Full title: Rene Magritte (1898-1967, after): 'La grande guerre' (The great war), lithograph in colours, ed. 187/275, dated 2010Description:Work: 51,5 x 38 cm Paper: 57 x 43 cm Frame: 83 x 69 cmThe lithograph based on the painting 'La grande guerre' by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner).
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Group of four unframed pictures to include an advertising poster issued by the National Savings Committee with a design featuring a landscape by Norman Wilkinson, 76cm x 51cm excluding the mount, a 1950s French library poster 'Au Jardin Public' by C. Lhuer for Librairie Armand Colin 99cm x 79cm, Penny Berry Paterson linocut 'St. Mary's, Long Melford' signed and numbered 10/11, 45cm x 60cm and a colour lithograph by Bonnie Quirk (Australian, born 1932) 'Ngauranga' signed and dated 1971, 60cm x 44cm (4).
Takashi Murakami (B. 1962), Offset Lithograph. Image Size: Diameter 26 3/8 inches (67 cm) All measurements are approximate. Signed (lower right). Takashi Murakami (B. 1962) is a Japanese contemporary artist. He works in fine arts media (such as painting and sculpture) as well as commercial (such as fashion, merchandise, and animation) and is known for blurring the line between high and low arts as well as co aesthetic characteristics of the Japanese artistic tradition and the nature of postwar Japanese culture and society, and is also used for Murakami's artistic style and other Japanese artists he has influenced. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
AFTER KAZIMIR MALEVICH (1878-1935) ARR. THE FARMER IN HIS FIELD. LITHOGRAPH. 1992 NUMBERED LTD EDITION 587/2000. BLINDSTAMPED FOR MOURLOT PARIS, GALERIE GERARD PILTZER & RUSSIAN STATE MUSEUM. 52 X 74 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
PAUL SERUSIER (1864-1927) PAYSAGE / LANDSCAPE - COLOUR LITHOGRAPH ON YELLOW GROUND. PENCIL SIGNED AND NUMBERED (No22) LOWER LEFT. 30 X 23 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
DAVID REMFRY RA. (B.1942) (ARR)- DANCING WITH HATS (UNTITLED), LITHOGRAPH, LIMITED EDITION NO.1/100, PENCIL SIGNED AND DATED 1988. 57 X 85 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
AFTER JOHN GOULD & HENRY CONSTANTINE RICHTER- THREE 19TH CENTURY COLOUR LITHOGRAPH PRINTS OF BIRDS. 35 X 50 cm. (3) Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
THEO TOBIASSI (1927-2012) ARR. TOUT EN HAUT DE LA NEU St. VINCENT. COLOUR LITHOGRAPH. SIGNED LOWER RIGHT AND "E.A." LOWER LEFT. 76 X 58 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
ALEXANDER MINGUET (1937-1996) ARR. STILL LIFE FLOWERS. LITHOGRAPH. PENCIL SIGNED AND INDISTINCTLY INSCRIBED. EDITION 88/200 ? 25 X 32 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
GERALD PAUL CAVALIER (20TH CENTURY). ARR. AN ITALIAN TOWN HALL FACADE, LITHOGRAPH, PENCIL SIGNED AND NUMBERED 57/120. 43 X 62 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
DENIS-PAUL NOYER (1940-) ARR. LE PRE CATELAN. LITHOGRAPH. PENCIL SIGNED LTD. EDITION No.56/180. 55 X 75 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
DAVID REMFRY RA. (B.1942) (ARR)- HAIRSTYLES & HORSES (UNTITLED), LITHOGRAPH, LIMITED EDITION NO.70/100, PENCIL SIGNED. 80 X 60 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
L. S. LOWRY (1887-1976) ARR. " THE POND". PENCIL SIGNED OFFSET LITHOGRAPH. FINE ART TRADE GUILD BLIND STAMP (E.L.C) NO. 493 FROM AN EDITION OF 850.59 x 46 cms Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
Attrib. Edward Dayes (British 1763-1804): 'An Essex Byway', watercolour titled and attributed on the mount 17cm x 27cm; After Georges Redon (French 1869-1943): 'Ne Buvez Jamais D'eau' - 'Never Drink Water', lithograph from the 'Naughty Children' series 44cm x 31cm; together with a Louis Wain print 12cm x 20cm (3)Condition Report:Frames on the two prints a/f
