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Ian Mitchell (British Contemporary): 'Filey Seafront', limited edition digital lithograph signed titled and numbered in pencil 30cm x 42cm

Robert Motherwell, by and after, Motherwell, The Cleveland Museum of Art, Museum exhibition poster, printed by Bruce McGaw Graphics, lithograph, 116cm x 106cm.

J. Wolf and H. C. Richter, by, and after Gould, Lanius excubitor, Great Grey Shrike, coloured lithograph, plate from ‘The Birds of Great Britain’, 51cm x 34cm (82cm x 63cm overall frame size).

John Gould (1804-1881), and W. Hart, by and after, Urocynchramus pylzowi, Przevalski’s Finch, coloured lithograph, Walter Imp., 52cm x 34cm, (72cm x 53cm frame size).

John Gould (1804-1881), and H. C. Richter, by and after, Dendrochelidon Wallacei, Wallace’s Tree Swift, coloured lithograph, Walter Imp., 52cm x 34cm, (72cm x 53cm frame size).

John Gould (1804-1881), and H. C. Richter, by and after, Parus jerdoni, coloured lithograph, Hullmandel & Walton Imp., 52cm x 34cm, (72cm x 53cm frame size).

Edvard Munch (1863-1944) by and after, The Lonely Ones, Two Human Beings, lithograph print, authorised by the Munch Museum, 44cm x 56cm

J. Wolf and H. C. Richter, by, and after Gould, Curruca hortensis, coloured lithograph, plate from ‘The Birds of Great Britain’, 51cm x 34cm (81.5cm x 62.5cm overall frame size).

J. Wolf and H. C. Richter, by, and after Gould, Porzana pygmæa, coloured lithograph, plate from ‘The Birds of Great Britain’, 34cm x 51cm (79.5cm x 64.5cm overall frame size).

J. Wolf and H. C. Richter, by, and after Gould, Accipitor Nicus, Sparrow Hawk, coloured lithograph, plate from ‘The Birds of Great Britain’, 51cm x 34cm (82cm x 62.5cm overall frame size).

Helen Layfield Bradley, (1900-1979) Big Bertha comes to Leessigned in pencil lower right margin, blind stamp lower left, lithograph, 48cm x 62cm, (70cm x 84cm overall frame size).

John Gould (1804-1881), and H. C. Richter, by and after, Nectarinia goalpariensis, Fiery-tailed Sunbird, coloured lithograph, Hullmandel & Walton Imp., 52cm x 34cm, (72cm x 53cm frame size).

J. Wolf and H. C. Richter, by, after Gould, Falco Subbuteo, Hobby, coloured lithograph, plate from ‘The Birds of Great Britain’, 51.5cm x 34.5cm (overall frame size 82cm x 62cm).

Lars Sæverud (Danish, 1939 - 1995)  Still Life Composition  signed, lithograph, 70/86, 45cm x 57cm; another similar; David Hatchard (b. 1945-), Abstract, lithograph, signed, 55/75; Malcolm Binding, Indanto 1, lithograph, signed, 189/395 (4)

Richard Smith CBE (British, 1931-2016) by and after, Over the Edge, signed in pencil, and dated ‘96 lower right margin, limited edition number 13/40, lithograph, 72cm x 100cm.

Henri Matisse (1869-1954), after, Blue Nude with Green Stockings (Nu Bleu V), 1954, Lithograph, 34cm x 26cm, Goldmark Gallery label verso.

John Gould (1804-1881), and H. C. Richter, by and after, Megalæma nuchalis, Gould, Embroidered Barbet, from The Birds of Asia, coloured lithograph, Walter and Cohn, 52cm x 34cm, (72cm x 53cm frame size).

John Gould (1804-1881), and H. C. Richter, by and after, Motacilla personata, White Wagtail, coloured lithograph, Hullmandel & Walton Imp., 52cm x 34cm, (72cm x 53cm frame size).

