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70555 Los(e)/Seite
Los 1061
Bill Ogden, American, 1943-2022, 'Palm Springs', 1969, offset lithograph, 87 x 53cm, together with an offset lithograph with overlaid screenprint of the calendar year for 1971 for Sound Spectrum, 89 x 50cm, both unframed (2)Footnotes: Nathan William 'Bill' Ogden was one of the early progenitors of the Visionary Art movement in 1960s California, and is best known for his 'surf art' posters including his work for the 1974 surf movie Forgotten Island of Santosha.
Los 734
C W Smith/View of a Nepalese Temple/with waders in the foreground/photo lithograph, 19cm x 24cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Los 3206
Carl Grünwedel (1815 - 1895) - Petschaft und drei Zeichnungen des Hofmalers der Könige Ludwig I. und II. Das Petschaft mit den Initialen des Künstlers in der eisernen Siegelfläche. Gedrechselter und ebonisierter Holzgriff. Gesamthöhe 5,6 cm. Dazu die Entwurfszeichnung eines neogotischen Messkelches in Bleistift und Wasserfarbe, am Rand Detailskizzen, unterseitig signiert "C Grünwedel" und mit Auflistung der am Kelchschaft dargestellten Heiligen "St. Mathias - Marcus - Lucas - Johannes", Blattgröße 34 x 21 cm, gefaltet, etwas fleckig. Außerdem Entwurf einer Szene aus den Napoleonischen Kriegen mit einem Kürassier zu Pferd, im Hintergrund Lager. Bleistift und dezente Weißhöhung, am Unterrand signiert "inv. v. C Grünwedel im Octbre 38.", Blattmaße 25,5 x 31 cm. Zudem ein sehr feiner Tuscheentwurf für eine Menükarte oder eine Gaststätte, am rechten Unterrand monogrammiert und datiert "28/12 39 CG". Blattgröße 20,5 x 27 cm, etwas fleckig, Randschäden.Carl Grünwedel machte sich nicht nur als Maler und Lithograph einen Namen, auch seine Porzellanmalereien, insbesondere für das Meissen-Service mit den Szenen aus dem Leben der französischen Könige Louis XIV. und Louis XV., das König Ludwig II. in Auftrag gab, zählen zu seinen herausragenden Werken. Provenienz: Prinz Joseph Clemens von Bayern (1902 - 1990), der die Petschaftensammlung seines Vaters, Prinz Alfons von Bayern, weiterführte. Dazu die schriftliche Bestätigung aus dem Jahr 1980 auf originalem Briefpapier seines Vaters. Carl Grünwedel (1815 - 1895) - a seal and three drawings by the court painter of the kings Ludwig I and II Carl Grünwedel (1815 - 1895) - a seal and three drawings by the court painter of the kings Ludwig I and IIDas Petschaft mit den Initialen des Künstlers in der eisernen Siegelfläche. Gedrechselter und ebonisierter Holzgriff. Gesamthöhe 5,6 cm. Dazu die Entwurfszeichnung eines neogotischen Messkelches in Bleistift und Wasserfarbe, am Rand Detailskizzen, unterseitig signiert "C Grünwedel" und mit Auflistung der am Kelchschaft dargestellten Heiligen "St. Mathias - Marcus - Lucas - Johannes", Blattgröße 34 x 21 cm, gefaltet, etwas fleckig. Außerdem Entwurf einer Szene aus den Napoleonischen Kriegen mit einem Kürassier zu Pferd, im Hintergrund Lager. Bleistift und dezente Weißhöhung, am Unterrand signiert "inv. v. C Grünwedel im Octbre 38.", Blattmaße 25,5 x 31 cm. Zudem ein sehr feiner Tuscheentwurf für eine Menükarte oder eine Gaststätte, am rechten Unterrand monogrammiert und datiert "28/12 39 CG". Blattgröße 20,5 x 27 cm, etwas fleckig, Randschäden.Carl Grünwedel machte sich nicht nur als Maler und Lithograph einen Namen, auch seine Porzellanmalereien, insbesondere für das Meissen-Service mit den Szenen aus dem Leben der französischen Könige Louis XIV. und Louis XV., das König Ludwig II. in Auftrag gab, zählen zu seinen herausragenden Werken. Provenance: Prinz Joseph Clemens von Bayern (1902 - 1990), der die Petschaftensammlung seines Vaters, Prinz Alfons von Bayern, weiterführte. Dazu die schriftliche Bestätigung aus dem Jahr 1980 auf originalem Briefpapier seines Vaters.Condition: I - II
Los 126
After Peter Biegel (1913-1988) LESTER PIGGOTT WINS HIS EIGHTH EPSOM DERBY - 1977 signed by Lester Piggott in pencil, colour lithograph limited edition print laid down on foam board, 382/600, published in 1977 and featuring Lester's wins on Never Say Die, Crepello, St Paddy, Sir Ivor, Nijinsky, Roberto, Empery and The Minstrel, unframed, 62 by 90cm. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Los 405
