70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

This lithograph depicts an arch window with golden stars on a blue ceiling and orange wall placed on top of an abstracted cross and expanding forms. Title in pencil on lower left: Borgia Palace #6, Stars & Crosses. Edition on lower center: 3/3. Signature on lower right. Sight size: 15.10" L x 21.10" H. Frame size: 15.75" L x 21.80" H x 1.10" W. Issued: c. 1980Edition Number: 3 of 3 Condition: Age related wear.

Hometown Lake (Memories IV) is a hand embellished lithograph on hand stretched canvas by artisans working under the direction of Thomas Kinkade who painted the original in a Luminist style to highlight man's longing for peaceful places. Signature in black ink on lower right. Numbered: 2107/4950. Copyright on lower left: Thomas Kinkade, 18, John 3.16. Housed in a gilded wood frame with a cream color linen mat and engraved brass nameplate. Frame size: 39.10"L x 33.10"H x 2.10"W. Artwork dimensions: 29.25"L x 23.40"H. On verso: stamps for Lightpost Publishing Media Art Group and engraved authenticity plate. Artist: Thomas Kinkade (American 1958-2012)Issued: 1998Edition Number: 2107 of 4950 Country of Origin: United StatesCondition: Age related wear.

Lithograph for the exhibition "Ecole de Paris 1959" held at the Galerie Charpentier, Paris. Art Brut artist Rene (Bro) Brault (French, 1930-1986) made this abstracted image with large fields of color. On image: "Ecole de Paris 1959". Signed lower right: Bro. On lower part: Mourlot IMP. Galerie Charpentier, 76 Faubourg Saint-Honore, Paris. Frame size: 20.10"L x 30.10"H x 0.60"W. Poster dimensions: 18.60"W x 28.60"H. Artist: Rene (Bro) BraultIssued: 1959Country of Origin: FranceCondition: Age related wear.

Vibrant color lithograph in shades of blue on off-white paper designed for the exhibition of George Braque at the occasion of his artworks donation to the Musee du Louvre. This important show was held in 1965 and the lithographs were printed by Mourlot, Paris. Housed in a brushed silver frame with a blue mat. Frame size: 21.50"L x 25"H x 1"W. Artwork dimensions: 10.50"W x 13.50"H. Artist: George Braque (French, 1882-1963)Issued: 1965Country of Origin: FranceCondition: Age related wear.

This is a beautiful offset lithograph of "Red Bouquet with Lovers" by Marc Chagall. The lovers are floating in the colorful flowers of reds and shades of pinks. Signature on lower right: Marc Chagall. Edition on lower left: 176/250. Housed in gilded frame with a cream mat and red border. Sight size: 17"L x 25"H. Frame size: 25"L x 33.10"H x 1.05"W. Artist: Marc ChagallIssued: c. 1950Edition Number: 176 of 250 Condition: Age related wear.

Title: Karen a Paris. Colorful modern lithograph on canvas with hand embellishments featuring a seated abstracted female figure wearing colorful pants with Siamese cat in background. Ornate gold frame with embossed floriate textures and white canvas mat. Artist signature near lower left corner in black. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 10.5"W x 12.25"H; frame size: 18.25"W x 20"H x 2"D. Artist: Linda Le KinffCondition: Age related wear.

Property of a Gentleman. Salvador Dali (1904 - 1989), Forms, 1973. Lithograph, hand signed and dated, 'IX / XII Dali / 1973'. Dimensions: (Paper) 29 in. (H) x 22 in. (W) (Frame) 30 in. (H) x 23 in. (W)

To be sold without reserve, Property of a Lady. Salvador Dali (1904 - 1989). A lithograph from Marquis de Sade series (no. 61/160). Hand-signed. Dimensions:26.7 in. (H) x 30 in. (W)

Property of a Gentleman.  Howard Hodgkin (1932 - 2017) Monsoon 1987 Lithograph hand coloured with gouache and watercolour Edition of 85.Provenance: Waddington Graphics, London Dimensions: (Paper) 41.5 in. (H) x 52.5 in. (W) (Frame) 47 in. (H) x 58 in. (W)

Harold Riley (British 1934-2023) "Hillgate, Stockport" Signed, titled and dated '73 in pencil in the margin, numbered 1/10, lithograph.44.5 x 39.5cm (framed 61 x 55cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The metal frame has some minor scuffs and scratches commensurate with age.

