70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

After Georges Braque (French, 1882-1963) Exhibition Poster, 1963 lithograph framed and glazed 59cm x 40cm

After Leonard Baskin (1922-2000) "Sitting Bull, Custer Battlefield" poster, c1970 offset lithograph unframed, 74cm x 99cm

Dudley Hardy for Gilbert and Sullivan/D'Oyly Carte Advertisement poster for the production of Yeomen of the Guard, c1930s lithograph framed and glazed 80cm x 53cm

Olivier Raab (1955) Interior scene lithograph in colours signature and edition to margin, 90/225 framed and glazed, 70cm x 80cm

William Orpen (1878-1931) "The Draughtsman and His Model", 1910 lithograph signature title and date to margin framed and glazed, 37cm x 32cm

Still life of fruit, 20th Century Lithograph indistinct signature to margin framed and glazed, 80cm x 69cm

Simon Palmer (British, 1956) "Small farmer and the large farm worker", lithograph signature and edition to margin, 37/350 framed and glazed, 85cm x 65cm

Simon Burder, St Enodoc from Bray Hill, Lithograph, numbered 2/24 and signed in pencil lower right, 9.5x12.5cm, together with 'The Octagon, Ely', artist's proof, signed in pencil lower right, 11x8.5cm

*@Fedden (Mary, 1915-2012). Oppede Le Vieux, 2006, off-set colour lithograph, signed and numbered 74/150 in pencil, image size 27.5 x 36.5 cm (10.7 x 14.3 ins), sheet size 45 x 37.5cm (14.75 x 17.75 ins), mounted (1)

*@Fedden (Mary, 1915-2012). Fourteen, 2008, off-set colour lithograph, signed and numbered 40/50 in pencil, image size 18 x 24 cm (7.1 x 9.5 ins), sheet size 25.5 x 30.5 cm (10 x 12 ins), mounted (1)

*Rosoman (Leonard H., 1913-2012). The Gothick Temple, Stowe, 1974, colour lithograph, from the series Eight Follies, printed and published by Curwen Press, signed, titled and numbered 64/70, image size 50.5 x 68.5 cm (20 x 27 ins), with margins, framed and glazed, with Goldmark Gallery label to verso (1)

*Slater (Richard, 1927-). Night Garden, colour lithograph on wove paper, signed and inscribed Artist's Proof in pencil, image size 31.5 x 54.5 cm (13.5 x 21.5 ins), with full margins (sheet size 52 x 67cm), framed and glazed (1)

*Humbert (Suzanne, 1913-1952). A collection of seven pastel sketches, two watercolour studies and one proof colour lithograph, circa 1930's-40's, including a study of horses and cart approaching a bridge, a garden scene, figures on a tree-lined avenue, interior scenes, etc., 23 x 32 cm (9 x 12.5 ins) or similar (the lithograph scene of figures at church 35 x 30 cm sheet size) An associate and follower of Edouard Vuillard, Suzanne Humbert studied in Paris for two years at the Academie Julian from 1933 to 1934, and for another two years at the Academie Colarossi and Academie de la Grande Chaumiere (just a few doors further along the same street) in 1935 and 1936. She subsequently entered the Ecole des Beaux-Arts in 1937 to study lithography in the atelier of Espagnat and Jaudon. She became a member of the independent Salon d'Automne on the recommendation of Vuillard, and also exhibited at the Salon des Tuileries. (10)

Lefevre Lucien, French (born 1850) Cirage Jacquot and Co 1894 Lithograph Poster, Blind Stamp Printed in Paris by Chaix (Jules Cheret). Lower Right. Measures 14" H x 9" W, frame measures 21-1/2" H x 18-1/4" W. Condition: Toning otherwise good condition Estimate: $300.00 - $500.00 Domestic Shipping: $115.00

Yaacov Agam, Israeli (born 1928) Artist Proof Lenticular Lithograph, Magic Rainbow 1978, Signed and Numbered 24/25 H.C. on Lower Margin. Measures 13-1/2" H x 15-3/4" W (sight), frame measures 22-1/2" H x 24-3/4" W Condition: Minor scratches to center only visible in certain position otherwise good condition Estimate: $600.00 - $800.00 Domestic Shipping: $145.00

Henri Meunier Belgian (1873 - 1922) Lithograph " Starlight Savon", Affiches D'art O.De Rycker: Bruxelles. Blindtstamp lower right. Measures 15" H x 9" W, frame measures 23-1/2" H x 16" W. Condition: Toning to paper otherwise good condition Estimate: $200.00 - $300.00 Domestic Shipping: $125.00

