70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Livingstone (David). Missionary Travels and Researches in South Africa; Including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda on the West Coast; thence across the continent, down the River Zambesi, to the Eastern Ocean, 1st edition, London: John Murray, 1857, folding tinted colour lithograph frontispiece by W. West (with short closed marginal tear along fold), 2 folding maps at rear (one detached), portrait of the author, wood-engraved plates, 8 pp. catalogue at end, light spotting at front, contemporary presentation inscription, endpapers a little dust-soiled, original brown blindstamped cloth, a few small light stains, 8vo QTY: (1)NOTE:Abbey Travel 347. The frontispiece was issued in 3 states: one state a wood-engraving, one state a tinted lithograph by W. West (as here) and one with a tinted lithograph printed by Day & Son.

* Payne (Charles Johnson 'Snaffles'). 'Merry England' and worth a guinea a minute, [1927], colour photolithograph with a black and white remarque of a fox jumping a water-filled ditch, crossed snaffle bit blind stamp, signed in pencil by the artist to lower left, very slight toning to the margins, overall size 390 x 360 mm, framed and glazed, together with The Forward Heat "?" circa 1930, lithograph, uncoloured remarque of a boar leaving a thicket above which, a mounted spear's head and shoulders are visible, crossed snaffle bit blind stamp, signed in pencil by the artist to the lower left, faded, slight worming, overall size 445 x 660 mm, framed and glazed, with The Season 1939 - 40, circa 1940, colour photolithographic print, signed by the artist in pencil to lower right, snaffle bit blind stamp, uncoloured remarque of an officer jumping a hedge well up with hounds, margins creased and stained, overall size 490 x 715 mm, framed and glazedQTY: (3)

Nicholson (William). An Almanac of Twelve Sports, London: William Heinemann, 1898, title with colour vignette, 12 colour lithograph plates, light offsetting to text leaves, advertisement for 'An Alphabet' bound at rear, original pictorial cloth-backed boards, spine frayed, bumped and a little soiled, slim 4to, together with An Alphabet, Allan Wofsy Fine Arts, San Francisco, 1975, 24 colour plates by William Nicholson, publisher's quarter cloth, dust-jacket with slight fraying and soiling, slim 4toQTY: (2)

Sowerby (John Edward). English Botany; or coloured figures of British Plants, edited by John T. Boswell Syme, 11 volumes (of 12 also lacking supplement), 3rd edition, enlarged and re-arranged, London: Robert Hardwicke, 1863-72, 1824 hand-coloured lithograph plates, occasional light spotting, Edward Francis Witts bookplate to front pastedowns, top edge gilt, original green morocco gilt, title and volume in gilt to spines, volumes 1-3 with faded spine, some rubbing to extremities, 8vo, together withJohnson (C. Pierpoint). British Wild Flowers, illustrated by John E. Sowerby, Re-Issue to which is now added a Supplement, London: John Van Voorst, 1882, numerous hand-coloured lithographed plates, two uncoloured plates, a few light spots front and rear, all edges gilt, rebacked with original spine laid on, hinges repaired, edges a trifle rubbed, 8voQTY: (12)NOTE:Nissen BBI 2227.

Denham (Henry Mangles). Sailing Directions from Point Lynas to Liverpool with Charts, Coast-Views, River-Sections, Tidal Courses and Tide Gauge Table, for navigating the Dee and Mersey, including the latest alterations, Liverpool: Printed and published as the Act directs for H.M. Denham, by J. & J. Mawdsley, 1840, folding engraved map frontispiece (short closed tear, strengthening repairs to verso), lithograph title with vignette with strengthened fore-margin, 20 lithograph plates, plans and maps (19 folding, one with repaired closed tear and two with frayed fore-margins), one lithograph illustration on india paper, bound with Denham (Henry Mangles). Remarks and Sailing Directions for Approaching and Navigating the Sea-Reach of Wyre up to Port Fleetwood, with some Account of Wyre Lighthouses & Estuary, Liverpool: J. and J. Mawdsley, 1840, hand-coloured folding plate and two folding maps/plans, armorial bookplate of Alan Waterworth to upper pastedown, top edge gilt, 20th-century red half calf by Bayntun of Bath, 8voQTY: (1)