Harold Riley (British 1934-2023) "Sun Street, Salford" Signed, titled and dated '79 in pencil in the margin, numbered 4/75, lithograph.52.5 x 43.5cm (framed 66 x 57cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing in the margins. The print is framed and glazed. There is some staining along the upper edge of the mount board. The original metal frame has some minor scratches and knocks commensurate with age.

Harold Riley (British 1934-2023) "Pope John Paul II" Signed by both the artist and Pope John Paul II in the margin, artist's proof, with the artist's blind stamp, colour lithograph.20.5 x 16.5cm (framed 35.5 x 32cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Reg Gardner (British 1948-) "Night Bus" Signed, titled and dated 1980 in pencil in the margin, numbered 12/26, lithograph.27 x 19.5cm (framed 42 x 33.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There is mould across the mountboard and along the lower margin. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.

Harold Riley (British 1934-2023) "Lady and Child Reading" Signed, titled and numbered 8/25 in pencil, lithograph. 60.5 x 48cm (framed 81 x 66cm) Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in good, original condition. The paper has browned in areas and there are some undulations across the sheet. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.

Beckford (William).- Maddox (Wiles) Views of Lansdown Tower, Bath. The Favourite Edifice of the Late William Beckford Esqr., first edition, chromolithograph title with hand-coloured vignette, lithograph dedication, 6 tinted lithograph illustrations in text, 13 hand-coloured lithograph plates on 12 card leaves, by C.J. Richardson after Maddox, list of subscribers, some repairs to margins of text leaves, some foxing and soiling, leaves guarded, later half roan over original cloth, lettered in gilt, rubbed, [Abbey, Scenery 420], folio, Bath & London, Edmund English & Thomas McLean, 1844.⁂ Provenance: Urban Huttleston Rogers, Lord Fairhaven (bookplate).

Central Asia.- Abbott (Capt. James) Narrative of a Journey from Heraut to Khiva, Moscow, and St. Petersburg, during the late Russian invasion of Khiva, 2 vol., first edition, portrait lithograph, folding engraved map, bound without half-titles, bookplate, contemporary calf, rebacked retaining original backstrip, a little rubbed, 8vo, 1843.⁂ Provenance: Bookplate of Frederick Abbott (1805-92), brother of the author.

Birds.- Audubon (John James) The Birds of America, from Drawings made in the United States and their Territories, 7 vol., re-issued by J. W. Audubon, 500 hand-coloured lithograph plates after Audubon by W.E. Hitchock, R. Trembly and others, tissue guards, wood-engraved anatomical diagrams, occasional light off-setting, the odd scattered spot, contemporary morocco, ornately blind-stamped, extremities rubbed, g.e., [Nissen IVB 51; Sabin 2364; Zimmer p.22], 8vo, New York, Roe Lockwood & Son, 1861.⁂ ?Third octavo edition. After completing the double-elephant folio edition at great expense in England, Audubon returned to the United States to produce a more profitable octavo version (originally with the Philadelphia firm of Bowen), and added 65 new images to the original plate count of the double-elephant folio.

Duchamp (Marcel) and Andre Breton. Boite Alerte: Missives Lascives, one of 200 copies, comprising a collection of letters, catalogues, objects, postcards and original signed and numbered graphic works (lacking the lithograph by Joan Miró (Mourlot 195)), housed within the original green paper covered cardboard box designed to look like a French post-box (a little rubbed), limitation number stamped on inside of lid, overall size 278 x 190 x 70mm., n.p., 1959.⁂ The present lot contains the following items:i) catalogue for the exhibition.ii) 8 Missives Lascives by Micheline Bounoure, Alain Joubert, Joyce Mansour, Robert Benayoum, Octavio Paz, André Pieyre, Mimi Parent (a black silk stocking in an envelope with transparent window), and one anonymous.iii) a telegram on pink paper by Marcel Duchamp writing as Rrose Sélavy to André Bretoniv) a vinyl 45 rpm two-sided record with recordings of poems by Joyce Mansour and Benjamin Peretv) 6 colour postcards of works by Bellmer, Dali, Gorky, Miro, Svanberg, and Clovis Trouille.vi) 3 original signed and numbered lithographs by Adrien Dax, Marie Toyen, Max Walter Svanbergvii) an original signed and a numbered etching by Jacques Le Marechal.