NO RESERVE Nabokov (Vladimir) Lolita, first Israeli edition, bookseller's sticker to pastedown, original wrappers, creased, light rubbing to joints, spine lightly browned, 8vo, Jerusalem, Olympia Press, 1955 § Mittelholzer (Edgar) A Morning at the Office, first English edition, original cloth, dust-jacket, spine reinforced with paper strip verso, rather torn and browned, chipping to spine ends, light nicks to extremities, The Hogarth Press, 1950 § Miro (Joan) Céramiques de Miro et Artigas, colour lithograph and illustrations, original cloth, dust-jacket, light chips to edges, Maeght, 1974, oblong 4to & 8vo (3)
The Scottish Gallery Exhibition Poster Edinburgh Festival Exhibition 1979: Alan Davie, Magic Pictures Lithograph, signed and dated '79, numbered 4/65, poster size 77 x 57cm. Frame size 90 x 76.5cm.Provenance purchased from Scottish Gallery Edinburgh, Edition featured in The Scottish National Gallery of Modern Art, Edinburgh, collection catalogue 2000. This piece has not been examined out of the frame. There is some yellowing present to each of the edges, and some foxing to the lower third.
Jock MCFADYEN (1950) Spud (the 'Canal' series, 1991) Lithograph, signed, inscribed and numbered 40/50, image size 61 x 48cm. Frame size 82 x 63cm.Provenance: Abbot and Holder London, subsequently purchased from St Ives Society of Artists. There is some light yellowing present on the edges of this piece (please see additional images). Other than this the piece appears to be in good condition, it has not been examined out of the frame.
Julius Adam, Katzenpoesievolle Darstellung dreier Katzen, Radierung, um 1900, rechts unten in der Platte signiert "Jul. Adam", gering fleckig, hinter Glas und Passepartout gerahmt, Plattenmaße ca. 10,5 x 15 cm. Künstlerinfo: eigentlich Julius Anton Adam, genannt "Katzen-Adam" bzw. "Katzenraffael", dt. Genre- und Tiermaler sowie Lithograph und Fotograf (1852 München bis 1913 München), Mitglied der Münchner Malerfamilie Adam, Sohn und Schüler des Fotografen und Lithographen Julius Adam dem Älteren (1821-1874), zunächst Ausbildung zum Landschaftsfotograf und Eintritt ins väterliche Fotoatelier, 1866-72 als Fotograf und Fotoretuscheur in Rio de Janeiro, ab 1872 Schüler an der Münchner Kunstgewerbeschule bei Michael Echter, 1873-82 Studium an der Akademie in München bei Johann Leonhard Raab und Meisterschüler bei Wilhelm von Diez, nachfolgend intensive Beschäftigung mit der Tiermalerei und hier besonders der Darstellung von Katzen, 1904 Silbermedaille auf der Weltausstellung St. Louis, 1905 erhielt er für seine Katzenbilder auf der Internationalen Kunstausstellung in München die Goldmedaille, zum Professor ernannt, beschickte Ausstellungen in Berlin und München, tätig in München-Gern, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bötticher "Malerwerke des 19. Jh.", Bruckmann "Münchner Maler des 19./20. Jh.", Matrikel der Münchner Akademie, Dressler, Müller-Singer und Wikipedia.
Günter Fink, attr., Abendstimmung an der OstseeBlick von der mit einzelnen Bäumen bewachsenen Steilküste auf das ruhige Meer, im warmen Licht der untergehenden Sonne, Aquarell, um 1970, leicht gebräunt, unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 45 x 56 cm. Künstlerinfo: dt. Maler und Lithograph (1913 Dresden-Blasewitz bis 2000 Berlin), zunächst Lithographenausbildung in Dresden, parallel Abendstudium an der Akademie Dresden, später Studium an der Kunstgewerbeakademie bei Arno Drescher, 1949 erster Aufenthalt auf Hiddensee und Ausstellung in der "Blauen Scheune" in Vitte, 1950-55 tätig auf Hiddensee-Norderende, 1955 Erwerb der "Blauen Scheune" und Ausbau zur Galerie mit Sommerwohnung und Atelier, das sonstige Jahr in Berlin-Friedrichshagen tätig, Quelle: Wikipedia.