Dresser (Christopher). Studies in Design, 1st edition, London: Cassell, Petter and Galpin, [1874-76], lithograph title, 60 plates (of which 57 chromolithograph), 2 plates with small tape residue marks, occasional light spotting, bookplate of Mark Girouard, contemporary half calf, covers detached, spine defective, some edge wear, folioQTY: (1)

Kang (Liu). Chop Suey, a selection from a host of gruesome events that happened in Malaya during the Japanese occupation, 3 volumes [all published], Singapore: Eastern Art Co., 1946, 36 lithograph plates (each with captioned tissue-guards), original publisher's pictorial wrappers, backstrips deficient, worn with loss, a few covers loose, small oblong 4to (17 x 24 cm)QTY: (3)

Haskoll (W. Davis). Railway Construction: from the setting out of the centre line to the completion of the works; containing instructions for ranging curves and setting out lines and levels in earthworks, permanent way, bridges & viaducts on the square, on the skew, and on curves. A treatise on taking borings; with practical rules for designing works, and getting out working drawings of masonry and brickwork, timber, wrought iron and cast iron..., Illustrated by 250 plates & diagrams of executed works, 2 volumes, 1st edition, London: Atchley & Co., [1857], numerous engraved plates (some folding), upper edge of gatherings uncut, original publisher's green blind embossed cloth gilt, lightly faded, small folio, plus another copy of the second series, together withBuck (George Watson & Buck, J.H. Watson). A Practical and Theoretical Essay on Oblique Bridges, 3rd edition, London: Crosby Lockwood & Co., 1880, 12 folding lithograph diagram plates, near contemporary ownership inscription to title-page, original brown cloth with gilt, some rubbing to extremities, tall 8vo, andSimms (Frederick W.). A Treatise on the Principles and Practice of Levelling..., third edition, revised with additions with Mr. Law's practical examples for setting out railway curves, London: John Weale, 1846, seven plates (mainly folding), some finger soiling to title-page, original blind embossed gilt cloth, gilt title to spine, lower part of spine partially detached, toned, some rubbing to extremities, 8vo and A Practical Treatise on the Construction of Oblique Arches by John Hart, 2nd edition, 1839, small folio QTY: (7)NOTE:Ottley 2553 (Haskoll).

Van Dongen (Kees & others, illustrators). Cirque d'hiver. 8e Gala de l'Union des Artistes, Paris: S O C, [1930], 52 pages including 15 text pages and 25 illustrations, tipped in illustrations by Forain, Vertes, Sem, Kees van Dongen ('L'ecuyere', pochoir and colour lithograph, marginal browning, chipped with loss at blank outer corners), Cappiello, Raoul Dufy, Sacha Guitry, Vuillard, Pascin (a few marginal brown marks or stains), Marie Laurencin and Degas, some light browning throughout, heaviest towards margins, some margins and corners chipped with loss, loose in original printed wrappers, some soiling and wear, lacks spine and adhesive tape repairs to lower wrapper, slim folioQTY: (1)NOTE:Limited edition, 1236/1500 copies.The Gala de l'Union des Artistes was created by the French comedian Max Dearly in 1923. It was a charity circus show in which non-professional celebrities and actors performed circus acts to raise funds to help artists in need.