Entertainers.- Mouth, chin and cheeks performer.- Barlow (Printer, Bennett's Hill, Birmingham) Playbill and two prints relating to Michel Boai and his " Celebrated Chin Performance", playbill listing performance by Boai where 'he plays various favourite Airs, Waltzes and Concertos by striking his Chine with his Knuckles', and two impressions of S.W. Fores' hand-coloured lithograph 'Michael Boai, the Celebrated Chin Performer', letterpress playbill 245 x 120 mm (9 1/2 x 4 3/4 in), the lithographs each approx. 265 x 340 mm (10 1/2 x 13 1/2 in), trimmed and laid onto supports, handling creases and surface dirt, all unframed, [circa 1830] (3) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Vanishing illusion.- Williams (Charles) and others. Collection of seven prints relating to illusion, including magicians with cups and balls, including William's satirical print 'The Extinguisher!', Sidebotham's 'Mrs Clarke's Patent Extinguisher', another 'Vice and Profligacy extinguished by Equity', a French lithograph of a somnambulist magician who does tricks with cups and balls asleep, three other French lithographs with magicians performing illusion tricks, and a J. Keppler cartoon "The Decadence Of The Wizard Of Menlo Park - From The Phonograph To Polyform", etchings with hand-colouring, lithographs, various sizes between 330 x 260 mm (13 x 10 1/4 in) and 490 x 340 mm (19 1/4 x 13 1/2 in), minor handling creases, some surface dirt, all unframed, 18th and 19th century (7) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Circus.- Acrobats.- de Lange (Jan) Circus scene with acrobats, musicians and tightrope walkers, woodcut with early hand-colouring, Dutch text description in the upper margin, publisher's letters in the lower margin, on thin buff wove paper, sheet 340 x 420 mm (13 1/2 x 16 1/2 in), old handling creases, careful repairs and support verso, minor spotting and surface dirt, unframed, [circa 1820-1830]; together with another similar published by Arnz & Co., titled 'Gymnastische Kunste', lithograph with hand-colouring, and a caricature by John Phillips with jugglers and sword swallowers, 'Political Jugglers', 1829, each 350 x 425 mm (13 3/4 x 16 3/4 in), and 290 x 430 mm (11 1/2 x 17 in), respectively, unframed, 19th century (3) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Exceptional characters.- Various Artists (English, mainly early 19th century) Collection of twelve portraits and character studies of exceptional people, including a lithograph of 'Mrs Elizabeth Armitage of the Extraordinary Weight of 31 stone 11 lbs', and other portraits of William Joy 'The English Sampson', a Dutch female rope walker, Mr Patrick O'Brien the Irish Giant, M. Christopher Miller, Thomas Topham the Strong Man, The Cambridge Giant Thomas Bell, Hans Buhling, Jospeh Clark the Posture Master, and others similar, etchings, engravings, lithographs, various sizes, all unframed, mainly 19th century; together with a miscellaneous group of 32 prints and ephemera, some Japanese interest, various sizes, all unframed, mainly 19th century (44) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Botocudos family from Brazil.- Gear (I.W.) The Wild Indian Chief, Wife & Child, as exhibited at 23 New Bond Street [and] The Wild Indians, as in their Native Country, broadside for a Victorian "Freak show", aquatint with etching, on Whatman wove paper, sheet 315 x 420 mm (12 1/2 x 16 1/2 in), hinged onto paper support, minor spotting and surface dirt, unframed, Zavier Shabert, 1822; together with a hand-coloured lithograph of the family 'Sketched from Life by R. Banks', 285 x 250 mm (11 1/4 x 9 3/4 in), repaired tears, rough edges, minor surface dirt, unframed, [1822] (2) *** Broadside print advertisement for an anthropological exhibition of a family from the Botocudos region of Brazil.   A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Mouth and Foot Painting Artist.