Darwin (Charles) On the Origin of Species by Means of Natural Selection, second edition, second issue with "fifth thousand" on title, half-title, folding lithograph diagram, 32pp. publisher's catalogue dated January 1860 at end, hinges broken, original blind-stamped cloth, spine gilt, overall a sharp, near-fine copy, preserved in modern cloth drop-back box, [Freeman 376], 8vo, 1860.⁂ The first edition had a print run of only 1250 copies and was sold out in a day. The book was republished in a printing of only 3000 copies literally within days of the first issuance. Darwin himself considered this edition "little more than a reprint of the first edition".A very nice and completely unsophisticated copy of "the most influential scientific work of the nineteenth century" and "the most important biological work ever written" (Horblit, Freeman).

δ Hicks (Chris, binder).- Betjeman (John) Metro-land, one of 220 copies signed by the author and artist, text printed in red on tissue leaves, 15 colour lithograph plates by Glynn Boyd Harte, email correspondence with the binder loosely inserted, bound in red goatskin with chimney, sloping roof and three dimensional bay window to form a typical "Metro-land" house, by Chris Hicks, inlaid windows with fabric curtains revealing patterned wallpaper, signed and dated "CLH 89" in blind twice on lower cover, preserved in a custom yellow cloth drop-back box (corners little rubbed), c.295 x 235mm., Warren Editions, 1977.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Davies (Benjamin Rees) London and its Environs, Containing the Boundaries of the Metropolitan Boroughs, the different Railroads & Stations, The New Cemetaries, Roads, Docks, Canals, and all the modern improvements, lithograph with vibrant original hand-colouring, 570 x 725 mm (22 1/2 x 28 1/2 in), dissected and mounted on linen, minor surface dirt, folding with marbled ends into original dark brown boards, gilt, spine split with upper cover almost detached, 8vo, [Howgego 404 (1)], C.F.Cheffins, 1847 § Cary (G. & J.) Cary's Map of the Country 12 Miles Round London, engraving with fine original hand-colouring, 590 x 723 mm (23 1/4 x 28 1/2 in), dissected and mounted on linen, old signs of splitting to platemark at lower centre, well outside the map, now secure without any loss, folding with green endpanels into slipcase with publisher's printed label to upper cover, 8vo, [?Not in Howgego], 1828; together with Wyld's New Plan of London and its Vicinity, engraved map with vibrant hand-colouring, 790 x 1160 mm (31 x 45 3/4 in), dissected and mounted on linen, minor spotting and surface dirt, folding with publisher's printed label to endpanel, folding into cloth boards, publisher's printed label to upper cover, 8vo, 1869; together with 'Andrew's New and Accurate Map of the Country Twenty-five miles round London...' [Howgego 167], 1787 (4)

Shakespeare (William).- Moginie (D.B.) Portia's ode on mercy, from the Merchant of Venice, Act IV, Scene 1, lithograph, with intricate embossed gesso design surrounding the letters and in the decorative border, with extensive hand-colouring, heightened with gold, sheet 735 x 490 mm (28 7/8 x 19 1/4 in), some craquelure and small chips, presented in mount and frame, without glass, frame size approx. 1045 x 790 mm (41 x 31 1/8 in), some chips and losses, 1861.