Soane (John, 1753-1837). Designs for Public Improvements in London and Westminster. The Second Impression; with further improvements and explanatory illustrations, London: printed by James Moyes, 1828, printed title and 36 pages of letterpress text (with additional lithograph title inserted before the printed title, by Hullmandel after C J Richardson, probably the lithographed title to the March 1828 reissue by Priestley and Weale), 40 mostly engraved plates only (from the complete series of 55 as indicated by Archer), on wove paper (except several lithographically printed), numbered 1, 2, 4-7, 9, 11, 13, 14, 20, 24, 29, 31-55, plus a further 17 lithographed plates of designs by Soane, printed by Hullmandel after C J Richardson, including Design for the New State Paper Office, XXXIV*, XXXIV**, XXXIV*** (A Design for a Residence for a Canine Family in Modern Times), XXXV (Design for a Summer Dining Room), XXXIX* (Holwood), XXXIX** (Pellwall House), XLIV* (Royal Belfast Academical Institution), LII, LIV (View of the State Paper Office), XLIV* (Designs for the additional buildings to Brazen-Nose College, Oxford), XLVIII** (View of the houses in Princes Street Lothbury), XLVIII**** (View of the National Debt & Redemption Office) and XLVIII*** (View of a design for the National Bank of Ireland), plus a further eight numbered engraved plates at end of volume, seven of which have contemporary marginal annotations in ink or pencil, with various dates through 1827 relating to the production and quality of the impressions of said plates, and a single-leaf printed Index to the Plates at end, first and last to leaves with blindstamp of the Burlington Fine Arts Club, later 19th-century half cloth over marbled boards, worn with covers detached and spine deficient, with Burlington Fine Arts Club shelf label and presentation label (dated 14 July 1874) to front pastedown, modern bookplate of Mark Girouard, large folio 46 x 28 cm (18 x 11 ins)QTY: (1)NOTE:See Archer 316.2 and 316.4Designs for Public Improvements was essentially a vehicle for publishing illustrations of Soane's own work, and appeared in four distinct editions. According to Soane, only 25 copies of the 1827 edition of Designs for Public Improvements were distributed. Printing of the 'second impression' was in progress by January 1828. Some copies include a variable number of inserted plates. A third edition, consisting of a revision of some text was published by Priestley and Weale, probably in March 1828, as Designs for Public and Private Buildings. Due to the difficulty of collation, sold not subject to return.

Spratt (Thomas Abel Brimage). Travels and Researches in Crete, 2 volumes, 1st edition, presentation copy, London: John van Voorst, 1865, inscribed by the owner John Cleugh in both volumes 'from my affectionate old friend the author. J Cleugh, archdeacon, Malta, March 16 1877', folding tinted lithograph panorama of Candia, 13 tinted lithograph plates, 3 other plates, 2 folding hand-coloured plates, lithograph illustrations on india paper in text, 2 advertisements leaves, publisher's catalogue at end of volume 2, lightly spotted, original publisher's terracotta cloth gilt, lightly rubbed and marked, upper cover of volume two stained at foot, 8voQTY: (2)NOTE:Provenance: John Cleugh (1793-1881), Archdeacon of Malta from 1865 until his death in 1881.Blackmer 1590. 'Spratt's archaeological and ethnological interests spurred him on to produce the important Travels in Crete which contains an extremely detailed account of the island, including an appendix describing the Cretan dialect as compared to Modern Greek'.

IAN HAMILTON FINLAY (Scottish 1925-2006) *ARR* Citron Bleu after William Gillies Lithograph with Gary Hincks, printed by Wild Hawthorn Press, sheet size 45cm x 57cm.

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two lithographs - limited edition (1/75) multi coloured lithograph with qoute from John F. Kennedy, 'Peace does not rest in charters and convenants alone. It lies in the hearts and minds of all people..', signed and dated 1972, 50 x 76cms, together with another limited edition (31/75) two colour lihograph with qoute from Robert H. Shaffer, 'We must view students not as empty bottles to be filled, but as candles to be lit' signed and dated 1972, 76 x 50cmsProvenance: were gifted by the artist to the Bertrand Russell Peace Foundation, proceeds will help pay for renovations of Russell's old home in Cornwall, private collection NottinghamshireComments: unframed

‡ PAUL PETER PIECH (American-Welsh 1920-1996) three smaller lithographs - limited edition (38/75) two colour lithograph with poem from Orlando Gibbons, 'The Silver Swan', signed and dated 1971, 48.5 x 38cms, another limited edition (47/100) two colour lihograph with qoute from Abraham Lincoln, signed and dated 1971, 55 x 19cms together with another limited edition (58/100) lithograph with verse from Richard II, Act II, Scene I by William Shakespere, signed and dated 1971, 50 x 19cmsProvenance: were gifted by the artist to the Bertrand Russell Peace Foundation, proceeds will help pay for renovations of Russell's old home in Cornwall, private collection NottinghamshireComments: unframed