Prof. Richard Knötel, Burg Tauferssommerliche Ansicht des Eingangs zur Burg Taufers mit teils eingestürztem Breitem Turm, Palas und Zugbrücke in Südtirol, vor dem Beginn der Rekonstruktionsmaßnahmen in den 1910er Jahren, feine Mischtechnik (Aquarell und Tusche in Sepia über Bleistiftvorzeichnung) auf Papier, links unten signiert und datiert "R. Knötel [19]10", etwas lichtrandig, hinter Glas und Passepartout gerahmt, Passepartoutausschnitt ca. 29 x 18,5 cm. Künstlerinfo: genannt Knötel der Ältere, dt. Historienmaler, Graphiker, Illustrator, Lithograph, Lehrer in Uniformkunde und Schriftsteller (1857 Glogau bis 1914 Berlin), galt als Begründer der wissenschaftlichen Uniformkunde, zunächst Zeichenunterricht beim Vater Augustin Knötel und bei August Senftleben, ab 1880 Studium an der Berliner Akademie und Beschäftigung mit der Geschichte des Militärs, war tätig als Illustrator für "Über Land und Meer", "Daheim" und "Illustrierte Zeitung", lieferte auch Illustrationen zahlreicher Militärischer Werke wie 1888 Zeichnungen für das Militärbilderbuch „Die Kriegsheere Europas“, Gründungsmitglied der Deutschen Gesellschaft für Heereskunde, 1908 Entwürfe für Stollwerck Sammelbilderalben, schuf zahlreiche Gemälde im Auftrag des deutschen Kaisers Wilhelm II., Mitglied im Verband deutscher Illustratoren und im Verein Berliner Künstler, tätig in Berlin, Quelle: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", AKL, "Neue Deutsche Biographie", Lorenz "Reklamekunst um 1900", Dressler, Müller-Singer, Jansa, Ries und Wikipedia.
Emil Fröhlich, "Venedig"von hohen Häusern gesäumter Kanal mit einigen Gondeln, leicht pastose Malerei in abgestimmter Farbigkeit, Öl auf Pappe, Anfang 20. Jh., rechts unten signiert "E. Fröhlich", auf der Rückseite betitelt "Venedig" und bezeichnet "E. Fröhlich", leichte Eckläsuren, ungerahmt, Maße ca. 24 x 18 cm. Künstlerinfo: dt. Portrait- und Landschaftsmaler (1862 Leipzig bis 1950 Hohburg), Lehre als Lithograph, ab 1890 Studium an der Akademie in München bei Gabriel von Hackl und Wilhelm von Diez, Studienreisen nach Italien, Holland und Paris, stellte unter anderem auf der Großen Berliner Kunstausstellung und im Münchner Glaspalast aus, Quelle: Thieme-Becker und Matrikeln der Akademie in München.
Emil Fröhlich, "An der Rennbahn"Blick auf eine Birkenallee in verschneiter Landschaft, im dämmrigen Licht des zur Neige gehenden Tages, Öl auf Pappe, um 1920, links unten signiert "E. Fröhlich, auf der Rückseite in Blei betitelt "An der Rennbahn" und "... E. Fröhlich", kleiner retuschierte Verluste, ungerahmt, Maße ca. 18 x 24 cm. Künstlerinfo: dt. Portrait- und Landschaftsmaler (1862 Leipzig bis 1950 Hohburg), Lehre als Lithograph, ab 1890 Studium an der Akademie in München bei Gabriel von Hackl und Wilhelm von Diez, Studienreisen nach Italien, Holland und Paris, stellte unter anderem auf der Großen Berliner Kunstausstellung und im Münchner Glaspalast aus, Quelle: Thieme-Becker und Matrikeln der Akademie in München.

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