Middle East.- Roberts (David) The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol. bound as 4, first edition, lithograph portrait frontispiece, 6 tinted lithograph titles, 121 tinted lithograph plates and 120 half-page illustrations, 2 engraved maps, vol. 1 bound without list of subscribers as often, scattered spotting, most faint, contemporary half red-morocco, strengthened at joints, rubbing to joints and corners, bumping to corners and spine extremities, large folio, [Abbey Travel 272 & 385; Blackmer 1432], 1842-49.⁂ The first edition was published in 3 formats, of which this is the 'ordinary' format with tinted lithographs. "One of the most important and elaborate [publishing] ventures of the nineteenth century" (Abbey)"Roberts' original intention was to publish Egypt and Nubia together with The Holy Land in six volumes (this explains the 'vol. 5' on the title of Egypt, vol. 2) but this was not carried out, and the two works were brought out separately." (Blackmer)

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), OLYMPISCHE SPIELE MÜNCHEN lithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesframed and under glassimage size 98cm x 62cm, overall size 105cm x 69cmCondition is good overall.

* BANKSY (BRITISH b. 1974), SAVE OR DELETE (GREENPEACE) off-set lithograph on recycled paperunframedoverall size 42cm x 59.5cmNote: originally commissioned by Greenpeace, complete with accompanying sticker set.

* ALBERTO MORROCCO OBE RSA RSW RP RGI LLD D Univ (SCOTTISH 1919 - 1998), SELF PORTRAIT lithograph on paper, signed with personal inscriptionmounted, framed and under glass image size 31cm x 25cm, overall size 44cm x 38cm Provenance: Purchased from the artist's studio sale, Dundee

* ELSPETH LAMB (SCOTTISH b. 1951), CONSTELLATION lithograph on paper, signed, titled and dated 9/13mounted, framed and under glass image size 57cm x 77cm, overall size 70cm x 88cmNote: Offered without reserve. Note 2: Elspeth Lamb studied at Glasgow School of Art, Manchester Metropolitan University and the Tamarind Institute of Lithography, University of New Mexico USA, her main specialism being printmaking. She is an elected RSA Academician, and an elected member of the Society of Scottish Artists and Royal Glasgow Institute, and has taught several workshops in lithography at the Joan Miro Foundation in Mallorca, Spain. She has won several awards for her work, which is also included in major collections such as the Japanese Consular Collection, The British Council, the MAG Collection, and the Joan Miro Foundation Collection, as well as being represented in several Art Galleries and Museums both in the UK and abroad. For 21 years she taught at the Edinburgh College of Art, latterly as Head of the Department of Printmaking and she has been visiting lecturer at many colleges in the UK including the Glasgow School of Art, Duncan of Jordanstone College Dundee and Middlesex University. She chose to give up all academic teaching commitments in 1999 to pursue her artistic career; a recent one-person exhibition was at A.I.R. Gallery in Chelsea, New York City during 2004. Her most recent residencies have been in Bulgaria, Canada and Newfoundland, and she exhibits regularly at home and abroad. Elspeth studied the art of moku hanga printing in Japan with master craftsmen during 2000, where she was selected to be one of six international artists to participate in a residency based on Awaji Island. Since then, she has returned twice to study Japanese papermaking: this research was related to her publication,’Papermaking for Printmakers’ which was published by A&C Black, London, in May 2006.As a freelance artist, she has organised and taught printmaking and papermaking workshops at many art centres and schools across Scotland, such as Taigh Chearsabhagh, in North Uist, the Leith School of Art, Edinburgh, and the Hunterian Museum, Glasgow University. She works with children and adults of all ages.

JONAS WOOD (AMERICAN b. 1977), LARGE SHELF STILL LIFE offset lithograph, stamped with the artist's name, title, date and exhibition on the reverse unframedoverall size 58.5cm x 58.5cm

* ALBERTO MORROCCO OBE RSA RSW RP RGI LLD D Univ (SCOTTISH 1919 - 1998), RED SHOES lithograph on papermounted, framed and under glass image size 39cm x 45cm, overall size 52cm x 58cm Provenance: Purchased from the artist's studio sale, Dundee