- Biffin (Sarah) After. Miss S. Biffin. Born at East Quantox-head, near Bridgewater, Somersetshire. Without hands or arms, engraving on laid paper by R. Sievier, sheet 330 x 265 mm (13 3/4 x 10 1/2 in), trimmed within the platemark, minor surface dirt with light spotting, inset at edges into mount, unframed, published by Biffin, 1821; together with another portrait after a lost self-portrait by Sarah Biffin of 1823, lithograph by H. Grévedon after Sarah Biffin, 255 x 215 mm (10 x 8 1/2 in), spotting and surface dirt, inset at edges into mount, published by Engelmann, [1823]; and a trimmed duplicate of the latter (3) *** Sarah Biffin (1784-1850) was born in Somerset with no arms and vestigial legs. She learned to paint using her mouth and was apprenticed to an Emmanuel Dukes, who exhibited her work throughout England. In 1808 she came to the attention of George Douglas, Earl of Morton, who sponsored her to receive lessons from the RA painter William Craig. The Society of Arts awarded her a medal for a historical miniature in 1821, and the Royal Academy accepted her paintings. The Royal Family commissioned her to paint miniature portraits of them. When the Earl of Morton died in 1827 Biffin was left without a noble sponsor and she ran into financial difficulty. However, Queen Victoria awarded her a Civil List pension and she retired to a private life in Liverpool, where she died on 2nd October 1850 at the age of 66. For the original painting that the Sievier engraving is based on see 'The Pohl-Ströher Collection of Portrait Miniatures, Part III', Sotheby's, lot 365 (sold for £137,500 incl. premium). A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Circus.- Joly (Adrien) Le Diable l'emporte!, early representation of the of game of skill, said to be of Chinese origin, the diabolo or devil's game, and was exported from England to France in the early 19th century, engraving, with hand-colouring, pen and brown ink inscriptions throughout, on light blue laid paper, platemark 295 x 230 mm (11 1/2 x 9 in), small margins, minor handling creases, light spotting and surface dirt, unframed, 1815; together with four further circus interest prints, including 'Der Athlete Rappo und sein John las Affe...' with man holding up a ladder with his mouth, while a monkey climbs to the top, a  music score with hand-coloured lithograph upper cover with tight rope walker, another of woman tight rope walker carrying a man on her back, 'The Blondin Mania', and another with sailors performing various circus tricks, including juggling weaponry, various sizes, between 270 x 210 mm (10 5/8 x 8 1/4 in) and 285 x 380 mm (11 1/4 x 15 in), some minor surface dirt and browning, all unframed, 19th century (5) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Charles Mathews.- Heath (Henry) Mathew-Orama for 1827, etching with full original hand-colouring, on wove paper without hand-colouring, sheet 290 x 388 mm (11 1/2 x 15 1/4 in), trimmed to or just outside the platemark, minor surface dirt, unframed, Thomas McLean,  1827; together with a good group of 11 others, including three more of Mathews with one by McLean 'Mr Mathews "At Home" "I like fun_ lets have some fun", and a lithograph 'Mr Mathews in Stories', and another, with 8 further satirical prints, some by John Doyle engravings, lithographs, various sizes, all unframed, 19th century (12) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Conjurors, performers and acrobats.- McLean (Thomas) Mr Matthew's "At Home", etching and aquatint with full hand-colouring, 260 x 165 mm (10 1/4 x 6 1/2 in), minor surface dirt, unframed, 1826; together with 21 further prints, including 'Anthony Madox the surprising English Posture Master', a Gazette du Bon Ton engraving of an English man balancing on his head upside down, a German engraving of Madame Romanini walking on a rope, 'Mr Love the Polyphonist', a French lithograph 'Palais Enchante. Grandes soirées mystérieuses de Mr. Phillipe', several of horse related performances, William Hogarth's 'Columbus Breaking the Egg', and others, engravings, lithographs, some hand-colouring, various sizes, all unframed, 19th century (22) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Indian juggler & sword swallowers.- Machek (Antonín, publisher) Indian Jugglers Medua Samme and his brother Mooty Samme playing with devilsticks, lithograph with hand-colouring, on wove paper with watermark 'in Basel', sheet 460 x 320 mm (18 x 12 1/2 in), minor surface dirt, minor nicks and tears to edges, unframed, Prague, [circa 1820]; together with John Doyle's 'The Indian Juggler, and three other prints with Indian jugglers and sword-swallowing performers, lithographs, 305 x 450 mm (12 x 17 3/4 in) and smaller, minor surface dirt, unframed, [circa 1840 and later] (5) *** The Indian Brothers Medua and Mooty Samme from Madras toured Germany, France, Austria, Italy and Sweden between the years 1813 and 1827. A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

