXV copies. - Printed by Poligrafa, Barcelona.

Informel - - Hans Hartung. (1904 Leipzig - 1989 Antibes). Farandole. 1971. Lithographie auf chamoisfarbenem Vélin. 49,5 x 74,5 cm (86,5 x 59,5 cm). Signiert und römisch nummeriert. - Guter Zustand. Mit dem vollen weißen Rand. Prächtiger Abzug. Vgl. Chicha-Castex/ Rümelin/ Schalhorn, L 1970/ Farandole. - Eines von LXXV Exemplaren. - Gedruckt bei Poligrafa, Barcelona. Lithograph on buff vélin. Signed and Roman numbered. - Good condition. With the full white margin. Splendid impression. - One of LXXV copies. - Printed by Poligrafa, Barcelona.

Informel - - Hans Hartung. (1904 Leipzig - 1989 Antibes). Farandole. 1971. Lithographie auf leichtem Karton. 49 x 74 cm (49 x 74 cm). Signiert und römisch nummeriert. - Mit geglätteter, minimaler Mittelfalz. Wohlerhalten. Leuchtende Farben. Vgl. Chicha-Castex/ Rümelin/ Schalhorn, L 1970/ Farandole. - Eines von LXXV Exemplaren. - Gedruckt bei Poligrafa, Barcelona. Lithograph on light cardboard. Signed and roman numbered. - With smoothed, minimal centrefold. In good condition. - One of LXXV copies. - Printed by Poligrafa, Barcelona.

Informel - - Hans Hartung. (1904 Leipzig - 1989 Antibes). Farandole. 1971. Lithographie auf leichtem Karton. 49 x 74 cm (49 x 74 cm). Signiert und römisch nummeriert. - Mit geglätteter, minimaler Mittelfalz. Wohlerhalten. Vgl. Chicha-Castex/ Rümelin/ Schalhorn, L 1970/ Farandole. - Eines von LXXV Exemplaren. - Gedruckt bei Poligrafa, Barcelona. Lithograph on light cardboard. Signed and roman numbered. - With smoothed, minimal centrefold. In good condition. - One of LXXV copies. - Printed by Poligrafa, Barcelona.

Informel - - Markus Prachensky. (1932 Innsbruck - 2011 Wien). o.T. (Komposition in Rot). 1966. Lithographie auf cremefarbenem Papier. 56,5 x 41 cm (59 x 42 cm). In Graphit signiert, datiert und nummeriert. Zusätzlich im Stein signiert und datiert. - Guter Zustand. Eines von 28 Exemplaren. Lithograph on paper. Signed, dated and numbered in graphite. Additionally signed in the stone. - Good condition. - One of 28 copies.

Informel - - Markus Prachensky. (1932 Innsbruck - 2011 Wien). Sebastianplatz. 1959. Farblithographie auf festem Papier. 52,5 x 34 cm (60 x 44 cm). Signiert und nummeriert. Zusätzlich im Stein signiert. - Mit minimalen Atelierspuren, diese kaum auffällig. Satte Farbe, sehr schöner Druck. Eines von 40 Exemplaren. Coloured lithograph on firm paper. Signed and numbered. Additionally signed in the stone. - With minimal studio marks, these hardly noticeable. Rich colour, beautiful print. - One of 40 copies.

Informel - - Pierre Soulages. (1919 Rodez - lebt in Paris). Lithographie No. 9 (Rivière 9). 1959. Lithographie auf Vélin. 31,5 x 24,5 cm (31 x 24,5 cm). Verso m. Bezeichnung von fremder Hand. - Verso mit leichten Spuren der vorherigen Montierung. Oben ein schmaler Streifen mit Farbabrieb, sonst in gutem Zustand. Kräftiger Abzug. BNF, 53. - Eines von 2000 unnummerierten Exemplaren. - Lithographie, die für die Weihnachts- Ausgabe 1959 (Nr. 13) der "XXe siècle" erschaffen wurde. - Hg. Galerie Maeght, Paris. - Druck bei Mourlot, Paris. Lithograph on paper. Verso with inscription by another hand. - Verso with slight traces of previous mounting. A narrow strip of paint rubbing at the top, otherwise in good condition. Strong print. - One of 2000 unnumbered copies. - Lithograph created for the christmas edition 1959 (No. 13) of the "XXe siècle". - Published by Galerie Maeght. - Printed by Mourlot, Paris.