* ELSPETH LAMB (SCOTTISH b. 1951), FIRE lithograph on paper, signed, titled and dated 10/13mounted, framed and under glassimage size 57cm x 77cm, overall size 70cm x 88cmNote : Offered without reserve. Note 2: Elspeth Lamb studied at Glasgow School of Art, Manchester Metropolitan University and the Tamarind Institute of Lithography, University of New Mexico USA, her main specialism being printmaking. She is an elected RSA Academician, and an elected member of the Society of Scottish Artists and Royal Glasgow Institute, and has taught several workshops in lithography at the Joan Miro Foundation in Mallorca, Spain. She has won several awards for her work, which is also included in major collections such as the Japanese Consular Collection, The British Council, the MAG Collection, and the Joan Miro Foundation Collection, as well as being represented in several Art Galleries and Museums both in the UK and abroad. For 21 years she taught at the Edinburgh College of Art, latterly as Head of the Department of Printmaking and she has been visiting lecturer at many colleges in the UK including the Glasgow School of Art, Duncan of Jordanstone College Dundee and Middlesex University. She chose to give up all academic teaching commitments in 1999 to pursue her artistic career; a recent one-person exhibition was at A.I.R. Gallery in Chelsea, New York City during 2004. Her most recent residencies have been in Bulgaria, Canada and Newfoundland, and she exhibits regularly at home and abroad. Elspeth studied the art of moku hanga printing in Japan with master craftsmen during 2000, where she was selected to be one of six international artists to participate in a residency based on Awaji Island. Since then, she has returned twice to study Japanese papermaking: this research was related to her publication,’Papermaking for Printmakers’ which was published by A&C Black, London, in May 2006.As a freelance artist, she has organised and taught printmaking and papermaking workshops at many art centres and schools across Scotland, such as Taigh Chearsabhagh, in North Uist, the Leith School of Art, Edinburgh, and the Hunterian Museum, Glasgow University. She works with children and adults of all ages.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968), TWO LITHOGRAPHS PEOPLE EXPECT SO MUCH FROM ME and SOME OF MY BEST FRIENDS ARE PIGSlithograph on 200g Munken Lynx papereach unframed overall size 74cm x 54cm each Qty: 2Condition is good overall, with no visible or known issues.

English School (19th Century) Horse and Carriage before a Country House coloured lithograph 28 x 48cm (11" x 19")

LMS "Wicklow Island for Holidays" travel poster mid 20th Century lithograph coloured measuring 1001 x 63cm (approx) with 3 folds down and 3 folds across, some holes/wear to top edges and folds, the poster shows a hill scene originally painted by Paul Henry and advertising the Wicklow Island for Holidays, it also states "Illustrated Folder from NE London Midland & Scottish Railway Station or Agency". Printed in Britain by SC Allan & Co Ltd Lesley Street London WC2. An Excellent poster of the period with some damage.

Laurence Stephen Lowry (1887-1976), "DEAL BEACH SKETCH" lithograph, Fine Art Trade Guild blind stamp, published by Venture Prints Ltd. signed in biro, with blind stamp, 18cm x 25cm, Note: This is a print of the preparatory sketch for The Beach at Deal

After David Roberts, The Great Sphinx, Pyramids of Gizeh, lithograph, pub'd by F. G. Moon 1846, 29.5cm x 52cm

A David Hockney poster for 'Prints 1954-77', a touring exhibition held from January 1979 to March 1980, produced and published by Gemini GEL, courtesy of Petersburg press, printed in England, colour off-set lithograph, featuring 'Sun' (1973), 97 cm x 68.5 cm, together with another similar poster, for the 'San Francisco Opera Summer Festival Season 1982', printed by Petersburg Press in England, colour off-set lithograph, featuring 'Details of Bedlam' from 'The Rakes Progress' (1975), 99 cm x 86.5cm, each unframed. In good, clean condition, having been well looked after by the vendor's family. Stored flat.

A David Hockney poster for 'The Santa Fe Festival Theatre 1981', printed in England courtesy of Petersburg Press, colour off-set lithograph featuring 'Arizona' (1964), 79.5 cm x 62 cm, together with another similar, for the Nishimura Gallery, 1983, printed in England by Petersburg Press, colour off-set lithograph, featuring 'Parade' (1980), 92.5 cm x 80 cm, each unframed. Qty: 2 In good, clean condition, having been well looked after by the vendor's family. Stored flat.