Tom & Jerry The Premiere, a framed limited edition Hanna-Barbera original hand painted cel (Number: 9309), hand signed by Bill Hanna & Joe Barbera. The original artwork was transferred onto a cel using a high-quality silk-screening process with a reproduced lithograph background. The cel is autographed in black ink by the co-founders of Hanna-Barbera, William Hanna and Joe Barbera, and this example is hand-numbered #398/400 in the original frame from MGM bought from a Warner Bros. store in 2001

FRAMED LITHOGRAPH OF A SLEEPING LADY, 57 X 63.5CM, FRAME SIZE 71 X 77CM

AFTER DAVID ROBERTS RUINS CALLED OM EL HAMED NEAR TYRE Hand-coloured lithograph 23 x 32cm (9 x 12½ in.) Condition Report: Unexamined out of glazed frame. Light staining and fading throughout. Condition Report Disclaimer

Lawrence Stephen Lowry RBA RA (1887-1976): artist signed limited offset lithograph, The Reference Library Manchester, un-numbered, signed in pencil lower-right with gallery blind-stamp lower-left, 36 x 26 cm. Not available for in-house P&P

After Joseph Pennell (American 1857-1926) Etching on paper "St Pauls Wharf", signed and dated 1884 within plate, unframed, platemark 17cm x 26cm, together with a lithograph by the same hand, unsigned, as published in The Studio 1896, with their blindstamp, image size 14cm x 23.5cm, and a print of La Chapelle du Chateau Versailles, framed and glazed, image size 30.5cm x 41.5cm (3)

After Robert Heindel (1938-2005)  Colour lithograph Two limited edition prints of ballet dancers, both signed in pencil, numbered 6/500 and 124/250, both framed and glazed, image size 41cm x 52cm and 59cm x 40cm and (2)

Clare Bassett, late 20th/early 21st c - Fallen Women, signed, titled and numbered 6/20 in pencil by the artist, lithograph, 22 x 22cm, other prints, various hands, including two artist's proofs, various sizes, (6) Good condition.

The Holy Land. David Roberts RA, RBA (1796-1864) - Circular Temple at Baalbec, May 5th 1839, London: Pub:d by F.G. Moon, 20 Threadneedle St., Jan:y 1st, 1844, lithograph with contemporary watercolour hand-colouring, 25 x 34.5cm Unexamined out of mount or frame, but apparently good condition.

Harry Becker (1865-1928) -Tying Sheaves of Corn, monogrammed and dated 95 within the plate, lithograph, 24 x 33cm, Attributed to Harry Becker - Farm Laboureres Scything, drypoint etching, 16 x 14cm, with The Wildlife Art Gallery's catalogue: Harry Becker 1865 - 1928: From the artist's studio (Loftus family collection), October 2010, original wrappers, 4to, (3) The lithograph with visible signs of conservation following former damage, with further marks in places as evidenced by images; additionally, the sheet might have been trimmed, for some further examples of this shame lithograph bear the artist's pencil signature in the lower-left margin. The etching good condition. Catalogue OK, signs of handling.

Photography. Late Victorian Oxford. A student's photograph album, Leslie Rimmer Paterson (1866-1935), of Keble College, dated 1887-88, comprising 16 large format b/w and sepia photographs, 23.9 x 30cm, mostly of sporting life, both university and collegiate, including group portraits of the first XI Keble cricket team, the Oxford University Rugby Union XV, the rugby teams of Keble Coll: Oxon v. Trinity Coll: Cambridge, rowing, including the Keble VIII bumped 1888, the 1887 procession of boats, the Torpids 1888, the New College VIII, others, fellow college students, further mixed format and media images of the college and its chapel's exterior, 5 interiors - presumably Paterson's family house, Rock Ferry's church St Peter's, cricket on the green, Liverpool and its docks, etc., pastedown with a lithograph after Louis Wain of Miss Tabby's Academy, mounted onto card leaves and manuscript annotated, contemporary boards, rebacked and recornered, oblong folio (27.6 x 38cm);Mechanical Music: The British Army [Photograph] Album, n.d. [late 19th c], [14]ff, of which the cabinet card format ones are printed in chromolithography after designs by Captain Bunnett, the base enclosing a musical cylinder, presumably Swiss, playing one air, key-wound movement, clasp-mechanism, contemporary embossed pictorial leather over boards, gilt, all edges gilt, 4to, (30 x 24cm), (2)  Provenance: 1st: Rev. Leslie Rimmer Paterson (1866-1935), formerly of  Rock Ferry, Merseyside (previously Cheshire), educated at Loretto School and then Oxford, later incumbent at Bishops Langham and Ranworth, Norfolk. Some wear to the mechanical album. The movement currently winding and playing, however, this is not guaranteed in perpetuity.