Pablo Picasso (Spanish 1881-1973) "Composition (1948)" Signed and dated 7.10.48 within the plate, titled on label verso, lithograph in colours on wove paper from an edition of 3,000.47 x 74.5cm (framed 65 x 91.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some very light time staining and browning around the edge of the print in some areas, near the mount board. There are one or two minor scuffs and spots of foxing found across the sheet. The print is framed and glazed.

Howard Hodgkin (British 1923-2017) "Alexander Street" Signed, dated '78 and numbered 41/90, hand embellished colour lithograph.34 x 61cm (framed 48 x 75cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Sasha Prakhova (Ukrainian 20th/21st century) "Nude 1" Signed in Cyrillic, titled and dated '97 in pencil in the margin, hand embellished lithograph.84 x 66.5cm (framed 103.5 x 86cm)The print is in good, original condition. There are undulations running horizontally across the paper and a few minor creases. There is a tear in the top margin of the print. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Bernard Buffet (French 1928-1999) "Le Microscope" Signed in pencil in the margin, dated '68 within the plate, lithograph in colours on Arches watermarked paper. image size 55 x 42cm (framed 70.5 x 58cm) Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition. There are some areas of extensive foxing and a few other surface marks found in the margins of the print. There is an area of water damage which appears to have been painted over along the bottom edge of the paper. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Cartier, Paris "Joalliers Depuis 1847" Limited Edition Lithograph Poster Issued 1985, no. 863, pub. Foundation Cartier Ateliers ABC - WM éditions 1985.93 x 62cm (framed 132 x 101cm)

BENJAMIN CHEE CHEE (1944-1977) 'Friends' 1974, a study of three geese, signed and dated within plate lower right, lithograph, 50cm x 39cmNote: Benjamin Chee Chee was a self-taught Canadian artist of Ojibwa descent who is known as one of the most prominent figures of the Woodland School of Art. He was born on March 26, 1944 in Ontario, Canada. Chee Chee gained renown for his spare, elegant depictions of geese and other birds, insisting that these images did not carry symbolic meaning, describing them instead as “creatures of the present.”

Roger Hilton (British, 1911-1975)  Female Figures Lithograph Signed , Roger Hilton , Artist Proof ' 72Framed W65cm x H63.5cm ARR - Artist Resale Rights may be payable on this item.Provenance : Private Collection Note : Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avant-garde movements. He was born on 23 March 1911 in Northwood , Middlesex, and studied at the Slade School of Fine Art and also in Paris, where he developed links with painters on the Continent. At the Slade he won the Orpen prize in 1930. During the late 1950s and 1960s, Hilton's career began to take off and he started to spend more time in west Cornwall, moving there permanently in 1965. In the same year he married Rose Phipps, 20 years his junior, having divorced his first wife, Ruth David. He became a prominent member of the St Ives School and gained an international reputation. He won the 1963 John Moores Painting Prize. In 1964 he exhibited at the British Pavilion at the Venice Biennale winning the UNESCO Prize.