Théophile Steinlen (French/Swiss, 1859–1923) Lithograph Poster, "Mothu et Doria, 1893" Blindstamp Lower Right. Editeurs: Pojal & Cie. Measures 14" H x 10-1/2" W, frame measures 21" H x 18-1/4" W. Condition: Toning otherwise good condition Estimate: $200.00 - $300.00 Domestic Shipping: $115.00

Three (3) Artworks by Itzchak Tarkay (1935 - 2012). Includes: a signed and numbered lithograph, a signed painting, and a signed serigraph on wood with COA en verso. Largest measures 25-3/4" H x 21-3/4" W, smallest measures 19-7/8" H x 19-3/8" W. Condition: Good condition Estimate: $100.00 - $150.00 Domestic Shipping: Third party

Théophile Steinlen (French/Swiss, 1859–1923) Lithograph Poster, "Lait Pur Sterilise1897" Blind Stamp Lower Right. Imp Charles Vernue, Paris. Measures 14" H x 10" W, frame measures 19-5/8" H x 16-1/2" W. Condition: Toning otherwise good condition Estimate: $200.00 - $300.00 Domestic Shipping: $115.00

Fernand Toussaint (Belgian, 1873–1955) Lithograph Poster, "Le Sillon. 1895 , 1895" Blindstamp Lower Right. measures13-1/2" H x 10" W, frame measures 19-1/8" H x 16-5/8" W. Condition: Toning otherwise good condition Estimate: $300.00 - $500.00 Domestic Shipping: $115.00

Henri Matisse, The King's Sadness, original colour lithograph from a limited edition of 6000, 33 x 44cm, with Certificate of Authenticity.

PEEP VIEW : Lane's Telescopic View of the Ceremony of Her Majesty Opening The Great Exhibition of all Nations Designed by Rawlins. 1851 - hand coloured lithograph in five sections and incorporating the inside rear and front cover in the design, concertina linen sides with single peep hole, 190 x 150 mm, in original lightly worn pictorial slipcase, C.A. Lane, 1851.

ROBINSON, William - Flora and Sylva : three volumes, 54 chromo-lithograph plates, cloth, 4to, 1903.

PENLEY, Aaron - The English School of Painting in Water-Colours : its Theory and Practice ... title, 25 chromo-lithograph plates, org. pictorial gilt cloth worn, folio, 1871.

SPREAT, W - Silverton Church : hand coloured lithograph, 220 x 150 mm, f & g, 1842. With a collection of mainly 19th cent. engravings of Exeter and Devon, with a small album of 'local' postcards. *Note David Edmund collection (a lot)

MARTIN, George A - The ' Undercliff ' of the Isle of Wight; its Climate, History, and Natural Productions : folding panoramic lithograph, half calf, 8vo, author's presentation copy, 1859. With - Pledge, F. W, Crawley : Glimpses into the Past of a Hampshire Parish : frontis, half calf, 8vo, privately printed, 1907. With - Brayley, E.W & Britton, John, A Topographical and Historical Description of the County of Hampshire : folding map, vignette title, 15 plates, full calf, 8vo, 1805.*Note attractive binding. With 2 others on Hampshire(5)

English School, a miniature, of a 19th century gentleman, bust length in profile, lithograph, arched mount, 8.5cm x 5.5cm

19TH C, LITHOGRAPH, ILLUSTRATIONS OF FISH, PRINTED IN COLOUR, 27 X 38CM (5)

SUSANNAH WAKEHAM, SCAFFOLDING, SIGNED BY THE ARTIST IN PENCIL AND DATED 87, LITHOGRAPH, 32 X 39CM

CHRIS DRAPER, INTERIOR SCENE, LITHOGRAPH, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED 2 OF 20, 32 X 23CM

DAVID SHEPHERD, EVENING OF THE ELEPHANT, LITHOGRAPH, SIGNED BY THE ARTIST IN PENCIL, NUMBERED 158 OF 850, 40 X 75CM, DAVID RYRIE, BEACH END ROCKS, OIL, 56 X 46CM AND TWO OTHERS (4)

Joy Hillier (1927 - 2014), by and after, etchings, The Gorge, Welsh Lambs and Sheep, French Interior; another, lithograph (4)

Prints - Alan M Hund, by and after, Arctic Knight, Snowy Owl, signed, limited edition no 1249/1250, coloured lithograph; others, Terence James Bond, Barn Owl, T Cooper Bradley, Beresford Dale Falls, signed limited edition no 4/250 (3)