Paul Hogarth (1917-2001) - Garsington Manor, signed and titled in pencil, blind-stamped 38/150, lithograph, 60 x 46cm, Francis Kyle Gallery label to verso Good condition.

▲ Graham Sutherland OM (1903-1980) 'The Rock II'lithograph in colours, 1972, authenticated and signed on the back by Katherine Sutherland, with 'GS' blind stamp from the artist's estatesheet 63.5 x 47.5cm, unframedCondition ReportTime staining. Some small brown stains/ splashes to the background on the left side, please see images. The edges are deckled.

▲ Dame Elisabeth Frink CH RA (1930-1993) 'Corrida I', 1973lithograph printed in colours, signed 'Frink' in pencil l.r., archive proof with Curwen Chilford blind stamp, from an edition of 72 (and 10 artist's proofs)sheet 56.5 x 77.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.An edition of this print is part of the Tate Collection.Condition ReportIn good condition. There is a small faint yellow spot (possibly original printing ink) in the centre of the bottom margin beneath the Curwen blindstamp where the work is inscribed '578' in pencil.

▲ John Aldridge RA (1905-1983) 'An Essex Farmyard'lithograph in colours, 1948, signed 'John Aldridge' in pencil l.r.image 40.5 x 52.5cmProvenance: With Redfern Gallery, London.Condition ReportFramed: 62.5 x 73.5cmWell presented and ready to hang. There is slight timestaining but the work appears to be in otherwise good condition. Not viewed out of glazed frame.

▲ Marc Chagall (Russian-French, 1887-1985) 'Le Grand Cirque' lithograph, artist's proof, signed 'Marc Chagall' in pencil l.r., inscribed 'Epreuve d'artiste' l.l.sheet 90 x 64, unframedsold with a photocopy of certificate of authenticity by the Wuyt Chagall Research Centre,together with a modern ebonised frame with gilt decoration (3)Provenance: Private collection, Eaton Square, Belgravia, London SW1W.Condition ReportTime staining with a light crease to the top right corner. There is a 3cm wide strip of discolouration along the top edge and a fainter 3cm border of discolouration along the bottom edge. There are five small strips of tape applied to the reverse of the top edge which has caused a little acid discolouration to the front of the print. A light crescent shaped handling crease to the right of the bottom edge. The print has deckled edges. The frame measures 134 x 112cm and is unglazed with some small knocks.

▲ Sir Peter Blake RA (b.1932) 'About Collage: Tourist Attraction, Ostrich Beach'offset lithograph in colours, signed 'Peter Blake' in pencil l.r.image 18 x 13cmCondition ReportFramed size 34.5 x 29.5cmNot viewed out of glazed frame. Colour a little muted on print.

▲ Ben Nicholson OM (1894-1982) 'Abstract Composition, 1936'lithograph in colours, 1973sheet 66.5 x 80cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome light crease marks to the margins. The printed area is unaffected and overall the work presents well.

Jonas Wood (American, b.1977) 'Large Shelf Still Life', 2017offset lithograph in colours, published for the Shio Kusaka/Jonas Wood exhibition, 30 September 2017 - 8 February 2018, at the Museum Voorlinden, the Netherlands 58 x 58cm, unframedCondition ReportPreviously rolled with very light handling creases visible to the reverse. A small nick to the right side of the top edge. A further tiny nick to the bottom of the right edge, however, in our opinion, presents well overall.

Shepard Fairey (American, b.1970) 'MAKE ART NOT WAR'offset lithograph in colours, open edition, signed with monogram and dated '23' in pencil l.r., on cream Speckletone papersheet 91.5 x 61cm, unframedCondition ReportThere are couple of small crescent shaped handling creases visible to the reverse at the bottom of the print, but this does not detract from overall enjoyment of the work. In otherwise good condition.