Informel - - Antoni Tàpies. (1923 - 2012 Barcelona). 1 Prägeillustration auf der Chemise, 1 Lithographie auf dem Umschlag und 5 (2 zusätzlich handsignierten) Carborundum-Aquatinta Radierungen in: Équation. Je auf Papier und Lose in original Broschur und mit original Pappdeckel in Schuber. Die zwei Radierungen signiert. Zusätzlich ist das Impressum von Tapies und Frémon signiert sowie auf der Titelseite gewidmet und signiert. - Die Radierungen kräftig und in hervorragenden Abzügen. Wohlerhalten. Exemplar Ex Dono mit 5 teils signierten Aquatinta Radierungen. - Eines von 125 Exemplaren. - Besonderes Ex Dono Exemplar des Verfassers Jean Frémon an Nina und Daniel Carasso (Gründer der Firma Danone und der Fondation Daniel et Nina Carasso), auf der Titelseite gewidmet und signiert. - Paris, D. Lelong 1987. - Druck des Textes von R. Blanchet, Druck der Radierungen von J. Barbara, Barcelona. With an embossed illustration on the chemise, 1 lithograph on the cover and 5 (2 additionally signed by hand) carborundum aquatint etchings by Antoni Tapies. Paris, D. Lelong 1987. cl. folio. Loose layers in OBrosch. with OPp.-cover in slipcase. One of 125 copies. Special Ex Dono copy from the author Jean Frémon to Nina and Daniel Carasso (founders of the Danone company and the Fondation Daniel et Nina Carasso), dedicated and signed on the title page. - In addition to the two etchings, the imprint is additionally signed by Tapies and Frémon. - Printing of the text by R. Blanchet, printing of the etchings by J. Barbara, Barcelona. The etchings strong and in excellent impressions. Well preserved.

Informel - - Chu Teh-Chun (Zhu Dequn). (1920 Xiao County (China) - 2014 Paris). Olympic Centennial. 1992. Farblithographie auf chamoisfarbenem Arches. 63 x 90 cm (63 x 90 cm). Signiert, datiert sowie nummeriert. - Partiell minimal angeschmutzt, dies sehr unauffällig. Im Zustand wohlerhalten und prächtig in der Wirkung. Eines von 250 Exemplaren. Colour lithograph on buff arches. Signed, dated and numbered. - Partially minimally soiled, this very inconspicuous. In good condition and with a splendid effect. - One of 250 copies.

Informel - - Zao Wou-Ki. (1921 Peking - 2013 Nyon, Schweiz). Hommage à San Lazzaro. 1975. Farblithographie auf Arches. 31,5 x 24 cm (35,5 x 26,5 cm). Auf der rechten Seite mit dem Schöpfrand. Kräftiger, satter Abzug in leuchtenden Farben. Originallithographie für das Mappenwerk "San Lazzaro et ses amis", für den Gründer der Zeitschrift XXe siècle Gualtieri di San Lazzaro. Druck bei Bellini in Paris. Coloured lithograph on Arches. 31,5 x 24 cm (35,5 x 26,5 cm). Strong, rich print in bright colours. Original lithograph for the portfolio "San Lazzaro et ses amis", for the founder of the magazine XXe siècle Gualtieri di San Lazzaro. Printed by Bellini in Paris.

Informel - - Zao Wou-Ki. (1921 Peking - 2013 Nyon, Schweiz). Ibiza (La Mer). 2007. Farblithographie auf chamoisfarbenem Papier. 29,7 x 41,5 cm (49 x 64,3 cm, Sichtmaß). Auf Chinesisch sowie zusätzlich mit "Zao" signiert und nummeriert. Unter Plexiglas gerahmt (ungeöffnet). - Guter Zustand mit leuchtenden, vibrierenden Farben. Eines von 99 Exemplaren. - "From now on, only one desire governs the work of Zao Wou-Ki, only one effort counts: to display the sign by raising it to a universal level. A desire and effort already perceived by the adolescent boy of fourteen when at school in Hangzhou. He always asked himself the same questions:'How to represent the wind? How to paint the emptiness? And the light, its brightness, its purity? I id not want to reproduce but to juxtapose forms, to assemble them in order to find in them the whispering wind over still water.'". Zit. n.: Dora Vallier, Zaou Wou-Ki, The graphic work. A catalogue raisonnée, S. 10. Colour lithograph on buff paper. Signed and numbered in Chinese and additionally with "Zao". Framed under plexiglass (unopened). - Good condition with bright and vibrant colours. - One of 99 copies.