*Davis (William Henry). To the Right Honourable George John Warren, Lord Vernon. This print of two Short Horned Oxen and Sheep is dedicated in celebration of the coming of age of the Honoable Augustus Henry Vernon, 1st. Feby. 1850. Bred by John Booth Esqr. of Kelston Lincolnshire and fed by Thomas Ashworth Esqr. Poynton Cheshire, printed by Hullmandel & Walton, circa 1850, lithograph with contemporary hand colouring, several repaired tears with occasional loss, replaced in facsimile, 555 x 730 mm, mounted, framed and glazedNot in the Rothamsted Collection. (1)

*Fairland (Thomas). The American Mammoth Ox - Brother Jonathan. Weighing 4,000 pounds or 500 stone, of beautiful proportions..., printed by H. Desvignes and published by Mr. Chambers, 1859, lithograph with contemporary hand colouring, slight toning, occasional repaired closed tears, slight spotting, 495 x 565 mm, mounted, framed and glazed Frank T. Sabin Gallery label on verso of frame.Not in the Rothamsted Collection.(1)

*Fairland (Thomas). Short Horned White Ox. Bred by Sir George Musgrave at Edenhall in the county of Cumberland, [published Charles Thornham, Carlise, R. Harrington, Nr. Carlisle and Messrs. Fores, Piccadilly London, 1843], lithograph after R. Harrington, contemporary hand colouring, 445 x 520 mm, framed and glazed Publisher's details masked by gilt slip.Not in the Rothamsted Collection.(1)

*Forbes (Alexander). Rhyneburgh & Cruib, Two West Highland Oxen, the property of Colin Campbell Esq. of Jura, published Maclure & Macdonald, circa 1840, uncoloured lithograph after Forbes on india laid, very slight spotting largely confined to margins, 390 x 490 mm, framed and glazed in a near contemporary maple frameNot in the Rothamsted Collection. (1)

*Gauci (A. M. lithographer). Hereford Steer. Age 2 years 0 months, 3 weeks, Bred and exhibited by Richd. ? Esq. Salop, published Newman & Co., 1868, uncoloured lithograph, slight spotting, slight loss to printed legend below title, occasional repaired marginal closed tears, 370 x 525 mm, mounted, framed and glazedNot in the Rothamsted Collection. (1)

*Giles (John West). The Smithfield Club's Cattle Exhibition. Held Dec. 11th 1839 & three following days at the Horse Bazaar, King St. Portman Sqr., published Messrs. Fores, circa 1840, lithograph with contemporary hand colouring, 310 x 375 mm, mounted, framed and glazed Rothamsted Collection number 198. (1)

*Giles (John West). [The Newbury Coat.] To Robert Throckmorton Esq. Buckland House, Farringdon This Print respresenting the beginning progress & completion of an extraordinary undertaking to prove the possibility of Wool being manufactured into cloth and made into a coat between sunrise and sunset, which was successfully accomplished on Tuesday 25th June 1811..., published John Mitchell, circa 1840, lithograph with contemporary hand colouring, one repaired tear to image, 540 x 740 mm, mounted, framed and glazed A composite image showing a race to create a wool hunting coat from scratch in one day, held in Newbury Berkshire. The origin of the event was a comment made by John Coxeter, owner of Greenham Mills in Newbury to Sir John Throckmorton: 'So great are the improvements in machinery I have lately introduced into my mill, that I believe that in twenty-four hours I could take the coat off your back, reduce it to wool, and turn it back into a coat again'. Throckmorton calculated the time required for the various processes, accepting it could be done. Shortly after Throckmorton made a wager a thousand guineas that at eight o'clock in the evening of June the 25th, 1811, he would sit down to dinner in a well-woven, properly-made coat, the wool of which formed the fleeces of sheep's backs at five o'clock that same morning. A holiday was declared so the town could watch (greasy-pole climbing and fencing competitions can be seen to the right), and the race was on. Starting at five in the morning, Coxeter presented the coat to Throckmorton at 6.20, who put the garment on before over five thousand people, and sat down to dinner at eight o'clock in the evening. The sheep that provided the wool were roasted for the spectators. The 'Newbury Coat' is still owned by the Throckmorton family; an identical coat, made in a 1991 re-enactment, is in the West Berkshire Museum in Newbury. Rothamsted Collection number 181. (1)