Barbara Hepworth (1903 - 1975), 'Oblique Forms' from Twelve Lithographs, signed and numbered 24/60 in pencil, lithograph, Curwen Press blind stamp, artist's initials watermark, full sheet, image 55 x 72.5 cm, sheet 58 x 81 cm, unframedOverall in very good condition and has been stored between two pieces of cardboard. Top and left edges remain uncut, some minor creases to the bottom edge of the paper. Signs of previous mounting tape on top corners of the verso. Cream coloured paper with CP blindstamp.

A pencil-signed David Hockney exhibition poster for the '1st British International Print Biennale 1968-1969', held at the Bradford City Art Gallery and Museums, colour offset lithograph, signed by artist to the bottom right, featuring his work 'Tree and Grass' (1968), 78 cm x 59 cm, unframed.Private collection, being sold together with the other Hockeny posters in this sale.In good, clean condition, having been well looked after by the vendor's family. Stored flat.

A David Hockney exhibition poster for 'Complete Prints 1968', held at Galerie Mikro Berlin, offset lithograph, wove paper, full sheet printed to the edges, 84 cm x 64.5 cm, unframed.Features 'Two Boys aged 23 or 24' (1966), made to illustrate a series of erotic poems by the Greek-Egyptian writer C.P Cavafy. In good, clean condition, having been well looked after by the vendor's family. Stored flat.

Andy Warhol, 1928 Pittsburgh – 1987 New YorkFLOWERS, 1964Offset in vier Farben.58,6 x 58,6 cm.Rechts unten mit Filzstift signiert und datiert „Andy Warhol 65”. Auflage ca. 300.Im Passepartout, hinter Glas gerahmt.Herausgeber: Leo Castelli Gallery, New York. Drucker: Total Color, New York.Provenienz:Leo Castelli Gallery, New York.Von Privatsammlung dort in den 1960er-Jahren erworben.Auktion Bukowskis, Stockholm, 6/ 13. November 2013, Lot 251.Literatur:Vgl. Frayda Feldmann, Jörg Schellmann, Andy Warhol-Prints. A catalogue raisonné, 1962 - 1987. Mailand 1997, S. 82, Abb. II.6. (1371398) (13)Andy Warhol, 1928 Pittsburgh – 1987 New YorkFLOWERS, 1964Offset lithograph in four colours. 58.6 x 58.6 cm.Signed and dated “Andy Warhol 65” in felt pen lower right. Limited ed. of ca. 300.Editor: Leo Castelli Gallery, New York.Printer: Total Color, New York.Provenance:Leo Castelli Gallery, New York.Purchased there by private collection in 1960s.Auction Bukowskis, Stockholm, 6/ 13 November 2013, lot 251.Literature:cf. Frayda Feldmann, Jörg Schellmann, Andy Warhol-Prints. A catalogue raisonné, 1962 - 1987, Milan 1997, p. 82, ill. II.6.

Louis le Brocquy HRHA (1916-2012) Fantail Pigeon II Lithograph, 35 x 50cm (13¾ x 19¾") Edition 31/35 Signed and dated 1985Provenance: With Taylor Galleries, Dublin, label verso

Abstrakte Kompostition, Lithografie auf Velin, 50 cm x 65 cm Blattmaß, signiert, montiertHans Hartung (1904 Leipzig - 1989 Antibes) (F)Abstract compostition, lithograph on wove paper (papier vélin), 50 cm x 65 cm sheet size, signed, mounted

Ohne Titel, Farblithografie auf Papier, 66 cm x 50 cm Blattmaß, 56/125 nummeriert, signiert, L'OEuvre Gravée (Trockenstempel), nachgedunkelt, Blattrand minimal abgegriffen, verso MontierungsrückständeHans Hartung (1904 Leipzig - 1989 Antibes) (F)Untitled, color lithograph on paper, 66 cm x 50 cm sheet size, 56/125 numbered and signed, dry stamp L'OEuvre Gravée, darkened, sheet margin minimally worn, mounting residues on verso