▲ John Aldridge RA (1905-1983) Pond a preparatory study for Aldridge's 'Mill in Essex' lithograph, c.1938, with a further sketch verso, pencil 20.5 x 32cm Provenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale; purchased by the current owner from the Fry Art Gallery, Saffron Walden. Condition ReportFramed: 30.5 x 41cm Time staining with light crease marks to the top left corner. There is a small brown spot of foxing to the left of mill in the upper left corner, and brown stain to the upper right corner, please see images. Not viewed out of glazed frame.

▲ John Piper CH (1903-1992) 'Sunningwell, Oxfordshire' (Levinson 377)lithograph in colours, 1985, signed 'John Piper' in pencil l.r. and numbered '35/70', published by Marlborough Fine Artplate 54 x 70cmCondition ReportFramed: 73 x 88cmLight cockling but presents well overall. The print is crisp and the colours are bright. Unexamined out of glazed frame.

▲ David Shrigley (b.1968) Untitled ('This Huge Cat...')offset lithograph in colours, 2022, from an open edition80 x 60cm, unframedCondition ReportIn good condition.

▲ Dame Elisabeth Frink CH RA (1930-1993) 'Corrida IV', 1973lithograph in colours, signed 'Frink' in pencil l.r., archive proof with Curwen Chilford blind stamp, from an edition of 72 (and 10 artist's proofs)sheet 57 x 77.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportA very slight crease to the upper left corner. The work is inscribed '573' in pencil in the centre of the bottom margin. Overall presents well.

▲ Laurence Stephen Lowry RBA RA (1887-1976) 'Punch and Judy'lithograph in colours, printed by the Baynard Press for School Prints Ltd., Londonsheet 49 x 76cmCondition ReportFramed: 65 x 85cmSome small rips and tears to the red border on the right side of the bottom edge. Light time staining. Not viewed out of frame.

▲ Dame Paula Rego RA (Portuguese-British, 1935-2022) 'Come to Me'lithograph in colours, 2001-2002, signed 'Paula Rego' in pencil l.r., numbered 18/35, printed on Somerset Velvet by the Curwen Studio, Cambridge, and published by the artist and Marlborough Graphics, Londonsheet 99 x 67cmCondition ReportFramed: 105 x 72.5cmVery slight cockling to the lower edge but this does not detract from enjoyment of the work. Presents well overall and appears to be in otherwise good condition. Stuck down in the corners. There are some marks to the back board, please see images, but the front of the work does not appear to be affected. Not viewed out of glazed frame.

▲ David Shrigley (b.1968) 'When Life Gives You A Lemon, You Must Eat the Lemon'offset lithograph in colours, 2021, from an open edition80 x 60cm, unframedCondition ReportLight handling creases to the bottom half. A small 1cm crease mark to the left of the word 'ALL'. In otherwise good condition.

▲ Damien Hirst (b.1965) 'The Last Supper'offset lithograph in colours, 2005, signed 'Damien Hirst' in pencil l.r.sheet 148 x 197cmCondition ReportFramed: 149 x 198cmSome small nicks, creases and abrasions to the extreme edges. Light cockling. Small white spots and speckles to the left edge. The print in mounted in a perspex frame which has some light surface scratches.

Shepard Fairey (American, b.1970) 'LIBERTÉ EGALITÉ FRATERNITÉ'offset lithograph in colours, open edition, signed with monogram and dated '23' in pencil l.r., on cream Speckletone papersheet 91 x 61cmCondition ReportPreviously rolled. There are a couple of very small handling creases to the bottom visible to the reverse, but this does not detract from overall enjoyment of the work. In otherwise good condition.

▲ After Pablo Picasso 'Hands Holding Flowers', 1958lithograph in colours, signed and dated in the plate65 x 50cmCondition ReportFramed: 67 x 52cmThe signature and date are printed. A couple of faint dirty smudges to the upper left corner but appears to be in otherwise good condition. Not viewed out of glazed frame.