*Hodson (W. publisher). View of Old Smithfield Market, June 1855, hand coloured lithograph, slight dust soiling, trimmed but retaining margins, laid on later paper, 325 x 450 mm, framed and glazed in a near contemporary bird's-eye maple frameNot in the Rothamsted Collection.  A view of the last day of Old Smithfield Market before it closed in June 1855, after which it was rebuilt and reopened as Smithfield Central Market, to a design by Sir Horace Jones, in November 1868. (1)

*Northouse (George). To the Gentry Farmers, Graziers, Dealers, Tradesmen &c of Lincolnshire, This engraving of Boston May Sheep-Fair, is most humbly dedicated..., Day & Haghe, lithographer, circa 1840, lithograph after George Northouse, contempory hand colouring, 465 x 610 mm, mounted, framed and glazed in a fine near contemporary maple frame Rothamsted Collection number 184. (1) NB: Estimate revised down to £300-400 from £400-600

*Underwood (Thomas). Prize cattle shewn at the Birmingham and Midland Counties Exhibition 1849, printed at T. Underwood's lithographic establishment, Birmingham, circa 1850, lithograph after G. B. Newmarch, contemporary hand colouring, slight staining, 350 x 455 mm, mounted, framed and glazed Rothamsted Collection number 201. (1)

*Walter (H. lithographer). Mr. Arbuthnot's Olivia. 3 Yrs. old. Herd Book. p. 567., circa 1870, lithograph with contemporary hand colouring, large margins, 370 x 420 mm, framed and glazed in a contemporary maple frame Not in the Rothamsted Collection.(1)

Bracebridge (Selina, Mrs Charles Holt). Notes Descriptive of a Panoramic Sketch of Athens, Taken May, 1839, Sold in Aid of the Funds of the London Benevolent Repository, published W.H. Dalton, 1839, 8 pages text, large folding lithographed panorama, printed in three sections, 26.5 x 30.3cm, split along folds and now in six pieces, but complete with rubbing to some folds, loosely contained with text in original cloth boards, linen hinge at rear present, rubbed frayed on spine, slim 4to Abbey, Life 545; Blackmer 193. Scarce. Originally published in 1836 in aid of the fund for building the Anglican Church (now St Paul's) in Athens, this edition comprises an entirely new lithograph from a drawing made from a different position, near the church of St Demetrius the Bombardier. (1)

Burbidge (F.W.). The Narcissus: Its History and Culture with Coloured Plates and Descriptions of all Known Species and Principal Varieties, 1st ed., 1875, 48 hand-coloured lithographed plates, tissue guards toned, a few minor spots, original cloth, spine faded with fraying at head & foot, 8vo (Nissen 297), together with Paul (William), The Rose Garden. In Two Divisions, 1st edition, Sherwood, Gilbert & Piper, 1848, 15 hand-coloured lithograph plates, wood engraved illustrations, occasional toning and spotting, all edges gilt, 20th century light brown half morocco by Zaehnsdorf, 8vo (Great Flower Books p.124) (2)

*Aldin (Cecil Charles Windsor, 1870-1935). Revoked, published Richard Wyman & Co., circa 1910, colour lithograph, signed in pencil and with limit number 22/200, by artist below image, 310 x 460 mm, mounted, framed and glazed, together with A Quiet Rubber, circa 1910, photolithographic print, 390 x 530 mm, mounted, framed and glazed with title and attribution in manuscript on mount, with Aldin (Cecil, style of), Mated [and] Revoked, circa 1920, 2 watercolours, each approximately 360 x 605 mm, mounted, framed and glazed (4)

Elwes (Henry John). A Monograph of the Genus Lilium, 1st edition, [1877-] 1880, decorative title within floral border (with vertical creases), colour lithograph map, albumen print by Bourne (loosely inserted), 48 fine hand-coloured lithograph plates by W.H. Fitch, some spotting to photograph mount, occasional minor spotting, top edge gilt, contemporary green half morocco, spine gilt in compartments with 5 raised bands, extremities slightly rubbed, large folio, leaf size 55.2 x 37.5cm (21.75 x 14.75ins), binding 56.3 x 39cm (22.25 x 15.5ins) Nissen BBI 594; Great Flower Books (1990), p.56. A fine copy of this important work on lilies, a subject Elwes became interested in on a visit to the Himalayas. A nine part supplement was issued from 1933-62. (1)