Seven horse racing prints, notably a colourful lithograph after John Beer (British, c.1860-c.1930) depicting HM King Edward VII's "Minoru" winning the Epsom Derby in 1909, the image 32 by 53cm., under glass in an ebonised and gilt frame, 46 by 65cm., good condition with vibrant colours; sold together with five small-sized racing prints/bookplates, various dates, after artists including Pollard and Herring, subjects comprising the St Leger winners The Colonel, The Baron and Elis, a scene in front of the Grandstand at Goodwood in 1836, and a photographic print of the Derby winner Phil Drake, generally in fair condition; and a 1988 limited edition print by Sue Wingate featuring Maori Venture's 1987 Grand National, tube rolled, together with an official race card for the race (8)
Los 335
After Alfred Charles Havell (1855-1928) THE RACEHORSE AND STALLION "BEND OR" colour lithograph signed by the artist in the lower margin, published by Messrs. Fores, Piccadilly, 1908, the image 36.5 by 50cm., mounted, framed & glazed Bend Or won the Derby in 1880 and was a champion stallion responsible for Ormonde, Kendal, Galtee More, Bona Vista and many other notable racehorses.
Los 1291
Post-revolutionary France, 1827-1854i. Jean Leopold Nicolas Frederic Cuvier (1769-1832), French naturalist and zoologist; letter to [René-Nicolas Dufriche], Baron Desgenettes; Paris, 26 July 1827 Seeks his help for M Rivière, a doctor, who wishes to exercise his art among the Egyptians; he has good certificates from many of his teachers, but believes that the name of Desgenettes would be worth more than those of the whole faculty; it would be an act of charity towards a family which singular events have made most unhappy; annotated with a prescriptionWith a lithograph of a portrait of Cuvier by François Séraphin Delpech (1778-1825); [Paris, c1830]The Baron Desgenettes (1762-1837), a military physician who had trained partly in London, became Chief Doctor to the French Army in Egypt. during the Hundred Days he re-assumed his role as Chief Doctor of the Imperial Guard, and assisted at the battle of Waterloo. In 1820, he was received as a member of the Académie Royale de Médecine, though he was expelled in 1822 following student demonstrations, only to be re-admitted in 1830 and elected a member of the Académie des sciences.ii. Lucien Bonaparte (1775-1840), French politician and diplomat, younger brother of Napoleon Bonaparte; letter to [Colin A] Mackenzie, esquire, 5 Hyde Park Place West, London; signs L P de Canino; Winchester, 31 March 1837Is travelling for several weeks and unable to accept his invitationLucien Bonaparte was taken prisoner in 1809 when attempting to leave Italy for the United States. The government permitted Lucien to settle comfortably with his family at Ludlow and later at Thorngrove House in Grimley, Worcestershire, where he worked on a heroic poem on Charlemagne. In 1815 he rallied to his brother’s cause but was proscribed at the Restoration.Colin A Mackenzie, esquire, was listed in the Royal Court Guide of 1842 at 5 Hyde Park Place West. In 1814 he had served in France as Commissary for British prisoners of war.iii. Philippe de St Albin, librarian of the Empress Eugénie; letter to H[enry] W[illiam] Johnston, 9 Avenue de St Cloud, Paris; Sécretariat des Commandements de Sa Majesté l’Impératrice, Palais-Royale, 30 June 1854Conveys the thanks of the empress for his book Legends of Normandy; cover stamped Service de l’Empereur (Maison de l’Impératrice)Legends of Normandy, comprising two verse romances with a dedication in verse to the Empress and running to 108 pages, was printed by E Brière, 55 Rue St Anne, Paris in 1854.According to the pseudonymous recollections of a member of the household, St Albin ‘delighted in very ancient hats and well-worn clothes, so creased and untidy that it seemed as if he slept in them’. (Le Petit Homme Rouge, Court life of the second French empire, 1852-1876, London, Chatto and Windus, 1908, p76).For another letter to HW Johnston from Sir Robert Peel, see Lot 1286
Los 1289
Music and dance, 1817-1843i. John Sale (1758-1827), secretary of the Catch Club; letter to Terrail, unanimously elected a member of the club; 30 Arundel Street, to 28 January 1817The Noblemen and Gentlemen’s Catch Club was established in 1761, and met at the Thatched House Tavern in St James’s Street. John Sale served as secretary between 1812 and 1827. A history of the Club, still in existence, by Viscount Gladstone, Guy Boas and Harald Christopherson, was published in 1996. For John Sale, singer and conductor, see ODNB. For a reminiscence of Terrail, a counter-tenor, see The Musical Times and Singing Class Circular4 (1852) 208.ii. Catherine [Kitty] Stephens (1794-1882), singer and actress; letter to Mr Moore, requesting one of his men to bring ‘one pair of the very