▲ After Pablo Picasso 'The Flute Player', 1959lithograph, signed in the plate, numbered '618/2000' in pencil l.r., on Arches wove65 x 48.5cm (visible);together with:'Don Quixote', 1955lithograph, signed in the plate52 x 35.5cm (visible) (2)Condition Report'The Flute Player': framed, 65 x 52.5cm 'Don Quixote': framed, 56.5 x 39.5cmTime staining and discolouration to the paper. Light cockling. The signatures are printed, not original. Not viewed out of glazed frames.

Edward Bawden RA (1903-1989) 'Sahara', 1928wallpaper, lithograph in colours after a linocut designed by Edward Bawden, printed by the Curwen Press69 x 52cmCondition ReportFramed: 85 x 65.5cmA couple of tiny dark spots and speckles but overall presents well. There is a little dust trapped behind the glazing but the print itself does not appear to be affected. The work has not been viewed out of the glazed frame and has slipped a little.

A collection of books and catalogues relating to the work of Edward Bawden to include:James Russell'The Lost Watercolours of Edward Bawden'published by The Mainstone Press, Norwich, 2016;Douglas Percy Bliss'Edward Bawden'published by the Pendomer Press, Surrey, 1979, printed and bound by the Scolar Press and numbered '97/200';with 'Nekayah, Rasselas & Imlac'lithograph in colours, printed by the Curwen Studio, signed 'Edward Bawden' in pencil l.r., inscribed with title and numbered '197/200'sheet 30.8 x 23cm;Pedro Carolino'English as She is Spoke: The New Guide of the Conversation in Portuguese and English'illustrated by Edward Bawden, published by the Lion and Unicorn Press, London, 1960 (qty.)Condition ReportPlease contact the department.

▲ Mary Fedden RA (1915-2012) 'The Lamp'lithograph in colours, 1972, signed 'Fedden' in pencil l.r., numbered '64/250'image 56 x 41cmCondition ReportFramed: 78.5 x 57.5cmSome faint dirty smudges to the margins. Very light time staining. Overall the printed area presents well. Not viewed out of glazed frame.

▲ Sir Eduardo Paolozzi RA (1924-2005) Tottenham Court Road tube station patternsoffset lithograph, hand-painted with gouachetwo sheets, framed as one, 21 x 30cm each (2)Provenance: The artist's estate;thence by descent.

Edward Bawden RA (1903-1989) 'Lagoon', 1929wallpaper, lithograph in colours after a linocut designed by Edward Bawden, printed by the Curwen Press76 x 54.5cmCondition ReportLight time staining with very slight cocking and some small handling creases. A tiny spot to the the background in the upper left quarter which appears to be a very minor abrasion. Some tiny speckles of light surface dirt. Please refer to additional condition images. Not viewed out of glazed frame.

Kazimir Malevich (1879-1935) 'Suprematist Composition No. 56', 1936lithograph in colours, numbered '1083/1400' in pencil l.l., printed by Mourlot, and published by Galerie Gerald Pilzer, Paris, with blind stampssheet 93 x 78cm, unframedCondition ReportA light diagonal crease mark to the margin in the bottom right corner. The extreme left edge has some indentations and fold marks. A light handling crease to the left margin, lower centre. The margins are a little uneven, please see additional condition images. The printed area appears to be in good condition and the colours are bright.

▲ Paul Catherall (b.1967) 'Goldfinger III'lithograph in colours, signed and dated 'P Catherall 2011' in pencil l.r., numbered and inscribed with title l.l.96 x 72cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportOverall, in good condition. A couple of very slight handling creases with a faint dirty mark to the centre of the lower edge but in our opinion this does not detract from enjoyment of the work.

▲ Sir Peter Blake RA (b.1932) 'David Hockney in a Hollywood/Spanish Interior', 1965offset lithograph in colours, signed 'Peter Blake' in pencil l.r., numbered '193/250'image 45 x 37cmCondition ReportFramed: 61 x 50cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.