Roger Hilton (British, 1911-1975)  Nude in bath wearing a hat Lithograph Signed bottom right,  Roger Hilton , Proof 72Framed W59.5cm x H54.5cm ARR - Artist Resale Rights may be payable on this item.Provenance : Private Collection Purchased from Austin / Desmond Contemporary Books 1999 Note : Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avant-garde movements. He was born on 23 March 1911 in Northwood , Middlesex, and studied at the Slade School of Fine Art and also in Paris, where he developed links with painters on the Continent. At the Slade he won the Orpen prize in 1930. During the late 1950s and 1960s, Hilton's career began to take off and he started to spend more time in west Cornwall, moving there permanently in 1965. In the same year he married Rose Phipps, 20 years his junior, having divorced his first wife, Ruth David. He became a prominent member of the St Ives School and gained an international reputation. He won the 1963 John Moores Painting Prize. In 1964 he exhibited at the British Pavilion at the Venice Biennale winning the UNESCO Prize.

Thomas Kinkade - Lithograph, titled Perfect Summer Day, framed, H83cm x W112cm

§ Peter Blake CBE, RDI, RA (1932-) Dead as a Dodo; from the Ghosts of Gone Birds suitesigned 'Peter Blake' (lower right); numbered 41/100lithograph, unframed49 x 41cm

§ After Pablo Picasso (1881-1973) The Painter and His Model, 1964lithograph, unnumbered from the Monte-Carlo, Sauret Edition of 300031.5 x 24cmIn nice overall condition; with some light and uniform toning throughout and with some minor acid mat burn to the outermost edges.

§ John Bellany, CBE, RA, HRSA (1942-2013) Call of the Sea XIIsigned 'John Bellany' (lower left); numbered 47/60lithograph, unframed76 x 57cm

§ Karel Appel (1921-2006) Some people together Isigned and dated 'appel 74' (lower right); numbered 32/130lithograph55 x 75cm

§ Paula Rego DBE, RA (1935-) Prince Pig Courtshipsigned 'Paula Rego' (lower right); numbered 15/15, artist's proof lithograph 93 x 63cmProvenance:With The Fry GalleryNot examined out of the frame. The work is mounted to expose all the deckled edges of the print and appears to have been mounted to the backboard at each corner. Upon very close inspection there are some very minor abrasions to the paper support in the lower right corner and likewise in the top right corner. Overall the print appears in very nice and clean condition. The image of the back shows shadows and not any water damage.This work was purchased by our vendor from the Fry Art Gallery

§ Joan Miró (1893-1983) Barcelona II, 1975signed 'Miró' (lower right); numbered 21/75 lithograph44 x 62.5cmNot examined out of the frame, the outermost edges are obscured by the mount and are, therefore, not available for inspection. The print with overall toning, though this is even and uniform in appearance. Where the mount is in contact with the paper support there is some minor acid mat burn. Otherwise in nice overall condition.

§ Henry Moore OM, CH, FBA (1898-1986) Reclining figure against sea and rocks, 1978 (Cramer 491)signed 'Moore' (lower right); numbered 26/50lithograph, printed by J.E. Wolfensberger, Zurich, and published by J.M. Stenersens, Oslo29.5 x 40cmNot examined out of the frame, the outermost margins are obscured by the mount and are, therefore, not available for inspection. The print itself is possibly slightly faded in the sky but is in very nice, clean condition

§ Dame Tracey Emin CBE, RA (1963-) When I Think About Sexsigned and dated 'Tracey Emin 05' (lower right)offset lithograph, published by White Cube in an edition of 100058.5 x 84cm;together with a When I Think About Sex t-shirt, size L (2)Provenance:With White Cube, LondonNot examined out of the frame, the outermost edges are obscured by the frame and are, therefore, not available for inspection. There are light handling creases throughout, but mostly localised to the outer edges. Otherwise in nice condition.