thin silk stockings’; Friday, c1820With a cut-down engraving [by Cooke, from a painting in the possession of Thomas Walsh], of Miss Stephens [in the role of Diana Vernon in Rob Roy MacGregor; published by Simpkin and Marshall, stationers, 1820]Daughter of a London carver and gilder, her opera career lasted from 1812 until 1838, when she married the octogenarian Earl of Essex. Following his death the following year she continued to live at 9 Belgrave Square until her own death in 1882. A testament to her reputation was her reception at court by Queen Victoria, who recorded in her journal that Lord Essex had been ‘excessively pleased’ by her ‘having called up Lady Essex … at the Ball and having spoken to her’.The addressee is perhaps Joseph Moore (1766-1851), entrepreneur and promoter of musical and choral festivals at Birmingham, Malvern and York (ODNB).iii. Cipriani Hambley Potter (1792–1871), composer and pianist, 30 York Buildings; letter to W[illiam] Watts, esquire, 45 Cirencester Place, Fitzroy Square; has Watts succeeded with the directors respecting the two additional rehearsal tickets? 20 May 1828Potter was one of the leading composers and pianists of the 1820s and 1830s. At the end of 1817 he left England to study composition abroad. His first destination was Vienna, where he met Beethoven, who commented favourably on him in a letter of 5 March 1818. He taught at the Royal Academy of Music, the establishment of which was proposed at a meeting at the Thatched House Tavern in 1822; he became principal of the College in 1832.William Watts, a violinist, was secretary of the Philharmonic Society between 1815 and 1847.iv. Maria (signs Marietta) Malibran (1808-1836), mezzo-soprano; letter. La tua buona amica, to Monsieur le Chevalier Ferdinando Paër; undated, 1830sRequests something for La sorella di Minette, who deserves reward being charged with a familyMalibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his The Barber of Seville. At the age of eight she appeared on stage at Naples with her father in Ferdinando Paër’s Agnese. She made her début at the Paris Opéra in 1828. Triumphs followed in London (Covent Garden début 1833), Naples, Rome, Bologna, Venice, Lucca, and Milan (La Scala début 1834). In 1836 married the Belgian violinist Charles de Bériot with whom she had lived since 1830. Malibran moved to England in 1834 and began to perform in London and the continent. In April 1836 she fell from horse in London, while pregnant, her injuries leading to her death in September, when she collapsed after singing a duet at a Manchester festival.Ferdinando Paer (1771-1839) was an Italian composer known for his operas. In 1812, he became conductor of the Opéra-Italien in Paris. He retained this post after theRestoration while accepting those of chamber composer to the king and conductor of the private orchestra of the Duke of Orléans. In 1823, he retired from the Opéra-Italien and was succeeded by Rossini.v. Marie Taglioni (1804-1884), ballet dancer; letter to Monsieur Dupouchet; requests a box and some tickets for this evening; Monday, c1840With a lithograph of a portrait of Taglioni by François Séraphin Delpech (1778-1825); [Paris, 1832]Born in Sweden, Taglioni was one of the most celebrated dancers of the romantic ballet, which was cultivated primarily at Her Majesty’s Theatre in London and at the Théâtre de l’Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed as) being the first ballerina to truly dance en pointe. It was in Russia after her last performance in the country (1842) and at the height of the ‘cult of the ballerina’, that a pair of her pointe shoes were sold for two hundred roubles, reportedly to be cooked, served with a sauce and eaten by a group of balletomanes.vi. Joseph Alfred Novello (1810-1896), music publisher; letter to Joshua French, Gentleman of Her Majesty’s Chapels Royal, Windsor; 69 Dean Street Place, 3 May 1843Thanks to his note they put off their visit to Windsor, as well on account of the rain; encloses a letter of Rossini [not present] ‘whose letters are scarce as he generally write [sic] by his secretary’; many thanks for the facsimilesThe letter was written as Novello embarked on a project to publish cheap music for the mass singing-class movement, enthusiastically supported by those concerned with working-class morality in an age of political and industrial radicalism. In 1842 he published Joseph Mainzer's sight-singing manual Singing for the Million and the weekly Mainzer's Musical Times and Singing-Class Circular.