Ohne Titel (Composition), Lithografie auf BFK Rives (Wasserzeichen), 65,5 cm x 50 cm Blattmaß, 7/120 nummeriert, signiert, nachgedunkelt, partiell stockfleckig, partiell minimal knickfaltigHans Hartung (1904 Leipzig - 1989 Antibes) (F)Untitled (Composition), lithograph on BFK Rives (watermark), 65,5 cm x 50 cm sheet size, 7/120 numbered, signed, darkened, partly foxing, partly minimal creases

Abstraktion in Blautönen, Farblithografie auf Papier, 63,5 cm x 90 cm Blattmaß, 39/75 nummeriert, signiert, Erker Presse St. Gallen (Trockenstempel)Hans Hartung (1904 Leipzig - 1989 Antibes) (F)Abstraction in blue tones, color lithograph on paper, 63,5 cm x 90 cm sheet size, 39/75 numbered, signed, Erker Presse St. Gallen (dry stamp)

Boxkampf, Farboffsetlithografie auf Papier, 98 cm x 68 cm Rahmeninnenmaß, Probedruck bezeichnet, im Druck signiert und 90 datiert, fleckigJörg Immendorff (1945 Bleckede/Elbe - 2007 Düsseldorf) (F)Boxing match, colour offset lithograph on paper, 98 cm x 68 cm inside frame measurement, proof inscribed, signed and dated 90 in print, blotchy

Boxkampf, Farblithografie auf Papier, 99 cm 68, Rahmeninnenmaß H.C. nummeriert signiert, 96 datiertJörg Immendorff (1945 Bleckede/Elbe - 2007 Düsseldorf) (F)Boxing match, colour lithograph on paper, 99 cm x 68 cm inside frame measurement, H.C. numbered, signed, 96 dated

Schuh, Farblithografie auf Papier, 39 cm x 52,5 cm Blattmaß, 90/130 nummeriert, signiertKonrad Klapheck (1935 Düsseldorf) (F)Shoe, color lithograph on paper, 39 cm x 52,5 cm sheet size, 90/130 numbered, signed

'Nice travail & joie', Plakat, Lithografie auf Papier, 100 cm x 64 cm Blattmaß, im Druck signiert und 47 datiert, betitelt, 'Édité par le Syndicat d'Initative de Nice et l'Union méditerranéenne pour l'art moderne' bezeichnet, gedr. Mourlot, Paris, Blatt leicht nachgedunkelt und minimal gewellt, Blattrand abgegriffen und mit kleinen RissenHenry Matisse (1869 Le Cateau-Cambrésis - 1954 Nice) (F)'Nice travail & joie', poster, lithograph on paper, 100 cm x 64 cm sheet size, signed and dated 47 in print, titled, 'Édité par le Syndicat d'Initative de Nice et l'Union méditerranéenne pour l'art moderne' inscribed, printed Mourlot, Paris, sheet slightly darkened and minimally wavy, sheet margin worn and with small tears

Miró der Lithograph I. und III., 2-Bde., Band I mit 11 Lithografien, Band III mit 5 Lithografien, Hrsg. Maeght - Paris 1972 und 1977, 33 cm x 26 cm Buchmaß, Originalumschläge partiell eingerissen, leicht fleckigJoan Miró (1893 Barcelona - 1983 Palma de Mallorca) (F)Miró the Lithographer I. and III., 2-volumes, volume I with 11 lithographs, volume III with 5 lithographs, edited by Maeght - Paris 1972 and 1977, 33 cm x 26 cm book size, original covers partly torn, slightly stained

Ohne Titel (Orange auf Schwarz), Farblithografie auf Karton, 80 cm x 60 cm Blattmaß, 13/100 nummeriert, signiert, 67/71 datiert, montiert, im Randbereich partiell minimal beriebenOtto Piene (1928 Bad Laasphe - 2014 Berlin) (F)Untitled (orange on black), colour lithograph on cardboard, 80 cm x 60 cm sheet size, 13/100 numbered, signed, dated 67/71, mounted, minimally rubbed in parts at margins