§ Jean Cocteau (1889-1963) Untitled; from the Gitas et Corridas suitefacsimile signed in the plate and numbered 119/200 to the certificate on the reverselithograph30 x 24.5cm

§ Corneille (1922-2010) La femme au chat IIsigned and dated 'Corneille '75' (upper right); numbered IX/Xlithograph, published by J. de Champvallins, Paris, 1975, with their blindstamp52 x 66cm

§ Henri Hayden (1883-1970) Paysage vertsigned and dated 'Hayden 1968' (lower right); numbered 18/75lithograph, published by Waddington Galleries, London50 x 66.5cm

§ Georges Braque (1882-1963) White Dove, 1956lithograph, published by Mourlot for Derriere le Miroir 85-8637 x 26.5cm

A collection of unframed printed and original works from the Drian Gallery, to include fifteen original works by Guelfo Bianchini (1937 - 1997), various sizes; Ellen Kuhn, an indistinctly titled etching and aquatint, signed (lower right), artist's proof; Moris Gontard, Untitled, signed (lower right), numbered 26/300, lithograph; Sigmund Abeles, Self Portrait with Cats, signed (lower right), artist's proof, drypoint etching; Dora Basicio, two untitled etchings and aquatints; an etching and aquatint titled 'Hartgureter I', signed dated and numbered '5/5 GERRIT 67' (lower right); Long Thien Shih, three untitled etchings, variously signed and numbered; and Katerina Wilczynski (1894-1978) a group of eight ink studies of nudes and landscapes, mostly signed 'Wilc' (approx 32) Founded in 1957 by Halima Nalecz, the Drian Galleries played a transformative role in London’s art scene. Born in Lithuania, Nalecz fled war-torn Europe and settled in London in 1947. Initially co-founding the New Vision Centre in 1956, the following year she established the Drian Galleries as a means to support artists rejected by the elite Bond Street galleries.The Drian Galleries, located in Bayswater, became a launchpad for emerging talents like John Bellany, William Crozier, and Michael Sandle. Nalecz’s dedication to artistic innovation gave many their first major exhibitions in England, solidifying her reputation as a fearless advocate for the unconventional.

§ Mary Fedden OBE, RA, RWA (1915-2012) The Orange Mug, 1996, signed 'Fedden' (lower right); numbered 505/550, offset lithograph on wove paper, published by Bow Art in 1996, with their blindstamp, unframed, 32 x 40.5cm; together with Red Sunset, 1994, signed 'Fedden'; numbered 343/500, offset lithograph on wove paper, published by Bow Art in 2000, with their blindstamp, unframed, 35.5 x 49.5cm (2)

§ Henry Moore OM, CH, FBA (1898-1986) Sculptural Objects (Cramer 7)facsimile signed and dated 'Moore / 49.' (lower right)lithograph, published by School Prints Ltd., and printed by W.S. Cowell Ltd.49 x 75cm

§ Karel Appel (1921-2006) Some people together IVsigned and dated 'appel 74' (lower right); numbered 15/110lithograph55 x 75cm

§ Banksy (Contemporary) Peckham Rock, 2018offset lithograph on wooden postcard, produced by the British Museum with the permission of Pest Control12 x 18cm

§ Mimmo Paladino (1948-) Untitled; from the Tane di Napoli suitesigned and dated 'm paladino 1983' (lower right); numbered p.a 1/3lithograph30 x 37cm

Takashi Murakami (1962-) Flowers in Heaven, 2010signed 'Murakami' (lower right); numbered 73/300offset lithograph with silver foil68 x 68cmThis work is from a private source. The work has not been inspected outside of the frame. All corners and edges are visible within the frame, showing the title along the bottom edge. The work appears to have been adhered to the backboard at each corner. The corners are crisp and without folds or creases and print itself appears in very nice condition throughout. The frame is presentable but has suffered some knocks to the top right hand edge.