Los 1290
Gilbert du Motier, Marquis de Lafayette (1757-1834), French general and politician; letter to Madame [name cut from the cover], 22 Rue St Anne, Paris; La Grange, 26 December 1825 Has not replied to her letter of 16 December, ‘most precious to my eyes’; will be interested to hear the details which she proposes to give him on his next visit to Paris, which will be towards the 12th or 15th of January.With a lithograph of a portrait of Lafayette by François Séraphin Delpech (1778-1825); [Paris, 1832]In September 1825 Lafayette returned from a triumphal tour of the United States, visiting the sites of the battles of the American War of Independence in which he had participated over forty years before. Lafayette lived at the Château de la Grange-Bléneau to the south-east of Paris, which he had acquired with his wife Adrienne, between 1802 and his death in 1834.
Los 199
Kampmann, GustavBoppart a. Rh. 1859 - 1917 Godesberg a. Rh., Landschaftsmaler, Radierer und Lithograph, Meisterschüler von Schönleber. "Winterlandschaft", mit zugefrorenem Bachlauf vor romantischem Haus, davor spielende Kinder und Personen auf dem Eis, unten links sign., Öl/Holz, HxB: 29,5/39,5 cm. Firnisgilb. Mit Rahmen.
Los 179
Marc Chagall (Russian/French, 1887 - 1985)39 ½" x 25 ¾" sheet size“Die Zauberflöte, The Magic Fluteâ€, 1967. Lithograph printed in colors by Charles Sorlier, printed by Mourlot in Paris published by Editions of the Metropolitan Opera for the opening performance on February 19, 1967, unframed.
Los 520
Roy Lichtenstein was an American pop artist known for his paintings and prints that appropriated and transformed images from popular culture. He was born in New York City in 1923 and studied art at various institutions, including Ohio State University and the Art Students League in New York.Lichtenstein's work often featured bold, graphic imagery inspired by comic books, advertisements, and other forms of mass media. He was particularly known for his use of the Benday dot, a printing technique used in comic books and other forms of mass-produced imagery. Lichtenstein's paintings and prints often featured this dot pattern, which he used to create a sense of mechanical reproduction in his work.Throughout his career, Lichtenstein received numerous awards and honors, including a National Medal of Arts in 1995. He died in 1997 at the age of 73. Today, his work is considered some of the most iconic examples of pop art, and his influence can be seen in the work of many contemporary artists.Measures 25.25 x 20.875 inches (64.1 x 53 cm) (sheet, each).Offset lithograph in colors on smooth wove paper.Edition of approximately 3000.Signed in pencil to lower right of last panel.Published by Stedelijk Museum, Amsterdamn.Each sheet is loose.
Los 642
Roy Lichtenstein was an American pop artist known for his paintings and prints that appropriated and transformed images from popular culture. He was born in New York City in 1923 and studied art at various institutions, including Ohio State University and the Art Students League in New York.Lichtenstein's work often featured bold, graphic imagery inspired by comic books, advertisements, and other forms of mass media. He was particularly known for his use of the Benday dot, a printing technique used in comic books and other forms of mass-produced imagery. Lichtenstein's paintings and prints often featured this dot pattern, which he used to create a sense of mechanical reproduction in his work.Throughout his career, Lichtenstein received numerous awards and honors, including a National Medal of Arts in 1995. He died in 1997 at the age of 73. Today, his work is considered some of the most iconic examples of pop art, and his influence can be seen in the work of many contemporary artists.Roy Lichtenstein "Image Duplicator, 1963" Offset Lithograph.Image (approx): 31.75 x 25.5.
Los 3135
Late 19th century walnut cased Symphonion with side cranking handle, playing 19cm discs on a 7cm comb with forty-one teeth (one broken); lithograph of musical cherubs under hinged lid L27cm; together with eight 19cm discsCondition Report: Does wind-up and play.Reasonably good condition is consistent with age and use.One tooth broken to comb.
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70555 Los(e)/Seite