Saul Steinberg (Romanian-American, 1914-1999) Untitled, 1966lithograph, together with letter of authenticity from Wiseman Originals Ltd.visible sheet 25.5 x 18.5cm (2)Published for the catalogue of the exhibition organised by the Galerie Maeght in Paris at the Redfern in London, 1965.Condition ReportFramed: 49 x41.5cmTime staining and foxing to the sheet. Previous taping and framing mark visible to the sheet margins. Not viewed out of the glazed frame.

▲ David Shrigley (b.1968) 'Signs of the Zodiac'offset lithograph in colours, 2023, from an open edition91.5 x 61cm, unframedCondition ReportIn good condition.

▲ Edward Bawden RA (1903-1989) 'Cattle Market, Braintree'lithograph in colours after a linocut of the same title, 1937, signed 'Edward Bawden' in pencil l.r., published by Contemporary Lithographs Ltd., Londonimage 51 x 77cmCondition ReportFramed: 78 x 99cmSome tiny spots and speckles of light surface dirt to the margins. Slight cockling. Some very small crease marks to the margins but this does not detrract from enjoyment of the work. Presents well overall and is ready to hang. Not viewed out of glazed frame.

GEOFF LA GERCHE (1940) 'They Sailed for the Land God Gave to Cain' "signed and dated '67 lower right, artists proof, coloured lithograph, 74 x 55cm

BRENDAN NEILAND: WEST CENTRAL 1 '76, A/P, lithograph, 90 x 66cm.

Guo Dawei - a 20th century Japanese lithograph print of an artwork by Guo Dawei. The watercolour featuring a brown shih tzu dog. With character mark to right hand corner. Framed and glazed. Measures approx. 42cm x 34cm. .

A group of twenty-one framed paintings, drawings and prints, to include: Fletcher Sibthorp (b.1967) - Three Dancers, limited edition giclee print 281/295, signed and numbered in pencil below, 46 x 71 cm; Gerald Edward Tucker (1830-1909) - watercolour on paper, signed lower left, 46 x 66 cm; W. Doyle d'Arcy - 'Box up in the Winter Sun', signed print, 45 x 68 cm; After Andreas Betz - 'in the Lago Maggiore', oleograph print, 61 x 81 cm; After Francois Boucher (1703-1770) - oleograph print on canvas, artist's name inscribed on panel below, 23 x 29.5 cm; After Thomas Creswick (1811-1869) - 'The Village Blacksmith' oleograph on canvas, 58cm x 90cm, gilt framed, together with; James D. Preston (20th Century) - Cherry Blossom, artist's proof limited edition print (1/50), signed in pencil below and in print, blind stamped, 37cm x 46cm; P. Lucas (20th century) - Pair of Couple Portraits, pastel on paper, each signed and dated '5/82' and '28/2/81' lower right, inscribed label verso, 48 x 36 cm each; Camille Claus (French, 1920-2005) - 'L 'importance Historique', limited edition lithograph, signed and numbered 137/150 in pencil below, artist's name inscribed verso, 50 x 65 cm; Janet Faith Jordan - Six Deer, watercolour on paper, signed and dated '1991' lower right, 75 x 55 cm; and one other mixed media painting, indistinctly signed lower right, in pink painted frame; 20th Century Woodland Scene, oil on canvas board, unsigned, 50 x 60 cm, in oval gilt frame; After Bruno Oscar Munari (b.1946) - Two prints: 'Oasi' and 'Figure al Sole', both titled and signed in print, approx. 50 x 40 cm; R. Brannon (19th century) - 'Selby Old Bridge and Abbey', watercolour and body colour, inscribed verso; A photograph of a carving from Selby abbey, and two maps of York and Kingston upon Hull; Hugh Courtenay Knollys (1918-2006) - 'St. Jean De Luz', gouache on paper, signed and dated '56' lower right, 33 x 45 cm, labels inscribed verso: 'During the Spanish Gulf War St. Jean De Luz was used by British destroyer evacuating British Citizens conducting the Niton? patrol. Lt COR C. H. Knollys RN was awarded the DSC for the sinking of Japanese cruise securing. Later he was serving in the same destroyer when she was mined in the Corfu Channel'; and two other prints, all framed (21)

Vintage David Hockney exhibition poster at Andre Emmerich, May 1973, with photo offset print of original lithograph 'Still Life with Book', 70.5 x 89 cm including frame