[Elwes, Henry John]. A Supplement to Elwes' Monograph of the Genus Lilium, by A. Grove (& others), parts 1-9, London, 1933-1962, decorative title to first part, 30 fine hand-coloured lithograph plates and 10 colour lithograph plates, few illustrations to text, occasional spotting (mostly to text leaves), original printed wrappers, slim folio, leaf size approximately 56 x 38.5cm (22 x 15.25ins) (9)

Maw (George). A Monograph of the Genus Crocus, 1886, half-title, double-page coloured map, eighty-one hand-coloured lithograph plates (plate 17 was never published), double-page tables, letterpress vignette illustrations, some general light toning and occasional marks, marbled endpapers with front free endpaper detached and frayed to edges, later cloth hinges, all edges gilt, contemporary green morocco gilt, extremities slightly rubbed, large 4to Nissen 1316. Considered the finest work ever published on the Genus Crocus. George Maw was a polymath whose occupations included chemistry, geology, botany, archaeology, watercolour painting and gardening. He was a manufacturer of caustic and other tiles which were exported all over the world. Maw and Company also produced art pottery, employing well-known designers such as Walter Crane. Maw was an experienced plant-hunter and accompanied Sir Joseph Dalton Hooker on a plant-hunting exhibition to Morocco and the Atlas Mountains in 1871. He became an expert on the Crocus and illustrated his monograph - the result of ten years toil - with his own watercolours, of which John Ruskin wrote that they were "most exquisite... and quite beyond criticism". (1)

Redout‚ (Pierre-Joseph). Les Roses..., d‚crites et class‚es selon leur ordre naturel, par C.A. Thory, 3 volumes, 3rd octavo edition, Paris: P. Dufart & St. Petersburg: J.F. Hauer, 1835, half-titles present, 2 lithograph portraits and 184 fine stipple-engraved plates printed in colours and finished by hand, occasional spotting (particularly to preliminary leaves of each volume), top edge gilt, early 20th century rose pink half morocco by Hatchards, gilt & onlay rose motif to spine compartments, joints of first volume slightly cracked and extremities slightly rubbed, 8vo Nissen BBI 1599. The last and most comprehensive edition of one of the greatest of all flower books, published under the direction of L.J. Pirolle, the collector of roses and tulips who had supplied Redoute with many of the specimens. It includes the famous frontispiece of a floral wreath, 23 new plates, portraits of Redoute and Thory, and a biographical note on Thory, none of which had appeared in either of the previous octavo editions, nor the first folio edition of 1790. Provenance: Henry W. Poor and Helen Janssen Wetzel (1895-1980), with gilt embossed leather book labels to upper pastedowns. Henry William Poor (1844-1915) was a prominent American banker, stockbroker, and author. He was a keen book collector and patron of the arts. In 1908 he had to liquidate his business following some major losses and his collection was dispersed by the New York based Anderson auction company in a series of sales from December 1908 - April 1909 and comprised some 5,427 items in total. Helen Janssen Wetzel (1895-1980) of Wyomissing, Pennsylvania was the daughter of textile industrialist Henry K. Janssen (1866-1948). She graduated at Smith College with a degree in botany, and was an authority on numerous species of flowers and plants. (3)

*Look Back in Anger. A printed typographical poster for the First Season of Contemporary Repertory by the English Stage Company, Artistic Director George Devine, at the Royal Court Theatre, 2nd April to 19th June [1956], offset lithograph printed in orange, yellow and black on white paper, listing five plays to be performed including Angus Wilson's The Mulberry Bush, Arthur Miller's The Crucible, John Osborne's Look Back in Anger, Ronald Duncan's Don Juan and The Death of Satan and Nigel Dennis's Cards of Identity, corner pinholes, very minor chipping at lower margin and some light creasing, 50 x 32cm, together with a theatre poster for Look Back in Anger at the Golden Theatre, 45th St., West of Broadway, [1956], printed in black on white wove thick paper, a little light dust-soiling and slight toning to right margin, 56 x 35.5cm, plus a theatre poster for David Storey's In Celebration, directed by Lindsay Anderson at The Royal Court Theatre, [1969], printed in red, black and grey on white glossy paper, multiple horizontal creases and a little rubbing at edges, 49.5 x 32cm Provenance: From the family of Sir Alan Bates (1934-2003). A very rare survival of what was probably the first poster to announce the premiere of John Osborne's ground-breaking play Look Back in Anger. The cast featured Kenneth Haigh as Jimmy Porter, Mary Ure as his wife Alison, and Alan Bates, in his first major role, as Cliff Lewis, an amiable Welsh lodger who attempts to keep the peace. The production moved to Broadway under producer David Merrick and director Tony Richardson the following year. It retained the original cast but starred Vivien Drummond as Helena. It ran first at the Lyceum Theatre, on Broadway, 1 October 1957 to 15 March 1958, before transferring to the Golden Theatre, off Broadway, 17 March to 20 September 1958. It received three Tony Award nominations including for Best Play. (3)