Ohne Titel, Farblithografie und Textildruck auf Bütten, 40,5 cm x 31,5 cm Blattmaß, 50/50 nummeriert, signiert, Blatt leicht wellig und montiert, partiell leicht stockfleckig und verschmutztAntoni Tàpies (1923 Barcelona - 2012 ibid.) (F)Untitled, colour lithograph and textile print on handmade paper, 40,5 cm x 31,5 cm sheet size, 50/50 numbered, signed, sheet slightly wavy and mounted, partly slightly foxed and soiled

Grand A et Rouge, Lithografie auf Papier, 31,5 cm x 46 cm Blattmaß, 48/75 nummeriert, signiert, kleiner Farbstrich, verso Klebestreifen, Literatur: Wvz. Galfetti 533Antoni Tàpies (1923 Barcelona - 2012 ibid.) (F)Grand A et Rouge, lithograph on paper, 31,5 cm x 46 cm sheet size, 48/75 numbered, signed, small color stroke, adhesive tape on verso, literature: Wvz. Galfetti 533

Ohne Titel (rotes L), Farblithografie auf Arches (Wasserzeichen), 86,5 cm x 61 cm Blattmaß, 31/150 nummeriert, signiert, partiell lichtrandig, leicht nachgedunkelt, Knick im RandbereichAntoni Tàpies (1923 Barcelona - 2012 ibid.) (F)Untitled (red L), color lithograph on Arches (watermark), 86.5 cm x 61 cm sheet size, 31/150 numbered, signed, partially light-margined, slightly darkened, crease in margins

Ohne Titel (schwarze Spirale), Lithografie auf Arches (Wasserzeichen), 96,5 cm x 67 cm Blattmaß, 59/150 nummeriert, signiert, nachgedunkelt, im Randbereich partiell knickfaltig, kleine DelleAntoni Tàpies (1923 Barcelona - 2012 ibid.) (F)Untitled (black spiral), lithograph on Arches (watermark), 96,5 cm x 67 cm sheet size, 59/150 numbered, signed, darkened, partially creased in margin, small dent

'Großer Kubus', Lithografie auf Papier, 55 cm x 44 cm Passepartoutinnenmaß, 53/100 nummeriert, signiert, 72 datiert, betitelt, stark knickfaltig, partiell leicht fleckigGünther Uecker (1930 Wendorf) (F)'Großer Kubus', lithograph on paper, 55 cm x 44 cm inside mount, 53/100 numbered, signed, 72 dated, titled, heavily creased, partly slightly stained

Kaktus, Lithografie auf BFK Rives (Wasserzeichen), 84,5 cm x 72 cm Blattmaß, 27/100 nummeriert, signiert, 84 datiert, Erker Presse St. Gallen (Trockenstempel), Blattrand partiell beriebenGünther Uecker (1930 Wendorf) (F)Cactus, lithograph on BFK Rives (watermark), 84,5 cm x 72 cm sheet size, 27/100 numbered, signed, 84 dated, Erker Presse St. Gallen (dry stamp), sheet edge partially rubbed

'Drei Beete im Zärtlichen Garten', drei Blätter aus der 5-tlg. Mappe,, jeweils Lithografie auf Rives-Bütten, 56 cm x 56 cm Blattmaß, jeweils 59/75 nummeriert, signiert, 60 datiert, I-III bezeichnet, Hrsg. v. Kunstverein Braunschweig e.V., Erker Presse, St. Gallen, in weißer Kartonmappe, Mappe partiell leicht beriebenGünther Uecker (1930 Wendorf) (F)'Drei Beete im Zärtlichen Garten', three sheets from the 5-piece portfolio, each lithograph on Rives handmade paper, 56 cm x 56 cm sheet size, each numbered 59/75, signed and dated 60, inscribed I-III, published by Kunstverein Braunschweig e.V., Erker Presse, St. Gallen, in white cardboard folder, folder partially slightly rubbed

Waldhut, Lithografie auf Bütten, 69 cm x 50 cm Blattmaß, signiert, 98 datiert, ea bezeichnet, Erker Presse St. Gallen (Trockenstempel), montiertGünther Uecker (1930 Wendorf) (F)Waldhut, lithograph on handmade paper, 69 cm x 50 cm sheet size, signed, 98 dated, ea inscribed, Erker Presse St. Gallen (dry stamp), mounted