Amerikanische Moderne - - Alexander Calder. (1898 Philadelphia - 1976 New York). Lexa. (El circulo de piedra). 1970. Farblithographie auf Arches. 49 x 36 cm (56,5 x 45,3 cm.) Signiert und nummeriert. Mit dem Schöpfrand. Eins von 125 Exemplaren. Coloured Lithograph on vélin. Signed and numbered. With the scooped edge. One of 125 copies.

Konkrete Kunst - - Dóra Maurer. (1937 Budapest - lebt u. arbeitet in Budapest). o.T. 1990. Collage aus Lithographie und montierter Farbphotographie auf chamoisfarbenem Papier. 30,5 x 22 cm (30,5 x 22 cm). Signiert, datiert und nummeriert. Auf Unterlage punktuell montiert, dort verso mit typographischem Text. - Wohlerhalten. Eines von 160 Exemplaren. Collage of lithograph and mounted colour photograph on buff paper. Signed, dated and numbered. Mounted in spots on backing, there with typographic text on verso. - In good condition. - One of 160 copies.

Amerikanische Moderne - - Jasper Johns. (1930 Augusta, Georgia (USA)). Techniques and Creativity. 1971. Offsetlithographie mit 3 aufmontierten Aquarellpads und einem Pinsel. Offsetlithographie 26,2 x 21 cm. Drucksigniert sowie mit typographischer Betitelung und Datierung. Offsetlithographie voll montiert in der originalen Box. Mit dem Werkkatalog der Gemini Gel. - Box außen mit leichten Anschmutzungen, die Offsetlithographie und der Katalog davon nicht betroffen. Der Pinsel lose beiliegend. Insgesamt in gutem Zustand. Die Idee des Multiples ist es, dass der Besitzer in Zusammenarbeit mit Jasper Johns tritt und das von Johns vorgelegte Motiv der Zielscheibe mit den 3 Grundfarben und dem Pinsel individuell ausgestaltet. - Herausgegeben vom Museum of Modern Art, New York, für die gleichnamige Ausstellung. - Druck bei Gemini G.E.L., Los Angeles. - The idea of the multiple is that the owner enters into collaboration with Jasper Johns and individually fleshes out the motif of the target presented by Johns with the 3 basic colours and the brush. - Published by the Museum of Modern Art, New York, for the exhibition of the same name. - Printed by Gemini G.E.L., Los Angeles. Offset lithograph with 3 mounted watercolour pads and a brush. Signed with a print, typographical title and date. Offset lithograph fully mounted in the original box. With the catalogue of works of the Gemini Gel. - Box with slight soiling on the outside, the offset lithograph and the catalogue not affected. The brush loosely enclosed. At all in good condition.

Markus Lüpertz. (1941 Liberec - lebt in Berlin u. Düsseldorf). Komposition räumlich. 1980. Lithographie auf chamoisfarbenem Bütten. 43 x 74,5 cm (63 x 91 cm). Monogrammiert und nummeriert. - Wohlerhalten und mit schönem Büttenrand. Hofmaier/ Schmidt, 169. - Eines von 40 Exemplaren. Spatial composition. 1980. lithograph on buff handmade paper. 43 x 74,5 cm (63 x 91 cm). Monogrammed and numbered. - Well preserved and with beautiful deckle edge. - One of 40 copies.

Henry Moore. (1898 Castleford - 1986 Cambridge). Mother and child with wave background III. 1976. Lithographie auf chamoisfarbenem T H Saunders Bütten. 17,5 x 26,3 cm (41 x 53,3 cm). Signiert und nummeriert. - Wohlerhalten. Kontrastreicher, reiner Abzug. Cramer, 446. - Eines von 40 Exemplaren. - Blatt VIII aus dem "80th Anniversary Portfolio". - Hg. Orde Levinson 1978 anlässlich des 80. Geburtstages Henry Moore's. Lithograph on buff T H Saunders laid paper. Signed and numbered. - Well preserved. Clean print, rich in contrast. - One of 40 copies. - Plate VIII from the "80th anniversary portfolio".