Eleven Suffolk related titles, including R. Green: 'A Guide to Framlingham, its Church and Castle, with Short Memoirs of the Once Illustrious Possessors of the Domain.', Framlingham, Robert Lambert, [1895], 4th edition revised and corrected, with additions and illustrations, frontis + numerous b/w illustrations from photographs, wood engraved ills. in text etc, original cloth gilt, Nicholas Fenwick Hele: 'Notes or Jottings about Aldeburgh, Suffolk', L, John Russell Smith, 1870, 1st edition, frontis + 4 plates (1 folding) complete, orig. cloth gilt, armorial bookplate to front pastedown of Colonel Henry Wemyss Feilden (1838-1921), British Army officer, Arctic explorer and naturalist, Churchill Babington: 'Catalogue of the Birds of Suffolk; With an Introduction and Remarks on Their Distribution', London, John van Voorst, 1886, map frontis + 7 autotype photographic plates at end complete, original cloth gilt, bookplate to front pastedown of Sir Robert Lloyd Patterson (1836–1906), Irish naturalist and linen merchant, and with his ownership signature at head of title page, Hugh Pigot: 'Hadleigh: the town, the church, and the great men who have been born in, or connected with, the parish', Lowestoft, Samuel Tymms, 1860, 10 lithograph plates (of which many folding) complete, original cloth gilt, James Blyth: 'Edward Fitzgerald and "Posh" "herring merchants" : including a number of letters from Edward Fitzgerald to Joseph Fletcher or "Posh", not hitherto published', L, John Long, 1908, 1st edition, 16 b/w plates from photographs complete, original cloth gilt, much content Lowestoft, Woodbridge, Suffolk coast, fishing etc, Charles golding: 'The Coinage of Suffolk, consisting of the regal coins, leaden pieces and tokens of the Seventeenth, Eighteenth and Nineteenth centuries.', London, Privately Printed, 1868, 1st edition, 6 engraved plates + 9 woodcut ills. & 14 engraved Suffolk armorial bearings complete, 4to, original cloth gilt, scarce title, particularly in the original cloth and in collectable condition, 'The Southwold Recorder', bound volume of the monthly newspaper 1930, January-December 1930, 12 issues complete, each issue approx. 44pp, news/content covers the area of Reydon, Southwold, Lowestoft, Wangford, Wrentham, Kessingland, Walberswick, Blythburgh, Halesworth, Wenhaston, 4to, contemporary cloth gilt, C.H. Evelyn White (Intro., Notes): 'The journal of William Dowsing, of Stratford, Parliamentary Visitor : appointed under a warrant from the Earl of Manchester, for demolishing the superstitious pictures and ornaments of churches &c., within the county of Suffolk, in the years 1643-1644.', Ipswich, Pawsey & Hayes, 1885, new edition, 61pp + [2]pp adverts at end, 4to, orig. cloth gilt, bookplate to front pastedown of William Blyth Gerish (1864–1921), English antiquarian, biographer and folklorist, with 4 pages of contemporary manuscript notes (presumably by Gerish) to blank leaves at end, plus 3 others Wrentham, St. Olaves and Bury St. Edmunds (11)

(John Nash, Curwen Press.) 'Curwen Press News Letter No. 14. November 1937', London, Curwen Press, 1937, auto-lithograph cover design by John Nash printed in four colours, content includes Walbaum Italic Typeface and ‘Decorative Borders’ including Edward Bawden’s latest design, etc., [8]pp, slender crown 4to (26 x 19cm), original stitched pictorial wraps (a fine copy)

(Graham Sutherland, Curwen Press.) 'Curwen Press News Letter No. 12. June 1936', London, Curwen Press, 1936, original lithograph surrealistic cover design by Graham Sutherland, described by Pat Gilmour in her book 'Artists At Curwen', as a "rather splendid bivalve design with rich red and black crayoning", content includes Includes ‘Job Printing’ by Beatrice Warde (writing as Paul Beacon) illustrated Eric Ravilious, etc., [12]pp, slender crown 4to (26 x 19cm), original stitched pictorial wraps (a fine copy)

After John Wilson Carmichael(1979-1868)Tynemouth on Ascension Day,hand-tinted lithograph,published by Bevan & Storey, Newcastle, 53 x 76cms, 81 x 105cms overall.