Swainson (William). A Selection of the Birds of Brazil and Mexico, London: Henry G. Bohn, 1841, 78 fine hand-coloured lithograph plates (6 window-mounted), occasional light spotting mostly to margins, contemporary half calf, joints and extremities rubbed and a little wear, 8vo Fine Bird Books, p.110; Nissen IVB 912; Borba de Moraes 844. "A rare book, much appreciated for the beauty of its plates" (Borba de Moraes) and one of the scarcest books on South American ornithology. (1)

Gallagher (Michael, & Martin W. Woodcock). The Birds of Oman, 1st edition, Quartet Books, 1980, 121 tipped-in colour plates, numbered print signed by Martin Woodcock laid in, original green leatherette gilt, large folio (43 x 29.5 cm), number 81 of 500 copies signed by author and artist, together with: Ripley (S. Dillon), Rails of the World, a Monograph of the Family Rallidae, with Forty-one Paintings by J. Fenwick Lansdowne, limited edition, Toronto: M. F. Feheley Publishers Limited, 1977, original red half morocco, original cloth slipcase, folio, number 78 of 400 copies signed by author and artist and with a signed lithograph by Lansdowne laid in, Lewin (John William), A Nautral History of the Birds of New South Wales ... Introduction and Bibliographical Descriptions by Allan McEvey, facsimile edition, Melbourne: Queensberry Hill Press, 1978, original leatherette, 2 proof plates laid in as issued (both creased), original cloth solander box, large folio, number 266 of 500 copies, Bunyard (Edna), Eggs of Rarer Limicolae and Variations, Herbert Massey Collection, limited edition, Leeds: Peregrine Books, 1993, original green half morocco, original slipcase, 4to, number 43 of 50 copies signed by the artist, Hancock (James, & Hugh Elliott), The Herons of the World, with Paintings by Robert Gillmor and Peter Hayman and Drawings by Robert Gillmor, limited edition, London Editions, 1978, original half morocco, original slipcase, folio, number 66 of 150 copies signed by the authors and artists, and 2 similar (7)

GEORGES FRANCOIS (1880-1968); a signed limited edition lithograph, of mountainous terrain, numbered 34 and with blind stamp lower-left, signed in pencil lower-right with J Davey & Sons Framer's label verso and titled 'Bards de L'Anglia' verso, 47 x 59.5cm, framed and glazed.

Crystal Palace Automaton. A 19th century sand automaton of an acrobatic clown:, the polychrome lithograph articulated clown rotating around a central bar with monochrome printed backboard of the Crystal Palace Exhibition, within a glazed mahogany case 33cm x 27cm x 18cm.*Provenance- Purchased by visitors to the Great Exhibition in 1851 and then by family descent. The family placed the piece on loan with the City Museum of Sheffield but upon visiting the museum on one occasion were distraught to see a sign next to it stating 'Out of Order'. The museum had incorrectly displayed the wooden case in a high humidity cabinet and the back was split allowing the sand to spill out. The family demanded the immediate return and restoration of the automaton and it was then obtained by Mr Banham for the purpose of displaying to school children and art societies.

Four late 19th century French handcoloured lithograph anamorphic discs:, comprising a fireman, 16cm x 19.5cm, a drunk, 16.5cm x 20cm, a woman with a fan after 'Walter Fres Paradis Pre 28', 17c x 20.5cm and a dancing couple, 22cm x 23cm, together with a later nickel plated correction cylinder.

G W's Transparencies 'French Smuggler's':, London, Published by Reeves & Sons , Cheapside and W, Morgan 64 Hatton Garden, transformation hand coloured lithograph, 13.5 x19cm. (address cut from title)

G W's Transparencies 'Fisherman's Hut':, London, Published by Reeves & Sons , Cheapside and W, Morgan 64 Hatton Garden, transformation hand coloured lithograph, 19 x15cm.

Protean & Transformation Prints. : 'Spooner Protean views No 14, Alloway Kirk with Burns Monument, Changing to the scene of Tam O' Shanter and the Witches' , London W Spooner 177 Strand, transformation hand coloured lithograph, vignette title beneath, 14 x 18cm.