Ernst Wilhelm Nay. (1902 Berlin - 1968 Köln). Farblitho 1961 (NOR). 1961. Farblithographie auf chamoisfarbenem Papier. 42 x 60,3 cm (63 x 67,5 cm). Signiert. Punktuell unter Passepartout montiert. - Papier im Passepartoutausschnitt gleichmäßig und sehr zart gebräunt, dies unauffällig. Die Farben leuchtend und frisch. Heise, 64. - Eines von 350 unnummerierten Exemplaren. - Nach einer Aquarellvorlage. - Druck bei Mourlot, Paris. Colour lithograph on buff paper. Signed. Mounted in spots under passepartout. - Paper evenly and very delicately browned in the mount, this unobtrusively. The colours are bright and fresh. - One of 350 unnumbered copies. - After a watercolourwork. - Print by Mourlot, Paris.

Eduardo Paolozzi. (1924 Leith (Edinburgh) - 2005 London). Set aus 3 Arbeiten. 1975. Mit 2 Farbserigraphien und 1 Farblithographie, je auf Vélin. Blattamße von 77 x 56 cm bis 81,5 x 57,5 cm (Sichtmaß). Je signiert, teils datiert. Eine Arbeit bezeichnet "A.P.". 2 Arbeiten je unter Passepartout montiert und unter Plexiglas gerahmt (ungeöffnet). - 1 Arbeit mit leichter Knickspur. Insgesamt in gutem Zustand. Enthält: - Aeschylos und Socrates - Hommage à Picasso - Cia Picasso. - 1 Arbeit artist proof abseits der herkömmlichen Auflage. Set of 3 works. With 2 colour silkscreens and 1 colour lithograph, each on vélin. Each signed, partly dated. One work inscribed "A.P.". 2 works each mounted under passepartout and framed under plexiglass (unopened). - 1 work with a slight crease mark. All in all in good condition. - With works as listed above. - With one artist proof off the edition.

Pop Art - - Richard Hamilton. (1922 - 2011 London). Swingeing London 67 - Poster. 1967-1968. Farboffsetlithographie auf Fabriano. 68 x 46 cn (70 x 50 cm). Signiert. Verso mit typographischer Nummerierung sowie Werks- und Editionsangaben. Unter Glas gerahmt. - Mit wenigen leichten Knickspuren im weißen Rand. Guter Zustand. Eines von 1000 typographisch nummerierten Exemplaren. - Hg. v. ED 912 Edizioni di Cultura Contemporanea, Milan. - Druck beim Künstler und Sergio Tosi. Colour offset lithograph on Fabriano. Signed. With typographical numbering and details of work and edition on verso. Framed under glass. - With a few slight creases in the white margin. Good condition. - One of 1000 typographic numberes copies. - Published by ED 912 Edizioni di Cultura Contemporanea, Milan. - Printed by the artist and Sergio Tosi.

Abstrakter Expressionismus - - Sam Francis. (1923 San Mateo - 1994 Santa Monica). o.T. 1990. Farblithographie auf chamoisfarbenem PTI 120 Waterleaf. 117,5 x 76,2 cm (117,58 x 76,2 cm. Signiert und datiert. - Verso mit Spuren der vorherigen Montierung. Insgesamt wohlerhalten. Sehr expressiv und leuchtend in den Farben. Lembark, L 284; SF-343. - Eines von 50 Exemplaren. - Hg. v. The Litho Shop, Santa Monica, Kalifornien (mit dem Blindstempel). - Druck bei George Page bei The Litho Shop. - Sam Francis Arbeiten zeichnen sich durch Spontanität, Dynamik und gesättigte Farbigkeit aus. Der Künstler, der vom Spiel des Lichts zur Malerei inspiriert wurde, entwickelte mit Verve einen unverwechselbaren Personalstil, der zwischen Abstrakten Expressionismus, europäischem Tachismus sowie japanischer Kalligraphie, Malerei und dem Zen-Buddhismus frei und lebendig changierte. Colour lithograph on buff PTI 120 Waterleaf. Signed and dated. - With traces of previous mounting on verso. Overall in good condition. Very expressive and bright colours. - One of 50 copies. - Published by The Litho Shop, Santa Monica, California (with the blind stamp). - Printed by George Page at The Litho Shop.